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#Alejandra Cordova
oncexinxmyxdreams · 7 months
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Encanto OC Event Week 2: Mercedes and her twins. Madre e Hijas
Week of relationships! Not sure what to put here. Mom and daughters each designed their own Mochila bag. Mercedes painted flowers. Alejandra decorates her with ribbons, cords and a bead chain. Francisca, she didn't design hers. Alejandra made her a chain out of green glass beads to dress it up.
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Let's start at the beginning! Mercedes was shocked and numb realizing she got pregnant so fast after marrying Pablo. (It was just one time!) He was too, but still cheerful and reassuring. His mother, Perla, eventually realizing Mercedes was forced into the marriage when told otherwise, offered comfort. Mercedes steadily grew happy and took one day at a time. It wasn't an easy pregnancy with aches and nausea. While the family was out of town for the day, working out details for their cantina, Mercedes realized she was in labor and gave birth alone. The family came home just in time to find a minute old Francisca snuggled against her tearful, but overjoyed mother. They were able to assist with Alejandra's birth and good thing because she was breech!
Though Mercedes and Pablo discussed names, she chose them. She'd always loved the name Alejandra. It sounded like a brave and kind heroine for a romantic novel. Francisca was a possible name, but not expected. Everyone guessed the twins were both boys or one each. (Sons were common in the Salazar line.) Mercedes might've named her firstborn Alejandra. Yet when she first held her baby, she knew her name was Francisca. She could never explain it.
Mercedes and Alejandra were most alike. They're similar in creativity: both enjoying art while Mercedes was a painter with Alejandra making jewelry and glass. Right down to the full lips, dark brown hair, face shape, and jade green eyes, they look near copies. They're close in personality being caring souls and hopeful though Alejandra clings to the past instead of looking forward. Together they enjoyed doing craft projects, cooking and fixing each other's hair.
Mercedes at first worried about Francisca. Her firstborn crawled and walked later than her twin. She fretted that she did something wrong. However, things changed when Francisca was a toddler. So much changed that Mercedes was confused. She wasn't sure why Francisca wasn't physically affectionate or didn't play like other kids. However, she soon figured her child's growing personality and could read between the lines. Francisca could be loving: more with words and would give hugs though not as warm or often like her sister. She preferred solving puzzles for fun. Mother and daughter had their own way to bond. Mercedes would try playing chess with her and they'd guess riddles. They could have deep conversation about things Francisca couldn't understand. Mercedes always gave attention to Francisca's migraines. She tried every home remedy she learned and comforted her.
Both daughters loved her dearly. They appreciated her hard work, love and strength. Besides, her cooking was great! All three did chores together; gardening was a favorite. They all liked running errands or just taking long walks. After the marriage annulled, the twins showed their mother extra support. Alejandra would cook breakfast so Mercedes could sleep later after night shifts. Francisca worked for extra pay. She also wasn't afraid to stand up for her mom when needed. There were rumors going round that it was Mercedes's fault that Pablo's marriage was annulled. "She must've failed as a wife for him to cheat!" Remember how I said Francisca wasn't afraid to call BS when she saw it?
Mercedes loved both her twins equally and appreciated their differences. She never pitted against each other or have them worry about favorites. Like a good mother, it broke her heart to see them in pain be it physical or mental. She was proud of them, but like any parent was concerned. She knew their flaws and guided to wise choices. She wanted Francisca to have more compassion. (This partially influenced Francisca's work in medicine.) She hoped Alejandra would gain confidence in herself.
Mercedes was upset that Pablo didn't contact their children, but decided she'd fill the roles of both parents. She did her best right to her last breath. Rest assured, she'd be thrilled to know her daughters meet the Madrigals, especially Bruno. He'd be surprised that one of them shares the name of his favorite telenovela heroine: Francisca.
@encanto-extended-edition
Don't worry I'll get to the friendships they each have with Bruno. 😉
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shadowcatgirl09 · 4 years
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that defeated the Devourer
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cruellala · 3 years
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'Cruella!', la película de 'Hd', ya tiene fecha de estreno en España
REPELIS!]Ver.Cruella! 2021 PELICULA Completa Audio Latino Un boxeador fracasado descubre un secreto familiar que lo lleva a un torneo místico llamado Cruella! donde se encuentra con un grupo de guerreros que luchan hasta la muerte para salvar los reinos del malvado hechicero Shang Tsung. ✽VER AHORA]»☞ https://tinyurl.com/pprf82y
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Lanzamiento: Duración: 8 minutos Género: Ciencia ficción Estrellas: Gerson Bojalil Planter, Alejandra Guadalupe Cordova, Ivana Mancera Matus Director: JB Minerva, JB Minerva, JB Minerva
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Cruella! pelicula completa online gratis ver Cruella! pelicula completa en chille — repelis ver Cruella! pelicula completa en español latino hd Cruella! pelicula completa pelisplus ver pelicula Cruella! online gratis Cruella! pelicula completa gratis Cruella! pelicula completa español Cruella! pelicula completa descargar ver Cruella! pelicula completa en español latino online Film, also called movie, motion picture or moving picture, is a visual art-form used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound, and more rarely, other sensory stimulations.[1] The word “cinema”, short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. ❏ STREAMING MEDIA ❏ Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content. Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is. Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”. ❏ COPYRIGHT CONTENT ❏ Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13] Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14] Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration. It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet an-Watch!- Jumanji: Level One — full (2021) — Movie HD Denmarkd Van Gogh, Picasso, Manet, and Monet, etc.[15] ❏ GOODS OF SERVICES ❏ Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date.[1] In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people. The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment.[2] Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.
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oncexinxmyxdreams · 6 months
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Encanto OC Event Week 3: Efecto Mariposa. One Family
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(Cute inspiration about the twins when they're kids. Alejandra's inspired from Bingo Heeler from Bluey and Francisca's from movie version of Matilda Wormwood.)
🎶Bruno married Mercedes. Now they're expecting 2 babies. And that's how Abuela became an abuela! Let's go! Let's go! 🎶
Mercedes, like canon, spends her pregnancy nauseous and achy. Thankfully Julieta's cooking helps. Even Bruno gets up and makes simple food for his wife. He showers her belly with kisses and gentle taps for good luck. Pepa makes baby blankets. Casita creates a nursery in Bruno's room. Alma's excited to have a new generation who'll make the family stronger. When Mercedes suggests the name Alejandra for a girl, Bruno instantly loves it. He also loves Francisca if they have another. He thinks it's the perfect name for a fearless hero in a telenovela. They come up with Horacio and Inigo for sons. (Their middle names would be Pedro and Armando in honor of their fathers.) Interestingly, Horacio means "Timekeeper" and Inigo means "Fiery."😉
In May, Mercedes feels the beginning of labor late at night, but the contractions are far apart. She doesn't worry remembering how her mother's labor went with her half-sister. Pepa, Julieta and Alma are further in town the next morning. Instead of being alone, Bruno's there the whole time providing comfort. The rest of the family arrives just in time as labor gets stronger and Mercedes's water breaks! Then it gets crazy. Bruno's pushed out of the room. Pepa can't control her worry which causes a storm. Alma's frustrated and takes Pepa out to calm down. Julieta's keeping her cool the best she can. She's helped with deliveries, but she's nervous doing it for her sister-in-law. Bruno can't take it and tries pushing the door down, until Casita lets him through. He's there for the delivery of his daughters. With happy tears, he holds Francisca and washes her while Mercedes delivers a breech Alejandra. The family is overjoyed with two babies. Alma holds back crying, wishing Pedro was there. That night she checks on Bruno and quietly sobs. In the warm candlelight, he's snuggled with his wife and twin daughters; arms protectively around them. It's a bittersweet moment for Alma, but reassured knowing this won't end in tragedy.
Bruno and Mercedes share all the responsibilities of raising the twins. They change diapers, handle colic and crying fits in turns. Mercedes has a hard time nursing and worries she's failing as a mother. Bruno encourages her and stays up for late night feedings. Once she gets the knack of it, he savors watching. It fills his heart in a way he can't describe seeing his wife nurse their children. They develop a favorite nursing position. Cuddled in bed, Mercedes holding one, Bruno holding another against her breast and his free arm draped behind his wife. Their heads gently nudged so Bruno can whisper to Mercedes that he's proud and loves her so deeply.
Julieta and Pepa love being aunts. They spoil their nieces with hugs and smooches. Alma savors being an abuela and watching her grandchildren grow. Bruno's over the moon, the stars and beyond. He doesn't do visions as often and spends any free time with his babies. Even after a terrible day, he feels better seeing them. His favorite thing is to lie in the hammock, twins against his chest and softly tell stories. Their mostly about Mercedes. So we know how the twins were with their mama. How about with their dad? Since Bruno and Mercedes have a healthy marriage and truly love each other, it makes an impact on the twins' lives compared to Mercedes being with Pablo. As they grow, they can talk to Bruno about anything because he's understanding. There's no favorites or expectations.
Alejandra is Bruno's shadow. They love playing make believe games. She's a pile of giggles when Hernando and Jorge show up. She even tries her own versions with her blanket and mixing bowl. When Bruno has to leave for visions, she'll say "Don't worry Papi. All good visions today." When he comes back after a bad day, she'll say "Knock on wood Papi. Tomorrow's better." When she's scared around new people, she'll hide under his ruana. She'll do it trying to surprise him and Bruno plays along wondering where she went. She loves the rats and treats them like babies.
Francisca's still antisocial, but she bonds with Bruno. He actually sees her for who she is and does what she likes compared to Pablo. He reads with her and challenges her with puzzles/riddles. He draws with her while she learns sketching. Bruno's unbothered that she's not a hugger. She learns to write fast and leaves notes to the family about how she loves them. Bruno finds them on his desk and vision cave. Speaking of which, Francisca prefers watching his visions. She's not afraid of them and is curious how they work. She's more patient with animals and doesn't mind Bruno's rats. She can be arrogant, but gently reminded to be humble.
Mercedes and Bruno usually spend Saturdays outside with the girls. Going for long walks, playing in streams and having picnics. If the girls are sick or having nightmares, they're allowed in their bed. Francisca learns the piano young and she has concerts for her family (and the stuffed animals.) Alejandra makes bracelets and necklaces for everyone. For one of their parent's wedding anniversaries, the girls say they have to marry. (They're 3 then.) Mercedes and Bruno comedically reenact they're wedding ceremony. The next year, the girls do a play how their parents met. If Bruno's had a lot of visions requests, he has to deliver vision tablets to townspeople and the girls go with him. Sometimes together or just one. The deliveries aren't as tense with them. Some people have a better reign on their reactions when his children appear. Bruno's eternally grateful for his family and he'll do anything to make sure his daughters don't struggle like he did. He and Mercedes are going to have a major challenge when they get their gifts.
(I think I'll save the rest after the Encanto OC Event. My brain's tired sorting this all out. 😅)
@encanto-extended-edition
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Motociclismo & Rock N Roll por el 106.7FM Política y Rock N Roll Radio Los esperamos todos los jueves a las 20:00 h rs. (GMT-7)
Con  @Alex Palma @Hector Cota @Omar Landeros @Esther Contreras @Luis Leon Cordova @Alejandra Valle @Nadia López  @Chopperoso Customs #LargaVidaalMotociclismo #BikerSonora #SonoraRiders #MotociclismoyRocknRoll #Motociclismo Síguenos en: Twitter: https://twitter.com/YRocknroll Instagram: https://ift.tt/30OtlkH Y en la página https://ift.tt/2xt2Lo7
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everyone-sacritic · 7 years
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I'm not the encantrix everyone thought I would be.  Right now, I'm just a girl, and there is also magic in that.
Zoraida Cordova, Labyrinth Lost (2016)
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Labyrinth Lost – Zoraida Cordova The second time I saw my dead aunt Rosaria, she was dancing. Earlier that day, my mom had warned me, pressing a long, red fingernail on the tip of my nose, “Alejandra, don’t go downstairs when the Circle arrives.” But I was seven and asked too many questions.
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campaignsoftheworld · 4 years
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The One Show 2020 - Change your destiny
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Five more humorous spots from Lanfranco & Cordova, NY and Lima, Peru, have been released to promote The One Show 2020 call for entries, deadline January 31, 2020, Change your destiny. Playing off the idea that a little bit of luck can help a piece of creative work stand out from all the great competition, Lanfranco & Cordova traveled to the Peruvian Andes to enlist the mystical services of Cleofe, an actual shaman who blesses entries. The first spot of the entertaining “Change Your Destiny” campaign launched in September 2019. In the new :30 spots, the agency takes us behind the scenes to watch Cleofe blessing creative work that has actually been submitted to this year’s One Show: "8000km Runway" by Goodzilla/Shanghai for Jack Jones "Dietz Nuts" by Red Tettemer O'Connell + Partners for Dietz and Watson "Stop At Nothing" by Widen+Kennedy London for Nike "Martha & Snoop's Potluck Party Challenge - Titanic" by VH1 Virtual Blessing “Winning a One Show Pencil is both a great honor and extremely difficult,” said Rolando Cordova, CCO, co-founder, Lanfranco & Cordova, NY and Lima. “We decided to offer agencies and brands some help this year by working with an actual Peruvian shaman to star in the campaign and give positive energy to all the work entered in the show.” According to the agency, the campaign concept has some roots in reality. The co-founders said they know some creative colleagues who go to various lengths to give their work good luck before entering it in awards shows for judging. “We partnered with local production company Señor Z in Lima and traveled to the remote Peruvian Andes to find Cleofe, who practices ancient blessing rituals,” said Gian Carlo Lanfranco, L&C CCO, co-founder. “He was great to work with, and serves as the centerpiece of these fun content films.” “The beauty of the idea is that it’s simple and entertaining,” said Kevin Swanepoel, CEO, The One Club for Creativity. “The One Show exists to elevate and celebrate the best work in the world. With so much amazing creative work entered each year, a little bit of extra luck could make the difference in an entry breaking through with our judges.” Credits Client: The One Club for Creativity Brand: The One Show 2020 Agency: Lanfranco & Cordova, New York and Lima Chief Creative Officers: Rolando Cordova, Gian Carlo Lanfranco Creative Director: Ken Tokashiki Copywriters: Gian Carlo Lanfranco, Rolando Cordova, Ken Tokashiki Art Directors: Ken Tokashiki, Franco Solsol, Gian Marco Chavez Production Company: Señor Z, Lima Directors: Bacha Caravedo, Chinon Higashiona First Assistant Director: Alejandra Gomez de la Torre Director of Photography: Chinon Higashiona Art Direction: Bettina Fiol Head of Production: Lorena Ugarteche Executive Producer: Marinés Contreras Field Producer: Carmen Tineo Gaffer: Edmundo Febres First Camera: Cesar Vallejos Chengue Second Camera: Arturo Aljacriña Technical: Leonardo Aguirre, Walter Espinoza Production Assistant: Maria Fuentes Prop Master: Miguel Angel Verano Casting: Pamela Huaynalaya Editor: Ignacio Ugarteche Drone Operator: Ignacio Ugarteche Audio Director: Sebastian Legaspi Post Production and Coloring: Eduardo Arriagada Wawin, Miguel Méndez Audio Post Production: Zumba (Arturo Arellano, Rodrigo Malnati) Tags: 2020 One Show, Mother Land, The One Club Club for Creativity, The One Show 2020, Dietz & Watson, Dietz Nuts, Stop At Nothing, Widen+Kennedy, London, Nike, VH1, Potluck Party Challenge, One Show Pencil, Lanfranco & Cordova, Change your destiny Read the full article
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