STAY OFF MY TERRITORY - Time Travel in Lore Olympus (feat. Springlock, our resident time traveller)
AH YES. TIME TRAVEL. BUILDING COFFEE TABLES FROM IKEA. BOTH A MESS, BOTH SOMETHING YOU SHOULD NEVER ATTEMPT EVEN AS A GAG.
THERE WILL BE FASTPASS SPOILERS IN THIS ANALYTICAL DISSECTION OF LORE OLYMPUS' TIME TRAVEL !!!
Let's establish the "time travel" in LO first of all - it's briefly introduced by Hecate, who says that Hades isn't in a 'where' but a 'when' , hahahaha i so love time travel jokes /s THIS ISN'T A LAUGHING MATTER-
We had already covered this in the criticisms that Kronos' 'dream comas' would have been better allocated to his time travel abilities, and it seems now Rachel is trying to make that a reality at the last possible minute. I'm going to completely tear apart that reality to present to you why it doesn't work in LO.
Aw, Kronos' time abilities are finite? Get on my level, sir.
The caveat is the existential toll that time travel takes on the jumper, and the fact that in most cases, it's impossible to perform due to paradoxes. And Lore Olympus' time travel presents a lot of paradoxes. No wonder Kronos went crazy, I'm going crazy just thinking about everything that's wrong with this.
So Hades is trapped 'somewhere' in time. This isn't something I haven't seen before, but the issue it presents is getting someone back to their present time, as it presents the first paradox -
PARADOX #1 - There are no accidents. If someone is to jump into a timeline outside of their own, even if by 'accident', that would still have to be predestined by the timeline itself. This is in line with the grandfather paradox, which I will let the almighty Google define for us all to keep things brief:
You cannot travel back in time 'by accident'. If you were to travel back in time, it would have been written into the script of reality already, so any effects caused by your jumping would be purposeful, even if they seem like 'accidents' to you - such as becoming your own grandfather, Philip J Fry.
Moving on, in the most recent FastPass episode, Melinoe reveals that she was taken from her timeline by Kronos.
PARADOX #2 - Which version of Kronos took her? Was it the present version travelling into the future to take her from her timeline into his present? Or was it some future version of Kronos who has escaped yet again at some point in the future and then travelled back into the past to interfere with the events of the current present, possibly in an attempt to rewrite the script? If it's the latter, this means that Hera and Persephone can't feasibly stop Kronos indefinitely, as to stop Kronos would mean that he wouldn't exist in the future to take Melinoe from her future timeline and thus this present timeline of events would cease to exist. If we want to get even more granular with it, 'present' Kronos is still 'past' Kronos as it's the Kronos from ten years ago who got his hands on a deity to help him mess with people's dreams, and that deity has been revealed to be Melinoe, who would have had to be ripped from some point in their future timeline. This falls in line with a temporal paradox, or as most people know it, the 'kill baby Hitler' paradox, which designates that one cannot go back in time to kill baby Hitler, as killing baby Hitler would remove all the subsequent events that would lead up to you deciding to build a time machine and go back in time to kill baby Hitler.
Melinoe claims she's only been here a few days. That would be all well and good, as time is funny like that - I've done my fair share of jumps into the distant past only to return a few minutes later - but what doesn't line up is the present timeline of events that would only work unless she's actually been trapped for longer than a few days.
PARADOX #3 - So it's only been a few days, but Hades and Persephone have known about this child trapped in Tartarus for weeks, and we know Kronos has had her since the dream diving arc back near the end of S2. So unless Kronos is simply jumping to different points in time to cause shenanigans - which leads to even MORE paradoxes as you feasibly cannot travel to your own past to change it due to it creating a different future - then it can't have only been a 'few days' for Melinoe, it would have been at least a few weeks, giving some wiggle room to the past events of her appearing before Hades in his dreams due to her being the goddess of nightmares. Kronos escaping Tartarus after using Melinoe to put people to sleep and possess them was not something that happened in a pocket dimension, it was very real and very present.
Hades commits an even bigger sin, however, and the biggest issue with this 'time travel' plotline:
PARADOX #4 - I truly hope 'home' means 'home point in her timeline' and not their literal home. Hades and Persephone cannot take Melinoe, for two reasons: they haven't had their daughter yet, and the future timeline versions of Hades and Persephone need their daughter back. If Hades and Persephone were to adopt this version of Melinoe in their present timeline, it would create a clone paradox, as they would have a duplicate Melinoe from the future, OR it would create the grandfather paradox if they opted not to try for a child knowing they already have Melinoe which would erase the whole sequence of events that led to future Melinoe's birth in the first place.
Ultimately Lore Olympus' time travel suffers from the same issue many time travel stories suffer from - not having consistent rules. It is choosing now , near the finale of the series, to introduce time travel, rather than establishing it back in Season 1 when Kronos was first hinted at. It's also still not clear in what Hades' role is in this, as him being taken to a 'when' could still be read as a dream sequence rather than actual time travel. After all, Kronos supposedly "exhausted" his time travelling powers centuries ago - surely as a way for Rachel to have her cake and cover for the fact that she's had Kronos in the series since S1 and never actually had him do what he's known for - but now she's trying to eat it too by just giving him his time travel powers again for no reason besides rewriting the dream diving finale from S2 but with ambiguous time travel instead.
It's all a huge mess and the best thing I can do for myself is simply not let it keep me up at night. I have enough time travelling problems to worry about as it is. I will be sticking to the Austin Powers method -
(I am not enjoying myself.)
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What's p/p?
Ah, I meant to say, pp, Psycho-Pass. I usually add slashes to avoid unprompted rambles to show up in main tags, sorry if that resulted confusing.
I love Psycho-Pass. I already made a post about why bsd fans might find it enjoyable, but honestly, there's so much more to it beyond what it has in common with bsd.
The prompts for reflection this series offers are just wonderful: on the relationship between citizens and government, on pervasive systems, on freedom of choice and free will, on safety vs. freedom, on discrimination of minorities and creation of scapegoats, on propaganda and brainwashing, on the increasing and treacherous presence of technology in everyday life, on how government uses technology to control and manipulate people, on fighting the system from the inside vs. fighting the system from the outside. I should watch it again too. It's crazy good.
Akane Tsunemori - the coprotagonist of the first season, the protagonist of the second season and overall the true core and heart of the franchise - is one of the most complex and beautiful characters I ever met. Her growth and character development is truly amazing: the way she starts off as unknowing and naïve, and grows so so much from there; how her writing finds this perfect balance between becoming more mature / hardening and staying true to her beliefs - even when everyone, the system, the people she relies to, the people she looks up to - tell her that there's no other way, that it can't be. It's breathtaking. She is a breathtaking character. The way alone that no matter how conscious and aware she becomes of how cruel the world is, how unredeemable people are, how beyond saving the system is, she still keeps believing in humans… It may sound cliché by itself, but believe me, it's wonderfully executed, and her character is truly amazing. Not to mention, the way she mirrors the coprotagonist Kougami is fabulous, but this is not really about him; she's an amazing character of her own right, and I will die on this hill.
The female cast in general is all amazing honestly. Don't get me wrong, the male characters are just as complex and multilayered (and I LOVE Gino and Kou, how couldn't I), but that's… Something we're more accustomed to, while finding well written female characters is objectively much harder. Female characters in Psycho-Pass aren't written as female characters, they're written as people, just as much as their male counterparts are. They have their fears and hopes and strengths and weaknesses just like any other character. I love Yayoi for being strong and coolheaded. I love (LOVE) Shion for being her fabulous self, kind and flirty and confident and with an heart so big, and for her subverting the trope of guy in the chair by being a glamorous woman who's also incredibly competent at her job of analyst. I love Akane's friends and I don't like season 3 but Mai is genuinely awesome and a joy every time she's on screen. I love Risa so much I could die, I love how strong and independent she is, I love the dilemmas she had to face, I love her choices and how they might have been the wrong ones and how it still haunts her, I love the tragedy of her character in general, I love the doomed friendship that used to be between her Gino and Kou. I love love love Fredrica, I love her being bossy and confident, diligent and determined. There's just a lot of… Strong and independent women in Psycho-Pass, and it's not just a way of saying, they really are.
I LOVE women loving other women, canonly, on screen. The confirmation may be delegated to a small moment in the last episode of the first season, but the fact that it's still there nonetheless, and how it confirms that all the previous moments and exchanges were indeed moments and didn't leave it to ambiguity… It's nice, to say that the first season of Psycho-Pass came out in 2012. And you might have to wait eight years, three seasons, five movies for it, but the phrase “I just want to go outside, dine somewhere nice, and go for walks with someone I love” may make it worth it.
And I LOVE how all the leader positions are filled by women. It's a little funny, honestly, in the best way– despite what I made it look like so far, the Psycho-Pass cast is still men-dominated (or at least a pretty equally split 50/50?); yet all the leader positions are always filled by women: Akane and Mika and Kasei and Frederica and Karina, it's always women.
Also, Mika is a brilliant character. Of course I love her. I'm so so sorry for how much hate and criticism she gets (over being a purposely annoying character! Insane! When Dazai exists!), when she does really and excellent job at conveying “look! A fucked up brainwashed individual in a fucked up brainwashing environment! I wonder how that could have happened!”. Not to mention that her growth, her long and devious way to admitting that the system is flawed, is truly well made, too. Unpopular opinion, characters with big flaws, characters who are unsufferable and make lives impossible to everyone around them, characters who mess up again and again, are actually great to watch.
Again, don't get me wrong, I absolutely adore Gino and Kou too ahah. They're both great!! But that you can probably see by your own. Gino in particular used to be my favourite, how his character does a total 180° turn. I love to see men admit their mistakes and make the choice to be better tomorrow.
About that, the relationships between the characters are AMAZING. Especially the main trio Akane / Kou / Gino, all the combinations within it are beautiful and deep and brilliant, so so enjoyable to explore and with their fair share of canon content, while still never straying to romantic territory (I mean, Akane/Kou may be going in that direction, but if that's true, that's the slowest slow burn I've ever witnessed in my life).
What's more. The world building / general premise - a dystopian world, where your predisposition to do crime can be measured and the government makes use of such technology to monitor and control the population and guarantee everyone's safety - is genuinely interesting and compelling. The aesthetic is genuinely cool (AH, now that I think about it, I've got my unfair bias for people in suits, and pp has a LOT of people in suits… ). The opening and endings feature great artists like Egoist, Ryo, Who-ya Extended and Cö shu Nie, so you're sure to love them!!
(Also, Psycho-Pass is something I used to spend entire nights talking about with a friend, and I'm always thinking about her and hold her tight to my heart in every moment so. That's worth mentioning for me, pfffttt. I love my friend so much.)
Finally, because the other Psycho-Pass post I made here keeps haunting me for the lack of trigger warnings, please be aware: Psycho-Pass DOES have trigger warnings. Pretty much for eveything you can think of. Sexual assault and gore and body horror on the top of my mind, but it's quite dark and gritty at parts in its entirety, so please please keep that in mind if you decide to pick it up.
Well, this is the end of my Psycho-Pass love letter for now. Please give it a chance if you can! I'll go rewatch it now. General watch order, in order of release, is season 1 → season 2 → movie → Sinners of the System movie trilogy → season 3 → First Inspector movie → Providence movie. I don't really like the third season or First Inspector movie (the characters are still great tho, even the newly introduced ones), and I've yet to watch Providence. The first season later came out with an extended edition of added scenes between episodes, and they're quite nice, so if you can't get ahold of it, you might want to look up for a compilation of the missing scenes still.
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the thing about being the only neurodivergent person in your friend group is that whenever you have to make a group decision, if you have to go against the group because of acessibility, you're going to loose.
My friends and I are going to watch a movie this month and everyone wants to watch it dubbed and I'd rather with subtitles. Why? 1) because people can be very loud and if someone is talking next to me and there's no subtitles, I will miss part of the movie and won't understand what's happening. 2) I think I might have some of that audio processing stuff cause I swear when I watch stuff dubbed it takes me so long to understand what's going on without a subtitle, I will miss important plot points or characters names and it won't be a good experience and since dubbed movies don't come with subtitles, I just get lost. 3) When the sounds get too much to me, at least I can focus on the writing to follow along
But because my friends don't like watching things subtitled, I lost in the vote and when my friend said the cinema we chose only had dubbed I reacted with a crying sticker and someone very aggresively was like "girl if you want to watch it subtitled go watch alone cause no one here wants to" and then I had to fucking explain that man, I'm going to go watch it dubbed cause i'm not gonna make anyone watch it subtitled.
'cause unlike neurotypicals, I'm used to having to be unconfortable for their fucking sake.
And it's like, if I try to explain, it's always like well you can handle it y'know, my needs get dismissed as nothing because why would everyone else bend and break for me when I can just "take it"? Like if dubbed movies just came with subtitles, my life would be so. much. easier. It's why I'm okay with watching stuff dubbed AT HOME, cause I can put the subtitles anyways.
I'm lucky enough that I managed to convince people to not sit all the way in the back (they wanted to sit in the last motherfucking seats, which are closer to the sound machines which means that everything is way worse for me and also, even with glasses, my eyesight is still gonna be worse all the way in the back when compared to like, the middle row).
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I see a lot of people joking about the adhd thing of "I have a appointment/phone call at 3pm, guess I won't do anything all day!"
But no one seems to make the connection that it's a time blindness thing. One of the symptoms of ADHD is not having a good and accurate sense of time. And not doing stuff prior to an event with a hard deadline is an obvious coping mechanism for that.
Can I go to the store? It's 10am and the appointment is at 3pm. How long does going to the store take? An hour? Three hours? Five hours? I DON'T KNOW!
I get anxious trying to do things before appointments because I'm aware that I don't know how long those things take, and that if I think I do, I may be very wrong. Too often I've been like "hey I can walk to the corner store and grab a drink, that'll take like 15 minutes!" and then an hour later I get back and whoops my rice has burnt.
Plus there's also the fact that ADHD people know that motivation and focus is a two-edged sword.
Like, let's say you decide to play a video game. You've got time, you can pause/save whenever, so this should be a perfect fit to make good use of your waiting-time. So you start playing and WHOOPS you get really focused for some reason today (because people with ADHD do not get to pick when their brain decides to focus) and the next time you look at the clock it's 2:49 and you haven't showered or dressed and the appointment is 30 minutes away. Fuck. (you could have set an alarm, but now you're asking people with the forgetting-things-and-time-ignoring condition to remember it set alarms)
And with motivation, it can be almost worse. Instead of playing a game, you so something useful or creative. You clean your room or fix your plumbing or write a story or draw a picture. And suddenly it's great. Your brain is firing on all cylinders. You've got all the motivation you can ask for, and you are FLYING. the ideas are brilliant, your hands are nimble, you're getting stuff done you've been putting off for weeks or months. And then the alarm goes off. Time to go to your appointment. Fuck.
You drive there, your brain still full of ideas and plans. But by the time you get back, the motivation is gone. You may still have the ideas but you don't have the drive to write them down. You can't force yourself to do it. Your sink is still in pieces. Your room is half-cleaned, and you have to shove all the sorted clothes into one big bin just so you have somewhere to sleep. You've left things half finished again, in a cycle that has been repeating your whole fucking life. It seems sometimes that nothing ever gets finished.
So next time you don't even start. There's not time. You've been burnt too many times. Why add another half-completed project to your pile of shame?
My point is that people seem to be going "lol I can't do anything all day if I have an appointment at 3pm" like this is a quirky "oh I'm so scatterbrained!" weirdness they alone have, and not a major complication of a disabling mental illness.
(and that's not even getting into the secondary effects. If you know that having an appointment ruins your whole damn day, you're going to avoid them. Even when it's things like "going to that party" or "meeting your friends for a drink/game" or "going to a movie with that cute girl from your math class". Things you should enjoy. Things that'd help you be social. Things that make you feel human.)
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