keykidpilipili
Keykid Pili Pili's blog
They/them, nonbinary Quoiromantic Asexual. Art sideblog on pilichainartandmemes. Icon by @cid
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speaking of replicas, can you imagine if xion's death had ended with her blank body being left behind in roxas's arms
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Do you ever just want to pet a Parasaurolophus
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Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.
Anthony and Cleopatra: here's the BBC version, here's a 2017 version.
As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.
Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.
Cymbelline: Here's the 2014 one.
Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.
Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.
Measure for Measure: BBC version here. Hugo Weaving here.
The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.
Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.
Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.
Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!
The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Troilus and Cressida can be found here
Titus Andronicus: the 1999 movie with Anthony Hopkins here
Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.
Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.
The Winter's Tale: the BBC version is here
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
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lol THIS ENDED UP BEING SO LONG but it's such a cute story opening that I had to draw Watson roasting Holmes's messiness for the newspaper and Holmes skillfully maneuvering his way out of having to do chores. It's all canon, even the indoor sharpshooting, except for the bit about the cold bath.
canon text under the cut:
An anomaly which often struck me in the character of my friend Sherlock Holmes was that, although in his methods of thought he was the neatest and most methodical of mankind, and although also he affected a certain quiet primness of dress, he was none the less in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. Not that I am in the least conventional in that respect myself. The rough-and-tumble work in Afghanistan, coming on the top of a natural Bohemianism of disposition, has made me rather more lax than befits a medical man. But with me there is a limit, and when I find a man who keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece, then I begin to give myself virtuous airs. I have always held, too, that pistol practice should be distinctly an open-air pastime; and when Holmes, in one of his queer humors, would sit in an arm-chair with his hair-trigger and a hundred Boxer cartridges, and proceed to adorn the opposite wall with a patriotic V. R. done in bullet-pocks, I felt strongly that neither the atmosphere nor the appearance of our room was improved by it.
Our chambers were always full of chemicals and of criminal relics which had a way of wandering into unlikely positions, and of turning up in the butter-dish or in even less desirable places. But his papers were my great crux. He had a horror of destroying documents, especially those which were connected with his past cases, and yet it was only once in every year or two that he would muster energy to docket and arrange them; for, as I have mentioned somewhere in these incoherent memoirs, the outbursts of passionate energy when he performed the remarkable feats with which his name is associated were followed by reactions of lethargy during which he would lie about with his violin and his books, hardly moving save from the sofa to the table. Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner. One winter’s night, as we sat together by the fire, I ventured to suggest to him that, as he had finished pasting extracts into his common-place book, he might employ the next two hours in making our room a little more habitable. He could not deny the justice of my request, so with a rather rueful face he went off to his bedroom, from which he returned presently pulling a large tin box behind him. This he placed in the middle of the floor and, squatting down upon a stool in front of it, he threw back the lid. I could see that it was already a third full of bundles of paper tied up with red tape into separate packages.
“There are cases enough here, Watson,” said he, looking at me with mischievous eyes. “I think that if you knew all that I had in this box you would ask me to pull some out instead of putting others in.”
“These are the records of your early work, then?” I asked. “I have often wished that I had notes of those cases.”
“Yes, my boy, these were all done prematurely before my biographer had come to glorify me.” He lifted bundle after bundle in a tender, caressing sort of way. “They are not all successes, Watson,” said he. “But there are some pretty little problems among them. Here’s the record of the Tarleton murders, and the case of Vamberry, the wine merchant, and the adventure of the old Russian woman, and the singular affair of the aluminium crutch, as well as a full account of Ricoletti of the club-foot, and his abominable wife. And here—ah, now, this really is something a little recherchè.”
He dived his arm down to the bottom of the chest, and brought up a small wooden box with a sliding lid, such as children’s toys are kept in. From within he produced a crumpled piece of paper, and old-fashioned brass key, a peg of wood with a ball of string attached to it, and three rusty old disks of metal.
“Well, my boy, what do you make of this lot?” he asked, smiling at my expression.
“It is a curious collection.”
“Very curious, and the story that hangs round it will strike you as being more curious still.”
“These relics have a history then?”
“So much so that they are history.”
“What do you mean by that?”
Sherlock Holmes picked them up one by one, and laid them along the edge of the table. Then he reseated himself in his chair and looked them over with a gleam of satisfaction in his eyes.
“These,” said he, “are all that I have left to remind me of the adventure of the Musgrave Ritual.”
I had heard him mention the case more than once, though I had never been able to gather the details. “I should be so glad,” said I, “if you would give me an account of it.”
“And leave the litter as it is?” he cried, mischievously. “Your tidiness won’t bear much strain after all, Watson. But I should be glad that you should add this case to your annals, for there are points in it which make it quite unique in the criminal records of this or, I believe, of any other country. A collection of my trifling achievements would certainly be incomplete which contained no account of this very singular business.
-The Memories of Sherlock Holmes: The Musgrave Ritual
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Anemone runs from starfish
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every millennial who was online from 2000-2008 has a specific phrase from a YTP that will activate them like a "manchurian candidate" sleeper agent, causing them to spout gibberish for 40 straight seconds
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maxie boy 🧿
#buddy it's the queue you gotta let me go#yugioh#ygo dm#maximillion pegasus#stellar fashion I love the painted nails#the eye and the wedding ring popping out is exquisite symbolism
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Zack, still having Angeal’s contact in his PHS after Modeoheim.
He calls him every once in a while, just to hear him again. Just to hear the choppy, fuzzy sound of his voice over the voicemail. Just to leave a short, quiet message saying that he’s always thinking of him and hopes that he is proud.
Until one day, as he tries to call his old mentor, the line officially disconnects.
No voicemail, no voice, no Angeal.
And the only thing that’s left is a robotic reminder that the man on the other side no longer exists.
~
When Sephiroth finds Zack crying that night, he isn’t sure what to do. What to say. Just hovers off to the side, watching the broken boy in front of him, and realizing that he simply can’t stand there and do nothing.
He gently asks Zack what’s wrong.
Zack tearily holds up the phone, shows him the extinct contact. Tells him that he lost the last tangible memories he has left of him. That he’s forever gone. That he’ll never, ever hear Angeal’s voice again.
Only Sephiroth says that’s not true.
Zack stares at him, a glistening tear crawling down his cheek. Doesn’t say a word.
And Sephiroth uses the silence to pull out his own PHS, open his messages, and scroll to a voicemail from years prior.
He clicks on it.
Angeal: Hey, Sephiroth, it’s Angeal. I got caught on the train again—don’t think I’ll be back in time to meet my usual training with Zack. Do you mind checking in with him? I know, I know: you probably don’t want to. But please believe when I say he’s really, really something special. It would mean a lot to me. Oh, and… if you dl decide to spare some time for the pup, tell him I’m proud of him… alright? He doesn’t hear it a lot. Anyway, train is leaving now. Thanks, friend. I’ll see you later.
The voicemail ends.
“I admittedly… didn’t want to check-in that day,”Sephiroth says gently, hardly more than a whisper as he tucks the phone back into his pocket. Gazes earnestly at Zack as the boy gazes back in a tearful, numbing silence. “So, please… let me say I should have said then.”
He places a hand on his friend’s shoulder, voice growing even softer.
“Angeal is so, so very proud of you, Zack. More than words can express…”
He gives a gentle squeeze.
“And so am I.”
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To expand on my girl sad about her arranged marriage trope post, I think the trope can be subverted (woman is happy about arranged marriage) but it can also be done well and without modern sentiments (ew, sex with someone I don't love is yucky/I want to marry for true love/I want to be a GirlbossTM)
For example, princess is sad about her arranged marriage because:
-Her nation and the prospective husband prince's nation were at war five minutes ago and many members of her own family died in the war. The marriage is designed to cap off a peace treaty but what happens if peace doesn't last and she finds herself the queen of a nation at war with her own homeland? If you want real angsty enemies to lovers, the prince himself killed her own brother in the war.
-The nation the princess is marrying into is very culturally different from her own, very far away/a dangerous journey, and she hasn't been able to learn the language. She will be bringing some of her ladies-in-waiting but fears being very homesick in a place so different from her homeland.
-The princess already married for political reasons and her husband has now died. This time she wants to make her own choice because she's paid her dues (there is historical precedent for this)
-Princess has known her future spouse since childhood and was happy to marry him, he died suddenly and now she's being asked to marry his weird younger brother whom she knows well and dislikes.
-Princess is heavily prejudiced against the nation she is marrying into because of racism/xenophobia or whatever but they have a resource her kingdom needs and a baller army, so marriage it is! She overcomes her pride and prejudice as she falls in love with her husband.
#buddy it's the queue you gotta let me go#writer reference#arranged marriage#writer ref#tropes#adding on the peace to cap off a treaty depending on which country was in the better eco/geo situation add tensions#like either she's from the more well off party and her not being able to keep up her level of luxury at ceremonies will be used against her#spouse as proof of his country's weakness#If she's the less rich party then the newfound wealth pushed on her can be perceived as her profiting from the ordeal back home#because if the consort is dressed better or worse than the regent(or the reverse situation) it looks bad on both
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Art nouveau key PNGs.
(source: MAK collection)
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Okay! Obviously, I love Wolf 359. The available scripts for Wolf 359 are recording scripts, meaning they're inaccurate in a ton of places when it comes to finalized or improvised dialogue, and don't function well as transcripts (especially since the scripts for the live show and some of the mini episodes were never made available.) That said, I think everyone should read the scripts; the sheer amount of physical description that you can feel in the show, even if you can't see it... I guarantee it will enhance your listening experience. Most visual show to ever be an audio drama. So, in pursuit of both of these goals at once, I went over every word in the scripts, and wrote up new scripts for the unavailable ones. Some of the sound effects described - especially in early episodes - might not line up exactly, because I didn't want to mess with the non-dialogue portion of the show, but I hope this strikes a good balance and can be a useful resource.
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fire emblem mod that changes the player phase animation to say “FUCK AROUND” and the enemy phase one to say “FIND OUT”. is this anything
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Happy New Year, folks!
With 2024 on the horizon, it'll not only be the 22nd Anniversary year for Kingdom Hearts, but also the 20th Anniversary for the second-ever game in the franchise: Chain of Memories.
This game essentially kicked off what would be the beginning of the Dark Seeker Saga, introducing us to the long-running villain group, Organization XIII. So, to celebrate, I decided to recreate and color one of @amanoshiroh141127 -sensei's illustrations from the CoM manga in the style of a what-if anime promo image.
At the time of this writing, there is currently no announcement of a Kingdom Hearts anime or animated series. But we'll see how things pan out in the future.
Until then, once again, have a Happy New Year! Let's hope 2024 is good one🤞
EDIT: Also, here's a close-up of Sora's 3 cards. 2 friends and 1 enemy card.
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Help! I'm in love with that hair style as a way to show relationship status! It's so amazing! Did you come up with that yourself?
I came up with the designs for the braids, but the idea of demonstrating relationship status, gender presentation, or orientation through braids is something I've seen before! It was inspired by this:
Go check 'em out! :)
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#puppy play#buddy it's the queue you gotta let me go#shame isn't real sandwich is you know what you gotta do
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Another sheet of Malevolent drawings
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