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#you're told the main point of conflict at the beginning and the actual story of botw is filling in the blanks and adding context
timegears-moved · 11 months
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OMG IM GLAD IM NOT THE ONLY ONE BOTHERED BY PARTS OF TOTKS STORY LOLL I am not a fan of the sages at all
YEAH THE STORY IS MY BIGGEST COMPLAINT. and absolutely agreed on the sage stuff. i like the new sages because of my attachment to them from botw but as far as the actual sage plotline goes i don't give any shits about it.
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fictionadventurer · 10 months
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I used to think of story as "A story is stuff happening and a story's PURPOSE is to emotionally connect/move people." That said, I love the way you put it here!
If I may be allowed to add:
When a story is too short, perhaps it means that the internal change must be slower, with more events slowly inching it forward. If it has too much, then perhaps you need to have more seismic events rocketing it along.
Or perhaps you were wrong about the perfect length.
Also I have an anecdote to support your point:
Once I wrote a fight scene that was literally just stuff happening as part of a writing club, and it was BORING AS HECK! Incredibly repetitive and emotionally empty. Then I rewrote it to focus more on the emotions (which also led me to write more creative fights?) and the same people told me I actually achieved the sort of adrenaline fueled action piece it was meant to be.
Another, I was writing a story for myself and focused on the internal to the detriment of the external. It was also dull because I kept trying to stretch out the internal monologues instead of making stuff happen.
So now I try to balance where the external moves the internal. (Sorry if this was rambly)
I think "story's the stuff and emotion is the purpose" is also a valid way to put it. I put the focus on the internal arc because that helps me to figure out where to begin and end a story.
Stories usually involve some kind of change--whether in circumstances or in understanding. If you know how the beginning state is different from the ending state, all you have to do is stop the story after that ending state is achieved, and begin the story at the point where events start to make that change necessary. Even in a flat arc, where the point is that the character doesn't change despite their circumstances, the story begins at the point where the characters beliefs are challenged, and end when whatever circumstances caused that challenge are overcome. (This doesn't really relate to what you said. I just saw the chance to clarify my original post now that I've done some more thinking on the subject).
Pacing is another matter, and you're right that the balance between external events and emotional change is the key to maintaining it. I'd add that a lot of problems with length can altered by narrowing or widening the focus. If the story's too long, laser-focus on your main character's arc and cut anything extra; if the story's too short, you can widen the focus to include other characters or conflicts outside the main arc.
Your anecdotes are a great example of how internal and external change are both necessary to a story. I've found similar things in my own work. I've lost count of the number of times I've found a story boring, only to step back and realize I've spent several paragraphs of a character thinking about a situation when they could be doing something. Sometimes, the change is as simple as turning the character's thoughts into a dialogue with another character. Or jumping to an active scene while littering in the character's thoughts. I've also had the opposite problem of characters just doing things until I realize we don't know how they feel about any of this, which can make the story feel empty. A good balance of both is what makes a story feel complete.
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wuahae · 8 months
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What if 'Gundam SEED' was told from Flay's point of view? How would they approach it? Would it have been better?
ANOOOONNNDJWKFKW MY HAND SLAPPED OVER MY MOUTH. GUNDAM SEED TALK ON MY KPOP X READER BLOG….. IM OBSESSED W U LET’S GET INTO IT .
to be honest with you i didn't rewatch seed during my latest viewing of seed destiny so i can't say i remember enough to have a In-Depth analysis about the successes and failures of seed But! that being said in retrospect i actually really like flay? i like what they do with her character and i like her role in the story. i like that she's meant to be an asshole and more than a little of a bitch but it's never unsympathetic (unjustified maybe) and i like how her being rich and sheltered and YOUNG (i'm pretty sure the girl is literally 14 when the series starts) plays into how she reacts to the events of seed ... like the war is Not kind to her in the slightest. she's such a good character that explores the civilian side of war and how hatred can so easily twist into your very being if you don't know any better (or you're not given the opportunity to know any better)... i love her!! and i love her redemption arc at the end!
that being said, i actually don't think making flay the protagonist would have been better ,,, a large part of seed (and extends to seed destiny) is the relationship between kira and athrun; how your enemy is just those who happen to be on the other side of the battlefield, the cycle of violence and how it continues to be exacerbated in the name of revenge, etc etc. i think it's important that s/sd are told from the pov of the soldiers because of that? also because i just think the kira-athrun conflict throughout the series is soooo .... </3 i love my star-crossed bffs .
to be fair i think if flay was the protagonist it would have been a lot more of a character drama than it already is but i feel like they explore her character well as is in the anime? she has such a pinnacle role in kira's character i can't really see her being expanded in a better way than that! also i'm ngl the anti-coordinator bigotry flay has in like . probably the first third of the anime is already a hard pill to swallow as a side character idk if i could go through seed with her as the main character HSDFJLDSFKJJ like i already don't like kira!!! the beginning of seed is hard enough to get through with him as the protagonist!!!!
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hologramblue · 6 months
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wrt last reblog it was flight fucking rising of all things. okay so. years and years ago flight rising decided the background metaplot was going to be about how when the dragon gods reappeared in the world and made dragons, this caused a lot of trouble for the sapient "beastclans" already living on the planet, so The Playable "Faction" Is Secretly The Bad Guys Really and something something etc. naturally a lot of people were not super happy about being told that their dragons were violent colonizers by default. about a year ago the FR team went, yeah no that was stupid and we're sorry and we're gonna retcon all that, and developed a bunch of new lore with different sources of conflict in the setting that weren't Dragons Vs Little Guys.
i start with this background because like, the reason there needed to be a source of conflict in the setting to begin with - besides just "to help with RP" - is that FR has a coliseum mode where you stat up your dragons and go fight waves of enemies in different stages located around its world. which afflicts it with the same dilemma practically every fantasy video game has: you have gameplay involving beating the snot out of "enemies" and collecting the things they drop. what are those "enemies" and why is it okay to do that?
the ~classic~ answer is "because goblins are born evil".
one of the evolutions of that answer is "it's not actually okay and the player is morally compromised". for sure you can sometimes Say worthwhile things by taking this tack, but perhaps not through the medium of a dragon petsite populated by the kind of people who play petsites.
the other general path people take (short of rethinking the whole gameplay premise) is to move your "acceptable enemy" concept further and further away from anything with unfortunate real-life implications. they're robots/constructs/etc! they're REALLY buff vermin animals and culls are necessary to prevent loss of human life! they're, uhhh....undead and need to be laid to rest! they're possessed! and you're not actually killing them anyways, you're just smacking the possession out of them!
the latter is what FR went with, but as a text-only retcon that didn't actually change the composition of enemy packs in the coliseum, it sits kind of awkwardly on top of things.
FINALLY GETTING AROUND TO THE MAIN POINT within the last month, a new venue was released, the first new one to come out since the big retcon. and the story premise of this new venue, the "Silk-Strewn Wreckage", is as follows:
"Invasive glow worm and fire grubs have gorged upon massive amounts of flora and are preparing to pupate. Once they emerge, flighted and famished, they will continue to consume and proliferate. Large concentrations of these grubs have nested in the Silk-Strewn Wreckage. Dragons and Beastclans alike have come to control the population of these insects before they can do more damage, and to harvest the silk that they produce."
i saw this and nodded and thought yeah okay that's definitely a premise for beating the snot out of fodder enemies that isn't a war crime. it works.
but they specifically had to be invasive, which i thought was odd when you also have silk collection going on (and lots of familiars and drop items that establish this as a whole established industry rather than something new and disruptive like "invasive" suggests). like, it couldn't just be something that happens - these insects swarm, hunters go in and harvest a bunch of silk, that's just life in the setting. saying the bugs are invasive makes them into "acceptable enemies" in the vein of robots, undead, etc, more so than if they were just something that people hunt and whose populations are controlled by that hunting.
something about the state of public opinion here or whatever
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pleckthaniel · 3 years
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I agree with you about the se options being underwhelming. If it was up to you, which cats would you give an se to?
My shortlist would be:
Harestar - like I've said before, he has a lot going for him as a character already, being a DF trainee and Onestar's successor, as well as the fact that he has sort of inherent narrative importance as WindClan's leader but no real arc to speak of yet. Also, if the Erins adopted the fan theory that he's Onestar's kid, that would give them a LOT of narrative gas.
Barley - Gives a good chance to flesh out life in BloodClan, and his backstory in the city as told in the field guides is well-structured for a standalone. Additionally, it would be nice to see the early development of his and Ravenpaw's relationship. You'd have to do some narrative trickery to structure the story in a satisfying way without retreading Ravenpaw's graphic novels & novella, but I think it could be done.
Monkeystar - She's incredibly popular, and WarriorClan is a unique narrative opportunity for exploration and experimentation. It could be a breath of fresh air, honestly. However, I would very much want this to be a plot-based SE, not one of the slice-of-life character development ones.
Darktail -I wanna see how Smoke raised him, I wanna see what he did after she presumably died, I wanna see how he actually developed a personal hatred for the Clans (he took their existence way too personal for him to just be carrying out his mom's grudge), I wanna see the development of the Kin. Also would give a great opportunity for developing Onestar, especially young Onestar, without just doing a Onestar SE (see footnote). Plus, it would be a rare villain POV. We need more of those.
Morningflower. I mostly think it would be really interesting to get a WindClan POV during the period when they got driven out. They were gone for a long time, let's hear more about it! Also, her arc in TPB is compelling enough to work as the central conflict of a standalone but also off-screen enough that doing her SE wouldn't feel like too much retreading of ground.
Mossheart. Since the field guides are dubiously canon at best, I think the Erins should just start blatantly cannibalizing the interesting parts into more-canon books, and abandoning everything else to the wind. Mossheart is one of the interesting parts. I feel like her story could be easily expanded out into a full standalone, especially if you focus on the interpersonal conflict aspect of her attempt to change the code.
Daisytail. Same as Mossheart mostly, but I would only want this if her alliance of queens was written as a blatant, direct allegory of labor unions.
Flowerstar. Again, similar reasoning to Mossheart and Daisytail. The story included in the field guide could be either the midpoint or the beginning of the story, depending on how you wanted to structure it; it would focus either on her developing into a leader or on her attempts to rebuild ShadowClan after they were so totally devastated.
Being honest, though, I doubt most of these would ever happen. They either feature characters who are not marketable or popular enough for HarperCollins to invest in a standalone novel about them (Harestar, Morningflower, the field guide ones, kinda Barley) or would be too gruesome or dark to be considered marketable (Barley, Darktail, Mossheart, possibly Harestar and some of the others depending on where you focused).
Footnote: I would not be, like actively opposed to a Onestar SE. That feels inevitable at this point, and I think it's a okay move to make. My main doubt about it is that I feel like Onestar is one of those characters that work much better when you're seeing them from the outside looking in, rather than actually getting into their head. To successfully capture Onestar from his own point of view would be a difficult task for an actually accomplished writer, which the Erins are not. So, I would overall prefer not to have a Onestar SE, but I'm still probably gonna be happy when it inevitably happens because we do in fact need more Onestar in our lives.
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Ironwood Summary
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Here we are at last the final conclusion of this long character analysis series, for now. This is mostly going to be my own opinion of the character based on the research I did for the analysis. As well as some ideas of what may happen to the character in future volumes and overall standing of what the character was always meant to be and represent in the rwby narrative. Also keep in mind that this is only an analysis of Ironwood’s character pre Volume 8 so there won’t be any spoilers used in this analysis or summary
(Before we begin i want to thank @spacecapart for his art to be used in this summary as i feel this piece summarizes how i feel about Ironwood)
When I started researching and writing on July 31st 2020  for Ironwood and the months that followed I feel like I have gained a better understanding of what exactly Ironwood’s character was meant to be while making sure my overall opinion of him wasn’t biased but honest and neutral. 
For the most part Ironwood’s life was just sad because, well it was never really his to begin with, since he pretty much had no say in it. Based on what I saw and learned about him with the help of additional lore as well as the current story Ironwood was just a tool and a plot device in the narrative.
He started as a tool for Mantle(pre Atlas) which planted the seeds that made him this cold inhuman person that we see at present due to its old toxic ideologies of imperialism and militarism combined with a Nietzsche's philosophy that survives and thrives through Ironwood once he become a de facto king when Atlas became an official kingdom.
Then he became a tool for Oz to protect and safeguard the current status quo without benefiting from it. Though it was with good intentions Ironwood couldn’t help but feel insulted that he was being restricted and kept in check by someone who does not share his belief or ideals of what he considers right even though they weren't his beliefs or the best to begin with.
Finally after all was said and done he became a tool for the very enemy that he swore to fight and defend against. Due to his toxic upbringing in Atlas and his bitter resentment for Oz he tried to take matters in his own hands only for it to backfire immensely into the events that we see in the show. As I Stated in “The Hero that was never meant to be” Ironwood was more or less the most prominent catalyst for all of the events and conflicts in the show that Salem took advantage of and prospered from simply due to Ironwood’s elitist and violent mindset.
All of this just contributes to Ironwood being a plot device since that he’s essentially just a philosophical mouthpiece for Atlas as the show has somewhat made it clear that he is basically the physical embodiment of Atlas if it were a person with both a voice and need to survive. Which wouldn’t be so bad if Atlas wasn’t the Remnant equivalent of a fasciest imperialist dystopia. Most of Ironwood’s character flaws mostly stem from the fact that his is simply the product of his origins and refusing to change or find a compromise for the better.
Another thing that I believe should be taken into consideration is his overall effect in the plot. Added by how the narrative has been structured with its main conflict I think it's safe to assume that no matter what, Ironwood was always a character that was set to fail ever since his introduction. This is mostly due to the fact that most if not all of his power comes from control and authority over others. As well as his lack of actual experience when it comes to war and conflict. 
As I stated in I am power with my own estimate of Ironwood’s age(47-50) based on his rank’s promotion requirements he has at least 30 years of experience from both his huntsmen and military career: 34 if we were to count his academy days of training. Now you're probably asking; “If he has that many years of experience in his career, then why are you saying he has none?” Well it is quite simple based on 2 factors; his professions and the time that he was born in.
At present he is both Headmaster of Atlas academy and the Atlas equivalent of the joint chiefs of staff of the Military. I think it's logical to assume that Ironwood gained the status of Headmaster first and General later due the needs of Oz. Given the importance of the relics hidden in the academies it would be a pragmatic choice for Oz to ensure that there was always a guardian and supervisor over the vaults as well as training the worlds next gen huntsmen(the agreed upon nuclear deterrent). 
Since his profession shifted from field combat to school administration upon becoming headmaster most if not all of Ironwood’s career from this point on saw very little combat opportunities and would soon be filled with politics once he became General further diminishing his combat skills. Also since Generals are the face of the military they mostly handle diplomatic and public affairs as well as deal with civilian contractors to ensure the military has the resources and gear needed to sustain itself.
This means that Ironwood went from fare soldier, to desk jockey, to financial benefactor throughout the entirety of his 30 year long career. But the two thirds of his later career  basically had no relevant or beneficial experience that would be suited for the war that he had been preparing a long time for. Ironwood’s lack of practical experience is also more damaging when you realize that the very little he did have also wouldn’t be of much help in the first place as well.
This is mostly due to the fact that Ironwood was born at the beginning of the high golden age of peace and prosperity for Mantle/Atlas and all of the concerning conflicts happening at least 5 years before the show’s start very late in his career at an estimated age of 45, with the white fang terrorists groups targeting SDC assets that he wanted for war. 
Also his career at that point most likely focused on policing and enforcing Atlasian laws rather than doing actual combat and even then he was trained to fight grimm instead of human combatants and even if he had to fight people they most likely are that of combat inexperienced and petty criminals that wouldn’t actually put up that much of a challenge and even then most of the fighting was done by disposable robots that he can command  with the press of a button.
Overall Ironwood was really unprepared to even fight anyone in general, let alone wage a war against Salem. Even if he had powered up that army to the maximum it really wouldn’t solve anything. Ever since the first episode of the series the message was clear; You're not going to win with just strength and power alone, but with acts of mercy and honesty. As well as just enjoying the simple things in life and just simply living life rather than just surviving. After all this time Ironwood forgot to live life and be satisfied with what he had. Because of this he’s just going to keep on pushing the limit until he loses everything that he has and drag everyone else with him. Simply because he wouldn’t admit to himself that he has no idea about what to do or accept that he wasn’t the most important piece on the board.
Which sadly brings me to the very likely truth that it is guaranteed that Ironwood’s part and time in the story is coming to an end and his death is drawing near. This has been foreshadowed in the beginning of volume 6 where the true plot and crisis of the story had basically made Atlas and by extension Ironwood irrelevant to the story when it's been made clear they can’t just simply kill Salem and win with brute force as he had hoped. Because of that Ironwood was no longer important to the story as they show and fandom have hyped him up to be. Even if he still had an actual role in the plot I’m afraid to say that Ironwood’s story (even if it wasn’t that much) has already been told and judging by the direction he is going by it’s only going to get worse for his character (moraly wise) to the point that his death may be a blessing in disguise for remnant.
To start we need to look at the essential core concepts that make up Ironwood’s character. If we remove all of his actions and focus on his archetypes we get a character that is A) Half robot, B) the de facto leader of an inefficient military(let's be honest it's just a glorified security force for rich douchebags.) C) A school principal and D) someone who essentially hails from what can be considered the most evil and inhuman kingdom of his world that values power and is placed into a story and conflict where none of those things even matter given what we know about the true stakes and consequences of the plot and this is essentially all that we even know about him in relation to the story.
Which brings me to this point that in my opinion he wasn’t much of a character to begin with. This is mostly due to the fact that we really don’t know anything about him besides the summarized 4 points from the last section. We don’t know anything about him like how he became involved in the plot, how old he is, when and what caused him to be a cyber, does he have anyone outside of work or any family that he cares about and more importantly why does he fight in the first place and what motivates him to do so and what does he hope to gain? These details to me are important as to give depth to a character as to better understand why they are the way they are. Otherwise they are either a philosophical mouthpiece or a living ideological caricature. As I stated before in Ironwood’s case he is just that for Atlas, just a simple tool that it can use for whatever it needs.
Which also brings up another subject towards his contributions to the plot; What exactly can he do and was he really even that important to begin with? As I stated before Ironwood really doesn’t have much to offer besides the Military which has been proven to be useless and unneeded. But if it was to be needed that doesn’t automatically mean Ironwood should be the one leading it. For example should he be removed from power and replaced and the heroes really need the military wouldn’t it be simple just to involve the new commander and chief or appoint someone they can trust to ally with them. So yeah the military part as well as the academy are what give an individual like Ironwood any relevance but that doesn't automatically mean they’re that important or crucial to begin with.
Simply put Ironwood has always been a character in the wrong genre. Had he been placed in any other circumstance he may have had a point and could have succeeded but in the case of his story he doesn’t have one. Ever since his debut he has always been this source of contradictions and antagonism and contrast when it comes to how the world and characters have been set. Due to this Ironwood has always been this source of escalation and conflict as he only follows his own beliefs and tries to force others to comply with them. As well as the truth that he really has no idea of what to do since he was never really prepared to handle anything like this and added by the fact that he won’t admit or consider the possibility that he is not that needed or important. If he continues on with this type of thinking it's only going to warrant his end as simply put by Oscar he really is just as dangerous as Salem.
Before I explain his overall purpose and status in the Narrative I want to go over several ideas for what may be next for Ironwood throughout the rest of the series which will be explained further by the reasoning I will use in the narrative part. 
Fate and status for Volume 8 and the rest of the series
Death
I think it's safe to say that Death flags have been hovering over Ironwood for a while or at least since Volume 7. But is it certain? Most likey. I say it’s near mostly due to my belief that his story has essentially been told and he really doesn’t have anything left to contribute to the plot at this point. The impact of his death whether it will leave a positive or negative impact remains uncertain. But the way of his death to me is certain; he’s going to die by the hands of another character(specifically a hero). I know most people would have hoped for a heroic sacrifice or a redemption by death but I don’t exactly see Ironwood doing such things. (Which I’ll explain in the next 2 bullet points)
If it hasn’t been made clear Ironwood has made more enemies than allies simply due to his inability to compromise or let go of his Atlasian ideals and ego. As well as his refusal to accept the fact that he really isn’t that important or necessary in this conflict or at least in the way he wanted to be. If he further descends into his own little world Ironwood is going to cause more problems and do more damage that can never be undone and the only way to stop it would be if he was out of the picture. Because of this Ironwood is likely to die in V8 or by the end of the Atlas arc but it is also possible that he may die at another point later in the series.
Redemption Arc
The chances for Ironwood’s redemption are slim but they’re there, but probably not in the usual way that everyone expects to happen. To help clarify the possibility of redemption we will be using the trifecta structure of redemption arcs. This includes; How the character sees himself, how they see the world, and the stakes and how they change over time. As well as the Scale and Values of his motivation. To help better understand let us take a look at Ironwood’s motivations and goals from V2 and how they contrast and differ from V7 Ironwood.
Volume 2 Ironwood’s motivations upon first glance are simple; stop the threat and ensure stability and security. However if you watch closely there is an ulterior motive. From this we can determine the true Values of his goals and the Scale of what he is willing to do to achieve them and they go as such;
His values as of V2 are security via large Military foundations and amassing complete control and influence over forign nations while promoting the agendas of Atlas imperialism.(similar to the Galactic empire in its early years from Star Wars) With the scale showing that he is willing to go to such lengths as propaganda and political manipulation and betraying allies to get what he wants(the greatest example of this being subverting control from Ozpin)
From this we know that Ironwood sees himself as this perfect savior that can do no wrong and should be the one in charge. While his views of the world being that everything is below him unless they match those of Atlas. With the stakes at the time being the possibility of losing imperial expansion and the threat of domination from a superior force that could shatter the foundations of his ideology and culture. 
While Volume 7 Ironwood’s motivations being; whatever it takes to preserve his perfect and ideal society even if it means sacrificing everything else before his valued culture is destroyed.
The values of this Ironwood definitely differ from previous versions of the character. As V7 Ironwood’s motivations have shifted from saving lives and defending them from Salem to preserving the very little bastion of control and authority that he has over Atlas. With the scale showing that he is willing to turn on allies and go as far as to abandon a whole heavily populated city and potentially the rest of the world in order to preserve the one thing that he has complete and unconditional control over.
Because of this a lot of Ironwood’s views have changed by the end of V7. 
Due to his streak of recent failures his views of himself changed from being the perfect leader that he thought he was, to accepting reality that he isn’t said leader and is prone to failure. However because of that thinking he no longer feels that he should hold himself to that set standard anymore and do what he thinks is needed to get his desired results. Which leads to the fact that he still views himself as the one that should be in charge but this time he does not feel compelled to be fair or considerate of either allies or people.
His views of the world really haven’t changed as much. He is just more honest, open and direct about his views by V7’s end where it's pretty clear that he values his military industrial complex that is Atlas over people's lives regardless of their affiliation.(It should be noted that Mantle is still apart of the Kingdom of Atlas as a whole so consider the fact that he is abandoning the part of it he deems is an acceptable loss without even trying to save it)
But the greatest and significant of changes for Ironwood in the plot are the stakes. Prior to being told the truth about Salem’s immortality he honestly thought that he could win and kill her and be free to pursue whatever task he could set his mind to now that she was gone. After being told and with the clear indication that his power(Atlas) was at risk he essentially is doing what raven did; cut his losses and settle with what he has and run. As such the stakes for Ironwood at this point are to preserve the very little power and control that he has currently at his disposal and sacrifice and do whatever he can’t to maintain it even if it means letting the rest of the world die or be under Salem's control.
This is just speculation but Ironwood’s chances for redemption are pretty slim but not impossible. But the key start and major factors to make that redemption possible is for him to yield power and let go of Atlas. As I stated before, Ironwood relies heavily on his control over Atlas as he believes it to be the only means to maintain and sustain a war as well as the only way of  enforcing his authority. To reiterate Ironwood true power and relevance to the story is his complete and unchallenged command over the Kingdom of Atlas and at the risk of sounding cliche; “All who obtain power are afraid to lose it even a hero” If there is to be any hope of defeating Salem and or maintaining peace in Remnant it can not happen with Ironwood being in power. Which may be more difficult than it seems which leads us to the possibility that he may not be redeemed and should he live past the Salem conflict with this type of thinking.
A New Enemy
For a character to be redeemed the character needs to want change for better but given his personality and recent events Ironwood at this point doesn’t feel or believe that he should change as he now has an ends justify the means mentality with the belief that he is this grand savior believing his way is the only way. Because of this it is very likely that he may stay an antagonist throughout the remainder of the series and possibly long after the main conflict.
The Third Faction; Okay I think it's a safe bet to say that no matter what Atlas was always going to be an antagonistic force that was being set up as early as V1. And unfortunately for Ironwood he ended up being the face and voice of said force that was there before he was ever given a name or a design.
Because of this setup it is possible that Atlas under Ironwood will become its own faction that may try to counter salem but at the same time will possibly sabotage the allies aka the main heroes and the rest of remnant since Ironwood’s paranoia has increased to the point that he doesn’t trust anyone anymore and most likely will reject any offer of aid or promise of an alliance  since Ironwood believes his in own hype that much that he will eventually become a problem that has to be stopped which will possibly lead to the end of Atlas. Which brings us to what might happen to the character post Salem and Atlas.
Post Salem Insurgency; This is speculation but it's possible that after Salem is defeated and Atlas is destroyed he would continue to be a threat for the rest of Remnant as he will be forced to answer for war crimes and step down from power with the possibility that he may never obtain it again. 
Given what we know of his personality Ironwood isn’t the type of guy to yield power or think he did anything wrong due to his ends justify the means montra. As such in the years following Salem's defeat and the possibility that Atlas may no longer exist or at the very least no longer subservient to Ironwood’s authority its most likely that he might end up in charge of a paramilitary consisting of the very few soldiers that are still loyal to him and start raiding and terrorizing settlements, cities and kingdoms all over remnant just to rebuild his military complex and infrastructure as a means to reclaim the status and power that he was stripped up.
How and why any of this would happen if it ever does is debatable but should it come to be Ironwood is going to need to compensate in order to survive if he becomes a legitimate threat which brings us to a very likely scenario based on his original inspiration 
Full Cyber
Given what happened near the end of V7 and recent V8 concept renders combined with the Tin-man inspiration I do believe that there is a very likely scenario that Ironwood will be more machine than man at some point in the series assuming he doesn’t die yet. This is pretty much a given scenario due to his favoritism for machines than people and his new found ideology that humanity is weakness now it is very likely when given the chance that Ironwood will willingly become full cybernetic(Possibly to the point of just simply being a brain in a new metal body)
 While this isn’t exactly an ideal outcome for the character but at the same time this would actually make Ironwood a credible threat as he would now be able to enforce his authority on his own now without relying on others to do it for him. Based on the research from the I am power post Ironwood is relatively a very weak character in comparison to a majority of other characters that we have seen so far and this is especially true when compared to the villains and main heroes. One key aspect to remember is that Remnant didn’t need the military only Ironwood did because on his own he’s screwed no matter what the situation.
Ironwood relies to heavily on his Army as it is the only thing that gives him some ambiance of a fighting chance but ultimately he is very ill suited to lead and manage said army that when you think of it are possibly full of people that are probably more capable than him as well as able to back up and defend their position of power on their own. Whereas Ironwood can not if he were to be overthrown by the military. In other words a fully cyberized Ironwood would actually be beneficial for him as it would make him a formidable threat beyond just simply being the guy who has the world's only military. Depending on what kind of enhancements he can get he would at least be on par with characters like Ruby Qrow and Yang and at the very best on the level of pre maiden Penny. Because as he is right now Ironwood would surely die if he were to face any character that is not within his capabilities. But this is my theory and observations but until we see more Ironwood’s best bet is going full cyber.
Role in the narrative & what we can learn from Ironwood
To start I think it's pretty clear that Ironwood in narrative is just a foil for most of the characters in the show. Especially with greater comparisons and emphasis on these 3 characters; Ozpin Ruby & Salem. While at the same time he is also the character representation that embodies Atlas the most and as such much about what we know and learned about Atlas is mostly due to Ironwood’s actions as he is the culmination and development of Atlasian culture. Unfortunately though this as far as his character was ever going to go. Which makes it all the more tragic and sad when you think about the role that he was supposed to serve.
We will first be breaking down each Foil comparison between Ironwood and the 3 prominent characters to plot as to better under his place in the narrative.
Ozpin
Of all the characters that exist in the RWBY story I do believe that Ironwood tried to emulate and be his own version of Ozpin(or any past incarnation). However unlike Ozpin Ironwood is biased, lacks actual experience and above all takes shortcuts to get faster results at the expense of others. I know that this mostly stems from good intentions but what exactly qualifies Ironwood to even think that he should be the one in charge to handle this Salem conflict. This is one of the greatest problems that is addressed in the show about Ironwood. He really believes that it's his destiny to lead by replacing Ozpin and win.
 But I ask again; What exactly can Ironwood do that would qualify him to even be worthy to take up Ozpin’s task?
That's just it really, there is nothing about him to warrant such a thing. When it comes to the foils between the 2 it's about being this Big Good character that should lead and the themes of Grey morality that R.T. has tried to implement into the show. But when it comes down to it Ozpin is the true Big Good while Ironwood was simply a pretender. Ironwood has always been a narrowed focused character that cares about the conflict itself instead of the people that are caught in the crossfire. And unlike Ozpin who has based all of his decisions and plans from experience and human nature, Ironwood had based his for a need to simply be right and in control.
In short Ironwood had wanted to be the next Oz as he believed he was more suited to do what Ozpin couldn’t even though he lacked the skills, experience, and power to do so which brings us to the next foil. 
Ruby Rose
This might be stretching a bit but when it comes to the plot there is no greater foil between characters than who is the real hero of the story. In this case is the hero of the series Ironwood or Ruby? To help answer this inquiry we need to know what exactly a hero is. Webster's dictionary defines a hero as a mythological or legendary figure often of divine descent, endowed with great strength or ability.
While other sources would say what qualifies  A hero can be as simple as a person that saves lives and stuff, but a hero can be anyone that does something they have fear of but are brave enough to still do something. Bravery is usually the biggest trait of any hero. This person has usually overcomes huge obstacles to survive or to rescue others.
A hero is selfless, a genuinely good person, and someone gets the undivided attention of all of us and causes change.
A hero takes action to help others at considerable risk to themselves, however, if that action also helps themselves, then they are not a hero because they are acting out of self-interest. Courage is admirable, but unless it involves risk or sacrifice in order to help others, then it isn't heroism.
So in short the true hero of the series is actually Ruby not Ironwood or any other character in the series. Not because she is one of the main characters or because this is a story from her perspective but because she has the ideal and pragmatic skills and abilities needed to handle the current situation of the plot as well as doing what Ironwood has failed to do himself confront fear and be brave. As I stated in paranoia over reason most if not all of his choices have been based on fear rather than actual logic, reason, or bravery. Which is further highlighted by facts discussed in I am power that Ironwood is really nothing without the military and doesn’t stand a chance on his own.  
This is indefinitely a stark contrast to ruby as she has proven since her introduction to be capable of handling the threat of Salem as she has the talents skills abilities power and above all the spark that inspires others that compels them to do great things for the right reasons which Ironwood failed to do as all of his action have had a certain goal that would only benefit a certain few with him being the one who would benefit the most. This is mostly due to how the 2 have responded and chose to handle the situation. 
When it comes down to it the main plot is defeating monsters that dominate the world who happen to have a leader controlling them. Remember the whole reason why Salem is even a credible threat is because she can control said monsters and the first premise before she came on screen for the first time was learning how to fight grimm. This is something that Ruby was training and preparing for since she was a kid with the added bonus of having the powers needed to handle the situation with ease while Ironwood has only been preparing for a war with other people rather than monsters and crush rebellions rather than being a guardian peacekeeper that Oz meant for him to be.
 Because of this Ironwood has contributed more to the problem more so than Ruby did as his actions were done in favor of Atlas and his own self interests were as Ruby makes honest mistakes out of ignorance and optimism. Which brings me to the next foil that Ironwood shares more qualities with than anyone else
Salem
I know I'm going to get a lot of heat for this but if you think about it Ironwood is basically a syfy dictator version of Salem’s fantasy dark lord. Face value it doesn’t seem likely but given what we know about their current lore, history, personally, and world building these two can be twins to some extent. The examples are as followed;
They’re both headstrong and blunt individuals who go too far in their endeavors when simple and easier solutions were present
They’re both isolated however Salem is isolated by circumstance and force while Ironwood is isolated by choice and paranoia which is ironically the results of their cold upbringing and history
They both lead organizations with questionable intentions that border on dark and immoral with goals that are based on self entitlement rather than rightfully justified or earned
And to top it off they essentially command armies of soulless killing machines
From these examples we have plenty of foils between the two with them being pride, isolation, tragedy, authority and probably the most important foil in regards to the plot War & Conflict. However when it comes down to it Ironwood is on the short end of these foils when compared to Salem. 
In terms of tragedy these two have let their past misfortunes dictate and influence their decisions resulting in a sense of entitlement that they have been wronged now the world has to compensate them for things to be right. For Salem she had a cruel upbringing for unknown reasons and life being unfairly cruel while Ironwood was lifely forced into servitude and was never really himself as he wanted to be. Salem’s tragedies are the result of grief and dealing with forces that she couldn’t comprehend. While Ironwood’s is the result of unchecked ambition and ignorance.
Similar to Oz, Salem has more experience being a leader that can exert their authority and will over others while Ironwood lacks the experience and therefore can’t do the same. The Grimm under Salem’s command are more of an oppressed hivemind that she leads with little to no resistance unlike her human subordinates. Thus Salem has more direct control and authority over those she commands and has the abilities necessary to keep them in line with her goals. While the people under Ironwood’s authority have a voice and mind of their own that don’t align with his ideas. Due to this he isn’t much of a respected leader as he thought he was. Because of this Ironwood is mostly kept in power by rules and regulations with everyone blindly following suit. 
 As for war Ironwood was without a doubt unprepared for it. This is mostly due to 4 reasons;
He had no idea of what he was doing
His opponents are of better a quality than anything he can make or round up
He was preparing for the wrong war that should never have come to pass.
He was to prideful and sure of himself that nothing can go wrong
When it comes to the 1st reason Ironwood was more or less a pseudo soldier in a time where militaries are pretty much obsolete. This is because militaries are used as power projection of a nation and convey the message to another nation to not cross them. Due to the timing there was no real reason or excuse to justify having a military during a point in time where people are more interested in developing a culture and living life rather than fighting in needless conflicts. As such there was no practical reason, competition, or threat to justify Ironwood’s demands for a large military when he came to power or ensure that it was of a better quality than whatever hypothetical enemy that he would face.
Salem on the other hand has had experience commanding armies before and probably has instigated several wars and conflicts prior to the founding of the current 4 kingdoms thus Salem would have at least accumulated centuries to millenniums of war experience that surpass Ironwood’s brief 30 years of service in the Atlas military. Given that Salem was already a crafty and manipulative person during a time when gods were still around, she most likely would have seen the mistakes and flaws that Ironwood has made and exploited them.
Leading into the 2nd reason Ironwood was pretty much in command of a terrible military. As stated in the 1st reason there was no real threat or competition that encouraged those in power besides Ironwood to remilterze. As well as the current military most likely being filled with people who don’t want to fight a war and most likely enlisted for economic reasons. Because of this and his paranoia Ironwood had to find a surrogate army to prepare for his war that in his mind could happen at any time. However this resulted in cheaply made Androids that can be assembled fast for quick deployment. Due to this Ironwood traded quality for quantity as not only was no one going to fight in his war but believed war was on its way soon. Out of misplaced desperation Ironwood hastily assembled a low quality army that never stood a chance.
In comparison to Salem’s main military force there aren’t that many differences. However the Grimm are slightly a better quality than what the Atlas military has to offer. This is mostly due to the fact that the Grimm are a semi sapient species that are capable of learning and adapting as well as possessing some level of self preservation with individual grimm being around longer than most of their kind becoming even more deadlier than them. While the androids that Atlas uses aren’t as they were made to be cheap and disposable and are mostly effective in large numbers. 
The 3rd reason for why Salem is doing well during this conflict with Ironwood is mostly due to the General preparing for the wrong type of war than the war that he is actually fighting in. After all is said and done Ironwood has solely been preparing for a war with other people rather than for monsters. This is because the Atlas military before Ironwood took charge wasn’t meant to fight a war. Not all militaries are formed or created to defend the people. Atlas is the type of military that serves only in favor of the best interest of the state of government rather than the people. 
Because of this Ironwood had spread misery and divided the people turning them into enemies. Salem would later take advantage of this division that Ironwood created as he was more focused preparing for war than managing the welfare of his citizens. This is speculation but most if not all of the weapons like penny and the Atlesian knights were solely made to fight human opponents as opposed to the grimm that Salem commanded. This is because Ironwood feared and distrusted people more than the monsters he fought.
The 4th and final reason why Ironwood never stood a chance is due to the fact that he believed in his own hype more than he should have. From key dialogues to certain character interactions and in universe lore Ironwood has always presented himself as this towering figure with unlimited power; A god among men so to speak. This shows us that ultimately Ironwood’s ego and pride have been inflated to the point that his overall common sense is non-existent. This is further explored and shown in the control tactics that he uses specifically these ones; Strength and Intimidation in Numbers; 
Some aggressors like to dominate a situation by having a number of associates or friends present to support their position. The superior numbers alone may constitute an intimidating presence. They can also back each other up and challenge an individual in turn during a proceeding. In addition, they may also put pressure on a person to make a decision before they're ready. At worst, the strength in numbers tactic may be used for direct or indirect bullying or harassment.
Ironwood's overall strategy is simply sowing fear and doubt into an enemy that he doesn’t understand with large and unnecessary shows of power wasting resources to cover a wide variety of unknown enemies that pose a threat to him regardless if they are with Salem or not. This is best seen with the thousands to millions of cheaply made androids that are only effective in large numbers and the one ship of the line that was too big to be suited for warfare as they function as more of a forward operating base with their great size giving them the intimidation factor without other supporting fleet vessels like frigates or corvettes.(FYI by my count from V6 ep13 there were at least 41 of those ships hovering above Atlas doing nothing)
This is even confirmed by Ironwood in V3 ep3 where he claims this to be the case with this line of dialogue; 
“The people of Vale needed someone to protect them, someone who would act. When they look to the sky and see my fleet, they feel safe, and our enemies will feel our strength.”
This sort of tactic would probably have been useful if it was applied in a conventional warfare plot with people being his opponent as this is a real life tactic used in militaries and the navy especially in the modern era. The problem however is that the plot isn’t about conventional warfare nor is it a battle between people but with monsters where these tactics are meaningless  to them. These tactics are ineffective when compared to Salem’s psychological hit & run terror tactic being used in a setting like RWBY’s are quite effective and more useful than anything Ironwood can come up with. Even though they rely on opportunity and time to become a practical threat the end result is a huge payoff to the one who applied them with that being Salem. 
To sum it up when it comes to the foils of war between these 2 characters all you really need is the right tactic, strategy or plan and everything falls into place regardless of whether you have an army or a handful of misfits all it takes is careful thought and patience something of which Ironwood has shown to be lacking.
In conclusion what we learn from these foils are Leadership, Heroism, and War and how no matter what Ironwood was always on the short end of these traits and was never going to reach his ideal scenario for each of these ideas as he had set high expectations that were well above his capabilities and now he’s paying the price.
The Atlas Meta Narrative’s influence on Ironwood
Based on my research and what I have stated before; the greatest source of Ironwood’s flaws and antagonism is largely due to the influences of his home kingdom; Atlas. 
Just like Ironwood Atlas is also a foil setting and culture to the other kingdoms and the rest of Remnant. The reasoning for this is best explored in the established lore and other expanded material. To help better understand, here is a brief summarized history and development of the Kingdom of Atlas;
Before Atlas came to be it first started as Mantle who began as a group of desperate people trying to survive. Taking advantage of the cold climate of Solitas they were safe from the Grimm and had an unknown amount of time to develop both their technology and culture without restraint or interference. Eventually this progress was stalled due to a Grimm incident in Mantle that forced the current leaders of the kingdom to make radical and unnecessary regulations that suppress basic human emotions and rights instead of putting the effort to protect the people. 
When the Great war started Mantle joined only to ensure that its like minded imperialist ally Mistral would supply them the resources needed to survive. Because of this and the extreme measures they enforced on their citizens to control them prior to the war Mantle was most likely considered the most evilest faction during the war. When the war came to an end with Mantle suffering an embarrassing defeat it led to an age of cultural segregation and discrimination upon Mantle in the post war era.
Following the war Mantle entered an age of isolation and economic depression due to distrust and suspicion from the other kingdoms as they would only view them as this inherently evil and tyrannical force that can’t be trusted. Because of this the lingering scar of the toxic ideology of pre-war Mantle survived and is echoed in its spiritual successor; Atlas where it continued what Mantle couldn’t survive and thrive under the same core ideology that they had 80 years ago when they were still Mantle with only minor changes made to prevent the other kingdoms to intervene and possibly destroy their so called perfect culture. 
After they lost a scar had remained and an echo was created that still lingers to the present. Due to cause and effect Atlas at its core was developed to be this amoral conservative xenophobic dystopia that was being led by corrupt individuals that were in pursuit of their own self-interests rather than serving their citizens and were kept in power by blind followers that couldn’t see their real intentions. As a result Atlas became a culture of exploitation, expansion, repression, and subjugation for the well being of the political entity that is the state at the expense of its people and others. 
In relation to Ironwood as I stated before is a byproduct of this system and is simply one of a long line of blind followers that eventually supplanted the leadership and chose to continue the machine that is Atlas and replaced cogs needed to keep it running as he was once forced to do throughout his life because he doesn’t know of anything else. 
Because of this upbringing and the history of his origins Ironwood was more or less viewed as indifferent in the eyes of his own people and evil in the eyes of others. Leading to a clash of beliefs within Ironwood that resulted in conflicts with others and the main meta narrative theme that we were meant to learn from him; The essence of Being.
The Essence of Being
Essence is defined as the core nature or most important qualities of a person or thing. Essentially the narrative lesson that we can learn from Ironwood is the age old lesson that has been echoed from R.T. longest running series but with a more individual focus. That's right, Ironwood's journey and arc in the story is an inverse and modification of the classic RVB question; “Do you ever wonder why we're Here.”
But in the case of Ironwood it's more focused on an individual person asking and the age old question of Why am I here and what is my purpose and how do they justify and understand it.
As I stated before Ironwood was simply the wrong character in a different genre from a writing and story perspective. But in universe from the perspective of Ironwood it's simply a matter of him asking; “Why am I alive and here, and why am I this instead of that in a world like this?” At some point everyone questions the reality and circumstances of their situation and it's probably common questioning on a world, setting, and reality like Remnant. For Ironwood it’s possible that he’s asked these questions more than anyone. As for the reasons why he would question his existence go as follow;
Why was I born in Atlas?
How do I prove I'm good when others think I’m evil by proxy? 
Why I’m I so weak when compared to more skilled & powerful people?
Why was I made to be reliant on others that can’t rely on themselves?
I’m I respected only for the rank or the man?
Does anyone really care about me or I’m I being used by sycophants?
Will anyone care when I’m gone?
Why won’t anyone give me a chance?
How do I justify and understand the reasons why I'm here?
Does any of this matter in the end?
The core of Ironwood’s journey, actions, motives, and story wasn’t about saving the world, the balance of grey morality of people, or even the preservation of a certain culture, but instead is about cementing a legacy to escape the harsh reality that everything we do will eventually be undone. It's such a freighting thing to fall but is even more freighting is to admit it
In a way Ironwood's story is somewhat relevant to this line from Monty Oum in regards to immortality; “The goal isn't to live on forever; it's to make something that does.” CRWBY has even stated that Ironwood is a forward thinking individual/ A dreamer if you would. Because of this Ironwood was more focused on where he was heading rather than focus on where he was and what he was doing Causing a lot of problems to happen and escalating events to the point that we see them in the shows present. This oversight and negligence is because he continued to believe that, like everything else in his life, it would be righted by the sheer force of his will.
But sadly he is just only one man put on the world for a brief moment of time that is rather minuscule and insignificant on a cosmic and meta level. Everything changes and legacies are either forgotten or are repeated. In the end time and death are the ultimate victors as they undo everything and the cycle repeats itself for better or worse and individuals like Ironwood are just caught in the middle repeating and doing the same thing that has probably already happened and will probably happen again. All it takes is just a matter of time.
My Thoughts and conclusion
For the most part I was pretty much cautious when it came to the character and felt that he was more or less a side character trying to be a main one. The problem with that however in my thoughts is that well he doesn’t really have much to go on to warrant such a status. As well as how the plot has been structured Ironwood was never going to get what he wants. He may have had good intentions but at the end of the day he is only human with his own wants and needs.  
Overall I do feel that his part in the story is over. Mostly because he tried to take the lead of it. Meta understanding aside Ironwood’s time is coming to an end and I hate to say it but it probably would be for the best. Not just everyone else in the show but for himself as well. As I stated Ironwood’s life is Sad because well it never was really his to begin with. It's illogical because he was ill equipped to be a part of the setting that he was in. His death is more than guaranteed because he has nothing left to contribute to the story that can’t be done by anyone else. At this point with the overall message of death in the show it would be mercy and relief for Ironwood as Death is not the worst thing that can happen to you.
I still hold hope though as I’ve come to understand and see why people are fascinated by his character. But for that hope to be possible Ironwood has to let go of Atlas as it has been the main source of conflict between him and everyone else.
Well that's it I’m done for now as this is an analysis of Pre V8 Ironwood and maybe after V8 I may add more research of V8 Ironwood and see how much i got right in the initial analysis. After doing this I hope to do an analysis on Qrow Branwen and other RWBY characters hopefully in a much shorter amount of time as opposed to the months it took me to do Ironwood.(then again this was my first character analysis) Until then be on the lookout for additional bonus content for Ironwood such as;
Character comparisons from fiction
Character comparisons IRL
How you can fight & Kill Ironwood
A more indepth look of his new cybernetics
What Ironwood should have done
His relationship with other characters
The possibility of an Ironwood spin-off
That's all for now. Let me know what you think and thank you all who helped made this analysis possible.
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mc-critical · 3 years
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hey, welcome back! hope your exams and stuff went well, and that you're doing fine now.
i wanted to hear your opinion on nigar hatun. i remember seeing one post of yours in which you said that she wasn't a favourite of yours like you favoured other characters and honestly, same. i didn't really much understand the fascination with her. she was an interesting character, but i can't imagine having her as a favourite when there are so many more characters who are far more interesting. i wish they gave her an alternate arc. idk what it could be, i'd like to hear your opinion on it. one alternative ending i came up for her is that she was extremely angry at ibrahim for toying with her and hatice for keeping her sweet little esmanur from her so she joins hurrem to defeat them? which hurrem did try but it didn't really go anywhere and nigar was against hurrem for killing ibrahim which just was kinda frustrating. they literally give hurrem no ally in the harem [except mihrimah later on but mihri is overall varying in terms of power] so it would be good for her to have some support in the harem from people who actually hated her enemies like her. she had actual political support from iskender celebi, rustem, and ayaz pasha and all, sure, but she didn't have much support in the harem, like all powerful women of the harem were against her. nigar obviously wasn't powerful like a sultan but she was an old member of the harem, was respected and even though she kinda lost her dignity with the scandal, she could've regained it with hurrem's help. sumbul was there later on but he was just a very faithful servant and didn't really have any real motive to harm any of hurrem's enemies except for out of his loyalty whilst nigar could've cultivated a hatred for hatice and ibrahim. this is a basic plot but i would've kinda liked seeing it. there can be many more ways her character could've ended but it would be good seeing a woman who didn't bow to her feelings all the time. the sultanas couldn't really control their feelings when it came to love because they were princesses who were used to getting what they wanted most of the time but nigar was a servant who also suffered the hardships of slavery and it obviously would've made her tougher as a person so she could control her feelings better; idk, i feel like this is an aspect of women they could've explored [or if they did explore it, i don't remember it lol my memory lapses a lot so i don't remember the show 100%] anyway, would like to hear your thoughts on nigar. thank you. welcome back again <3
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Thank you! <33 Yup, I'm fine and the exams went well. Happy Pride month to you, too! 🏳️‍🌈
Hehe, I wrote that post years ago and while Nigar still isn't one of my absolute favourite characters, I've warmed up to her quite a bit. And honestly, now with the wider experience in the fandom, I can say that she isn't all that loved as it looks like. I then was under the limited wrong impression that the BG Mamma forum was a metric of all the popular opinions and yes, they loved Nigar a lot and I was sometimes confused as to why, but really, that and the Russian fanbase are the only places I have encountered that appreciate her all that much. There are characters I find more interesting than her, that's for sure, but she has her charm and I'm firmly against people reducing her to "evil" or "manipulative" or "weak after she fell in love with Ibrahim", so forth.
The thing she sets her first impression with is her intelligence caused by her relatively high experience in the harem. The advice she gave to Hürrem opened the path to her whole goal (as she herself acknowledged in E41) and that makes for quite an impact for a more recurring character. Despite of this, I never viewed early Nigar as someone taking an open side, hence I didn't find her supposed betrayal to Hürrem surprising in the slightest: she is also trying to survive in this environment in any way she knows how and she can't really find a fully comfortable position, because she is well aware that everyone is thinking for their own gain in the end. Including her. So the only choice she has left is to direct herself to where the wind is blowing and get advantages for herself once she gets the chance. Because all the experience has taught her to repress her feelings (E10 to Hürrem: "In this castle you can't show weakness."), opt to be the more level-headed person and seek for the more pragmatic solutions.
And yet she is very sensitive and perceptive to people that are different than the others or that are in need and is willing to lend them her hand. She adviced and helped Hürrem because she found potential in her, because she wanted to see her succeed, but not through endangering her own self or other people in the process (she told Hürrem that her game had gone too far again in E41), but through negotiation, compromise and adaption, to know when to start and when to stop and be respectful to those above her, no matter how hard or limiting that may look in Hürrem's eyes. Hürrem had the tendency in viewing every sign of support that came to her as granted, she still had that naive part of innocence in her in S01 and early on was in a desparate need of someone to lean on and unconditionally follow her path, that's why when Nigar diverted from that path, it hurt and took her a while to start trusting her again. But I didn't see Nigar as all that attached to Hürrem as Hürrem herself thought she was, especially with how Nigar became stuck between two sultanas later in S01 and that rendered her lost and more insecure than usual.
That's also why I don't view her as a two-faced or hypocritical double-crosser. Because for the longest time, Nigar was the one character in the series before Rüstem appeared that was clearly thinking about her own benefit and survival first and foremost from the beginning when darting between the powerful people in the harem and was the one well aware that she simply can't cling to a single side in her own position. Positions aren't permanent and can always change in such circumstances, so why can't she take advantage of this? Because who cares as much about the feelings for a Kalfa they can still order around after all? She has faced disregard from Mahidevran, Hürrem, Ibrahim and even Hatice. It is pretty understandable that she's going to seek the best opportunity for herself.
That whole facade breaks when she falls in love with Ibrahim. During rewatch, I found myself to have a soft spot for this character deconstruction, especially in S02. I know that it came to pass because of her falling in love with a man that doesn't share the same feelings and there were moments where it looked like she overdid it, even in S02, but for me, the whole thing nicely added a new layer of depth, while still feeling true to Nigar's character. Her future relationship with Ibrahim had been building up back in S01, when Ibrahim (both inadvertently and not I fully believe) played a part in helping her solve the first internal conflict she had (that is the struggle between the two sultanas). Maybe this didn't mean that much to Ibrahim, maybe he was simply trying to be helpful, but it meant a lot to Nigar - that was probably the first time someone seemed to take her feelings into account and actually listen when she couldn't help, but crack under the pressure. So it is only natural that she would search for this source of comfort once again, being ready to face every risk in the process. When she is appointed to Hatice and Ibrahim's castle, when she's practically left alone with Ibrahim, she decides to take that chance, to taste the forbidden fruit. He gave her something she never received and due to her not allowing herself to show weakness and having to cave to everyone else's demands before that, every ounce of affection Ibrahim shows her, it means the world to her. Thus she begins to idealize what she has with him, to the point of denial and delusion, and centers her loyalty completely on him. But that loyalty never seems to falter.  She began to resent and/or hate everyone who could possibly stand in Ibrahim's way, something she wouldn't have ever done before. She keeps her level-headed self and intelligence (I don't think that this plot line reduced it in any way, not even when she was at her worst.) and she's ready to take any opportunity for herself (case in point: her marriage with Rüstem.), but now her softer sides and her wish for affection are showing all the more.
The problem I have with Nigar's character, writing-wise, and now that I think about it, the main subject of why I didn't get the deal with her back then (along with considering her S01 self bland.. somehow?), is her S03B characterization. While her falling in love with Ibrahim plot-line became an important part of S02 Nigar's storyline, I don't think it overshadowed or dominated over her other characteristics, making for a neat balance of traits and an interesting, nuanced character. In an attempt to keep her for longest time possible in the story, S03B flanderized her in every possible way and overexaggerated her biggest strengths and flaws until they became stale and unbelievable. Her love for Ibrahim read as а near obsession narratively and her opportunism coupled with her will for revenge, which put her into many repetitive intrigues. At one point I even felt she was reduced to a plot-device (the moment Şah Sultan appointed her as a spy) and she felt a little too purposeless and to have totally outstayed her welcome until her last moment in the series.
The root of this problem is again, that they just didn't know when to stop with Nigar. To be brutally honest, she had no long-term role left to play after Ibrahim's death and it was time for the writers to let her go and maintain her generally strong characterization. The ending I would've chosen for her is to simply have Matrakcı give her Esmanur's location and for her to live with her daughter in piece. I know that because of the tonal shift, the show seemed to be already inclined that everyone had to have a tragic ending of sorts, to underline the growing ruthlessness and cruelty of the themes, but I fully believe that Nigar was one of the only characters that were terribly forced through their tragic endings. She didn't need, nor deserve a tragic ending and I doubt it would've been such a problem for the half-season if she didn't get one. I find a happier ending to be perfectly fine for Nigar and I would've loved to see it, if only for a freshness in ideas for character endings. I loved her Esmanur storyline and to witness her finding happiness with her, the only solace she had left, would have been a great wrap up of her S03 plots and an amazing send-off to Nigar's character.
I appreciate the thought you have put into your ending for her and to be fair, your proposal would be much better than anything S03B gave us. It would nearly correspond with the revenge plot of hers they were going for and it would be something more original at the same time. Hürrem's principal lack of allies doesn't bother me as a fact alone, because all her enemies have understandable reasons to be against her, but what bothers me however, is when the writers try using it to dumb her enemies down and make them doom themselves through their own failings or outright use it to put forced (often soapy) conflicts to make the audience sympathize with Hürrem. Or to make everyone "mistitle" her (is that a word? probably not.) or disrespect her on purpose again for sympathy points (that go beyond the part of her motivation that wants to feel respected and does stuff out of fear not to fall under a less favorable position once again.), without changing the status-quo until say, S04.
It is so deliberate it becomes annoying and seeing something else for a change... honestly, gimme! While I personally prefer a happy ending for Nigar, I would live for Nigar and Hürrem to work together again, while keeping what's become her central motivation intact. It may seem a little OOC for Nigar to work for Hürrem by that point, because she's channeled her loss of the most precious people into rage on those that have taken them away, but it would be a decent shifting of gears and a reverence to her opportunism to work to eradicate those she hates for good, even if it means doing so with one of your bigger enemies. After all, after the mission is fulfilled, she could still work against Hürrem in some way, right?
[Tell me if I got what you meant wrongly, but there is an example of a dynasty sultana putting her love feelings behind and by that I mean Şah Sultan. Her love is in the past by the point she arrived in the castle and her love for Ibrahim is only used as a conflict between her and Hatice, which they get over relatively quick. Sisterly love and ambition are a much bigger priority of Şah's: she cared about Hatice past any resentment she may have harbored over the years and agreed to share her life with Lütfi for the advantage this may bring, even though she didn't love him at all. She divorced him only when he offended the pride of a woman and her own personal pride. Other than that, we indeed didn't have a female character in MC that puts her feelings behind in design as far as I recall, only ones that end up clinging to them completely like Nigar here or ones that let go of them eventually like Mahidevran. Characters that have this design by default are more present in MCK like Safiye, or Turhan, or especially Gülbahar, but as I've said many times, MCK is more ruthless, while MC is more about the personal feelings of the characters, hence every motivation they have is somehow tied to them.]
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fillingthescrapbook · 3 years
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Jupiter's Legacy: To Err is Human, to Bore is a Superpower
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Spoiler Alert: I will be getting into a very detailed rant on why I think this is a well-written but ultimately bad show, so if you plan on watching it and don't want to be spoiled, scroll away now. Thanks!
Having seen the entirety of Jupiter's Legacy, I would say this series consists of three different shows fighting for time: the good (the story set in the past, where the first superheroes get their powers), the bad (anything that happens in the present, especially the finale), and the boring (all the stuff that's in between). And that battle for focus spoils the great moments that the show does have.
The biggest problem I have with the show, to be perfectly honest, was that it likes to repeat itself. Scenes from one episode pops up in another through flashback, or through a different perspective, or through echoes. And while it's sometimes a great narrative device, it isn't utilized well in Jupiter's Legacy because of one thing: there's no clear main character in the show to anchor that narrative device to.
Josh Duhamel's "The Utopian" might be front and center in the promos and publicity photos, but his character is more a nuisance and a plot device than anything else. Sure, he's central to the moral conflict of the show--but he's not the one at the crossroads. He's an immovable object that causes the dilemma; he's neither the solution, nor the character who needs to make a choice.
Of all the other characters, the only two that has actual progression are Lady Liberty (Leslie Bibb) and Brainwave (Ben Daniels). Lady Liberty, in the past, is a woman who chases after the truth. In the present, she becomes subservient to the Utopian. And during the show, she (very) slowly regains her agency to think for herself.
Brainwave is presented as a sympathetic character you're supposed to root for. But certain acting and directing choices made throughout the series clearly paints him as a budding antagonist. A much bigger antagonist, it turns out, by the finale episode. But at least his character had a trajectory.
Brandon (Andrew Horton) had more potential in that he was the most affected by the show's thesis of how can good ultimately be effective when it lets evil survive; his character is the one who starts the conflict that propels the show forward. Unfortunately, the show completely forgets about him by Episode 3. By the time the show deigns him important again, in Episode 7, he's had an off-screen epiphany that he needs to follow his father's example. Only for the finale to take that development back again.
Which leads me to another problem I have with Jupiter's Legacy; the story-telling choices it made are... not great. While I stand by my initial statement that the show is well-written (except for the seventh episode), it feels like the episodes are written with no thought of what came before or what comes after.
Like, going back to Brandon's character; the first episode forced him to make a choice: kill the bad guy or let his family die. He chose to kill the bad guy. It's a decision that puts his father, the Utopian, in a bad light because he was the one who made the rule that heroes aren't supposed to kill. Episode 2 is supposed to deal with this fallout, but instead Brandon is sent to a farm while the main story focuses on the Utopian trying to reconnect with his other child: Chloe. A storyline that doesn't even get picked up again in the remaining episodes.
Episode 2 ends with funerals. The parallelism between how the funeral in the past ignites the story forward, while the funeral in the present signals the beginning of an ending is great. The moment Brandon has trying to reach out to the surviving family of one of the dead heroes is spot on. But neither timelines have any impact to the viewers because the characters are seemingly pushed by plot instead of by their traits, leaving the episode like a computer-generated piece of art: beautiful but emotionless.
And instead of continuing Brandon's journey and his relationship with his family, Episode 3 focuses instead on a new character: a petty thief with a super-powered crew. Hutch (Ian Quinlan) is a charismatic enough antihero, but he has no card to play in the game yet. The episode writer weaves in Hutch's story well with flashbacks of who George (Matt Lanter) was; so well that when it's revealed that Hutch is George's son, it doesn't feel out of the blue. Unfortunately, neither Hutch's story nor George's moves the story of the first two episodes forward. Instead, the episode feels unnecessary. Like the two episodes that follow it.
Things only get moving again in Episode 6, the episode that follows Lady Liberty in the past and present. She gets a great scene with new hero Ghost Beam (Kara Royster) who needlessly dies because she upholds the Utopian's code--but the whole episode only feels necessary because we've wasted so much time on non-essential character-building that the show needed to remind the viewers of what the show's main premise was. And by this time, the show has already lost all its momentum, and outside of Lady Liberty and Brainwave, no other characters has developed enough to make us want to root for the good guys to win.
This is Episode 6. The season only has eight episodes. Why did the show waste so much time?
Meanwhile the story being told in the flashbacks are being allowed room to breathe. Too much room, to be perfectly honest. While I get that they allow for great parallels in the individual episode, the actual decision to make them play out throughout the season instead of grounding them to just one episode feels like it was made for style rather than substance.
I mean, I know that Matt Lanter is a charming actor who needs to be in all the episodes--but how about writing him a better character that appears both in the past and present? Instead of just prolonging his screen time by stretching the flashbacks so much they felt like they had their own show?
And don't even get me started on the way they treated their characters of color. What was the point of diversifying your cast if you were just going to shortchange them anyway? Fitz (Mike Wade) had a great characterization in the flashbacks, but he just existed in the present timeline. His daughter Petra (Tenika Davis) would've been a great foil--and maybe love interest--for Brandon, but she too was underutilized. Anna Akana's Raikou was wasted, and the end they gave for her character was bordering on criminal. And I could go on and on, but I wouldn't. Because I'm tired and I already spent way too much energy on this show.
Steven Deknight did such a great job when he was the showrunner for Daredevil's first season on Netflix. I don't understand how he went from that to this: a show that talks a lot but says nothing. Beautiful but emotionless.
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1stunseeliefaelass · 3 years
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"I was elected to lead, not to read. Number 3!" -From Simpson's Movie
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Mini Stories - Tracing the Written Word
Azrael never could help but note the visitors of the library in which he watched over. Alongside his duties to watch the Well of Souls anyway. Today was no different, as a repeat visitor had returned once again. Her white rabbit ears sticking out among the visitors who could only walk into the library. Azrael quickly flew down, figuring she'd need assistance as per usual. He had a surprise for her anyway, so better to greet her before duty called him elsewhere.
"Welcome back Ale, I trust you found your way alright."
Ale scratched her head, "I believe so if I'm here. But thank you for checking in nonetheless."
"I've managed to acquire something you may find useful. It's a recent addition to the library and took some time to get through the routine checks and such, but I did what I could."
"Oh my. I hope you haven't gotten into any trouble for my sake." Ale replied in concern.
"Oh none at all, you needn't worry. While some books, parchments, scrolls, and the like do have to go through a process before being added in, it's worth it. Especially when finding something I believe deserves to be here. I am the main authority of the Spire at the end of the day after all." Azrael explained.
Ale nodded, "Of course. Just making sure my friend. So what is it you've found?"
Azrael flew back and told her, "I'll retrieve it. Permit me a moment."
Ale waited patiently for a time before hearing a metallic sound land nearby. She would've suspected Abaddon, if not for the sound being too light. Then she heard a female voice that confirmed her suspicions.
"I am Uriel of the Hellguard, and I have been charged with watching over you."
"Oh? Well I suppose I don't mind the extra company then. I'm assuming Abaddon is as paranoid as per usual?" Ale inquired.
Uriel was surprised by the tone she recieved. Usually when asked to observe someone of interest for Abaddon she'd either face hostility or annoyance. Ale did neither, rather she seemed complacent and understanding.
"Well this is...certainly a first for me."
"Yes I can imagine blindness is uncommon for Angels, due to your healers and the miracles I hear about." Ale replies simply.
"Well yes....I've never dealt with anyone who is blind. But that isn't what I meant. I meant that you're the first person that didn't get angry or annoyed with me doing my job."
Ale turned her head finally, her face surprising the Angel all the more. It was a soft, kind looking face with a feeling of nostalgia mixed in. The vines surprised her more, as they wiggled about and seemed to be watching her as she watched Ale. "Very few people are understanding of a warrior's life anymore. Especially when so many races try not to involve themselves in conflict. But rest assured, though my clan is considered the 'pacifists' of the Lepus clans, I can understand the duties of a soldier. As well as sympathize with their hardships. I'll hold no ill will, and why should I? Especially when you're already doing a decent job watching me."
Uriel's eyes widened before her face hardened again, "Well thank you. It's actually nice to hear that for a change. But enough idle chat for now, I have a job to continue."
"Alright then, if you have further questions or simply wish to talk out of boredom later, be my guest. I do not mind."
Uriel nodded as Ale turned back around in time for Azrael to return. He held a book in his hands and regarded Uriel kindly, "Greetings Uriel, Abaddon send you I take it?"
"He did Azrael, I am to watch over this woman here." Uriel responded with conviction.
"I see. Well you'll find Ale is far from combative, and that's she likely one of the most patient people you'll meet. Either way to business, here's what I found for you Ale." Azrael stated as he put the book down on the table in front of Ale. Ale opened it in excitement and waited for Azrael to begin reading for her. Only for him to place her hand on the first page.
Ale's eyes widened as she felt the braille on it, "You found a book with a braille?"
"I did indeed, and I am glad you are happy with it. Hopefully it's full of helpful information for you as well. I was told it had knowledge for wind mages, among a few other things."
"I'm sure I'll enjoy it either way, thank you Azrael."
Azrael bowed his head slowly before his attention was caught by one of his subordinates, "Ah duty calls of course. I shall return when I can Ale. Good reading to you."
"Of course. Farewell for now." Ale told him as he flew off. Uriel in the meanwhile observed the small bumps on the paper with confusion. They didn't seem to look like words, and yet Ale was reading it as if there were words written down. The vines noted her confusion and informed Ale, who glanced her way again, "Need something?"
Uriel looked at her with alertness before saying, "Not really no. Just wondering how you are reading without words."
"Oh, well there are words I assure you. That's what these bumps are. Each set of bumps represents certain letters."
"How can that be? They don't look like any letters I know, not English or Angelic letters."
Ale giggled softly, "I know they don't look like it, but they are in fact representative of letters. It is slower to read as a result, but nothing I've done before. I just hope I'm not too terribly rusty with this."
Uriel couldn't help but notice just how fast Ale's finger glided across the bumps, with only the occasional pause here or there. Eventually though Azrael did in fact return, and Ale had pretty much zoomed through the entire first half in one sitting. Uriel found it impress to be sure, but still believed Azrael could read much faster. Then again, he wasn't blind and in need of braille.
Ale took a break at that point and thanked Azrael for finding the book again before looking at Uriel, "And thank you for a job well done. I enjoyed our talks, as brief as they were. Perhaps next time we meet we'll have longer chats."
Uriel bowed, her sword in front of her, "If such a day comes where I am to watch over you again, I shall look forward to it."
With that Ale bowed a little herself and walked away to head home. Uriel then headed back to Abaddon to give her report. For once, she actually had a good day watching someone.
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wak-after-dark · 4 years
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Still not able to come up with an argument about the Epilogue treating Gamzee (the murderous corpse molester) better than Jade (sat around for 3 years with depression only to have a dog dick and then be abandoned by her friends) huh? Guess you're just an idiot and willingly sucking Hussie's dick for a job at Whatpumpkin down the line. Maybe write some incest porn like IPDG and you'll get hired.
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Wow get a load of this guy.
Okay I should probably just delete your comments and not give you the time of day, but you’ve been periodically sending me this kind of ask, and I really have to ask, do you really, really believe you’re someone with some sort of Moral High Ground right now? Like I’m not even defending the Epilogues as masterpieces or trying to shove them down people’s throats. I am literally just enjoying the content the WP Team put out and talking about it, and you come to my Inbox, to spew this accusatory nonsense and flinging insults. If you can’t read the Epilogues in a positive manner, and think they’re dogshit, sure, go ahead, but you’re like, trying to act like I’m some sort of brainwashed sheep and you’re trying to make me see the light. Also “Still not able to come up with an argument“ very passive-aggressive there, I have talked about the Epilogues, my opinions and takes on them, and how I feel about the way they deal with characters at LARGE here, if you haven’t bothered to look for the info, and the several responses to some of your asks, then don’t blame me for it. But sure. Let me talk about every single point you JUST mentioned here like some sort of big Masterpost, and when you don’t agree with my point either way, stop fucking harassing me on Anon, seriously you alone have been making me consider turning anon off entirely, which all things considered may just be the healthiest option I could consider, but here I am!
Still not able to come up with an argument about the Epilogue treating Gamzee (the murderous corpse molester) better than Jade (sat around for 3 years with depression only to have a dog dick and then be abandoned by her friends) huh?
Okay let’s begin with Homestuck proper. Gamzee is a Villain. He’s framed as such, people have constantly shown backlash against his character because he’s got fans that would like to see him redeemed, since a good chunk of his story happens with him brainwashed or mind-altered in some sort, but every time he’s shown to go back to doing awful things and killing people. He abuses Terezi, kills Karkat, and gets killed by Kanaya in return in one Timeline, and in another he gets locked up in a fridge, ends up in Caliborn’s planet, and trying to serve his Lord just gets beaten up, shot, left half-dead, until his final appearance in which he gets cut in half and absorbed into Lord English. Then, the Epilogues happen, and he becomes the butt of a joke about undeserved redemption arcs. His very existence in Candy is a joke that he’s not worth redeeming, actually, but tries to force himself to ‘seem’ like he has, despite ruining Dirk’s funeral, making Jake and Tavros’ lives miserable, supporting a Fascist ruler, taking advantage of a potential minor, and it all ends up with him being choked, killed, and his corpse being used as a Weekend at Bernie’s joke. Like... Is that really what you consider ‘good treatment of a character’? He gets away with a lot of bullshit, but he’s like. Constantly, and consistently, shown to be unpleasant, gross and awful. Like. He’s an awful person, and a comic relief, that does fucked up shit for most of his appearance, and I am not sure how any of this can be read in any sort of positive light. I’ve seen Gamzee fans MAD at how much he gets shat on.
Meanwhile, let’s take Jade. A huge theme of her character, sadly, is loneliness and isolation. I dislike that, like many Jade fans. She’s forced into depressingly helpless situations where she lacks agency or control over her own body, or the situation she’s in, and it’s shown affecting her greatly. I want my girl to be happy as well. So when the Epilogues came, and had her getting Callie-possessed, that was bad, it was like, AGAIN she gets the shaft. I want her to be happy and do what she wants to do and be badass with her powers! But- Oh wait, none of that is what you’re complaining about!!! You keep insisting on the Dog Dick instead of any of the genuinely heartbreaking things that happen to her. Jade has a dog dick. It is mentioned once in the entire Epilogues. It mildly affects her desire to have a child with Dave, but she doesn’t even shown herself that broken up about it, and had been looking about potential alternatives, even having Rose as a surrogate. There’s not a single joke made in the Epilogues about her HAVING a dog dick, nor any sort of isolation that happens as a product of her genitalia. Is it a weird choice to canonize that headcanon? Yeah! It kind of is! But this is also a reality where Obama and Dirk make out. And if someone is uncomfortable about Jade having a dog dick, or doesn’t like her being more openly sexual, then that’s fine!!! If they have a transphobic read on Jade, that’s fine!!! You can dislike it, and Homestuck, and the Epilogues, and the writers! But I, as a trans woman myself, and one who’s horny on main a lot of the time, liked the freedom Jade expressed to just do whatever she wanted with new partners on Earth C, and her seeming acceptance and lack of conflict at just, having junk. She does fuck up with Dave and Karkat, because she pushes them a bit too hard, specially Karkat, trying to use the Quadrant System to insert herself in a Black relationship. In Candy, this culminates with political tensions breaking Karkat away from the triad, which is bad for everyone involved. But in Meat, Jade states that they can tell her to just stop and she will, because she genuinely likes both Karkat and Dave, but their feelings are too deeply bottled and complex to just come to light. Does this put some tension in her relationship with them? Yeah! Does this ISOLATE her from her friends? No! Karkat and Dave DO still wanna hang out with her even if she’s a bit too much. John and Jade apparently chat online a bunch, and Jake seemed to have a good relationship with Jade before the whole Jane thing. She is close enough with Rose and Kanaya that Rose considered the surrogate mother thing. She has friends and ties! The major things that happen to isolate her is, Karkat leaving- Caused by Jane’s rise to power- Dave dying- Caused by Ultimate Self Timeline Shenanigans- And being possessed by Callie- All things outside of her control. I want her to get her agency back, but beyond that, her, as a person on Earth C, was not abandoned by her friends, and your obsession over her dog dick as a root of her issues and the bad stuff that happens to her says more about you than about the Epilogues in my opinion.
Guess you're just an idiot and willingly sucking Hussie's dick for a job at Whatpumpkin down the line. Maybe write some incest porn like IPDG and you'll get hired.
You know what? Yeah I would love to have a role at WhatPumpkin. Because I’ve seen the people working at it do other things, and I’ve seen their passion for Homestuck. The people currently doing Homestuck love Homestuck, and this is not up for fucking debate. As for the incest porn thing? Fuck you. Fuck you, fuck you, and a thousand fucking times fuck you. Once again, trying to get some stupid moral high ground mentioning incest. “Oh look at me, I am criticizing someone for something they wrote years ago”, is how you actually sound, and that’s only on the surface. V from Homestuck was never confirmed to be ipgd. V got harassed, and ‘doxxed’ by dubious sources and, I believe, Kiwifarms shit was going on at that time, so that was extremely shady and shitty. And the result of them being equated ended with ipgd being told to kill themself because of old fic they’d written, which, GUESS WHAT, was actually a critic to the way Incest was extremely popular in Fanfic back then, written by ipgd themself, a god damn survivor of that same bullshit they wrote about!!! Congratulations! THAT is the kind of bullshit people like you pull. You just cling to some idea of what’s right and wrong, and end up hurting real people that’ve gone through real shit, instead of considering nuance to your actions and thinking that, HMM, PERHAPS I SHOULD NOT HARASS SOMEONE ON THE INTERNET BECAUSE THEY DID SOMETHING I DON’T LIKE OR HAVE AN OPINION I DON’T AGREE WITH! But nah, let’s go send death threats to people we don’t like, riiiiiiight????
My fandom wish for homestuck 2 is the characters are treated with respect but since every single one of the new authors hate women and only want dirk and jake as well as Dave and Karkat to fuck on screen while Vriska gets comphet child raped by gamzee why bother lol.
Like, I don’t even know what to say. Have you seen like... The rest of the work the WP Team is doing with Homestuck stuff? Addressing actual issues? Doing right by the characters? Acknowledging their fucked up stuff while also showing them in positive lights? A good chunk of the Team, too, is queer? Like if they were all cis straight dudes I could see your complaint but they just. Aren’t??? At all???? Even Taz, who’s probably the biggest Dirk-Jake fan around, absolutely wants the best for other characters, yes, Jade and Rose included, you are just too jaded and blinded by your perception of the Epilogues. Vriska and Gamzee... Yeah that’s iffy. I am not going to defend that, whether it was a mistake with the ages or it was just Gamzee being more awful, that was extremely nasty. There’s also like, suicide and abuse and dictatorship in the Epilogues though. All of this shit that happens is awful, but also it’s not PROMOTING it or saying it’s a good thing? It’s... Fucked up. Comphet though, I dooooooooo want to elaborate on that, because, while I do like the reading of Vriska as being more into women, she does show a near-consistent fascination for Nic Cage and, then, ARquius as someone with a similar aesthetic? Like don’t get me wrong, Vris-Rezi is absolutely the way to go and the healthy thing for Vriska, but also I am not 100% sure if you can gloss over every single one of her relationships with guys as Comphet? (Compbi? Since it’s Trolls) Not to say it justifies anything with Gamzee, that was just nasty. But I feel there’s nuance to talk about Vriska’s sexuality.
Hussie doesn't like his fans or care about Homestuck, how you can read the Epilogue and say the opposite it honestly insane and a complete bold faced lie. Any author that cares about their work would read someone demanding a character be given a dog dick and say no. Any author who cares about their work and their fans wouldn't have released such a purposely bad and painful epilogue and then demand payment for a resolution. Just give up. That's the moral of Homestuck. Give up. It's pointless.
Nah man, you’re just jaded and hurt and projecting. Hussie and the WP Team love Homestuck. It would’ve been so fucking easy to just stop doing Homestuck and move onto something, not even release an Epilogue. It’s like when Homestuck ended. People accused Hussie of a rushed ending with Act 7 back in the day, of disliking Homestuck and the Fans, of having just wrapped it up quickly, but like... If you want to wrap Homestuck up quickly... There were a million fan theories and endings out around that would’ve been so much simpler, easier and basic than what we got. The fact we got Act 7 and all it entailed, the shit the characters go through the Epilogues, of course a lot of awful shit happens, but like... Precisely? If you’re tired of doing something, you just wrap things up. You don’t set up new plot points and mess with the characters and push a new narrative outlook on something. This is the work of an experimental team that still do love the content and characters. Again, you return to the fucking Dog Cock like it’s the biggest sin the Epilogues commit. You haven’t even mentioned Jane’s fascism a single time, but you’ve mentioned Jade’s Dog Fucking Cock like fucking twenty times. Who the fuck cares about what sort of junk Jade has, the Epilogues themselves barely even care, it’s mentioned in the passing and it hardly affects a THING at all. You ask me how I can ‘read the Epilogues and see the opposite of what they say’, and I ask you the exact same thing, because despite all the awful things that happen, Rose and Kanaya keep fighting against tyranny in Candy. Kanaya realizes she’s been brainwashed and chases after Rose because she’s NOT giving up on her wife. Roxy explores their gender identity and finds new things about themself. Karkat gets to live his rebel leader dreams in one Timeline, although with a bitter split from Dave, but ends up together in a proper relationship in Meat. John’s arc in Candy about feeling isolated from a world that seems fake, before realizing his nihilism has hurt the people he cares about and wanting to fix it. Jake’s morale of ‘better late than never’, working up the courage to take Tavros away from Jane- And in HS^2, working as a double-agent trying to sabotage Jane from within? Jane’s been shown at her worst in candy, but in Meat she’s shown to still be redeemable, and that’s exactly what the team’s aiming to do, too.
Like... I can see all the bad stuff that happens. And I find the reactions of the characters to these awful situations are interesting, and the political conflict among friends and the pushing forward in such a dark situation, resonates with me, personally, and some of my own experiences? Not to say, the Epilogues are a Game Over scenario? They are a low point. HS^2 sets up to be the high point. Like... When Game Over happened, a lot of people were like “Welp, Hussie just killed everyone, lol, guess he just got tired of Homestuck”, despite the Retcon Powers being there as the obvious solution. Epilogues, lots of shit happen, and similarly there’s still like a hundred ways to build up from there to a satisfactory resolution? Storytelling can have low points you know. It hurts when it’s characters you care about, duh, specially when it plays into the weaknesses they already acknowledged but fell into again despite themselves. I see why so many people would dislike them and take a more negative vibe from them than they actually convey. But I am still baffled as to why people like you feel entitled to shit on the WP Team and send harassment and insults to people who do enjoy them. You’re not helping anything. You’re not doing anything good. You’re just being a dick.
As for the “demand a payment for a resolution”, they didn’t demand anything? I will be the first one to say that I don’t like the Extra Bonus for 5 bucks, and think it would be better if the Bonus got released like, a month or two after it has for Patrons, an ‘early access’ scenario like I do with my Patreon. And I hope they change this. But aside from that??? The Patreon is optional to support the creators because, it’s not just Hussie, it’s a big team, and they’re also using the Patreon to help them with other projects like Pesterquest and Hiveswap, because we live in a capitalistic hell world and need money to be able to pursue passion projects. The main updates every month- And twice a month starting February- Are completely free for people to read, still, the paywalled content still circulates around the community despite being paywalled, and other paid projects like, Pesterchum, for their scope and the amount of fun they’ve given me, they’re super cheap and worth it.
You ask me how I can ‘see the opposite the Epilogues say’, you tell me that I am an ‘idiot sucking Hussie’s dick for a job at WP’, you act like I am scum and brainwashed and there’s literally no reason why I should ever like something you don’t.
You know what I am though? I am happy and excited about the things I’ve been given! I am happy with the representation I’ve seen the Team push lately. I’m happy with the way the characters have been treated in Pesterquest and have high hopes for HS^2. And I am interested in the events of the Epilogues, while acknowledging that of course a lot of fucked up shit happened in them.
Back when the Epilogues happening and I was reading them, I was reading Candy at like 4 AM and was LOVING the fucked up-ness of the Timeline and wondering what may happen in Meat. I got a PM from a friend asking me to make a channel in a server I’m in, to quarantine Epilogues Discourse, and was genuinely confused as to why there was Discourse going on. I went through the rest of Candy and Meat with some dread waiting for some ball to drop and something to turn really controversial, and I finished them still enjoying them? Obviously there was a lot of awful shit. Obviously there was a lot of things people wouldn’t like. Obviously they were tales that likely alienated a chunk of the Fandom that was looking for a happy ending. But honestly, the unbridled fury and subsequent harassment of people over them is just plain embarrassing. It was confusing then, and it’s even more confusing now, well over half a year since their release, and still sending random Tumblr Blogs this kind of bullshit.
So there you go! All of your questions and your bullshit, answered! Now let’s get this out of the way: You’re not going to like my answer, you’re not going to agree with a majority of what I just said, you’re not going to CARE about any of what I just said. Spare me the fucking asks and anon hate. Just move on and do something productive with your time.
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randomminer · 5 years
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HPHM MC X Preferred Ship Questions
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Sorry this got a little long in places.
1) Who is your MC preferred significate other?
-Charlie Weasley [[MORE]]
2) When did they start developing feelings for each other?
-sloooowly
-Svari is aro/demi and the typical depictions of romance really make her uncomfortable
-Charlie is aro/ace and while he doesn't usually experience sexual or romantic urges, he does still feel strong connections with companions, in particular Svari
-Svari was the first to realize she may be drawn to Charlie in a way that's "more than friends", but where as many would become a blushing mess upon experiencing a first crush, Svari was terrified
-she didn't know what to do with these emotions and urges that just fell in her lap
-the only people she confided in were her Aunt Minerva, Penny, and Rowan
-at best, she was clumsy with her "flirting", much to her friends' amusement
-to make it worse, Charlie was completely oblivious to her attempts
-she tried shifting her affections to others, Barnaby Lee and Talbot Winger being examples, but her heart always seemed to pull her back to Charlie
-while Svari never lacked confidence in her skills and appearance, she didn't see herself as a worthy match for this young man she had become drawn to
-she had resolved herself to keeping her feelings secret and just being happy for Charlie with whoever he fell for and made him happy
-she tried to convince herself that that would be enough
3) Who confessed their feelings and where did it happen?
-Svari didn't actually voice her feelings to Charlie until well after Hogwarts
-it happened at the Burrow, at a small farewell party for Charlie, a few days before he would actually leave for Romania
-the two were sitting by themselves in the garden and Charlie was excitedly yammering on about dragons and his dream job, talking about a mile a minute
-Svari listened with a strained smile, feeling a bitter sweet ache building in her heart
-Charlie would be leaving and with every sentence, Svari could feel her resolve crumbling away
-midway through one of Charlie's rants, the dam finally burst and Svari basically regurgitated years of suppressed feelings into two minutes, a silent Charlie wide eyed and blindsided
-after much embarrassment, reassuring, and talk, the two decided to give it a shot and see where things would go
4) How long had they had those feelings? 
-while Svari had been grappling with her feelings for years, Charlie just kinda stumbled into it and thought "eh, what the hell, could be fun"
-the relationship would be slow, mostly long distance, and little more than hand holding and cuddling when in person, but both were content with that
-Charlie would set his boundaries and Svari would respect them. If either wanted to try something more, it was always with consent from the other
5) Where was their first date to and how did it go?
-neither was very keen on the idea of flowers, chocolate, and dancing under the stars
-they just did what they would do as friends...only now they were more than that
-in this case, they were packing the last of Charlie's things and had lunch
-Svari felt the need to give Charlie a gift to take with him to Romania
-after their "date" she handed him woven leather bracelet similar to her own, but with a poorly made dragon picture burned into the side
-he'd laughed, but was touched
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6) What was the most awkward moment they have shared?
-definitely the first kiss
-it was the first Christmas holiday that Charlie had been back since going to the sanctuary
-the remaining Weasley family members and some wizarding neighbors were gathered at a magical pub for a neighborhood Christmas Eve party
-and cheesey as it sounds, Charlie and Svari got caught under the magic mistletoe that had been floating around looking for victims
-Charlie had noticed it first and silently gestured at it with his head
-Svari didn't know where to look, what to do with her hands, was stumbling over her words
- their relationship was still so new, she didn't want to make Charlie uncomfortable, and at the same time was overwhelmed herself
-so imagine her complete surprise when he was the one to gently pull her in by the collar of her jacket, plant a quick but loving smooch on her lips, smile, then got back to the party like nothing had happened
7) When did the curse gang found out about them?
-Svari had talked about her feelings before with her Aunt Minerva, Penny, and Rowan
-Bill has eyes, has been around them all through Hogwarts, and isn't an idiot
-everyone else either found out at Charlie's farewell party or through gossip
8) Do they follow the same career path after Hogwarts or follow different choices?
-Charlie, of course, went to Romania and worked at the dragon sanctuary
-Svari, due to her half-breed status, found it hard to hold a job and mostly stuck around the UK
-she did become part of a group who aid and rehabilitate half breeds and turned humans (it was through this group that Svari met and befriended Remus Lupin) her volunteer work kept her busy and happy
-up until after the Second Wizarding War, they mostly kept in contact via owls, fireplaces, and holidays
-while they would have liked to be closer and seen each other more, each had their own calling.
9) What song(s) describes their relationship with one another?
-"Another Night on Mars" by The Maine
-"You're My Best Friend" by Queen
-"Head over Feet" by Alanis Morissette
10) Do they have any inside jokes with each other?
-the amount of times the two of them and Bill have snuck into the Prefect's Bathroom as a group has become something of a joke
-"going to the toilet, Charlie? Should I grab Bill? Just like old times?"
11) Have they worked together with finding the curse vaults or do they try to convince the other not to endanger themselves?
- To Svari, there isn't a Hogwarts story worth telling that doesn't begin with the words "Charlie and I"
- finding the vaults is no exception
12) When did they have their first kiss? 
-see #6
13) Is either of them a member of the quidditch team? Do they root for their house or each other?
-at the current time in Hogwarts Mystery, Charlie is a seeker for Gryffindor and Svari is a beater for Ravenclaw
-they cheer for each other when they are up against other houses, but when it's Gryffindor vs. Ravenclaw, they know loser wears winner's house colors the next day and winner buys loser butterbeer
14) Do they participate in any of the same clubs or made any of their own?
-between the vaults, Quidditch, and school? I don't see them being part of clubs anyway
15) Are they reserve about sharing affection or open about it?
-neither has a problem with public displays of affection, but their's are pretty tame in comparison to most of their friends
16) Have they ever had a fight? Was it small or big? How did they solve it?
-any couple who says they'll never have a fight isn't going to last
-fights are hard, but they help a couple grow
-Svari and Charlie are no exception
-one of their larger ones happened while Svari was in the hospital
-while trying to help a couple of half-breed teens who were quickly becoming involved in some bad stuff, Svari had gotten caught up in a battle between aurors and dark wizards
-she managed to get the two teens to safety, but had been hit with several spells and almost died
-she was in St. Mungo's for three weeks
-Charlie had come as soon as he could, but was very angry at the risks she was taking
-going into a dangerous neighborhood, that was a known dark wizard gang's territory, at night, with no back up, to try and talk sense into a pair of teens who probably wouldn't change anyway, was one of the stupidest things she had done
-they had tried to keep a civil conversation, but it esscalated into a loud back and forth about the dangers of both their jobs and the strain it put on both of them
-at one point, Svari felt her "other" form beginning to surface and in frustration threw a small vase of flowers at the wall by Charlie and told him to leave, which he did
-they didn't talk for several weeks, but both were hurting
-after Svari was released from the hospital, but not back to work yet, the two teens came to her for advice and options.
-feeling a wave of relief that these kids were going to be ok, Svari decided to ride the good vibes and go fix things with Charlie
-when she got to the Romanian sanctuary, Charlie was being treated for minor dragon related injuries (at this point I'm thinking it was what would eventually become the shiny burn mark on his arm, as described in the GoF when he first met Harry)
-their reversed positions was a good ice breaker
-they sat outside and just talked for hours
-they agreed that while the worry will always be there, it wasn't right for them to hold the other from following their path
-they would need to be more careful, because they both had someone who would be hurt if something happened to them
-after everything was said, Svari pressed her forehead to Charlie's and told him she loved him for the first time
17) Do they get jealous easy? And if so, who?
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You tell me.
-Since Charlie wasn't one for dating, Svari never really had to battle with feelings of jealousy (except maybe with dragons)
-Charlie, on the other hand, would be supportive, but withdrawn
-this wasn't territory he was used to and he may not have entirely understood why he felt upset when Svari was romantically involved with someone else
-he wasn't feeling so much "hey, I love you, and want to be with you forever and always, that should be me with you"
-it was more like when your best friend or a sibling suddenly starts giving all their attention to a girlfriend/boyfriend and you feel left out, betrayed, and conflicted
18) Do they sneak into each other’s dorms without being found?
-not usually, there are much cooler places to hang out in a magical school
19) Have they broken rules to have fun?
-they have snuck into the Forbidden Forest so much that I think the prefects have given up trying to stop them
-"whatever, just don't lose us any house points...and bring a jacket"
20) Who is the most protective between them?
-they are both very protective of each other
-if the situation called for it, either of them would fight like hell for the other
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chinderellastories · 4 years
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That's Life as told by Arthur
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I have just finished watching the film and oh boy I did not watched it straight; I had to pause it after about an hour or so just to breathe. and breathe. and breathe. It was a wild ride, folks and it knocks in my noggin'.
So I would just blabber it out. This is a word vomit coming through.
When it comes to the editing, camera angles, lightings and the details--it's a masterpiece. It wraps up the scenes perfectly. It sets the mood, tingles your thoughts and even evokes emotions. Even just the first scene where Arthur looks in the mirror and pulls his face (literally) into a smile and frown--gives you a fucking shiver. It's disturbing and it's fantastic.
It was also really commendable how the movie dwelled on Joker and Joker alone, unlike other self-tittled films focus more on the unfolding of events and jumps focus from character to character. Other films were more of the external build up rather than the character development. Yet this movie unveils the internal conflict of the character which spiralled with the external conflicts and soon created who he became at the end of the movie. Which makes it intresting.
I took notice of how he was named Joker and the clever way how he became a character. This is just my personal opinion. I've known that a Joker card is a clean slate. An excuse to his bad deeds would be due to insanity. The Joker as a Court Jester would just be plainly for entertainment, nothing more and nothing less, as if they are mere props. The Joker as a clown will never be taken seriously. This pretty much sums up Arthur Peck.
Pardon me for I was never a fan of Batman. So I didn't have enough knowledge on their backstory. But I would like to point out some highlights that I've noticed which struck me and lead me to say that oh boy this is a masterpiece.
Finding his purpose. Arthur talked about feeling unhappy and like he was invisible, like he wasn't existing, a couple of times. There was a scene where some jerks mauled him and the next day at work, his boss was more concerned of the "sign" and never about how he was doing. Basically just throwing it out in the open that "Arthur, the sign is more important than your life stfu." He was falling deeper and deeper into feeling he's worthless. He didn't matter. No one pays attention. Even the social worker he was talking to. But when he killed the three assholes in the train, someone finally took notice of him. It didn't matter at what cost. It was shown how he trembled when he started hearing news about it. He had grown concern. He was aware of what he did. He then later on became satisfied. He was finally right in the spot where it feels like he actually existed.
Toxic Positivity. I loved how it played the song "That's Life", how in the beginning it gives off a fun and upbeat vibe but later as it goes through the movie it gave a darker sense. As if saying "oh you got fucked up? it's okay, that's life" therefore normalizing the fucked up society we live in. No, Murray. It's not okay. Issues does not get resolved by just smiling it out. It doesn't make it go away. So stop telling sad people to just smile.
Dancing and freedom. I have always been amazed how dancing is a form of self expression. No one can tell you that your "move" is bad. Because it's yours, no one can tell you it's wrong. Almost by the end of the movie, when Arthur indulged into being the Joker, he started dancing. He was started freeing himself from the cage that the society locked him in. He wrote in his journal, how people expect him to act as if he doesn't have mental illness. Therefore tearing himself apart trying to fit in. But when he finally broke free, he started showing himself as himself. And not as someone who he was expected to be.
Selfishness, insensitivity, an out of touch with reality. Before he killed those assholes, they did him dirty. He was bullied. But then it was seen plastered on the newspaper how the killing was a movement against the rich. Fucked up, yeah? No one questioned how did it happened, why did it came to a point where they had to be gunned down? They have just concluded that those men are rich assholes and they deserve to die. No. They were bullies and so they died. Throughout the film, the rich and powerful were portrayed as insensitive people. They don't know what going on down there. No one was listening. They just pretended to. The 'therapist' was asking questions because it was her job. Thomas Wayne was preaching about helping the poor because it was a reputation. Bill Murray makes audience laugh because it's his show. But none of them ever really listened to what was on the streets because they were safer inside the walls of their mansion. Each and every one of them (even the mob) were driven by selfish desires and no one thought of being on the other one's shoe. That's what made it chaotic. Everyone wanted to be heard yet no one is willing to listen.
The other side of the coin. It was an interesting story how a portrayed villain, has his own movie and he was a protagonist. It didn't even dwell on the murders and the wrong things he had done, but it gave focus on the wrong things that the society have done to him. I sound like I'm justifying murder, I'm not. murder is bad, kids. What I'm saying is, it gives a window on what's going on inside his head. I have watched a couple of murder cases and I've noticed how serial killers mostly suffer from brain trauma, head injury, and physical abuse while they were young. As well as in this movie, it shows that it came somewhere. He wasn't born like that and if it was in other circumstances maybe he wouldn't turn out the way he did. He was trying to survive. He needed help. Now if you watched this movie and thought that it's sick, it glorifies murder, it justifies the killer, he's crazy, and such--you're not listening, too.
I have a lot of thoughts in my mind, I could go scene by scene and dissect every detail and character, but these are just some of the things that really gave a highlight to the film. My main take-away though is having an awareness on the evil that lives inside our minds. They're invisible. They cannot be physically touched. You just have to listen. Closely. Listen to understand. That's how life should be.
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