Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.
Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now
Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.
Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!
Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.
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Harrow the Ninth Reaction - Chapter 45
‘An amount of time before the emperor’s murder’ oh this is getting ridiculous
ohh Abigail leading Harrow away feels slightly bad to me, i hope they’re who they say they are and not fake/malevolent
huh, what is up with the horned animal imagery and Lyctors. i doubt its anything meaningful, but given the rest of the religious imagery in the book it might make sense if its a ram or some other religious-y associated animal
and the Harrow’s memory Dulcinea IS the real one, because she’s a ghost! ooh i can’t wait to see what she’s really like
and yay, Isaac and Jeannemary are safe … kind of … in a manner of speaking? as safe as a ghost can be i suppose?
oh wow so Silas’s whole murder/suicide of himself and (presumably fake mindscape) Corona was him just being a dramatic little bitch who didn’t want to play along. iconic of him
okay, so from what Abigail’s saying the River is supposed to be only a temporary place, where souls are supposed to move on to whatever’s ‘beyond’, but something unnatural has happened and stopped them from doing that. i love that she’s dead and still theorising and also a little mad that she couldn’t write a paper about it. we got such little of Abigail last book before she died and i’m loving seeing more of her here
and Ortus is actually the real Ortus, i wasn’t expecting that. also they found out midway through about the bomb but couldn’t disable it?? thats a really awful way to go, knowing you’re gonna die and there’s nothing you can do to stop it. and i hadn’t even thought about the poor pilot that might have also been killed, i assumed the shuttles were auto-piloted or something
also Ortus is remarkably generous to Crux rn for a guy who murdered him
oh Harrow is beating herself up so much for her previous attitude and actions towards Gideon and Harrow - yes she did absolutely treat them poorly, but its also wound up in a whole lot of guilt about their deaths, neither of which were her fault
and Harrow also just cannot accept that it was ultimately Gideon’s decision to die. even if she has good intentions in that its coming from a place of deep care for her, Harrow is kinda diminishing Gideon’s final choice here
‘I was, and am, a grown man, and you were both neglected children’ oh this is tearing my heart out, someone finally acknowledging just how fucked up Harrow & Gid’s childhoods were, and how young they were to be in such awful positions. and Harrow with all of her guilt over everything, just cannot accept that she might be a child who was hard done by
and she finally isn’t totally rejecting someone’s comforting touch! i wasn’t expecting Ortus and Harrow’s dynamic to go this way, but i really do love it
fuck yeahhh! confirmation that Gideon the First’s name is in fact, Gideon the First! and i am also very curious as to why Gideon’s mother, whoever she is, was saying said name as a revenant
this message seems to be differentiating between ‘our civilisation’ and ‘yours’ which is strange. these are very likely from the Sleeper then. also i am facepalming because it took me until the end of this chapter to realise that the invading soul was in fact the Sleeper 💀
‘I am going to exorcise the Sleeper’ we are getting a ghost hunt with Abigail and Magnus!! kind of
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What Can the Damned Really Say to the Damned?
Just a bit of meta on my favorite scenes from episode one of season two!
Louis and Lestat in the Field
At this point and time, using context clues, we know Lestat is conjured up from Louis' mind. Personally, I think Louis conjured him up due to the fact that he's surrounded by dead bodies and the most recent "dead" body he's cared about is Lestat. So now, he's thinking of his past love and the murder of him, the only time he's felt like he murdered someone. "Oh love, I'm merely waiting until you're happy." This seems to be the opposite of what Lestat has done to Louis in season one. He would always try and catch Louis when he was down and make the situation worse e.g. Paul's death, the church turning, the closing of the Azalea, the riots, etc. It's interesting, especially, considering Lestat isn't actually saying any of this. Crazy how Louis' brain is working in this moment. A friend of mine also brought up that Louis is in a period of desperation and despair and I think it may have brought up thoughts of home, the home they left Lestat to die in.
Claudia and Louis' Argument in the Boiler Room
The first time we actually hear, from her own mouth, how much Claudia resents Louis for the fact that Lestat is still looming over them. "I forgave you for messing up my plan, I did not forgive you for bringing him with you." Louis, in that moment, seems to want to make nice with people on their journey and dismisses Claudia's concerns and ideas, which may build even more resentment. "I'm looking for one, just one, that ain't a goddamn bastard!" Her search for vampires seems to be her both wanting answers as well as her own companion to escape the bastards she's encountered as a vampire.
Claudia's Dreams/Nightmares
This one is a bit tricky for me to understand because the only thing I can think of what Louis is trying to say is that she is lying, but I don't think he'd call her a liar. I believe Claudia only said she couldn't dream because Louis was getting on her nerves. I hope to God that is not the angle we're going with because I will personally raise hell for her.
Morgan Asking Louis for Help
Very short point but it's so interesting that Morgan thought Louis would help and I was somewhat surprised that Louis left it alone. I think that those four years have hardened him just a bit and he's over the humans for now. Another point, a bit of racism slipping through that Morgan thought the Black man was going to help.
Daciana and the Fire
Two interpretations of this scene and I'd like to believe that the both of them have some truth to it. One (brought to me by my friend @nakiaslilhoodoo), Daciana and her killing her children relating to Claudia. Even in season one, we see just how much he cares for Claudia, even going so far as to postponing his suicide so that she wouldn't have the memory of her brother dying on the same day as the beginning of her journey of traveling. I think Daciana jumping into the fire after losing her children could show how Louis will lick the fire (internally) once Claudia is gone.
Two (another point made by a friend of mine, Daciana and Magnus being one in the same in this scene. The both of them walked into the fire after feeling defeated with having no companion. I didn't realize this until a friend brought it up to me and I think it makes the situation even more tragic.
Louis' Speech to Claudia
A very bittersweet moment for me, and the way the trailers and clips are set up makes me believe this may fall apart. I thought I'd feel stronger about Louis telling Claudia about having a shitty life, I still don't think it was quite necessary because I'm sure she knows that and her life was shitty before she even met Louis, but it didn't leave a poor taste in my mouth like I thought it would. The soft words he gave her was what genuinely broke me. I think it hit me because I know Louis genuinely believes what he said to her and how it's her and him against the world, but I know it's going to go left. Even when they held hands together after getting off of the van, they really could be everything if they keep each other close. You could tell by Claudia's face that she's been waiting to hear that from, (Delainey said this as well) but she also seems a bit skeptical and questioning whether he'll stick to his words, which I don't blame her for. And then Louis conjuring up Lestat as he's telling her this...I know there will be problems on the rise.
Louis and Armand in the Bedroom
First of all, the bedroom seems to be gorgeous and I would pick it apart more if it weren't for the bars and the painting in the back. The bars are a bit jarring because I don't know who they would represent. Would it be Louis feeling confined to this relationship and life he's made with Armand or would it represent Armand holding back his emotions and how he feels? And the painting of Jesus and Judas, who betrayed Jesus, hanging in the back is a wild concept. But, I did enjoy the softness each of them displayed with one another. The talk of Claudia's diary pages could have easily blew up into an argument, but they each know each other well enough for it to remain calm. Even Louis' face before he kissed Armand was quite reassuring. Love what I see from these two so far.
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tw for pretty in-depth discussion of fictional suicide attempts/suicidal ideation ///
i just. think a Lot about how the idea of “well ellie should have had a choice!” often ignores the implied fact that ellie, on the day she was entering the hospital, was struggling with some degree of suciidal ideation to the point where joel opened up about his attempt and ellie’s immediate response was:
“i know why you’re telling me this”
because she’d been so nonresponsive, so far removed from her usual self in her depression, that joel was worried for her and thought the story of him recovering from his attempt, feeling that hopeless, would resonate with her.
“yeah, i reckon you do” -- that’s....yeah.
and she goes for the “time heals all wounds” to wrap it in a bow-- the cliche of “it gets better, you just have to give it time” that we give to people struggling especially with suicidial thoughts and joel in a moment of rare vulnerability says “it wasn’t time that did it” -- him telling her that he loves her and cares about her, that that is what healed him, that that is why he’s opening himself up because he doesn’t want her to hurt like he did. that it’s not just going to be time, he’s here and he’s not going anywhere whatever healing looks like for her. and it hits her like a gut punch because it’s the last thing she’s expecting and the thing that breaks through to her.
so if you’re asking the teenager with sucidial ideation, who has spent her entire life being told by an institution that she is inherently expendable and her life is worth nothing, coupled with her mom’s friend echoing that same sentiment -- of course she would have said yes. marlene with the “what would she want?” gee i wonder how putting her in a system that sees her as expendable would affect like worldview on top of countless traumas! and joel is the one person in her life who does not see her as worth sacrificing, who would mourn her and care about her to the point where he’s unwilling to mourn her even if it means she hates him.
when people we love and care about go through something like that, we don’t go “oh i guess it’s your choice”. it’s “i will drag you kicking and screaming to go on with me if i have to because i love you and i don’t want to do this without you, because you are worth more than how you’re feeling right now.” it’s what tommy did for joel. he dragged him out of that ditch, took him to a medic camp even though joel swears up and down it’s what he wants and never lets him do it again and he can’t go on and do this. it’s what joel does later for ellie.
so yeah.
no i don’t think joel should’ve woken up ellie like
“r u sure?”
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One of my favorite things about the worldbuilding in The Left Hand of Darkness is the "perverts" in Gethenian society—those who are permanently in one of the kemmer forms. The "normal" person on Gethen goes through a kemmer cycle with periods of somer, but that's not every Gethenian. People whose bodies don't work this way get treated with repulsion. Genly compares them to "homosexuals" in his society, and that comparison is really instructive. Gethenians may not have gender roles and identities the way we do, but they do have societal norms, including about bodies and sexuality. And those norms leave people out. They are imperfect and sometimes they are unfair. I think this is part of the point.
In subtle ways, this theme is woven throughout the book's descriptions of Gethenian cultures. To stick to sexuality, something similar can be said about the different norms surrounding incest on Gethen and the empathic treatment of Estraven's past relationship with Arek. There is no taboo about incest between siblings on Gethen, only on siblings vowing kemmering, but if a child is born of it, the parents have to separate (and it seems like Estraven is separated from Sorve because of this). The reason for including this element, in my reading, isn't to impose our own moral standards by "showing" that Estraven's relationship with Arek was "bad" (in fact, we learn fairly little about it, beyond that Estraven cared deeply for him.) Instead, I think it's partly to demonstrate the dissonance between Gethenian mores and our own, and unsettle both. Because, like Genly, we see Gethenian norms as strange, we can notice that they bring about particular situations and cause particular hurts. Even the custom of vowing kemmering monogamously for life, which sounds more familiar, is shown as double-edged. Estraven breaks a taboo by making his "false" vow to Ashe, but was trying to build a new life with Ashe really wrong?
These things are not 1:1 to any "real life" issue, but like everything else in this story, I think they're chosen because they are provocative. It's really meaningful to me that even in terms of gender and sexuality, Gethen isn't painted as a utopia, but as a real place. Le Guin shows us two sets of norms and asks us not just "are our norms arbitrary and/or constructed rather than essential truths?" but also "are norms always socially constructed? Should we question them sometimes? What harm is done to maintain them? Who is being left out?"
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