BALANCE THE PARTY

social justice barbarian Never met a nazi they wouldn't punch. Never met a cop they wouldn't call a nazi. Treats the soft animal of their body like a lance to the heart of a tyrant. Their anger is a gift from God– it transubstantiates.

social justice necromancer Reads her history. Says their names. Goes through cemeteries leaving flowers, grave-borrowing tactics. Coaxes the spirits from their beds to let them dance; we realize we have always been beautiful.

social justice rogue Unplucks the landlord's tapestries at night. She covers her face, she code-names, wipes the prints from her hand after shaking. She's a lot. A blade in the dark that daylight can't soften. She hums a mantra called mission; it's all the warning you'll get.

social justice bard Makes his sincerity a lute and plucks fingers raw upon it. Has brass knuckles on the inside of his throat. Knows what to say to soothe the scared guy sleeping rough, to make the officer laugh instead of shove.

social justice druid Gives you grace and space to grow. Makes a weird balm to calm your hurts. Turns into a panther once a day dispensing courage; turns into a dove once a day dispensing peace. Serves the world from the half-empty vessel in their heart.

social justice warlock Sold her soul to do DEI for a Fortune 500 company. Walks each day through thicketed razors, carving footholds in a hill of glass. The job takes its pint of blood so slowly, it is possible to believe she doesn't feel it.

social justice paladin Always knows the words. Is afraid of what will happen if they forget them. It's not an excuse, but it is sandpaper, truths nailed into the shoebeds. They're implacable from the outside. They can't believe I would love them without their fury.

social justice cleric The people tell her, "Your mouth ruined our movement. You suffer in silence all the time–what's one more?" She believes in a love whose demands cut friends and enemies alike. She cleanses, sad surgeon. She is martyred twice. From the ground where her tears fall, a perfect flower grows.

social justice warforged Has a fuckin' truck!!! He rolls up to mutual aid and the people rejoice at his truck. He is become a mover of things, a Christ-bearer: mattresses and gasoline, the girl who needs a ride across the state. She says bless you, bless your truck, and his heart swells. He never knew he could be so needed.

social justice giant crab Strength +1. Intelligence -5. She is a crab. She has 13 hit points and claws for hands– but she can breathe water and air. She knows what the surface looks like from underneath. She carries wisdom in her crab body that the arc of the universe will always bend to rediscover. Don't you get it? That we all have gifts to give?

-elisa chavez

harrier du bois but not in daybreak palette because adhd told me to take my intentions and go fuck myself

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Still thinking about just how deep in it Liliana Temult is. Like in the eyes of the narrative she went from

absent & possibly dead, very sad -> alive just estranged?? mysterious! -> possibly involved in a cult, tragic, can her daughter reach her? -> uncomfortably high up in said cult -> the cult's goddamn General and striking such terror into the local population of the Ruidus that they are afraid of even her appearance or someone who looks like her

Ordinary people who are trying to resist the dictatorial Imperium/Ruby Vanguard alliance and their iron control of the populace are terrified of her. You don't strike terror just by "being there". Terror happens because of actions. And it leaves us to wonder what exactly Liliana Temult has done during her time on the moon to make the citizens fear her so much.

master artist and his number one fan

guy who is being so normal about the new additions to their profiles. i think abt midoris initial infatuation with his art slowly developing into appreciating yuzuru himself as a person and idol to the point he worries about how he sees him (ex: a bit of home party and in workplace survival rules) sometimes thats a lie i think about it a lot. and yuzuru learning to enjoy art just for the sake of drawing!! seeing the lets try diy story where he doesnt even refute drawing on midoris desk and was only worried that his doodles might cover up the mascot design compared to how discouraged he usually would be in earlier ! stories. everything to me i adore their dynamic if that wasnt obvious by *gestures to basically everything*

and happy pride month 🏳‍🌈

Love the idea that Leo’s portal and teleportation based fighting style can heavily parallel the types of stuff you’d see in magic acts. Disappearing and reappearing, pulling stuff out of a hat/portal, sleight of hand and other such methods of averting the audience’s/enemies’ attention from what you’re trying to do, etc.

It’s genuinely pretty neat to see and I wish his love of magic acts and magicians was brought up more often because it and his other interests tie into each other and in turn his whole self so neatly.

Tarlos Wedding Celebration Event [Week 12] -> favorite location(s)-> The Tarloft

some rly old sketches of katara and suki i keep forgetting to post. anyway Them

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

Thinking about the KaeyaJeanDiluc friendship where they grew up together and they were CLOSE & sure maybe Jean felt like Diluc & Kaeya were closer since they were brothers & sure maybe Kaeya felt like he had to keep secrets from the two of them bc they would never understand but they were like. A trio! A team!

& then Diluc’s 18th birthday comes around and everything goes to shit and Diluc LEAVES so they’re no longer KaeyaJeanDiluc but just Kaeya & Jean & in some ways Kaeya and Jean get closer because of it but there’s also a pronounced DISTANCE where Jean doesn’t know how to reach Kaeya anymore & Kaeya is even more determined not to tell Jean anything & they both lose themselves in their duties to Mondstadt while also missing Diluc and ALSO, despite everything, offering each other unconditional support

& then Diluc comes BACK & in addition to Kaeya & Jean there’s the shaky reestablishment of Jean & Diluc and Diluc & Kaeya but it’s not THE SAME. they’re no longer KaeyaJeanDiluc; Jean & Kaeya are knights and Diluc will never be a knight again & they all changed while Diluc was away & none of them know how to talk to each other anymore AND YET there’s still an undercurrent of trust!! Not fully, especially between Kaeya & Diluc, but Diluc still calls on Jean during the archon quest, trusting that she will keep their secrets even though as the acting grandmaster she should probably not. Jean says in her about Diluc voiceline that she understands why Diluc hates the knights & is working hard to make them an organization he can trust again. Kaeya covers for Diluc’s darknight hero escapades & fondly reminisces about their childhood in front of him. Diluc invited Kaeya to dinner at the winery & (afaik) never told anyone about Kaeya’s origins. Kaeya tells the traveler that they need to give Jean their full support and planned a birthday party for her. Jean left Kaeya in charge of Mondstadt when she went to the golden apple archipelago! On some level they recognize that their goals still align!! There’s still trust and love there but there’s also this gap between them that none of them know how to cross and I just!!!

I have pondered about sending this ask, believing I would bother you. But I love to receive compliments, so I think you would too. Your artworks have a softness to them, the most intimate moment are quiet and filled with warmth. You have a way of conveying emotions through body language, down to the smallest of fingers. When pain is shown, it is burning, rough and powerful. You are my biggest inspiration, I always am eager to discover and rediscover your artworks, be it sketch or fully rendered art.

Aw gosh, thank you for your kind words! The way you worded it sounds so poetic, I'm flattered ;_; 🧡

see the THING about goodsir and stanley is that goodsir may be way less inclined to act cruelly but he has a far greater capacity for it.

The mentally stable Dimitri Fire emblem 3 hopes.

It surprises me that there's still ppl claiming so, but then I remember we're talking about 3h interpretations and I have to make peace with it.

But that doesn't stop me from venting a little bit in this little space I have lol. Actually, it dries me and makes me feel bad to bring this up because I will have to talk bad about Dedue, and I don't want to talk Bad about Dedue. He's a genuinely good boy. But "Human" nonetheless, which means Flaws. I like Felix too but he's become some sort of a clown that doesn't make me feel too bad. I like Felix tho, In a different way.

Mostly talking about these two because the take that "Dimitri has better support system" baffles me because, technically, these two are his support system in HopesVerse. The persons who Dimitri relays on and seek solace/advice/support. The rest doesn't really tackle any of his personal struggles (aside from the Mage!Mitri frustrated dream, but that's out of the bad equation in our 'mentally unwell' set of pixels, and Shez only has a glimpse). Contrary, to Houses verse where the whole blue lions cast knew about his shit, didn't know what to do, but didn't leave either.

I tackled this topic with other person on Twitter who was (or still is) on board with this take and the phrase they used was They contained him better, which of course I agree and remarked that was exactly the problem. Contain him is gonna be contra productive. I used a water dam analogy, where the structure of such dam is damaged, and the pressure of water keeps accumulating. Causing a foreseeable damage for the dam itself and the surroundings. You don't need to be a genius to understand it, you need experience or knowledge for mental ill topics tho.

I really don't want to extend so much on here because it's mostly just, rant format more than a proper analysis so I just want to point out these two things in their support conversations.

First, Dedue. Encourage him to keep on the vengeful path. Which we know was the final goal of Azure Moon and if you payed attention to 3 houses message. The whole Vengeful argument was something Bad, to keep it simple. Despite Dimitri actively looking for answers/guidance for something that, in a rational state he can see clearly like vengeance will consume his life (also Shez and Felix called out this behavior). Dedue answer only encourage him to keep on that path, because he would do that 💔. Presenting 2 oposite views is a great formula for confusion and disorientation. Now, Dedue's role is primary SUPPORT, not guidance nor orientation. He will support his shit no matter what, and we are quite aware of that if played Houses.

Second, Felix. Felix is a special case. He is smart but also an idiot lacks A LOT of soft skills to actually be of help. He's the only one who knows in this verse about Dimitri having a mental issue. In their A support to say the least, so they don't close or solve anything. What makes it more worrisome is the fact that Felix conceals the issue as a secret.

"So try to keep that whole "removing their heads" thing in check, yeah? We can just call it our little secret."

this extract here makes me feel so unwell 😭help

The whole burden falls over him and his lack of skills and wisdom on the matter will be too much for him later on. He at least, will be able to recognize that the problem is beyond of his capabilities and will look for help. Felix himself has his own issues and journey where he needs to learn. He's forced to get pass beyond some of his angry teen behavior but hasn't completely get over it.

There is a lot more to tackle, but that requires more work and time. What are the topics some of you think is important to cover around understanding the Hopes verse resolution? Dimitri's route? something? Do you think the route without Byleth is better? With that being said, I would like to delve deeper into character analysis, and the role each played for the Lords too. That also requires to talk about the Byleth and needs a whole analysis on their own, which requires time (which i don't have much lol) To end this vent, I would like to encourage people to do a little research for the terminology they're using like "Support System". Who makes it up and how it operates successfully. The fact that ppl saying "he has better support system" only because he didn't go feral on the run alone is not entirely valid. A reminder that people can feel alone with or without people around them. And containing the issue within doesn't solve any problem. At best, it's presented later. At worse, it gets worse.

Why is everyone here so obsessed with sex and romance why can't you appreciate the comedic genius of "rivals who fight about parenting to rile the other up to begrudging coparents who bicker like a divorced couple to actually maybe tolerating the other and the insults are now less spiteful and biting to hells first qpr (queerplatonic rivalry) to hells first qpr (queerplatonic relationship)"

A little comic I made! (To be read from right to left)

Angel Dust was just going to make him and Husk some hot cocoa … he didn’t expect Vaggie to be there! Vaggie was probably going to do the same lol

And also, yes, Angel did cut holes in one of Husk’s shirts lmao

(I’ve never made a comic before btw so pls be nice but also tell me if something doesn’t look right!)

i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-

Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.

Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.

I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.