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#AHHH SO MUCH HERE !!!
spaciebabie · 11 months
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love loses
based on this post
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mipexch · 6 months
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there's something so beautiful about rain world's art style that i can't properly put into words
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mintjeru · 6 months
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chibifies your joongdoks 💕
open for better quality | no reposts
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darqx · 1 year
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Check out my freakishly awesome prezzies from @gatobob! :DD (Sans some of the candy...because i ate them already XD We also get the added fun times of finding out what candies melt going from the freezing depths of Canada to the summers of Aust LMAO)
And why yes those are light up TPOF keychains (plus a special Rire one just for me :3cccc)! Why yes Gato has a bunch of these lying around! 👀 HMMMM.
GATO I think you should just put these in your shop, I mean we used this as a mailing test and if it can get through like 3 customs without being flagged I think you’ll be right for anywhere else XD (The li-ons are so small anyway i dont think 12 of them even constitute one “proper” battery lol)
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aveyna · 2 months
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Artwork by Keyboardkn0t over on Discord for~!! THANK YOU SO MUCH; their style is super pretty & expressive!!! I really love the inclusion of roses here!!
The glitchy effect on the title is super cool, & Vox is genuinely one of the creepiest demons ever. The glowy effect on his smile is super ominous!! And Alastor looks incredibly heartbreaking; you really nailed their dynamic in my fic!
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emmetofthestars · 6 months
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they are so stupid. doctor sex and his evil clone doctor sex you decide which is which
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swapping their hairstyles in this doodle made me really realize how much i need them to keep their hairstyles or else they look off.
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completeoveranalysis · 3 months
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[5]
I WISH I HAD THE CONFIDENCE TO BELIEVE HIM BUT STILL
DO YOUR BEST LAVA LAMP!
WE'RE MOSTLY ROOTING FOR YOU!
And OH the framing of Lava Lamp against Sakura in the background, frozen in the EXACT moment of his greatest doubt, framed by two falling pillars of water.
AND THE SQUINTING GLARE FROM SYAORAN TO HAMMER HOME THE MOMENT.
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Oh fascinating! Syaoran turns away from the fight and Lava Lamp pursues, ready to finish the fight between them. Syaoran vs Syaoran etc etc the big showdown to tie it all together for the third and final time.
BUT FAI AND KUROGANE FACE DOWN EVIL WOLVERINE WITH INSULTS, READY TO FIGHT THE PRICK AT THE CENTRE OF THE UNIVERSE
And we know Evil Wolverine won’t play fair but OH I love the symmetry of it all. That Lava Lamp’s big arc has been seeing himself as the cause for all the problems in the world, and so he has to fight Himself as the final conflict. So Fai and Kurogane get the confrontation with Evil Wolverine here, as they’re in a Much More Direct View of How He Has Hurt Them Specifically and want to make things even. C:
As they deserve!
AND JUST THE. The sheer joy? That Evil Wolverine set them up as enemies, set Fai up specifcally to KILL Kurogane, and planning for him to die as well, and yet here they are? Facing him together? Alive and IN LOVE? Flirting to rub it all in?
Flirting as a sign of defiance?
To show that actually he's not that great, and his plans resulted in THIS? In these easy enemies choosing EACH OTHER and saving themselves from him?
That all his plans only proved how little he could understand them, or what they would do, or what they would CHOOSE? That he didn't accurately predict ANYONE well enough to have the plan work out how he wanted?
That his greatest plan of all time failed and ended up with them in love and standing here, at the centre of it all, and insulting him to his face?
And like Kurogane says, that HE'S the prey now? That Evil Wolverine always thinks he's in control but now they've turned the dynamic around on him instead?
That they're quite specifically here to kill him? TOGETHER?
I just can't get enough of it.
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spottedenchants · 11 months
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hey y'all what are some of your favorite under-the-radar campaign 2 moments? like tiny glimpses of character or setting or dynamics that stick out in your mind but you don't see mentioned all that often?
some of mine are
molly kissing the top of yasha's head and yasha kissing his cheek back
caleb getting the party to pause for him so that beau can take a rest and beau saying 'you made vulnerability look so easy'
rosohna's griffon riders
jester braiding caleb's hair while he's looking through frumpkin
darrow getting a nat 20 on a blinding smite + divine smite against fjord, and caduceus not cancelling it, instead preparing spare the dying
jester picking flowers for nott
mythburrow's entrance
nott and caleb planning caleb's 'heart attack' to help the nein stay together
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boyfridged · 1 year
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You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.
Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.
I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.
Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.
oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.
tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.
and the long, long version, coming with panels and quotes: under the cut.
first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.
i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.
bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)
i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"
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this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.
so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.
the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."
the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.
but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.
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so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.
that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.
we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.
the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.
and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.
which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.”  to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.
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faresong · 4 months
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Qingyuè (清越) Satou; maiden name Lin (林)
small reference sheets...
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magicwhiskers29 · 4 months
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Happy final Flora Friday of the year!!!
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Here's a collection of Flora sketches of different designs! In order, there's:
@ballwizard's Gentleman's Teabreak Flora
@deadinsideart's older Flora
@splashzix's NWoS Flora
@the-river-of-light's fancy dress Flora
@shittyclive's Flora with bugs
@magicwhiskers29 (My) Autumn disguise Flora
@magicwhiskers29 (Also my) Older adventurer Flora (new for this, so no link!)
@the-river-of-light's LMJ-era Flora
For a few notes on my new adventurer Flora, this is an idea for her maybe 8-10 years post-UF? She's taken a lot from Emmy, and is now off on her own adventures!
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citrlet · 10 months
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rosalie "ro" reilly | a.k.a sarachne
new york's not-always-friendly neighborhood spider
chronically fatigued, coffee addict, purple purple purple, prone to nosebleeds, has read more greek myths than you, has never had a phone that lasted more than a month, not a dog person, Does Not take orders, has an intense sweet tooth, second language is memes, steals from the criminals she catches
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yuriyuruandyuraart · 10 months
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AFTERMARE WEEK: Day 7- the end of a beginning/ the beginning of the end
make me believe and raise my hopes up one last time, then haunt my dreams for the rest of my life
aftermare week is hosted by @bluepallilworld
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vinnigami · 4 months
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January 4 2024
I know your demons have a marker in battle to show that they’re yours but sometimes I just don’t see it and get very confused. i should be able to give my mokoi a hat or something so i stop accidentally attacking it. it’s getting embarrassing.
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poorly-drawn-mdzs · 10 months
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Hi! I just wanted to say how much I adore the comic and art you make. You’ve put so much work into making this a long term project and your dedication really shows!
I hope you have a nice day! Here is a little sketch I am handing you a guy
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Hands you a wwx that is so squishable.....
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ni-kol-koru · 5 months
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Drew something as a little gift for @transmasckagami ❤️✨️ This is a way of me saying 'Thank you' for all the nice things you said about my art, I hope you will like it ❤️
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