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#<- they're not here but they were in the original versions of these drawings
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heads up!
I'm sure by now some of y'all have seen this post of someone's kid oc-
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and I would like to inform you- most if not all of these images are traced! :) I recognized most of them, and because I can't remember the urls of all of the actual ops I've tried to track them down.
What i've found so far is that the art here belongs to @yukdaruminha, @some-dumb-lesbian-bitch, @maxlovespigeons, @winterpower98, lechepop, @darkwingownsthenight, and @lethalhedgehogs-archive, in that order. If anyone else recognizes any of the other artists, please let me know! Currently the 3rd, 9th, and 11th drawings are unaccounted for.
(Do not! Go harass this person, I will bite you. I'm just trying to spread awareness and shut this down before it gets worse)
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I think about Sun and Moon's original versions a LOT, and I don't get why people say they're not expressive!
Or perhaps, I do, and I just wanna ramble. Anyways! Big ol warning for lots of talking, some fursuit gifs and analyzation of body movement.
So, they have flat, immobile faceplates, right? Technically, yes!some argue that this makes them immediately inert and expressionless and opt to enhance their expressions. And this is a-okay! Do what you like!
But as someone who used to be a costumer, and wears a fursuit on occasion,
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(Sorry, I love this gif so much)
BUT! When in a mascot costume, fursuit, or any other costume with a mask over one's face, the performer has to learn how to move in order to portray the emotions necessary for character engagement with the audience! Whether it's exaggerated head bobs, using your hands to talk, or making everything a bit of a spectacle, even the way you tilt your FACE can affect how you look.
Even MUPPETS do this with their limited range of expression. And we can easily draw those conclusions of how the boys were programmed to act in canon!
Take Sun's default animation in the daycare, just standing there.
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It's very obvious here what he's trying to portray, and who his programmed audience is- little children! When costuming around little kids, you wanna use big gestures, and get on their level because you can seem HUGE AND SCARY to them! You wanna get down towards the ground, make big sweeping cartoon motions, and make sure all your movements are ROUNDED- not jabbing, sharp, or sudden- so that the kid isn't ever surprised, but rather delighted by your performance as a costumer. I'll show you an example by the amazing performer, Temba the Bat! (Made by Toxicoon, I believe.)
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Big sweeping motions, slow without being too spooky, and generally friendly motions while swaying the head! Looks kinda similar right?
Another point is, though, these exaggerated motions don't really... turn off when feeling other things. Sun and Moon don't have a customer service mode, and that's WILD to me that their programming requires them to act like this all the time. Exhibit B: Sun's pain in the transformation scene.
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He's making such exaggerated motions and movements to INDICATE he is in pain or holding something back. He's gripping his face like something is trying to come out of it, and even dramatically falls backwards to indicate a loss of control in his body. Whether the way the fall looks so cartoonist was intentionally programmed in, I couldn't tell you.
And then... there's Moon.
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This is SO cartoon villain sequel, isn't it? The hands tapping delicately on the surface, the exaggerated head tilt, all of it is so wildly exaggerated in such a smooth way to let you know "Ah! I'm in danger! Great!"
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And yet... he still is low to the ground. Still in that pose of going after someone SMALL. Performing for someone small. His evilness is almost completely exaggerated and, dare I say, fabricated by his programming. Of course, the virus probably had something to do with it but LIKE! Look at that range of motion!
Idk what the point of all this is, I just wanna say: it's totally understandable to make the boys super duper expressive in the artistic, flat 2d styles i see a lot!
But man I do hope someone draws them biblically accurate while expressing something else because that would be hilarious to see Sun throwing a temper tantrum by banging his fists on the ground and flailing while his face is just
:D
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demiromanticmickey · 3 months
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On today's "I am SO not normal about Dead Friend Forever": Discussing Catholicism and Colonization in this gay Thai slasher series
Some background on me: I am from a Latine Catholic family. Raised as a non-practicing Catholic (we didn't go to church or pray). Then my parents enrolled me in a Catholic school that I attended from 5th grade to the end of 7th grade. Today, I am not Catholic and have never really considered myself as such.
Ok, so in the flashback episodes of DFF, I have been noticing a lot of things. My findings under the cut.
Let's start with this crucifix and photo of the Virgin Mary and a baby Jesus.
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Screenshot from ep. 5.
The camera lingers here a bit so we're obviously meant to pay attention to the phrase. I put the screenshot through Google translate's image translator and the translation it gave me was, "Think good, do good, be a good person." I didn't think much of it when I first watched the episode other than it was supposed to establish that the boys attend a Christian or Catholic school.
But then there was this image posted on Be On Cloud's Instagram (also from ep. 5): X
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Zooming in, we can see there's another picture of Mary in the background. Watching the classroom scenes, it's easy to miss because the series itself is more washed out than the official photos posted. But this emphasis on Mary led me to believe the school is a Catholic one. So out of curiosity, I looked up the schools the writers and directors attended because I felt I was onto something here. And boy, was I!
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Source: MDL
Ma-Deaw, if you didn't know, is one of the directors of Dead Friend Forever (he also directed Manner of Death and Inhuman Kiss , and lots of other things).
One Google search later (X) and I learned "Montfort College" is a Catholic school. It started out as a primary school that later added a secondary school as well.
Now let's take a closer look at some of the details of this school:
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First, the school's motto "Labor Conquers All Things". This reminded me of the phone conversation Tee had with his uncle:
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On my first watch, this sounded familiar to me but I couldn't really place why. It wasn't until I saw this other Tumblr post (X) that pointed out it's similar to a bible quote from the New Testament. The quote varies a bit depending on which version of the bible you're using but it's along the lines of, "He who does not work, neither shall he eat".
This is meant to discourage "laziness". Nevermind the fact that people deserve to eat simply because we get hungry and need food to survive. The idea that we only "deserve" things based on productivity is an extremely colonial one. — Reminder also that Tee is being forced into this "work" in the first place. He's just a high school kid. I don't need to like his character to understand how fucked up his situation is.
Then there's the patron of the school. St. Louis de Montfort was a French Catholic priest most known for his study in Mariology. What is Mariology (X)? The study of Mary, the mother of Jesus. I didn't know that was a thing but it's unsurprising considering how prominent images of Mary were in my own religious upbringing. And she's what started me down this rabbit hole in the first place. Mary is a big deal to the Catholics. I'm going to be paying even more attention now if more Mary imagery pops up.
The Garden of Eden and Original Sin
Now I want to draw attention to these images:
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Screenshots from ep. 7
Here we have Non and Phee biting into an apple as they leisure around this lush green field. We know they've visited this location more than once because they're wearing different outfits in the screenshots. And I think it's important to note that it's Phee holding the apple and offering it to Non.
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The use of the word "bait" in the bts of ep. 7 is quite interesting too. (X)
The Garden of Eden was the paradise in which Adam and Eve resided. In this garden, there were many trees to eat from. The one tree Adam and Eve were forbidden by God to eat from was the Tree of Knowledge. A serpent (Satan), first tempted Eve into taking from the tree to eat it's fruit. And then Eve gave the fruit to Adam. That is Original Sin. And because Adam and Eve ate from the Tree of Knowledge, all humans thereafter are born sinful and bad, and can only find salvation through God.
Of course in the scene between Phee and Non, the sin the apple represents is being gay. And it's after this, and after the bracelet scene, that Non becomes involved with Por's film and his tragedy begins.
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Zoomed in screenshot from ep. 5
And I wonder if the bracelet scene is the last time Phee and Non visit this forest location. It would parallel how Adam and Eve were cast out of the Garden of Eden once they sinned.
Final Thoughts
You give me a story that criticizes Western religion and how it's used as a tool for oppression and colonization, and I'm gonna eat that shit up. I am gonna eat it up. Every. Single. Time.
I really wasn't expecting anything like this from Dead Friend Forever. This level in attention to detail is unmatched. I don't think I've watched a more well planned out show. And no matter where DFF goes from here, these seven episodes will always hold a special place in my heart. 💗
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milksnake-tea · 11 months
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The Stellaron Hunters were a group renowned and hated across the galaxies, both feared and respected by the factions. But under those skillful manipulations and operations, was an organization as put together as a monkey circus. You should know this best, as a member of this menagerie.
stellaron hunter!reader (no specific pairings)
contains: cursing, possibly ooc, written before version 1.2, just a bunch of silly shenanigans, unedited, can be read as romantic and platonic !!
word count: 3.7k
a/n: i had to rewrite this like... 4 times bc tumblr kept deleting it :// anyways night dancer got me through this piece so :D u can tell i have a blade preference but listen he's hot
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Before we get on with the sillies, let's lay down some groundwork.
Every Stellaron Hunter has a specific role in mind. Blade is the feral dog that you throw at people, Kafka pisses people off (and shoots ig), and Silver Wolf gets past all defenses.
You're the expert on espionage and disguise. With the power of masks, voice changers, and makeup, you can become basically anyone if you put your mind to it. Even people with completely different builds than you, you could pull off - as long as the holographs don't start glitching out.
You're often paired with Silver Wolf in order to infiltrate various bases. Silver Wolf can transcend any physical barriers, while you sweet talk your way into the inner circles of any leaders. Sometimes, you implant ideas into people's heads in order to guide them towards a certain path, sometimes you just do it for the fun of it.
Your favorite victim so far has been the Express. Ever since the Trailblazer joined, you've entertained yourself by posing as them or other members of the Express (the only ones you can't figure out are Welt Yang and the conductor, Pom-Pom).
And it was surprising, how easily you could trick March 7th and Dan Heng. You had no idea where the original Trailblazer was (probably up some poor soul's dumpster), but frankly, you didn't care.
You somehow managed to trick the two for the better half of a day. It wasn't until you didn't jump at the sight of the first trashcan on the Xianzhou Luofu that the duo realized that something was off.
"Who- Who are you?!"
March stepped back, Dan Heng already drawing his spear. But you weren't going to give in so easily. No, you wanted to see just how far you could take this.
"Guys?" You feigned hurt and confusion as you faced the two. "What're you..."
"Don't play dumb," Dan Heng cut you off, thrusting his spear under your chin. "You're not them. The real Trailblazer would've started ransacking that trashcan by now."
What kind of freak-
"C'mon guys, I have taste," you sighed, crossing your arms. "The trashcans here don't compare to the ones at Belobog. They're not as shiny."
"Trailblazer said that appearance doesn't matter when it comes to trash!" March shot back, her bow appearing in her hands. "Enough games, who are you really?"
You paused for a moment, contemplating your options. You could try to bullshit your way out of this, but you sincerely doubted you would be able to. What kind of freak personality did Silver Wolf program into the vessel, anyways?
You sighed, making the two tense up. Your face, still that of the Trailblazer's, twisted into a condescending sneer, before you doubled over in laughter.
"Ah... Damnit, and here I thought I was doing well!" You stretched your arms, March backing away from you. "Well, that just goes to show, I still have much to improve."
With a snap of your fingers, your disguise melted away, revealing your true appearnce.
"You're-!" March gasped. "You're one of the Stellaron Hunters!"
"Am I really that famous?" you pondered, leaning back on the railing. "And here I thought Kafka or Silver Wolf were more popular."
"What're you trying to pull," Dan Heng growled, "pretending to be the Trailblazer? What did you do to them?"
"Oh, nothing," you replied simply, popping your bone. "I just sent them a coupon for that restaurant down the street. So don't worry yourselves, I'm just here to have a little bit of fun."
Before the two could comprehend the stupidity of their companion, you jumped onto the railing, balancing on your toes.
"Well, it's been fun, Nameless." You waved cheerfully, taking a step back into the open air. "Let's meet again sometime soon, yeah?"
"Wait!" They rushed to the railing, adamant on catching you - but you had already vanished.
The world might see you as a complete weirdo, but honestly, you aren't even the worst of the Stellaron Hunters. In your humble opinion, you're the lesser evil compared to your comrades.
If you're going to survive in this job, you have to get used to Kafka bullying you. Don't worry, she does it to everyone, it's not just you. But signing up to become a Stellaron Hunter also means you sign up to a life of relentless teasing.
You roll your eyes at the feeling of a familiar gun barrel against your head. Kafka holds it against your temple firmly, but you know her finger isn’t anywhere near the trigger. It’s not like you’re Blade, who somehow survived getting thrown off a four-story building.
“Now who do we have here?” Kafka muses lazily. “A potential spy from the IPC? Or perhaps, one of the Xianzhou Cloud Knights?”
“Don’t fuck with me, Kafka,” you turn around, unimpressed. With one move, you pulled off your mask, glaring at her pointedly as you grab a bottle of water. “I know that thing isn’t loaded.”
“Oh, it’s you, [Name],” Your senior gasps mockingly, removing the gun. “When did you come in? I could’ve sworn an intruder-”
You throw the bottle at her. She dodges because of course she does.
And Kafka isn't even the least of your worries. At least she has a sense of financial responsibility.
There's no doubt that Silver Wolf is integral to the workings of the Stellaron Hunters, especially with her hacking abilities. She's certainly skilled with her work, and she has saved your ass many times before.
But sometimes, you have to play babysitter to her, because homegirl may or may not have a gambling addiction, especially when it comes to whatever those gacha games of hers. Whenever she visits the city's nearby arcade or casino, either you or Kafka have to be around so that she doesn't end up gambling all of your funds away. You would get Blade to do it, except he couldn't care less about your financial problems.
“Let me go! I’ve almost got it, I know I do!”
Silver Wolf kicked at your shoulders wildly as you hoisted her up. You paid her no mind as you left the arcade, Blade walking in tow. You kept a firm grip on his sleeve, making sure he didn’t run off and start any trouble. You saw the look he gave the claw machine. If you hadn’t dragged Silver Wolf away, he would’ve likely broken the thing out of impatience.
“I was so close!” The girl on your shoulder whined, like a kid who didn’t get their favorite toy.
“You already spent 500k on it,” you replied bluntly. “It’s a scam, don’t you know?”
“So what?” Silver Wolf retorted. “I would’ve won!”
“Yeah,” you shifted her up, your shoulder getting sore. You weren’t really built for hard labor. “After you spent another hundred thousand credits, sure.”
“I wasn’t!” She’d stopped fighting you, now hanging limply so that her entire weight pressed down on you. “I could’ve hacked it-”
“Really? You’d put that much effort into a claw machine?” Before Silver Wolf could argue, your phone dinged, as did Blade’s and Silver Wolf’s - successfully interrupting your bickering. You glanced at Blade as he checked his phone for the three of you.
“It’s Kafka,” he reported, typing out a quick response. “She says it’s time to go back.”
“Tell her we’ll be there in 10 minutes, if Silver stops her tantrum,” you said, looking pointedly at Silver Wolf. The hacker kicked you in response. 
“I am not throwing a tantrum,” she huffed. You rolled your eyes.
“Sure, whatever you say.”
Speaking of which, Blade is like your guard dog. A very intimidating guard dog. With a sword. And attitude issues.
Come to think of it, he's more like a cat if anything.
When he's not being launched at the faces of various enemies, Blade often finds himself acting as your shadow. He just follows you around, doesn't say anything, and the second he smells a whiff of a threat, the sword comes out and you have to talk him down before someone calls the cops.
It seems that you’re the only one unaffected by the suffocating tension clogging up the clothing store. There’s an obvious circle of space surrounding you and Blade as you browse through various suits, intent on finding one that would fit the man standing behind you. Elio’s next script required that Blade and Kafka go to a dinner party, and knowing Blade, the man didn’t have any clothes other than the ones you and the other Hunters got for him.
It wasn’t that Blade didn’t have an eye for fashion, rather, he simply didn’t care much for it. Shopping wasn’t exactly his cup of tea either. His hands itched for action, but he did have to admit that this was better than sulking around in his room all day.
You pulled out another suit that had caught your eye, a simple black one with a bronze lapel. It would fit the vest you’d already picked out for him. Holding it out in front of Blade, you squint as you try to picture what it’d look like on him.
Decent enough. You hummed in satisfaction, turning the suit around to show it to him. “What do you think?”
Blade shrugs, only giving the suit a brief glance. “It’s fine.”
You sigh, giving him a look. “Do you like it?”
“It isn’t the worst thing you’ve put me in,” he says nonchalantly. You huff, lightly hitting his chest. For a second, a glimmer of a smile flickers onto his face at your action.
“Watch your attitude,” you reprimand playfully. “Otherwise I’m giving you the shittiest suit I can find in here.”
“You wouldn’t,” Blade says easily as the two of you walk toward the cash registers. “Your heart couldn’t bear to do that to a face like mine.”
“Cheeky brat.”
You remember the day Blade was first brought to the base, picked up by Kafka and Elio like a stray cat. He had a strange resemblance to that of a drowned rat, being absolutely sopping wet.
Your seniors just kinda dropped him off into your room with the only instructions being "Make him look presentable", which didn't give you a lot to work with. You weren't sure how you were going to fix him, but after a lot of bathing, hair drying, and brushing, you soon discovered that the drowned rat had a pretty face.
So basically, you're the only reason why he looks remotely presentable.
And quite frankly, Blade does not make it easier on you. He doesn't care about how he looks, only how his enemies look - and that's dead and unmoving. Sir somehow manages to fuck up his fit every time he goes on mission, coming back with his very expensive clothes, mind you, covered in blood, and his hair messed up.
The audacity of him, to just walk into your room unannounced, clothes completely torn and hair a mess, and plop himself down on your perfectly clean chair and wait for you to fix him up. Granted, you'll do it (you wouldn't allow any of your comrades to leave without a decent haircut), but that doesn't mean you won't rattle his ear off with a scolding.
“Just what did you do to it this time?”
You grumbled as you cut away at Blade’s hair, the man in question sitting in your salon chair and scrolling through his phone. He had just come back from a mission, and this time he somehow managed to cut off the bottom half of his long locks, resulting in a horrendously uneven cut.
“You’re literally so photogenic and then you go and do this?” you huffed, blowing his hair into his face with a blowdryer.
“You can fix it, can’t you?” Blade didn’t even look up from his screen as he texted Silver Wolf, likely using this as an excuse to escape her pleas to game with her.
You scowl, venting your anger as you brushed his hair, cutting a few extra strands. “Just because I can, doesn’t mean I always have the time to do so! Now sit still.”
Oh, and another thing? There's no such thing as privacy when you're with the Stellaron Hunters.
You first learned this when you came back from a particularly grueling mission, early on in your career with the Hunters. You were covered in blood that wasn't (or was it?) yours, drenched from the rain and safe to say, not in the greatest of moods. All you wanted was to take a shower, and preferably, take an undisturbed nap on your warm bed.
Unfortunately, Kafka had other plans.
You opened the door to find her lounging on YOUR bed, IN THE DARK, ruffling through your makeup collection like it was normal. She didn't even seem bothered when you flicked on the light, didn't even acknowledge you until you threw a knife at her.
And what did she say when you made it abundantly clear that she shouldn't be in here? Nothing. She just scrunched up her nose and told you to take a shower.
And that is how you learned that having your own room is utterly useless because every single Hunter could pick a lock. You could try to use an electric one. Silver Wolf sure did. And to her credit, it worked, until a certain dog named Blade came around and just kicked the door down.
Out of all the Stellaron Hunters to creep around in your room, Sam was by far the worse. You could handle Kafka going through your makeup, or Blade judging your taste in books. You can deal with Elio having his fucking shoes on your bed because he's your boss and honestly what are you going to do against an actual seer? Exactly. Nothing. At least his shoes are usually clean.
But Sam? He doesn't visit so that he can go through your things, or just hang around. No. He comes around with the pure intention of scaring the shit out of you.
He just waits?? Outside your door?? In the dark?? Until you open it and he jumps you. It usually ends with someone getting punched, but honestly, it's nothing either of you couldn't handle.
Silver Wolf likes to pretend that she isn't as bad as the other because in her words, she "gives you a warning". Said warning is "You better be decent" before she barges in and starts rambling about the new game she bought.
One time you were not decent and someone had to pay the price. That someone was not you.
There is one good thing that comes out of all this invasion of privacy. Because whatever the others do to you, you get to do right back to them. 
“What does this button do?”
“Don’t touch that.” Kafka playfully whined as Silver Wolf snatched away the console in her hands. The hacker was less than pleased, having returned to her room only to discover that she’d been chosen as the Hunters’ victim for today.
You lean against Kafka’s shoulder, pouting alongside her at your latest toy being confiscated. “C’mon Silver, let us have some fun at least.”
“After you two invaded my room? Not a chance,” she replied, tossing the console to somewhere you and Kafka couldn’t reach. Kafka merely hummed at the loss, leaning back onto Silver Wolf’s messy bed.
“You know, you should really clean up around here,” she commented. “They nearly killed themselves tripping over a stack of DVDs.”
“Agreed, although I wouldn’t mention that last part,” you said, picking up another one of Silver Wolf’s consoles. This one had a fighting game on it. Silver Wolf rolled her eyes as you quickly busied yourself with fighting the boss she had left off on.
“If you don’t want to get hurt, then don’t come in,” she said, plopping down on the bed next to you. Kafka smiled.
“Sure, but where’s the fun in that?” she asked, watching you tap away at the screen. “It was just a suggestion, no need to get all worked up.”
“I’m not, but okay.” Silver Wolf hissed as your character took damage. “If you get my character killed-”
“I won’t,” you retorted, swiftly defeating the boss. You tossed Silver Wolf the console. “See?”
“You’re half dead,” Silver Wolf deadpanned.
“Doesn't matter. I still won.”
Your group chat is an absolute mess, with no one understanding Silver Wolf's slang or dialect. Blade's outdated brain short-circuited the first time he touched a phone, while Kafka just silently accepted her fate. You often have to translate because Silver Wolf sure wasn't going to.
Gambling Addict: Ykw blade
Gambling Addict: This is why u pull no bitches
Gambling Addict: Bc if [name] didnt yassify u 
Gambling Addict: U would have zero rizz
Gambling Addict: Negative rizz actually
You: I see no lie here
Gambling Addict: So stfu about my social life at least i can pull bitches
DONT PICK UP: [Name], translate
Gambling Addict: [Name] i have ur closet at gunpoint 
You: She means Blade can't attract maidens bc he has as much charisma as a blobfish
You: Also stfu silver I know you can't shoot for shit
Gambling Addict: [NAME]
Gambling Addict: Actually no, ur right
DONT PICK UP: Oh, I see
You: I'm always right 💅✨
DONT PICK UP: That does sound like Bladie
Gambling Addict: Listen
Gambling Addict: All i know is that blades been real quiet since i said that
Blade: Silver Wolf.
Gambling Addict: And so he speaks!
Blade: Count your days.
You like to fuck with the others by pretending to be them. Blade nearly murdered you because one time you got bored, and decided that slandering his nonexistent image would be ample entertainment.
In minutes, you turned yourself into Blade's lookalike, and spent the afternoon prancing around in a maid dress because what else were you going to use it for? Unfortunately, that also put you as a target for Blade's wrath. Fortunately, you have a lot of experience escaping people you pissed off.
Silver Wolf still has the pictures. Kafka laughed her ass off until you did the exact same thing to her. And that's when she started shooting.
"I can't believe you did this," you sniffed dramatically, fake tears falling from your face. In your hands was what used to be your pride and joy, the beautiful maid dress that you'd spent millions on (lie).
What used to be a gorgeous garment with frills and lace, was now in tatters from Kafka's bullets and Blade's sword. The two aforementioned culprits weren't the slightest bit guilty as they watched you lament over your clothes.
"You should've thought of that before you started walking around like that," Kafka blew at her smoking gun. Blade nodded firmly in agreement, holding his sword close to his chest.
"It was cute!" you huffed, shaking your head. You weren't actually mad at them. You could always buy another dress to mess with them. Besides, you already got what you wanted.
Your gaze met with Silver Wolf's, who grinned back, holding her phone in between her fingers.
None of the Stellaron Hunters know basic first aid, and that includes you. Most of you just slap on a few bandages, some weird smelling ointment, and call it a day. Silver Wolf doesn't even do that, she just downs three bowls of rice and walks off the broken arm like a Sunday hangover.
But one day, just as your luck would have it, you came back to base with an injury that you couldn't just bandage away. No one knew what to do, and you were bleeding out fast. So what did this hardened group of criminals do?
They googled it. They fucking googled it.
Silver Wolf deadass just searched up how to fix you while you were bleeding out next to her. Kafka, to her credit, did hold your hand to try and comfort you (albeit mockingly), and Blade just stood back and watched. If Elio foresaw a way to help you, well, he didn't say anything.
But it all turned out all right in the end. Eventually, Silver Wolf gave up and simply shoved a bowl of her fried rice in front of you. You still don't know how or why, but it somehow worked. It shouldn't have, but it did.
The scene in front of you reminded you of a bunch of school children watching a chemistry experiment for the first time. The Stellaron Hunters crowded around you, eyes trained onto your closing wound with unnerving fascination. Even Blade, who rarely had any emotion at all, was watching you with the faintest glimmer of awe.
"What the hell did you put in that thing?" you turned in disbelief to Silver Wolf, the only unphased person in the room. The hacker was already somewhere else, her thumbs tapping rapidly as she played another one of her rhythm games.
"Trash."
"WHAT." You almost throttled her before she quickly teleported a safe distance away, clutching her phone to her chest.
"Kidding, kidding, no need to get all worked up!" She sighed, clearing a level without looking.
"Just some solid water and protein rice, that's all."
"You mean ice?" You swatted at Kafka, who was poking at where your wound used to be.
"No."
Safe to say, the Stellaron Hunters are an... interesting bunch, to put it lightly. They're all assholes, including you, and seem to thrive over inconveniencing each other. The only time you all can somewhat work together is when you're acting out one of Elio's scripts.
But you'd be lying if you said you hated working at this job. You live for the thrill of things, and being a Hunter was the most fun you've had in a long, long time, even if your coworkers occasionally annoyed you to death.
None of you would ever say it aloud, but you wouldn't trade each other for anything in the world.
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spacer-case · 1 month
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...and when the last blood-beast comes to rest unto the Earth, what next will arrive to inherit it?
i drew this sci fi piece for my portfolio, but it also turned loosely into a marcoace au because my brain got zoomies
short version: guy on a joyride (coughs ace) accidentally travels to another world filled with mythological-ish creatures, but they're actually all robots mimicking life with no real sentience of their own - except one lone, lonely consciousness (coughs marco) whose mind was digitally preserved before the rest of organic life got wiped out, and has been waiting a long time for a friend
long nerdy version under the cut:
ace's world is a fun and scrappy sci fi future world, with stuff like his hovercraft that syncs to his body's movements too
he was out riding with deuce and got too caught up in the thrill of flying that he went way out of safe bounds (not pictured: deuce panicking) and got swallowed by a giant sky beast
somehow (i haven't thought that hard about it) he appears in marco's world after this - when i first had this idea i was just thinking of a literal reference to the philosophical concept of animals as other worlds/animal alterity, a la Barbara Noske), plus i like the idea of gateways being where you least expect them
anyway yeah he gets isekai'd
enter: marco's world!! this is a land where organic life once thrived, including sentient beings (i haven't decided if they were also humans), but all organic life has long since died out and given way to a new, constructed "ecology"
it's full of seemingly mythological-ish creatures (phoenix, dragon, etc. but all are also warped from what we would imagine)!! but SIKE they are actually robots; cybernetic constructs!!! each one goes through the motions of life for many years until they steadily break down. their parts get recycled and they are remade to spawn from egg-like structures (like the one in the bottom left corner of the drawing)
and who is remaking them? MARCO! aka the last, lone remaining consciousness from the sentient race that died out. his mind was preserved digitally, but by the time he awoke he only remembers snapshots of his original life. he continuously cares for and builds all the robots, and uploads himself into different bodies whenever he wants, but no matter what he tries he can't recreate anything truly alive with its own free will
so he's lonely and sad
basically the whole thing was an exploration of the concept of a man-made mythos! and the boundaries of what defines life, will, sentience, etc. etc.
but when he meets ace - a real, living breathing organic human - it will change his life! because............because...i haven't thought that far
many questions remain...is ace's world a past version of marco's? will he find a way to restore organic life to marco's world? should he even do that? will he find a way back home? will they kiss? ? will marco get a human body?? will i ever make something bigger from this or even turn it back into ocs instead of op characters??? will they wear wigs???? when will they wear wigs????????? who knows!
but for now it is what it is hehe
i doubt anyone read all that, but if you did, thank you for your time....here i reward you with a secret:
below is an early sketch of this illustration, and underneath that, the composition originally came from A FAILED DRAWING OF MARCO!!!
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the brainrot goes deep :')
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gin-juice-tonic · 2 months
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can i ask how youre able to make so many comics or if you have any tips for aspiring internet funny comic makers? your gag comics are always so creative and funny and well-executed, and your longer form stuff is just a delight to read, i would love to know if u have any advice/insight into yr process
I'm not good at advice so you will have to bear with me here. Also I'm putting it under a readmore cause images make it into a long post. The like first 3/4th of this I talk about specific comics I did, but if you scroll to the end I tried to give some general advice.
My stuff is unfortunately very inspiration-based as opposed to planning-based. So my process might not be helpful if you're looking for something structured... The first thing I should say is I write down basically anything that pops into my head ever. I have a bunch of nonsensical tumblr drafts,
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I have stuff in my phones notes app,
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I have pages and pages of papers and post-it notes littering my apartment (if you want to know the extent, my sister asked me how I could live with my apartment being so "messy". The only messy thing in it is my papers scattered about). I find the paper stuff the best, because I can draw instead of just writing down concepts.
This is the page I did for the comic about Stan "comforting" Dipper over his unrequited crush on Wendy. (The tumblr version being here)
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You will notice aside from the order on the page being strange and some scratched out dialogue, there's not really evidence of a 'plan' here. That's because I was just drawing this as I was thinking it. You will also notice there are two random unrelated Ford drawings in the middle of the page. That's because I was drawing ANYTHING that I was thinking of.
And when I say write down anything, I do mean it. Write down something you did that week, something you remember from when you were 8, something you said out loud and laughed at, things you thought about in the shower, a fact you learned, what your friend had for dinner. See if you can apply it to something. I've mentioned before that this comic only exists because I ran out of toilet paper and went to buy a large bulk pack of it...
When I already have a base idea and just want to expand on it, I usually draw first ask questions later, and things seem to just snowball into being a story. As an example, for the comic I did about Dipper's swimsuit, the base idea was just "Dipper and Stan both wear fully covering swimwear - because they're trans and its what they're comfortable with." But when I went to look up what Dipper wore to the pool, i noticed mabel had a Star one piece suit
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Dipper has a star hat in the first episode that he loses, right? SO why don't we give him a matching star one piece that he abandons.
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Of course then that single drawing CREATES the story, because we have to explain how he eventually ends up in what he's wearing in the episode. And then I just draw and draw and draw until either the comic ends or I can't continue for whatever reason. The outline for the full thing usually forms while I'm drawing. If I'm worried about forgetting, I'll write down what comes next.
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Some of this stuff I didn't stick to, or greatly expanded upon. It's good to be flexible with what you're doing. If something you originally intended only to be a throwaway bit inspires you, roll with it and keep going. (If it ends up being nothing, you can always discard it or turn it into something else later anyway)
I did the swimsuit one basically fully on my computer, but if you want to see another paper based one, a lot of the comic with the kid stans and crampelter I'm doing currently is down on paper.
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If you can make out my writing, you can see it says "Crampelter has found out about Stan and Ford's boxing identities" at the top there, which was the general main idea of this part of the comic. This one was a lot more planned than the dipper swimsuit one. There's multiple pages of this sort of stuff, and I knew the idea I wanted was "If Ford and Stan are trans, why would they still be called those names as kids?" (So I guess the takeaway from this one is if you're wanting a structured comic, write down the main idea on the top of a page and brainstorm dialogue and drawings on it?)
There's a lot of sort of floating heads with dialogue, all that matters is I get the emotions or general idea drawn. They're important for me to draw out because being able to "see" the scene (even if I'm seeing it heavily unfinished) is what usually inspires the next bit of the comic.
And I know I talked like a lot already but some general other advice:
Draw, ask questions about what you've drawn, draw more to answer the questions, see if those new drawings ask any new questions, continue this process till you come to a satisfying resolution.
It's fine to not draw something immediately after you've thought of it. I have a lot of things I've just squirreled away for later. And in the same vein its okay to drag something old up that you've never used and try to work with it.
I almost always put on music while I'm trying to think of things. Something I feel fits the mood of what I'm doing tonally. And then I usually just put the same song on repeat, though some people im sure would feel like that is psychological torture. But its helpful to me.
This might sound silly if you're someone who leaves the house a societally normal amount, but I try to go out into the world and do things so I get new ideas and experiences I can build on. Sometimes those things are literally just "go to the park", but sometimes it's venturing out somewhere several hours away or doing an activity i'd never care to do normally... I try to take note of anything that stood out to me and write down thoughts or feelings I had during.
When it comes to trying to be "funny", you should try to make yourself laugh first. Not only because you want your comics to bring yourself joy, but also because its just hard to make stuff you don't care about (And harder to be consistent about it). Though if you think of something and you don't really think its funny, you don't have to throw it away! You might be surprised what other people end up liking. So don't kill yourself to write jokes you yourself don't really get, but if your brain spits out something on its own you dont care much for, it still may be gold to someone else.
It's okay to make comics about simple and relatable things. People love relating. And depending on what you're writing about, that relatability may be really needed!
Everyone has something of value to say. Even if you yourself don't feel like the things you're saying matter, or that they're too silly or un-serious to matter. They matter.
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arrietty-rune · 8 months
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Hello there ! Updated my AU The Steam Tales of Elmore and redesigned some characters since the first drawings were a bit meh
The story happens in a steampunk version of Elmore so news features and locations in the city, outside this, the citizens are (almost) the same as the show.
The story follow mainly the kids, being older here, having the routine as always. But strange things happens everywhere in the town and are called anomalies. They are recognizable by glitches and have different forms, like objects, weird crack on wall, floor and even... entities.
As they're shown to be dangerous to citizens, they have to be destroyed. A group of teens are working to fix or eliminate them as quickly as possible, but finding them could take a while. Nobody know where they are coming from and why they attack people.
You can like/rb this post without reading what's next!! For some being interested by more (including a small description of each character), here we go ♡
These characters are the common/main ones, idk about a main protagonist ngl !! Here's a small description of each of them !
Gumball Watterson (15 years old): An optimistic kid who always tries to be the hero but mostly fails due to unknown knowledge from the enemy… Alco because he acts before he thinks, despite being smart sometimes.
Darwin Watterson (13 years old): Gumball's little brother who is very nice and seems to be very innocent and like to comfort the others. He was a family pet before he grew lungs and gain the ability of speaking, but unlike in The Origins, he never grew legs. His mechanic ones were gifted thanks to charity.
Penny Fitzgerald (15 years old): A friendly and helpful girl. Though she like to give help and support, she's a bit reserved. Her family wears shells in tradition but broke hers when she was a toddler. The mask she wears are the remains of it.
Rob Needlemeyer (16 years old): A smart and tall kid who think and do planning before acting. He lost his arm 3 years ago after being in contact with a glitchy crack and is replaced by a mechanic one. As being able to be extended, he uses it commonly in routine, especially to help with one of his dads' works. (nb: Rob was never sent to the Void and isn't aware of its existence.)
Tobias Candella (15 years old): An energetic kid that, like Gumball, act before thinking. He used to be a selfish kid and a troublemaker in the past and tries now to be nice, despite being impulsive. As a playful boy who was addicted to video games once, he like to put references from it. He loves Dnd with passion and is very good as being the Dungeon Master.
Rachel Candella (18 years old): Tobias' big sister. She is smart and careful toward her loved ones but act reserved most of time. She usually works alone and is able to know easily the locations of entities compared to others. (nb: Tobias and Rachel have their mom's family name here since she and Harold are divorced)
Clare Cooper (18 years): A quiet girl that prefers to act or analyse the situation before sharing anything to everyone. She can be rude and is sometimes annoyed of stupid people.
Julius Oppenheimmer Jr. (16 years): A kid used to be a troublemaker. Being nicer today, he still can lost his temper when someone annoys him. As having good fighting skills, he can lead the other kids at fighting anomalies in a easier way.
And voilà ! I hope this give you some interest !! Feel free to ask about this, I'm planning to work on it a lot ♥
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votederpycausemufins · 9 months
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And here's my Evil X gemcyt design sheet thing. I already posted the Xisuma one, so check that one out too.
the whole gemcyt au got kicked off by @chrisrin so make sure to check out their stuff and all the stuff they reblogged if you haven't already.
Another version of the sheet above but with more notes on and for it is below the cut.
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Alright! I had a lot of fun figuring Evil X out, probably bc of him being one of my blorbos.
Evil X has a lot of 'theories' surrounding what he is and I've seen some variations. He and X are siblings, they're X's clone, he's a glitched version of X, they're X's hels. etc etc. And so trying to figure out what to do for him.
While I already borrowed sweetest-honeybee's design in the second part of my Zed/WM gemcyt post, I didn't want to do like that and make him corrupted. I know the gemcyt stuff seems to play with corruption a little looser, but it still didn't feel right. So, I went researching and found a fun lil mix that seems to fit well.
First off, the closest thing you can get to a glitch in terms of gems is being off-color. I mean technically you glitch when you're cracked, but we're not doing that. Anyway, off-color gem Evil X, which is why there's the gem comparison. Next, the clone/hels part. I don't mention it on the sheet, but specifically, I think of this Evil X as a sort of gem experiment. No wait wait don't leave let me explain!
We saw that there were gem experiments of some type on the show. They were more fusion experiments using shards, and were experiments for the cluster (which technically don't work since they only emerged slightly before the cluster so there was no telling if they worked and if then the cluster would work). Also on the show, we're told that there's a resource problem on Homeworld which results in 'Era 2' gems like Peridot, who don't have all the abilities a normal gem would have. Also also in the show, when Steven and Lars are with the off colors on Homeworld, we see the kindergartens there. And while there are normal holes, there are also holes that overlap, as well as holes that look like there's been a chunk scooped out of them.
The analogy I could think of was like when you're making cookies. you roll out the dough, get a cookie cutter, and get all the cookies, but assuming you weren't using a square cutter, there's extra dough left between the cuts. Instead of just leaving it, usually you reroll it to cut out more cookies. Well, why can't Homeworld try the same?
Evil X is meant to be an experiment on if Homeworld can successfully do that. They scooped out extra rock from a kindergarten or two, compressed it into a new boulder, then used an injector on it. Eventually after a long while, out came Evil X. And that whole thing also leans into the clone thing because I imagine some of the scooped rock was from part of where Xisuma emerged.
Anyway, with all that, I originally thought about making Evil X look similar to Amethyst's pseudo buff reformation, but trying to draw that was a mess. I meant to go back and make him look a little more lopsided, but you'll have to just imagine that. Whoops. At the very least he has the funky stripes. I imagine that's probably from where the different rock pieces met or something, and since it wasn't as solid as regular rock, he was like that.
Coloring him was tough, but eventually I just copied Xisuma over, inverted his colors, and then shifted the hue to be more red. I considered making the green parts more black, but it didn't fit, so they're just more purpley to show that Xisuma connection or smthn.
Speaking of his gem, I show what I picture a normal Cuprite to look like. Meanwhile Evil X's is a bit misshapen, as well as that darker area that mimics the one reference I had. specifically that darker bit is chrysocolla, but he's still just cuprite.
Instead of a mask, he's just got a visor similar to what we've seen with Peridot and Doc and technically those zircons. And also instead of a mask he has those... blade things. Look, the best name i could find for them were blade gauntlets, but they look more like sword brass knuckles to me so I don't know. Also yes they are based on a weapon a digimon had, what of it?
And then, he is hella amethyst coded. Popped out of his rock thing in a chamber under the kindergarten (similar to the other experiments in the show) with no one around. He was an experiment and uses rock from different gems and is off color, so he doesn't know what he's for. Doesn't even know what diamond he should belong to, so that's why he's got a grey one on his chest. And there's a lot of little things and ideas for him that are inspired by Amethyst's characterization on the show, to the point I was planning a screenshot redraw even before I had his and Xisuma's designs even close to finalized.
I also have a fic I'm working on with him and Gemsuma, as well as that quick Jevin design plus a few teeny tiny references to other people's gem designs. If my adhd allows it, i should post that 1 shot fic tomorrow.
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i absolutely lost my mind discovering your blog this morning. i absolutely adore your style and your story/concept ideas SO MUCH. i love your love for chang and i adore how you draw him and just the love and care you have for the characters and their stories, their history-just everything. oh my god your art and animations are incredible thank you so much you made me so happy this morning 😭😭😭
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Thank you very much! I just feel like the Tintin universe has a lot of potential for deep dives. Herge often drew inspiration from the real world so that naturally brings a lot of richness - I'm just lucky to have the privilege of having nearly a century of hindsight and an Internet connection for my research!
also fun fact, I draw Chang the way I do for multiple reasons. I ramble so here's a Read More:
The first is just to update how Chinese people are depicted in this style - I'm Chinese myself (British Chinese) and while I do appreciate Chang's original appearance was basically modelled off a real guy and Herge really did try his best with depicting Chinese people sensitively I wouldn't be comfortable sticking exactly to those original portrayals (tbh it’s mostly the eyes and the skin colour I have an issue with, I liked the weird rubberiness of early Herge!). I also would like to update how the Japanese characters were portrayed too as man those designs are viscerally uncomfortable (like those characters were villainous because they were doing imperialism, not because they're Japanese man come on)
The second is - Chang is a fucking shapeshifter. I swear he looks different in every appearance he makes in official materials. You're telling me these are all the same guy??
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From left to right: Chang from a postage stamp that uses artwork from The Blue Lotus, the middle is from the 90s cartoon and the one on the right is from a... cheese sticker??? His nose, hair and face shapes change quite a bit
To get his design I mixed together the 90s cartoon version with the original. People have mentioned The Cheekbones Chang has in the 90s cartoon but I actually like how they give him a distinct shape, it helps differentiate his shape language from Tintin who's all round and soft.
For his young adult design I initially thought to reference Tintin in Tibet but he's so malnourished and close to death his portrayal there probably wasn't intended to represent what he's normally like. I just took my design for Chang and pushed the shapes more. I thought it would be cool for him to look pretty different when he grows up as a contrast to how static Tintin is as a character.
The third (and funniest) reason why I draw Chang the way I do is I actually look a lot like Blue Lotus Chang to a frightening degree, like to the point where it looks like my likeness was stolen 70 years before I even existed. I do not like thinking about my physical existence! I do not want to draw myself! No thank you!! my self insert is haddock if we’re being real
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adobe-outdesign · 5 months
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omg can you review the mighty poogle 🥺
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The Poogle is one of those really abstract Neopets wherein it's just a Creature(TM). What kind of creature? Who knows. I guess they're meant to be vaguely dog-like (seeing as Poogle racing is a thing, and it does sound vaguely like "poodle"), but they really don't lean towards any one specific animal, which is always something I enjoy.
What makes Poogles appealing is undeniably how chubby they are; it makes them look extra cuddly and is part of what gives them their distinctive noses (or lack thereof) and double chins. It also comes with a bit of lore about them living primarily in cold-weather regions, kind of like how seals have blubber to keep them warm.
Beyond that, I also like their stripes; they break up the design just enough without feeling too distracting, similar to their underbellies. The shape of the stripes is also mimicked by their distinctive ears.
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I will fully admit though: Poogles got the raw end of the deal when it comes to customization. Not the absolute worst conversion job, mind you, as for the most part they look pretty dang similar—same pose, same proportions, same markings, etc.
However, what got completely messed up is their faces. Originally, Poogles had a soft, fleshy snoot that had two sets of lines to indicate that it was mostly fat and that it went back in space a bit. Removing this upper line makes their snouts look hard, and also has the side effect of making their snout and even their entire head look too wide.
Likewise, the chin got messed up. The Poogle originally had a pretty distinct double chin/fat neck that, once again, showed how chubby they were. More importantly, their chin lines weren't closed off, so their heads bled directly into their bodies. On converted Poogles, they now just look like they have one weird normal chin instead of a chin and neck. The end result is actually kind of uncanny if you stare at them for too long. It's a shame, because like I said, everything else about the conversion works, and there was no reason to change the elements they did. They're still cute, mind you, just slightly less so.
Favorite colours:
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MSP: Species-specific colors always tend to be iconic and a delight, and MSP Poogles certainly are no exception. They're basically the same thing as a regular plushie Poogle, except Evil(TM), with red eyes and a nasty set of sharp teeth (side note: canonically, all Poogles actually have sharp teeth; you just rarely see them). The unconverted version also is bipedal, unlike the regular unconverted plushie, which was quadrupedal.
Both converted and unconverted MSPs have a super fun chaotic gremlin energy to them, and both designs are good depending on which stance you prefer (I kind of like the converted quadrupedal, though granted, the loss of some stitching and extra softness is a bit of a shame.)
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Toy: This color literally just released last month, but a toy Poogle based off of the good old iDog is just delightful. Even if you don't know anything about iDogs, the design is still good, with the eyes serving to complete a multi-colored hexagon that draws attention to the head, and the rest of the body considering of just a smooth off-white and black.
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Zombie: The mindless eyes on this one are just absolutely delightful and give it a ton of personality. I also like the details, such as a few stitches here and there, a scraggly mouth, scratch lines against the usual stripes, and liver spots. As a bonus, it looks good both with PB clothing and without.
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BONUS: I don't normally mention "recolor" Neopets as much on these reviews just because they tend to be mostly by-the-numbers, but the pastle Poogle is honestly gorgeous, with subtle gradients and a low-contrast blue and pink color scheme, helped by colored lineart. It's nothing fancy, but it's definitely one of the all-time best pastels out there.
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jccatstudios · 5 months
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I have been following your soc comic adaptation and it just so good!!! I love how you draw them!
I have just one question: Why did you not include Inej's opening musings about Kaz on the first page? (Kaz Brekker didn't need a reason etc) I actually really like how there is not text on the first two pages, it's really atmospheric and moody so this really is not a criticism, I don't want to insult you. I guess I was just wondering what the thought process behind that was?
Oh, I've been wanting to talk about this for a while! Buckle up, this is gonna be one of my long comic rants. (Also, no offense taken at all! Anyone's welcome to question my artistic choices and I'm always happy to take critique, even though that isn't your intention.)
So, the thing is I actually planned on including that first paragraph into the comic! Here's when I first shared the thumbnails on here. Just for the sake of this post, I'll insert them here too.
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The boxes are meant to be where excerpts of that introduction would go. When I was creating the thumbnails, I was thinking about how iconic these lines were and how well they introduce the world and characters. I even finished the pages with the intention to include those lines. This is from my original csp file.
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When I lettered it all out, I felt like something wasn't right...? Hard to explain. I wanted silence for the opening and the narration took that away. I then thought about the reader who'd go into this without reading the novel first, wondering if they'd be thinking, Who's this Kaz Brekker guy? Is it this character on the page? It's clearer in the book, but I didn't think it paired well with what I drew. I didn't want any confusion. It's also Inej's chapter, and while Kaz's parts take up most of it, I still wanted it to feel like her POV and her story. We can hold off officially meeting Kaz until page four.
But the main reason I took it out comes down to my philosophy when it comes to comic adaptations. I believe that an adaptation should use the original story in the best way for the secondary medium. A comic adaptation should play to the strength of comics, not the original source material.
Time and time again, I see a lot of comic adaptations of books try to use a book's strength instead of a comic's. When that happens, you get pages upon pages of narration boxes and exposition that could've easily been told in a single panel's image. If you want to read excerpts from the original novel, go do that! They're beautiful and well-crafted and you should be reading the original anyway! If you're making a comic adaptation, make a comic, not an illustrated version of the novel (that's a whole field of its own).
This whole thing really ties well into what I'm doing for Chapter 3. Kaz is such an internal character, his chapters have a lot more exposition that isn't setting description or character actions. I've had to do a lot more of my own writing for this chapter than the last just to turn that exposition into his own voice as an internal monologue. Sometimes, it's just a change from "he" to "I," but there are other times I've had to write new dialogue and find ways to naturally flow between thoughts. If I didn't do the work to adapt the expository text and instead just put in narration boxes of text from the book, there would be a greater disconnect between the reader and Kaz. Third-person limited works great in books and doesn't separate the readers from the story, but in comics, first-person internal dialogue keeps the readers inside the scene better.
If I were to redo Chapter 2, I think I would try to find a way to incorporate the information from the chapter intro better. I think by losing the intro I initially planned to include, I didn't establish certain ideas very well. Ketterdam and Kerch are established later on pages 4 and 5, but I don't think I ever go back and mention The Barrel. Also, the idea that Kaz is deliberate, even if his reputation says otherwise, is important too. I've made sure to fix this kind of issue in Chapter 3 and keep record of what kind of information I'm losing as I adapt it.
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factual-fantasy · 4 months
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25 asks :}} MERRY CHISTMAS! 🎄🎄🎄
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Jevil and Seams world still exists, its just so horrible that they don't ever want to go back to it..
Grillby and River persons AU were both destroyed/de-stabilized..?? Their worlds don't exist anymore.. they cant go back.
Goner Kid's AU still exists, but another version of her already exists in it. Its like a duplicate..? Of her was created when she fell into the void. When she tried to re-enter her AU, it was hurting the other Goner Kid. In order for her to go back, someone would have to kill that other Goner kid. But that Kid has a family, real memories, emotions.. she's a person too... no one had the heart to kill her. She cant go back..
Spamton's AU still exists, but he doesn't want to go back. There was nothing for him there. He had no friends, no family, he hated his life. And being in his own world for some reason causes his pain to be more extreme/less tolerable. So staying away from his AU brings him some relief..
Asgore's AU still exists, but he cant go back. Or else he will continue turning into dust and eventually fully die.. staying out of his AU is the only thing keeping him "alive"..
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@abaroo
I don't know if their boss status really played much of a role.. mostly their friendship started with Jevil helping Spamton, and then sparked into something more by them having a similar sense of humor. :00
As for the phone person? I haven't decided if my Spamton had that phone guy or not.. but if he did, I might make it so they're different people. Or maybe the same person but from different aus..?? 👀👀
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The group might not keep in touch consistently. But I can see them occasionally returning to this AU to seek shelter, knowing that they're safe here.
Like imagine they got in a wicked fight and some of their toughest members are all beat up. They retreat to this AU and hide out in the forest to rest. Some of the Queens guards find the group and bring them to her. She's surprised to hear that they've been living in the woods.
"Why did you not return to my castle?"
"We didn't want to intrude or overstay our welcome..."
"Nonsense! You are always welcome here."
Now as for Seams relationship with her? I imagine its complicated.. Of course he thinks she is wonderful and very gracious. Having freed him from his chains and continuing to welcome them into her castle..
But Seam can't help but be afraid of her. She is the same species as the Spade King. He cant help but be reminded of the king when he looks at her and feel uncomfortable or intimidated..
Seam is probably stressed and uncomfortable being in her castle, despite how kind the Queen is.. Everything just reminds him of the King and all the horrible things associated with him.. its just.. man, its complicated.
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@tanileaf
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WAAHAHRHHDHF THANK YOU SO MUCH FOR EVERYTHING!! 😭😭💖💖💖
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@mishishiwritings
Aw its ok! <XD Don't worry, it really is mostly a design choice now. But to go over the story again..
When I was designing my sona I wanted something to be on my hands. Gloves? Different skin color? I didn't really know.. Now at the time my fingers/knuckles were covered in band-aids due to dry skin and cat scratches.
So I thought hey! I can give my sona edgy bloody bandages! And I can call them my weathered artists hands! XD And so I added them.
Although my hands still aren't in the best shape today, I'm pretty hard on them- the bloodied hands don't have any darker or concerning origin. Just cat scratches and dry skin. I appreciate the concern though! 🥺💖💖💖
Also thank you! Happy holiday and a happy new year to you too! :}}
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@taizarack
Yeah, my sona is kind'a all over the place <XD for funsies I made this little chart that might help explain the strange forms I take XDD
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Basically, the drippy-ness and blood is when I want to emphasize my exhaustion and/or emotions is some way..?
And the "stable" version is usually seen at the start of comics before I've consumed any energy. Or in posts with 1-2 drawings that don't take much time/energy to make. Also being a drama queen is fun. Does that make sense..? <:D
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@purplelordscp035j
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THNAK YOU SO MUCH!! :DDDD
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I'm assuming you're talking about the ruin mask? If so, that would be very bizarre.. they wouldn't know what to make of it. How is this thing even possible?? <XDD
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@lizard-queen-things
Wow, 2020? That feels like forever ago-
And well I just kind'a lost interest in tfp. <XD I never even finished the show due to lost interest- such is life :/
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@citrusfruitman
XD You're the first person to ever send me that I believe. Season's Greason's indeed :}
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Nooo, <:/ I had already planned out my AU before the Ruin DLC came out. No room/reason to add prototype Freddy.
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@starrypaint09
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Fank u! :}}}
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Here's a link to my FNAF master post! (Its also in my pinned post <XD)
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I got an ask about this recently, :0 I'm sad to say that I'm actually unfamiliar with this game.. sorry! <XD
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Part of me thinks it would be very foreign to their (probably cruddy) Fazbear brand pizza. <XD Chica would love it though!
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This is a really good question! :0 I had to think about it for a sec XDD
For Freddy and Glamrock Foxy I imagined their vice would be the same, hoarding. They would try to latch onto things and objects that make them feel better. At first it would start with collecting certain posters of event that they had a good time at. Or if someone gave them a plush they would hide it from employees so that they could keep it. But then it would quickly spiral into something worse..
They would both start stealing from the other animatronics. Taking things that they see as valuable and worry the others might throw away. Or if they had a nice time at a kids birthday party they would try to collect souvenirs. Like the present wrapping and bows. Trash and plates with food still on them.
Freddy would collect all this trash and stuff and hoard it in his room. The food would get moldy and make his room a hazard. But Freddy would become very protective of his room and his collection. The employees would try to clean if but Freddy just wouldn't have it. They would have to clean out the worst of it little by little so Freddy wouldn't notice..
Foxy would be the same except once his room got too full, he would extend his collection to Pirates cove. Parents would complain about Pirates cove being dirty and about there being trash all over the floor. But just like Freddy, Foxy would be very protective of his collection and it would be a hassle to clean..
For Glamrock Bonnie however, his is harder to describe.. but I imagine he is completely opposed to change. Maybe OCD you could call it..?
I can see Bonnie being hurt by all the change in his life. When Freddy and Chica died that was a huge change. When the glamrock era began and they threw out everything familiar to him.. it hurt. It was a big change.
I can see Bonnie hating change. For 5 seconds, he wants everything to just, stay the same. This might manifest in Bonnie not allowing any employees in his room. Becuase he doesn't want them moving anything around. He wants to come back to his room after a stressful day and have his room be exactly the way he left it. This would mean Bonnie's room gets very dirty/dusty but he wont allow anyone to clean it.
Not sure how this could spiral to something that effects other people.. Maybe he doesn't like the new songs that they are told to sing. He just wants to sing the same familiar songs he already knows. This could cause problems for the other animatronics because Bonnie wont cooperate? Things like that. :0
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I suppose anyone who doesn't have a river person in their AU would be spooked yeah <XD Poor river person :(
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XDD Yeah "Mommy look! A Kangaroo!"
Bonnie:
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Yes, Seam is absolutely devastated with guilt. Not a day goes by where he doesn't feel horrible for what he did to Jevil.. And despite your point, Jevil holds nothing against him. Not anymore, and here's why.
Jevil was there when the king threatened Seam. When the king commanded him to lock Jevil away. It was very clear from the situation that the King would hurt or even kill Seam if he did not obey. Seam was torn, tears streaming down his face. He was shaking.. He had no choice. It was lock Jevil up, or face the Kings wrath. He had to.. if he didn't, both of them would probably have been slaughtered..
He doesn't resent Seam for locking him up. He knows he had to. But after years of being down there.. Jevil did develop a bit of resentment over Seam never visiting him. He always expected Seam to sneak down to the dungeon to see him.. but he never did.. that he resented a bit.
But as soon as he escaped, and found out why Seam never visited.. that resentment all vanished.
Seam tried to visit Jevil. But he was caught. And what was his punishment? His eye was gouged out, his mouth stitched shut, and heavy shackles clasped around his neck and wrists. He was told of he ever tried to visit Jevil again. The king would kill them both.
How could Jevil hold any resentment after that? There was nothing else Seam could have done..
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I think it was the opposite. Jevil saw the danger of the situation. It was clear that if Seam didn't lock Jevil up, the King would likely kill them both.
Seam was extremely hesitant. He was crying, he didn't want to lock him up..
Instead of begging the king for mercy, knowing the king would not listen. Jevil probably just tried to comfort Seam..
"Seam.. i-its ok... j-just.. just do it... just do what he says.."
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I don't think I ever gave them claws.. I suppose if the situation calls for it they'll magically have them XD Not sure about scratching post though, they'd more likely just want to use a nail file :0
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I sat on this ask and thought about it for a while.. and every time I think about it I picture the same scenario..
Asgore comforting a neutral route Undyne..
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@beryl-shade
I'd like to think that Bibi can because he's very cat-like. but Cici? Mayyybe not? <XD She's more mouse-like to me.
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@britneyt
WOAH HANG ON!- I cant make THAT many arms! XDD
Also thank you! Good night/day to you as well! :}}}
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Oh yeah, it likely happens a lot. :( And you know Jevil is either gonna deny it, or curl up under a blanket and refuse to let anyone touch him in an attempt to not spread it..
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wikimb · 8 months
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Devil Trigger 3.0 for Michael!
A 3rd attempt at designing his DT since 2021 when I made Michael (or rather revived and remade/fleshed out his character from a DMC fanfiction written in 2019...).
I could explain in length the ideas behind this DT, why such a theme, why so... tall. The ramble includes serious explanation of the origins of demonic powers he has as well. If you like to read about it then just check what's under the cut.
Below you have some drawings of his face and also his brother's (name's Gabriel) reaction to his DT form. Michael was more scared of Gabriel's reaction than he actually was and the relief he felt was quite overwhelming.
More in depth below. It includes links to the 2 older versions of his DT for fun comparison.
The theme of his DT is very birdy. The first time I designed his DT it was rather heavily inspired by pre-existing DT designs of our main characters. Nothing wrong with it but it didn't stand out and I also never really vibed with it. It didn't help that I had no experience with any kind of monster design to begin with. I still kinda don't but I can see I got slightly better seeing the 3rd version of his DT. You can check my 1st and 2nd attempts here.
Anyway there are a bit more specific reasons why it's so birdy-looking or angelic-looking (and not just because of his name). Michael was born a human in a family, which was never exposed to anything demon-related. They didn't know demons existed (to a degree... when it comes to his father but I think that'd deserve a separate post as his backstory is a bit wild and how it affected Michael in the end).
As a teenager he got lured into a cult and manipulated into abandoning his family eventually. He didn’t know how evil the cult was and didn't even realize they were a cult to begin with.
It was a cult worshipping Mundus with a leader being one his generals. Her name was Lilith and she was great at making Michael feel that she truly cared for him like a mother figure. She manipulated him into believing his family didn't care for him. Sadly, it was all a game and ever since he escaped the cult, he deals with a lot of guilt and regret. He is not sure if they're even still alive... and if they're dead... what if it's his fault?
The cult's purpose was to turn humans into demons, who would serve Mundus. To ensure that they were forced to undergo a ritual stripping them of all of their humanity, their human personality and replace all of that with Mundus overwhelming power. The power, which was great but taking away all of their free will they could have. These people were technically demons at this point. If the ritual failed then it was usually fatal. Thing is, the ritual was a stolen concept from the time when Lilith infiltrated Fortuna's Order of the Sword. In a way she influenced Agnus to come up with such a ritual, then she took the idea and modified it a bit.
Michael's case could be qualified as a failed ritual after, which he should have died but the amount of demonic power he received was not big enough to kill him (because human body would be able not to handle more) but instead keep him alive. And as a result it continued transforming/mutating him into a demon-hybrid like Dante or Vergil, but artificial.
Even if using demoning powers was causing various unpleasant side effects for him but with each use, it hurt less and less. He was reluctant to use his powers actively, fearing that they could make him loose his humanity. He still used the passive abilities such as sensing demon magic.
After certain events he unlocked his Devil Trigger. As a side note I do have 2 ideas for what these moments were but for now I am not sure which one is better.
Anyway, yes, Michael underwent a modified version of Ascension Ceremony! That's why he has such an angelic look, just like the guys from Fortuna. The demonic powers are originating from Mundus but failed to take away his free will, his personality, his humanity, his memories. In other words, he is the same like before - just juiced up with Mundus power (which he is afraid to use anyway). Certainly a result which a Demon Lord would actually hate to find out about as it has a potential to backfire. Not like he has to "worry" about three Sparda descendants already. But if you saw Mundus himself, he also looks rather angelic too. Or at least that "statue form" if that orange weird blob is meant to be really him.
Compared to DTs already seen, he is quite massive. I think it can be simply a feature of Mundus power, in which Devil Trigger state makes one much larger than in human form. Mundus is a titan-sized demon himself, while Sparda was shown to be rather human sized. Heh, maybe if Michael had Sin Devil Trigger form then he could be Mundus-sized.
Though, Michael has the ability to go Berserk (but it's not controlled by his will and it triggers under strong distress), which enhances his power in human form and in DT form. It manifests as blue fire instead of orange fire. Maybe Berserk DT can get this big maybe. Could wrestle demons like Goliath then xD
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meitoscringe · 8 months
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Venezuela traditional clothes!!
(read below for extra information)
Here's a small simplified guide to Venezuelan traditional clothing
1- Region de los llanos: the first set of clothes (left to right) are known as the face of Venezuela but technically they originate from the "Region de los llanos".
The first 2 outfits are called liqui liqui, they're the national outfit of Venezuela and can be worn both by men and women.
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traditionally they're very simple and light colored but nowadays they come in many different forms. The other 2 dresses have no name but are known as "falda llanera" or "traje típico de joropo" and are used to dance!
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They can be any color and often have flower patterns on them.
2- Region capital: this is the region were the capital is situated. The men here wear liqui liquis or simple outfits (like the one I drew).
The women's clothing is named "Dama antoñona", there's different versions of this costume but they're all rather European looking
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Historically they used to be worn by high ranking rich women but nowadays they're more of a carnival thing
Region Zuliana: once again, the men wear rather simple looking clothes or a version of the liqui liqui. The women wear "mantas guajiras"
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Originally the manta guajira was only the Wayuu peoples's traditional wear, a native American group found in the guajira (land shared between Colombia and Venezuela), but with time the clothing started being worn by the zulians as well.
4- Region andina: this region is the coldest in Venezuela. Men wear a sort of poncho called "Ruana" the women's clothes have no name.
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The dress that I drew in the middle is sometimes used to dance, here's an example
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I've mainly seen it worn by kids tho xd
A few extra things:
-There's more regions but this 4 are the most important ones/the ones that inspired the rest. The Last 2 clothes are an example
-although I gave all the Chibis cowboy hats, we have multiple different types. Those are the most popular ones but if you need a reference for hats feel free to ask lol
-i didn't draw shoes. We do have traditional shoes but I was too tired to draw them. Once again if anyone needs a reference for them ask
-this one is kinda of a no duh, but majority of this clothes aren't worn every day and are only used for patriotism, dances or festivals.
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tsukiiro · 23 days
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Final Fantasy VII Rebirth: Gold Saucer date spoilers below
Something I noticed after watching the following part of the scene.
After Cloud asks Tifa about her talking to Aerith, she replies with "Not yet". Then, the camera changes position instead of staying in the same place which I thought was kind of weird. Watching Japanese version of the scene made me think there's more to Cloud's question than meets the eye!
Of course I do think there were multiple reasons why he asked, e.g.:
they're finally alone so he can ask Tifa without anyone interferring and he probably remembers Tifa wanted to keep this between them, as she asked in Nibelheim)
he wanted to break the silence and since he's not the best conversionalist he chose a this topic
But I believe he might have also used the topic to investigate Tifa's feelings. It seems like he wanted to say something since when they got onto the gondola and now he can try to steer the subject towards their bond/relationship.
In English version he says:
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Notice how the camera changes position so that when Cloud starts talking about feelings, it shows Tifa in the foreground.
[It can mean lots of different things e.g. us not seeing Tifa's face might be a visual metaphor of "she doesn't want to tell him the real reason for not speaking with Aerith because it'd hurt him and his mental state would get worse". So this camera angle might be a way of telling the audience that there are still some issues between Cloud and Tifa which need to be resolved but it's not the right time to do it now as they can't be 100% honest with each other - Tifa can't share her memories which contradict with those of Cloud's and he can't access his true memories because of what's happening to him due to Sephiroth's control (among other things). But I digress.]
Now, let's take a look at Japanese version.
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He says "I wonder if [she] still likes [him]." but since pronouns are not necessary in Japanese language, unless given context, we don't know who's the subject and object of the sentence. If this sentence was taken out of the context and asked out of the blue, you could interpret it as "I wonder if you still like me".
Only after a short moment he adds another sentence to explain what he meant by liking. To translate it literally he says: "Aerith, about Zack". So he provides information about sentence subject (Aerith) and sentence object (Zack).
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I know that it's how Japanese people talk and they sometimes add more context after the sentence is formed as if they remembered what they wanted to say. I know there's nothing special about Cloud's way of speaking, but camera work here draws your attention to it, as if it wanted you to think about Cloud's intention behind his words. It also seems like he's expecting some kind of reply and what Tifa replies with doesn't seem to go according to his plan. He looks confused and you could tell there might be plenty other reasons behind it (and I do believe there are like e.g. Cloud who doesn't understand what other reason, beside it being a touchy subject, Tifa might have to not talk with Aerith), but the flow of conversation tells me Cloud wanted to be "subtle" by starting a topic related to love/feelings and it backfired.
I'm not saying he didn't want to know if Tifa told Aerith about his memories related to Zack. Of course he did. But we need to also look at the romantic undertones of the gondola date, especially since Cloud acted as if he wanted to say something to Tifa, which is a nice twist to Tifa's GS date from the original game, where she was the one who tried to confess.
I may be wrong but it's interesting how camera and spoken lines relate to each other and create an opening for various interpretations. It's definitely worth taking a closer look at this scene as it presents Cloud and Tifa's dynamic in different shades and forms.
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s10127470 · 8 months
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Franchise Idea: Nickelodeon Kingdoms
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What you're seeing right now is actually real.
This is the official title card for an online Nickelodeon game called Nick Kingdoms, released back in 2014.
The premise of that game is that it's set in a fantasy world where various Nickelodeon shows (specifically those from the Nicktoons line-up) co-exist as separate kingdoms.
As you could tell by the title card, you can see various Nickelodeon from around that time being completely redesigned from this whole new universe!
SpongeBob looks like a pirate captain.
The Breadwinners look like they're part of a biker gang.
The Teenage Mutant Ninja Turtles look rightfully like they came from feudal Japan.
Bloom looks like she came right out of a fairytale world.
And Sanjay and Craig look like absolute party animals.
And after stumbling upon this after nearly a decade, I couldn't help but think....
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Or more importantly, why didn't Nick do more with this game.
All the shows you see represented here were the only ones that were.
After 2014, they never updated the game, most likely because it's a online game that can only be accessed through the Nickelodeon website.
And it really sucks because it would've been cool to see them add other notable Nick shows to this world.
And since I'm bored and I have nothing better to do today, I thought of the idea of Nickelodeon bringing this forgotten game back from the dead.
But not as a mobile game or even a video game, but instead as an entire franchise.
It would kind be like how Disney has multiple franchises under their belts involving their original animated films like The Disney Princesses and Disney Villains.
It would be cool to see a company like Nickelodeon having a entire franchise based around their huge catalog of IPs....
Which I don't think they've ever done before.
Sure the IPs themselves are basically franchises in their own rights, but Nick hasn't had a franchise that used them all together.
Anyway, sit back and grab a snack and follow me as I take you all on a journey through the new and improved world of.....
Nickelodeon Kingdoms!
For this post, I'm gonna list some shows (both notable and virtually obscure) from the Nicktoons line-up and share how they would be represented as kingdoms for this franchise.
As for the ones that were already in the game, they would be expand on a bit.
SpongeBob SquarePants: SpongeBob's kingdom in the original game was presented as sort of a pirate-themed version of the Bikini Bottom. For this franchise, the pirate theming would be ever stronger here. In fact, SpongeBob's kingdom would be based in a part of the ocean filled with tropical islands that are brimming with pirates, both human and aquatic. SpongeBob's kingdom would draw heavy influence from The Caribbean, specifically during the Golden Age of Piracy.
The Fairly Oddparents: The Fairly Oddparents' kingdom would be presented as a mixture between Dimmsdale and Fairy World. It's architecture would be a mixture between fantastical and modern, it would be inhabited by humans, fairies and other fantasy creatures, and it would based high up in the clouds.
Rugrats: The Rugrats' kingdom would be a presented as a prehistoric metropolis in the veins of The Flintstones. The prehistoric theming would be a reference to Reptar. The land the kingdom is based in would be surrounded by various environments commonly found in prehistoric-themed media: grasslands, jungles, swamps, lagoons, volcanic mountains, polar regions, and bone-filled wastelands.
Ren and Stimpy: Ren and Stimpy's kingdom would be city heavily inspired by various locations in Canada. This would serve as a reference to the duo's famous role as Canadian Kilted Yaksmen.
Aaahh, Real Monsters!: The Real Monsters' kingdom would be presented as a junkyard city inhabited by monsters.
Angry Beavers: The Angry Beavers' kingdom would be presented as a forest-themed metropolis inhabited by slightly anthropomorphic forest animals.
Hey Arnold!: Hey Arnold's kingdom would be presented a urban metropolis with a heavy sports-theming. This would be a nod to the fact that in the show, one of Arnold and his friends favorite passtime was playing sports.
Jimmy Neutron: Jimmy Neutron's kingdom would be presented as a floating futuristic version of Retroville (smack-dabbed in the atmosphere) with a 1950s theming. This would be a perfect combination of the many out-of-this-world adventures Jimmy and his friends have gone on, and the 50s-styled town they live in.
The Wild Thornberrys: The Wild Thornberrys' kingdom would be presented as being themed around colonial Africa....but minus the problematic elements. The land would be presented with a colonial town, multiple tribal villages, and landscapes like savannahs, jungles, swamps, and deserts. Admittedly, coming up with a kingdom based around the Wild Thornberrys was a pretty tricky concept since the family travels all over the world. But one of the many locations they've traveled to, I believe Africa has been the one they've visited the most, so I felt like that would be best place to based the kingdom around. As for the colonial theming, I felt it would help give the kingdom a safari theme to fit perfectly with the show.
Rocket Power: Rocket Power's kingdom would be a mixture between the California seaside-town Ocean Shores and Hawaii. I feel like having the kingdom be a mix between California surf culture and Polynesian culture would be perfect for a kingdom based around Rocket Power, given that the latter has played a major part in a show.
Invader Zim: Invader Zim's kingdom would literally just be an Irken version of the City that the show mostly takes place in. Essentially it would be best of both worlds. Yeah, I don't really have much to say to this place.
ChalkZone: ChalkZone's kingdom is basically just ChalkZone, except it's also inhabited by regular humans.
My Life as a Teenage Robot: My Life as a a Teenage Robot's kingdom would be a futuristic version of Tremorton. Yeah....I pretty much made the town that was sort of anti-robotic into a futuristic community. Talk about ironic.
Danny Phantom: Danny Phantom's kingdom would presented as creepy, gothic version of Amity Park, surrounded like various haunted lands. These lands would be inhabited by ghosts and other supernatural creatures, and have environments themed around the major ghost that reside there. Like a savage jungle for Skulker, an Arabian-style kingdom and desert for Desiree, a 1950s-style town for Johnny 13 and Sidney Poindexter, etc.
Avatar: I don't even need to explain this one.
El Tigre: El Tigre's kingdom would be a version of Miracle City that's a mixture between colonial and Mesoamerican Mexico. Giving that show has presented architecture from both eras of Mexican eras (especially the latter), I felt a even more extreme combination of both would be perfect for a kingdom based on the show.
Back at the Barnyard: Back at the Barnyard's kingdom would be presented as a rural country town akin to the ones found in the American Southwest and Deep South, inhabited by humans and talking farm animals ala Bojack Horseman. Yeah, that's kind of about it.
Tak and the Power of Juju: I don't even need to explain this one either.
The Mighty B: The Mighty B's kingdom would be a bee-themed version of San Francisco. Basically imagine the bee city from the Bee Movie and that's what you got.
Fanboy and Chum Chum: Fanboy and Chum Chum's kingdom would be an icy version of Galaxy Hills, as a nod to the show's well-known (and only) superhero, Man-Arctica.
T.U.F.F. Puppy: T.U.F.F. Puppy's kingdom would be basically Petropolis mixed with Zootopia. Please don't sue me Disney.
Teenage Mutant Ninja Turtles: The TMNT's kingdom in the game was presented as metropolis that was a mixture between New York City and feudal Japan. And yeah, that theming would still be present.
Sanjay and Craig: Sanjay and Craig's kingdom in the game was presented as a version of Lundgren, but with a heavy focus on partying with stuff like amusement parks and music concerts. And just the TMNT kingdom, that theming would still be present.
Breadwinners: The Breadwinners' kingdom in the game was essentially Pondgea....but the same as it was in the show. But this time, the kingdom would be presented as a chain of various islands based around aquatic ecosystems like swamps, bayous, forests, rainforests, etc.
Harvey Beaks: Harvey Beaks' kingdom would essentially be the Bigbark Woods, but with a fantasy twist to it. Imagine Knothole from the Archie Sonic comics and that's what you got.
Well that's all for now!
I know I left some major Nicktoons out like Rocko's Modern Life and The Loud House, but that's because I couldn't quite think of what their kingdoms would be like.
If you have any idea or suggestions on what their kingdoms should be like, let me know in the comments.
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