Parallels - Good Omens Seasons One & Two - Part One

Links to [ Part Two ] [ Part Three ] [ Part Four ]

she is actively making fun of his sonic

to be loved is to be changed

Haruki Murakami South of the Border, West of the Sun // Robert Bly In the Month of May // Ocean Vuong On Earth We're Briefly Gorgeous // art: unknown quote: Fyodor Dostoeyevsky The Brothers Karamazov // @x2s (via @llovelymoonn) // Bianca Sparacino // Noah Kahan You're Gonna Go Far // Katja Kemnitz Too Much Love // Charlotte Eriksson Everything Changed When I Forgave Myself

Via @YesterdaysPrint at Twitter. (and also @yesterdaysprint here)

You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.

The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.

It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.

Revolutionary Girl Utena (1997) - 10th Anniversary Remastered DVD Cover Artwork

They are avoiding the rain, poor guys!

this art is HEAVLY inspired by Jack T Cole's incredible "Through The Forest" so please go check it out!

actor au wally for you guys to nom on while i work on oc/story lore :3 i agree he's adorable, but also like. the prettiest man. ever. and i would tell that to his face. everyday.

actor au belongs to @frillsand >w< i love their work and au so much

alt version under the cut, done by request of a very good friend -w-

hehehehe oh to give him a smooch and watch him turn as red as his bow >:3

The Vestiges of Divergence. In the Great Calamity, these weapons of war were created to strike down the gods themselves. Believed too powerful for mere mortals to wield, the vestiges were scattered across the lands. Buried, lost, forgotten. Or perhaps... waiting to be found. The Deathwalker's Ward is one such vestige.

them 😭 our boys 😭😭😭

the water’s warm

Part 16

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Also I love drawing unmutated Donnie so much, with each update he gets more and more scrunkly

I had to physically restrain myself from drawing his nose any longer.

Also Leo is a menace, and no matter when happens, as a brother he is contractually obligated to make fun of Donnie. It’s just instinctual.

(Don’t mind me, just dropping in some lore… or well, dropping it on Donnie)

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