Our goalie prince is back on ice, rejoice (rejoeyce?)!

(Picture credit to Joel Auerbach, Joe Sargent and Kevin Sousa)

Joey Gibson

u already know wtf goin on

Joey Heatherton

DANHAUSEN FANS PLS WATCH "DEFY: HERE AND NOW" LIVE ON YOUTUBE ON MAY 10TH!!!!!!! ITS FOR FREEEEEE AND HES WRESTLING MY FAV INDIE WRESTLER OF ALL TIME, RAVENOUS RANDY MYERS

ok ok ok

new crack ship

Scrags x Curt Mega

hear me out!

This is almost entirely based on two facts: 1. Spies are Forever and The Solve it Squad exist in the same universe 2. Scrags and Owen Carvour are both played by Joey Richter.

But also, they have both lost someone close to them and deserve somebody who helps them heal from the trauma.

Now imagine the following scenario:

One of the Solve it Squad's mysteries happens to be related to the same organisation/person/something, as one of Chrt's missions. They don't immediately run into each other and whem their paths eventually cross, they don't interact, the squad just runs past Curt or the other way around. But when Curt sees them more specifically when he sees Scrags- of course, he instantly recognises his face. Curt doesn't understand. Owen? Did he somehow survive their last encounter? Did he trick Curt and only faked his death? Is he secretly behind whatever mission Curt is currently on?

Curt starts investigating and makes contact with the squad. They work together to solve both their mystery and Curt's mission. At first, Curt only treats this alliance as a way to get behind what's up with Scrags and him looking like Owen, which is why he makes sure to spend a lot of time with him. He realises pretty quickly that Scrags can't be Owen, but he stays with the squad until the end of the investigation because even if he won't admit it, he enjoys their company - especially Scrags' of course.

Curt is pretty annoyed by the squad's inability to stay focused on the mission and how unprofessional they act, but he actually fits in with their chaos quite well, and once he gets used to it, this less strict environment takes off some of the pressure from him. Meanwhile, Scrags really appreciates working with someone who actually takes their job seriously for once. (Scrag's history with the fbi plays into this somehow)

Of course, they end up bonding over their shared trauma of loosing the person/dog closest to them and forming this close relationship with somebody who really understands their pain helps them to fill the holes Owen/Cluebert have left.

The long game would not be for Curt to join the solve it squad, but rather to become a recurring character. The solve it squad just occasionally collaborates with Scrag's spy boyfriend now.

I'm so mad they did Norman dirty again!!!

especially after The Horrors (tm) of last night's game, this one was SO refreshing to watch. high octane pure joy!!!!

Let's Swing A Little, Saint Nick: Joey Heatherton doing a wicked shimmy with Santa Claus, heading a USO tour, circa the mid-'60s.

Joey Gibson

"Friends till' the end...right?"

-----

-Friendship-

"Now to see if I can finish Day 2 for tomorrow" I say, discovering that yes, I managed to finish Day 2 for the next day but I couldn't post because my Internet died for 2 days,preventing me from posting and it only came back today. Fun.

Day 2,"Friendship". A rather complicated prompt considering that I can think of several friendships that can be drawn,both in canon and in AUs. But I've been wanting to draw something with Joey,Abby and Henry for a while because I like the idea of their friendship. I like that chapter on TIOL where they are together creating Bendy, it's nice :) (I also like the chapters with Joey and Abby, they are also nice) I would say that,as a fandom,we should have more drawings with these three together. I'm here contributing to the cause (hoping I make more of them in the future)

I had to improvise younger versions of them on the fly,since the times I draw these three are usually them A) already older (their default designs) or B) way WAY older (Joey, basically)

I think this photo was taken in times before the studio opened. Maybe a few weeks before? A year earlier, in '28? I don't know, but it's definitely pre-JDS days.

Abby had…hmm, longer hair? (Although she doesn't have short hair in the default design, she usually has her hair tied back) Oh, and the bangs (if I can even call it that???) were shorter and on the side. Henry had slightly longer and messier hair, was a little shyer(?) and had a better sleep schedule. Joey? Slightly different hair and an attempt to grow a goatee. Joey dear,remove that thing,it doesn't suit you one bit. (Oh, also,BATDR suit)

But the big difference at the time is: They were friends. Still. And they were happy. :)

I imagine Abby has that photo. To reminisce about old times, you know.

🎀Joey Heatherton🎀

Joey Heatherton

Apologies if you've already answered this, but do you have a favorite era of movie Elvis? Mine is the seventies. 😍

I've actually never gotten this question. I would go with 60's Elvis. I like all of them, but I do love me some 60's Elvis more lol.

Peter Tork performing “For Pete’s Sake” in Michigan, August 1987. (x)

“The lyrics [to ‘For Pete’s Sake’] were just out of the air. It was basically just me playing these chords at my house, and my then-roommate, Joey Richards, was with me, and he threw in a couple of odds and ends of lines as I was going along. It just fell right into place. There was no particular reference, we weren’t thinking about anything much. The lyrics sound a little silly to me now, but it was okay. [...] [It was] my first song on a Monkees record and my first song that I had written.” - Peter Tork, Headquarters 2007 liner notes

“The thing about it that I remember is that one note is an added fourth, it’s not suspended. It was so weird and it sounds so funky. I was really pleased with that. It just fell out of my hands, you know? It was one of those things where my hands just wrapped around the guitar and that’s what they did. It was my first song on a Monkees record and my first song that I had written. There was one song that I wrote before that in… oh god, I don’t know… ’62 or something like that.” - Peter, The Monkees Day By Day

“I came to a halt at the third line and Joey threw in a line. The lyrics to For Pete’s Sake are kind of teenage in its grasp of the issues shall we say, the depth of its grasp of the issues but it’s certainly a fun song.” - Peter Tork, Rock Cellar Magazine, 2016

“Mike named it. He’s fond of naming songs with utter disregard to the content, theme, or lyric of the song. He just thought it was funny to call it ‘For Pete’s Sake,’ and I thought that was cool. I hadn’t thought about a title when I brought it in to the studio. They said ‘Sure, this is a good song, we’ll put it on the album,’ and there you go. Bob Rafelson, one of the producers, decided to use it as the ending theme for the show. I’m proud of it, sure. And also the fact that I wrote two songs in the movie Head — ‘Can You Dig It’ and ‘Long Title: Do I Have to Do This All Over Again.’” - Peter Tork, Mental Floss, 2014

“Check the lyric ‘A Better World’ for a rather more sophisticated and for my money a more direct and useful approach to the issues at hand although it was wonderful to have the song selected as being the closing theme to the TV show from the second season through all of its reruns. […] ‘A Better World,’ which was written by my brother Nick [Thorkelson] and I produced it. […] I think it’s a very good song and it’s easy to listen to. It’s not turgid or thick but it’s very significant. I think it talks to a very important world point. I’m just pleased as hell to even have had a chance for it to go on a limited edition thing. I would have liked for it to have been on the original album [Good Times!] but it didn’t come to pass that way.” - Peter Tork, Rock Cellar Magazine, 2016