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#yamada yuki
storge · 5 months
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YAMADA YUKI as Ryuguji "Draken" Ken Tokyo Revengers 2: Bloody Halloween - Destiny (2023)
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banqanas · 24 days
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Yamada Yuki acting as Todoroki and Maeda Goki acts as Murayama + them talking about the infamous forehead flick scene
From: Yamada Yuki 2020.05.21 instagram live translations
Above version is only for parts I managed to sub. Full version (around 12 minutes) is here (without subs). Text translations for full part under cut:
Note: Yamada Yuki did a lot of instalive during the pandemic. In this episode, he had 4 guests over: Ozawa Yuta (Daruma Ikka's Kato), Saotome Taichi (Mighty Warrior's Ryu), Nakajima Ken (Oyako's Nakaoka), and Maeda Gouki (Todoroki Yosuke)
Y: *reading comments*
“Yamada Yuki-kun, just once in my life, I want to be beaten up by you.” Please don’t say that.
“I saw Kimi wa Petto movie” That’s the drama Shison starred in! The actor’s Shison Jun not me!
Y: Ah there he is! Gouki! I was thinking of doing (instalive) together with Gouki. Did he get the invite?
Y: He’s here!
M: Hello~
Y: You know just yesterday, I was with Uchida Rio-chan and Inaba Yuu-kun (Kizzy). We were playing MonHun. And I said, I wanna do a High&Low collab since I’ve been doing instalive a lot lately. And I thought I wanna do it with Gouki.
(バイゆう baiyuu is probably some shortform for something but i couldnt figure out what it is, sorry)
M: But just now (Saotome) Taichi and (Nakajima) Ken-kun were going live with you too and I was like “Woah, they’re really doing it!”
Y: For some reason a lot of High&Low cast were doing it like one after another. And I was thinking of contacting you asking if you wanna do Murayama and Todoroki together... But I didn’t think it’ll come true this soon.
M: Sorry for suddenly dropping in!
Y: It’s fine!
M: But I’m happy to know that my name popped up eventhough I wasn’t there. Thank you.
Y: Not at all. You’re already an important part (of the cast).
Y: Considering the times we’re in I was seriously thinking that I want to do an instalive with Todoroki-chan.
M: Right now I’m entirely in a Murayama-style though. With my headband and all
Y: I was thinking about that too! I’m gonna try putting on glasses then.
M: My hair totally grown out like Todoroki’s now
M: That glasses look like Shiono Akihisa’s character though (lol) with the tinted sunglasses
Y: Ah, the one with chains, right
Y: I wonder if I have any other glasses
M: I’m gonna take the headband off for a bit
Y: Was it black framed glasses?
M: Whose?
Y: Todoroki’s. It’s not black right, he has silver framed glasses, right?
M: Yeah it’s not black, it’s silver.
Y: This is Todoroki.
M: Wait a minute—
Y: Todoroki is here.
M: *dying laughter*
M: Sorry for going out of screen
Y: Nice, Murayama’s here. It feels weird calling you “Murayama”.
M: “Y’know Todoroki-chan~”
M: Do you want to say some lines together, since we’re already doing this.
Y: The one where you pushed back your hair like this and said, “You talk too much.” That scene was so cool!
It was so freaking cool I went all Woooo~~
M: Thank you very much!
Y: Yeah where you went wham! to shut the other guy up. That was so awesome!
M: Ah, I know! How about the scene from the drama series for old times sake?
M: The line that goes “I don’t need your greetings.”
Y: You went bang!
M: It was... “Our leader is going around greeting other gangs...” and immediately after that line I went bam! And pushed my hair back a bit and said “I don’t need your greetings.”
Y: That scene was great too.
M: What was Murayama’s line during that scene again...
Y: What was it...
M: Nothing’s coming to me other than, “Let’s go, you assholes!”
M: Oh yeah, during the (The Worst Episode. 0) drama, there was that scene where (Murayama) lightly punched me in the chest, right.
Y: Right, right.
M: What was your line during that scene?
Y: The one I said to Todoroki-chan?
M: Yeah, yeah!
Y: AH! What was it again?!
Y: I think it was (same time with mdgk)
M: Wasn’t it
Y: I think it was “You have to uphold it...” or something.
M: Yeah, something like that!
Y: I can’t remember...
M: You were replying to something (Todoroki) said.
Y: “That’s how a Oya student should be.” I think it was something along those lines.
M: Then, how about that line at the start of the movie?
Y & M: (reading comments)
Y: “You should be using this (your fists) too.”
M: “You should look at the people around you better.” Exactly, that’s the line. It was something like that.
Y: I remember, I remember. “I’m here to lecture you.”
M: Oh yeah that’s right! You were lecturing (Todoroki).
Y: “Look at the people around you better.” Yeah, that’s how the script goes.
Y: The fans remember our lines better (than us).
Y & M: Everyone’s amazing.
Y: Thanks to your help I’m starting to remember.
M: I think it’s interesting that when Murayama was talking, Todoroki didn’t say anything at all.
Y: Todoroki was properly listening to Murayama and taking it in, wasn’t he! Surprisingly.
M: Yup, yup. That might be it.
M: He probably didn’t like it when (Murayama) revealed his bad points.
Y: (reading comment) That’s it! “If you’re an Oya High student...”
M: YEAH THATS IT
Y: But I still can’t remember much of the remaining lines after that (lol) Sorry!
Y: Everyone, if you have any of Murayama’s lines that you want Todoroki-chan to say, please write them here (in the comments).
M: Same with (Todoroki’s lines) too, okay!
Y: Sorry, I’m going to drink for a bit.
M: Okay.
M: But really... For Yuki-kun to think about Todoroki to that extent. I’m really happy to hear that.
Y: Of course I’d consider about him too.
M: “If you’re an Oya High student, you should try thinking using your fists more...” THAT’S PROBABLY THE WHOLE LINE, RIGHT.
Y: Ahh, that’s right!
M: (tl note: i cant figure out which line this is, sorry) kenka yori haika
M: “Just having a strong fist isn’t enough.”
Y: “Go back and learn, idiot!”
M: Ahh, I remember that line.
Y: Brings back memories, doesn’t it?
M: I was really scared when you flicked my forehead the first time.
Y: LOL
M: It was terrifying, really! Your fist was really close (to my face) and then suddenly you changed your hand like this. I thought you were holding a weapon or something!
(TL note: the forehead flick was an adlib from Yamada Yuki)
M: I was really freaked out!
Y: Was that, did we did it all of a sudden?
M: The forehead flick wasn’t written in the script in the first place... And during filming you just put it in, if I remember correctly...
Y: Yeah, I was going for a punch..!
Y: But then I thought, this (using a fist) isn’t what Murayama wants to teach to Todoroki, thats why I changed it to a flick instead.
Y: And then in the THE MOVIE, Todoroki-chan did it back (to Murayama), tying it all back to that original scene.
M: Ah, yes, I thought it was fitting.
Y: Thank you for that, really.
M: The director mentioned that too.
Y: I’m really grateful that you did it.
M: Someone commented that “Murayama has a lot of wise quotes”, exactly!
Y: Then, please choose any line you like.
M: Is it okay for me to choose?
Y: Of course. Whichever you like
M: *reading comments* Are you okay with the time? Sorry for taking so long
Y: Not at all. I was planning on being live or around an hour or so
M: There’s quite a lot of lines that I want to say
M: Ah, but I definitely wanna say “Todoroki-chan~!”
M: Okay I’ll go with the “If you’re an Oya High student, you should try thinking using your fist...” and punch! Yeah, that’s the line I wanna say.
M: But that’s kinda. So like, please say your Todoroki line as soon as I’m done saying mine. Because it’ll be embarrassing otherwise.
Y: Wait, what line was it again.
M: I know! Let’s make it like we’re talking with each other.
M: I’d say “Todoroki-chan~ “If you’re an Oya High student, you should....”
M: But it doesn’t really match with “I don’t need introductions.”
M: Eh...what other line can fit...
Y: Todoroki-chan, Todoroki-chan
Y: You say “Yahoo~!” And I’ll say “I don’t need introductions.” Then you do the punch thing. Sounds good, right?
M: Ah, okay, I get it! I’m the one who say “yahoo~” right
M: Okay, okay, let’s do it!
M: I haven’t acted in a while so I’m pretty excited
Y: I’m gonna channel my inner Todoroki now
M: Me too. Should we start?
*nods*
“Yahoo~!”
“I don’t need introductions.”
“Todoroki-chan~ if you’re an Oya High student, you should think using your fist more.”
M: I can’t help wanting to smile the whole time!
Y: Embarrassing!
M: Sorry after the yahoo I didn’t say “Todoroki-chan”
Y: Yeah, it’s probably the nerves getting to you.
Y: I’m so embarrassed... Oh, Ozawa-san from Daruma Ikka had a good laugh out of it.
M: That was fun~
Y: Nice yahoo~
M: Thank you. I don’t think I’ve talked with Ozawa-san before.
Y: Yeah we don’t really interact with Daruma much, especially Todoroki-chan...
M: Nice to meet you, I’m Maeda.
Y: Thanks again for doing this together with me. It’s a top of the top instalive.
M: I’m happy to hear that
Y: If possible. If there’s a chance to do this again, would you come and be a guest again?
M: Of course, anytime!
Y: I’ll contact you if that time comes.
M: That was really fun, thank you!
Y: Thanks again for that amazing performance. Truly, thank you!
M: Bye bye, see you again!
Y: That was really cool. It became a High&Low skit thing.
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belindarimbi13 · 1 year
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This interaction lives in my head rent-free
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Since you're familiar with tokusatsu actors and their journeys into BL, what kinds of careers historically have tokusatsu actors had as they start to get more credits and mature?
Thank you for the ask! This is a great question. It’s something I’ve been curious about for a while, as you know.
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I never get tired of this gif of Seto Toshiki (a Kamen Rider alum with two BLs under his belt) eating cake. (It's from Kamen Rider Ex-Aid, which he starred in with Iijima Hiroki of Our Dining Table fame.)
Oh, I should probably say at the outset that I'm talking about the suit transformation type of tokusatsu shows here. Technically the category is broader and also includes kaiju movies, but I'm focusing here on the kind of tokusatsu series in which human characters (or human-like ones) transform into masked heroes. I think that's what you had in mind, Ben, and it's the type of tokusatsu that tends to overlap with the BL world.
Another thing you'll notice is that I'm mostly going to talk about men here. Tokusatsu has been making some progress as a genre when it comes to gender equity, but it still has a long way to go. And since most of the progress that has happened, like the increase in female Riders, has been in the last few years, the actors who played those characters haven't had much of a subsequent career yet.
Now, to your question.
Unfortunately, I haven’t figured out a way to really look at this systematically. So, definitely take my conclusions with a grain of salt. (If anyone reading this knows more about this or has thoughts about how to get more/better info, I'd love to hear them.) The main source of information I have--aside from just soaking stuff up from watching tokusatsu shows and reading toku fans' tumblrs, of course--is looking at toku actors’ entries on MDL and seeing how many roles they’ve gotten, if they’re “guest,” “support,” or “main” roles, and trying to find out about the type of shows and movies they’re in.
One of the biggest weaknesses to this approach as an American viewer is that it's usually hard for me to tell what constitutes a popular or prestigious series or film even if I go to the listings for specific shows/films. I should also note that one thing that biases my “data” (to use the term loosely) is the fact that I’m more likely to look up this information about actors I like. Well, occasionally I’ll also look at info on some sample of actors out of curiosity, like a bunch of lead Ultraman actors’ subsequent careers or something like that. But it's usually more random.
A little background. As you're aware, tokusatsu roles often go to younger actors who don't have much previous experience. They tend to function both as a way of getting a foothold in the industry (building a resume, starting a fanbase, etc.) and as a way of learning on the job. Part of the reason they work so well in this regard is that they have long seasons. Ultraman seasons are typically around 25 episodes long, which is pretty long compared to many shows in Japan, but Kamen Rider and Super Sentai seasons are usually around 50 episodes long. This means two things: a toku part gets you a lot more of the aforementioned work experience than you'd get in other genres, and it provides a solid year of consistent work with additional work to follow (particularly hard to come by in Japan's entertainment industry, from what I understand). The additional work is substantial, too. There are typically post-series TV movies and touring live shows and there are often guest spots on other series in your franchise.
When it comes to landing other roles, as in other types of media, it makes a big difference what type of role you had. This is stating the obvious, I know, but there are some specific ways this works with tokusatsu series, and it relates to who ends up in BLs and in what capacity. So, all of the big three tokusatsu franchises are pretty ensemble-based but they still have distinct leads and some degree of a hierarchy of roles. Ultraman has the strongest leads, Kamen Rider has lead/title Riders and secondary (and often tertiary) Riders, and Super Sentai shows are especially ensemble-y (the word sentai basically means "squad," after all) but they always have some kind of group leader.
When I look up subsequent work by tokusatsu actors who had sizable roles in their toku series--lead roles, or other parts that are what MDL would call "main" roles--what I see most often is a lot of supporting and guest roles in a variety of TV shows and some films. You can usually find a smattering of lead roles as well, but if you look closely they may turn out to be smaller productions (but not always). When it comes to the number/frequency of credits, there's a lot of variation but an average case would be 2-3 such credits per year. Like I mentioned above, it's hard for me to tell how desirable/prestigious/well-paying those guest and supporting roles are. But they don't usually seem to be scraping the bottom of the barrel or anything. So, yeah. Lots of these actors have different paths, but this is what I see most frequently.
Given how challenging it is to make a career out of acting in Japan, this is nothing to sneeze at. Despite its relative influence, the Japanese entertainment industry is still comparatively small, and there are only so many opportunities. In that context, regularly getting guest and supporting gigs constitutes a pretty uncommon level of success.
Could these folks support themselves on this amount of work? I often see just a few credits per year, so maybe not. But when I like a one of these actors enough to follow them on socials, it usually seems like they are supplementing those parts with other stuff like stage plays, toku fan appearances, modeling gigs, or other types of performance including music. Even with these different sources of income, some probably still can't live on their entertainment industry pay alone. But it appears that some can.
So that's the most common thing. One less common outcome is leaning really hard into being a tokusatsu actor for life. It's not typical to get significant roles in multiple toku shows, but it does happen. And some actors manage to play the same character in a lot of post-series movies, miniseries, etc. stretching out for years after their actual series. For example, Tsuruno Takeshi, who played Ultraman Dyna's human host Shin Asuka, has been in ten different Ultraman things including his main series, a short series, a lot of TV movies, and a special. Dyna aired in 1997, and his last appearance as Asuka was fairly recent, in 2016. That's almost a 20-year span. Yet Tsuruno has never had a non-Ultraman main character part. (Though this is partly because he seems to have focused more on his music career and related variety show type things post-Dyna.) There are even some actors who are tokusatsu superfans whose whole career plan is centered on the genre from the get-go.
For those who are looking to branch out, there are a lot of trajectories. So I'll try to talk about some of them through a few examples.
Takeda Kouhei
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You probably knew I was going to bring him up. On Kamen Rider Kiva, Takeda's character was important but not the lead (he played the main character's father in the 1980s, in a timeline that ran parallel to the present day one). That was in 2008, when he was 22. Nine years later, in 2017, he was in Kamen Rider Build, in which he was the "tertiary" Rider. This character was a potato farmer-turned-antihero. As tertiary Riders go, he was pretty popular. But Takeda seemed to be mostly hovering at a certain level at that point. Then Old Fashion Cupcake happened. It's significant that he went from playing supporting characters (albeit important ones) to a lead character in OFC. It's also helpful that OFC came out at a point when the prestige of BLs was on the rise. It seems like Takeda has had more consistent and larger parts since then. The difference isn't night and day or anything, but it's observable.
If you look at Takeda's Build costars, Inukai Atsuhiro and Akaso Eiji, here’s what you'll find. Akaso has a similar trajectory to Takeda's only somewhat steeper. His role on Build (the secondary Rider) was a bit bigger, he seemed to get slightly bigger roles overall after Build, and Cherry Magic gave him a significant boost from there. Inukai had a bigger upswing early on followed by slower growth that still had him outstripping both Akaso and Takeda. From what I can tell, his “data” more closely resembles that of Yamada Yuki, who I’ll talk about in a second, though they have different niches.
Suda Masaki
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Suda Masaki was only 16 when he played the main rider in Kamen Rider W in 2009, which is unusually young. (W has a unique premise where two different people inhabit the same Rider, so Suda played a lead rider but so did his costar Kiriyama Renn.) From what I can tell, he seems to have had a pretty organic path to larger and larger roles while varying genres and styles quite a bit. At this point he's definitely a very respected actor. (One interesting bit of trivia: Hagiwara Riku has said Suda is his biggest acting role model.) He's won two Japan Academy Film Prizes and been nominated three more times. I don't know of a more successful ex-tokusatsu lead. Actually, I looked him up for this post to fill in some details and found out for the first time that he also has a pretty successful career as a jpop musician. It's almost annoying that he's that talented in yet another area.
I don't see any indication that Suda has ever played a queer character, though he has definitely done some pretty bromantic stuff. He did kiss a man once in a drama series, but it was for plot reasons and was 100% played for laughs in a gross way. He also played a gender nonconforming character in the 2014 live action version of Princess Jellyfish. (Another bit of trivia: when another live action adaptation of Princess Jellyfish was released in 2018, the same character was played by another former lead Rider, Seto Koji from Kiva.) I wouldn't put it past Suda to play a queer character, if it was for a highbrow movie or something analogous to what Nishijima Hidetoshi has done in What Did You Eat Yesterday?, but I'm also not holding my breath.
Yamada Yuki
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A less extreme case. Yamada was on Kaizoku Sentai Gokaiger. He was the blue member of the team, a soldier-turned-pirate. It may have helped Yamada along later on that Gokaiger is an especially popular Sentai series. Post-Gokaiger, Yamada didn't have any sort of big breakout role that I can find. It just seems like fairly soon after Gokaiger, he started having significant roles in TV dramas and has pretty much continued from there, with some upward momentum but no huge changes. When he was in a drama with Akaso Eiji recently, his part was first billed and a smidge bigger. Yamada's trend line seemed to have a biggish upward swing early and then just a slight slope from there. But I just saw him in something different: he plays the younger member of the minesweeper crew in Godzilla Minus One. I wonder if that will mark any sort of shift for him.
Yamada hasn't played any queer characters as far as I can tell. His Sentai role was shippy as hell, though. It's a tradition among Sentai shows that subtext-level queer ships happen between the red and blue team members, and that's exactly what happened in Gokaiger. Sometimes the subtext pretty much became text. If magazine images from that time are any indication, their relationship seems to have been a promotional angle for the show. There's even one where they seem to be in some kind of high school AU that looks like it's straight out of a BL.
what about women?
I tried looking up a few women I know from tokusatsu roles while I was looking up these and other dudes. Some of them were still in the business, at least. Some were getting the same trickle of guest and supporting parts a lot of men do after a tokusatsu show. A few had a slightly bigger trickle. But many of them seemed to have disappeared from the public eye entirely. Not only are women underrepresented in tokusatsu, and not only are their roles often relatively small and two-dimensional, but it doesn't seem like they get even a slight career boost after these roles.
It's possible this will change for some of the actors who got bigger, more interesting toku roles in recent years. Here's hoping!
The changing relationship between tokusatsu and BL
The relationship between tokusatsu and BL has been changing as BL gains more prestige, like I alluded to when I talked about Takeda Kouhei. There was a time when they seemed to be pretty analogous in terms of how hard it was to get a role and how effective they were as rungs on a career ladder. If you went from being a tokusatsu side character to a BL lead (like Takeda), that was a step up, but only because you were shifting from a supporting spot to a lead one. Tokusatsu leads usually didn't usually do BL or, when they did, only played straight supporting roles. I think it was seen as a lateral move. But now, BL is becoming a very established next step after tokusatsu. It's like BL has moved up in status so that the consensus is that it's above tokusatsu on the ladder, but just by a little bit. It's also kind of an organic transition since we're seeing more queer ships in tokusatsu that, while they mostly happen on a subtext level, are close to being canon (and in some cases, arguably already are). It occurred to me while I was writing this that there's also another type of role that is in a similar zone of accessibility and prestige to both tokusatsu and BL. It's a franchise, not a genre, but with so many movies and such huge casts it almost functions like a genre for the purpose of this discussion. I'm talking about the High&Low movies. If you're a fan of tokusatsu or BL, you'll see actors you know in every High&Low movie and if you're a fan of both, you'll see tons.
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Case in point: Here's our ol’ pal Yamada Yuki. He's in quite a few High&Low installments. If only he’d do a BL and complete the trifecta! The only person I know of offhand who’s done a tokusatsu show, a BL, and a High&Low role is Takeda. I bet there are others, though.
the new (?) prestige tokusatsu
There's another piece to this I should probably point out as well. In recent years there have been some more high-budget, prestigious takes on existing tokusatsu properties. First, Anno Hideaki, who's best known for the Evangelion anime series/films, put out three live action features that are new, well-financed takes on three big tokusatsu properties: Shin Godzilla, Shin Ultraman, and Shin Kamen Rider.
Last year there was also a Kamen Rider series geared toward adults that had higher-than-usual production values called Kamen Rider Black Sun. It did that “you can tell our show is for adults because it's all gritty and grimdark" thing, which I'm not a fan of. But it definitely had its points.
Really distinguished actors starred in both the Shin movies and Black Sun, including Nishijima Hidetoshi, who's about as distinguished as it gets. Nishijima was in both Shin Ultraman (in an important supporting role) and Black Sun (as a co-protagonist--and he's the biggest highlight of the series). So these are examples of toku media that are too prestigious to be a springboard into the industry for most actors.
This seems to be a new phenomenon, though I could be wrong about that. I don’t expect the trend will continue at this pace (after all, so much of it is attributable to Anno alone and I don't think he'll continue down this path indefinitely), but I bet some other shows/movies in this vein will come out sooner or later.
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Here’s Nishijima doing a henshin sequence. He does these moves with such commitment. Is there anything he can't do?
before tokusatsu
As I was writing this, it got me thinking about what actors do before their tokusatsu roles as well as after. It's not uncommon for toku roles to be someone's debut, but that's not really the norm. Even when it is, most of those actors were doing something in the realm of performing or modeling beforehand. I don't usually look at this sort of information as much as I do later roles when I'm investigating toku actors I like. So I looked up some people to try to get a sense of where the actors tend to have done before their toku parts.
There's one starting point that a whole bunch of tokusatsu leads share: winning the Junon Super Boy Contest. When I first saw references to it, I thought, OK, this is some kind of national talent contest. I guess there are probably lots of them. But when I looked for others, I didn't see anything come up. Maybe I'm just not looking in the right places or using the right search terms. But I think maybe this contest might be pretty unique in Japan.
It's run by a magazine called Junon and, well, if I describe how it works it's going to sound really familiar to you and anyone else who's seen Utsukushii Kare, because it's pretty much exactly the contest Kiyoi participates in. Like, if it's not what Nagira Yuu was thinking of when she wrote that part of the UK novel, I'll eat my shoe.
A ton of tokusatsu leads won, placed in, or made it to the finals of that contest. The Tokupedia fan wiki even has its own page dedicated to the contest with links to various winners' toku characters. The majority of Junon Super Boy contestants who ended up in a toku series went to Kamen Rider, but there are some Sentai dudes as well and at least one Ultraman lead.
So I guess if Kiyoi had won that contest, he probably would have ended up on Kamen Rider or something. Weird.
Inukai Atsuhiro and Iijima Hiroki both won that contest. Those are the only two Junon Boys (that's what people call the contest winners) who became tokusatsu actors and were on a BL that I know of right off the top of my head. But it seems likely that there are other toku-and-BL or just BL actors who won, placed, or made it to the finals of this contest.
Other dudes who ended up on tokusatsu shows started out in other ways. Some were simply signed to agencies as actors. There's a fair number of them who were in idol groups. (Though when an idol/ex-idol is looking for a gig as a transition into acting, BLs seem to be a more popular choice.) Some mostly did modeling prior to their toku series. Some already had quite a few acting credits, though usually not very big ones. Although he's a Junon Super Boy winner, Inukai had eight other acting credits before Kamen Rider. Takeda had the same number, and he started young--his first credit is for a TV show that came out when he was 10 (though it took another six years to get a second).
I also looked up some women who've had prominent roles in tokusatsu shows, including more recent ones. The most frequent things I found when I looked for information on their pre-toku careers were that they had been models or idols (or both). It's also not uncommon for women in toku roles to be former or present gravure models--basically models who pose in bikinis or comparably revealing outfits.
The coolest thing I found was that Imoto Ayaka, who played Igarashi Sakura/Kamen Rider Jeanne, was an award-winning ballet dancer. Which is not only incredibly cool but makes a lot of sense in terms of preparation for a tokusatsu hero role.
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I mean, just check out this henshin.
Well, this has gotten ridiculously long. Sorry about that. I may have gotten a little carried away. But thanks again for the question.
And now, I have something to write for @wen-kexing-apologist...
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bellepark · 10 months
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YAMADA YUKI as RYUGUJI “DRAKEN” KEN 🐉 TOKYO REVENGERS (2021)
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ginpotts · 11 months
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東京卍リベンジャーズ ◊ Tokyo Revengers                         ↯       東京卍會 ◊ Tokyo Manji Kai
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bubblegeon · 10 months
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If you tell me to do it, I'll do it too.
🚉 PENDING TRAIN 8:23 ASHITA KIMI TO (2023)
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dramascene · 3 months
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My heart racing as I wrote it on a love lantern. Someday, if this wish comes true, if this first love comes to fruition, then I'm sure I'll be very happy.
KIMI GA KOKORO WO KURETA KARA  君が心をくれたから (2024) dir. Matsuyama Hiroaki - EP. 3
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niaoniaos · 1 year
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kamen rider live, gokai blue and kamen rider cross-z ♡
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You guys know what to do, right?
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karpasan · 11 months
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Kayashima Naoya - Pending train (episode 3)
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obisamya · 1 year
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when the vibes are in the negatives but you’re both hot PENDING TRAIN
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hydranomago · 1 year
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東京卍會 founding members 
ft. little Mikey on his slow bike to brighten your day 
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belindarimbi13 · 5 months
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Doramitsu Coffee Shop Scene
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01 | 02 | 03
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whitecerberus · 1 year
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c:whitecerberus
crazy murayama - high and low
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bellepark · 1 year
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HIGH&LOW THE WORST (2019)
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