Tumgik
#wow this is so... dirty??
chocostrwberry · 13 days
Text
Tumblr media
Princess Twilight Sparkle sketch!! 💜✨👑🦄
382 notes · View notes
ghouljams · 7 months
Note
can the fae!boys use the taps in ways for like fully good intent like lets say if libeling was freaked and stressed out of her mind and well overworked just one tap and shes putty in königs arms to take care of- or the panic attack with her fic got me thinking if she was in one he could just go tap
Taps can absolutely be used with good intent. This is where I say that magic in this au cannot be good or evil, it's all in how you use it. Blessings and curses are two sides of the same coin: a spell for a baby might be a blessing for one and a curse for another, but at the end of the day it's the same magic. But yeah let's have someone other than the kinksters use the tap for good vibes.
You're completely run down, drained of everything that isn't numbers and money or worries about numbers and money. You should call your accountant. Instead you're sitting at your little kitchen table with receipts and month income reports. You're pretty sure you're turning a profit. You might not be. Who knows? Not you.
You haven't had a day off in... fuck when was the last time you took a day off? Maybe two, three(?), months ago? When you got dragged to that Renn Faire? That sounds about right. Today doesn't count. End of the quarter accounting doesn't count as a day off even if you had to close the shop.
König seems restless. He's been pacing around the flat with nothing to occupy him all day. You've snapped at him a couple times, sent him outside or to the shops just for a moment's piece. You rub your eyes with the heel of your hand, tapping you pencil against your calculator as you stare down the list you've been making on spare notebook paper. You're starting to get a migraine. The lights are too brightly haloed, each ambient noise too loud against your skin, you can feel your bones and it's nauseating.
You sit back in your chair and press your hands to your face, giving yourself a moment's darkness as you try to weigh Advil against just going to bed. When you finally slide your hands from your face you're staring up at König, his concern radiating off of him, or maybe he's just blocking your overhead light.
"Are you sick meine liebe?" he asks, leaning to press the back of his hand against your forehead. He takes it back with a frown, fingers hovering close.
"No, I'm just-" You shake your head, sit forward again to keep working, König's hand covers your eyes. You sigh and lean against the gentle touch, "I'm just tired König."
"Everything will still be there in the morning Liebling, come to bed." His thumb rubs at your forehead, soothing the worried creases.
"I'll just keep thinking about it," You let out another sigh, press your hands against König's, press his warmth and darkness into your tired eyes. You feel a childish whine building behind your ribs, your head hurts and you don't want to think anymore. You think- you think Love talked about Ghost doing something about that. God the last thing you want is to engage with anything similar to her reckless behavior, but the thump of a migraine against your skull is highly convincing.
"Can you-" The only experience you have with König's magic is what he gives you during sex, you don't really know what to ask for. You don't really know what to call what you want. Good fucking God you hate asking for help. König stays quiet, lets you sort through your thoughts without his interjection. "Can you make me stop thinking?" You ask, the migraine has started migrating towards nausea and the threat of being curled over the toilet overpowers your self sufficiency.
"You would put yourself in my care?" His voice is so soft, so careful and almost hopeful. You don't really know how not thinking would need care, but you nod against his hand. König takes a breath, his pointer finger raising to tap your forehead lightly.
Everything about you drops as you sag forward. All of the building pain is gone in an instant as König's magic sweeps through you, pushing every thought from your head. It settles like a blanket over your mind, hushing your sense of self and independence, and leaving you at König's mercy.
It's dark. No. There's something covering your eyes. A very careful movement, a hand sliding off your line of sight to cup your face and tip your head back. You're kissed so sweetly, gentle pressure and soft lips against your own. König, your sluggish brain supplies. König's magic seems eager to pick and choose what you know. Just the important things, his kiss tells you.
He pulls away with a low purr. You watch the twitch of his gaze, transfixed by the way he searches your eyes. He takes a breath and when he exhales it blows over you like a mist. Your eyes lid, then close, and you threaten to tip over again. Everything is heavy and soft. His hands slide under your arms, lifting you out of your uncomfortable seat.
"Up Schatz," König coaxes you to stand, helps you move your fuzzy, floaty, limbs, "There you go." You hardly stand from your chair before König's hand is pressing between your shoulders, tipping you forward at the waist to rest your hands against the table and scatter papers. His hands are big on your hips, holding you up as he drops to his knees behind you. "Let me help you," His voice is so husky, you hum and drop your head forward. It feels too heavy to keep holding up.
But it's so blissfully quiet, your thoughts silent and still as a lake. Any thought that slips through König's filter falls like sand through your fingers. Too slick to hold onto, not that you want to. No, this is good. Somewhere between sleeping and wakefulness, your body tingly and warm, just at the edge of a dream. You feel so peaceful. König drags your pants down. You feel kept. You feel like you're forgetting something.
"Am I supposed to be doing something?" You ask König, he'll know. He pauses, his hands squeezing your ass appreciatively.
"No, I'm going to eat you, and then you're going to bed." He tells you. You hum, that sounds nice. "Alles gut?"
"Yeah, good." You pull the syllables out into a low hum as his tongue licks a flat stripe over your slit. You rock back against his hold when he repeats the motion, slicking you with long teasing strokes. His tongue is so strange, twisting and circling against your clit, between your folds. Inhuman, entirely inhuman. The thought hums pleasantly in your veins, stirring heat alongside his long thick tongue.
It's hot and wet, his breath ghosting over you as he laps at your cunt making you shiver with need. Each slick drag rolls back and forth as his fingers squeeze your hips, your ass, every inch of softness appreciated for what it is. You. König closes his lips around your clit and sucks, his tongue fluttering against the sensitive nub, making heat race through you. You stomach jumps, your breath hitches, you press your hands against the table to try and press back against him. His hands hold you firmly in place as pleasure leaps up your spine.
The clench of your needy cunt catches his attention, and he shift to wiggle his tongue into the hole. He slurps greedily as you drip into his mouth, one of his hands leaving your hip to thumb your clit, coaxing you to clench on his tongue and whine. One of his claws catches your clit and you jerk, only for the ones on your hip to dig in further. Your breath stutters feeling the firm pressure of skin at its breaking point, the hot pinpricks of beading blood.
You freeze, grip the scattered papers under your hands with unsteady fists. If you focus past the slick liquid pleasure he's licking into you, you can feel the flat dangerous press of teeth just behind his lips. You shiver, his tongue twisting inside of you to push against your gummy walls, stroking alongside the fingers at your clit. He's more monster than man, and you're reminded how much you love that when he growls against your cunt.
"More," You beg, pressing back against his mouth. He pulls back and his hand leaves your hip, hardly giving your knees time to buckle before it smacks your ass. You jolt forward, your thighs hitting the edge of the table as quickly as he's holding your hip to pull you back onto his tongue.
"Such a greedy thing liebchen, remember your manners," He spits on your cunt, watches his saliva drip down with the rest of your slick before gathering it on his tongue.
"Please," You mumble, letting the word drop from your lips as he licks you. The hot roll of his tongue before his mouth closes over you, before he sucks at your slick skin, makes your back arch. His hum reverberates through you, and you let your eyes roll. König pinches your clit meanly, before soothing the ache with his tongue, his fingers moving to press into your hole.
He lets you rock back against them. The two thick digits rough with callouses, crook to press against your spongy sweet spot, claws all but forgotten as he strokes your soft inner walls. Each gentle thrust of his fingers drags a new coil of heat through you, tightens the feeling deep in your stomach. His tongue coaxes it tighter, easing you towards a hard release.
"Don't tell me I made you so stupid you forgot how to cum Schatzi," He murmurs, pressing sucking kisses to your clit. You don't think so, but you certainly feel like you're missing something. Every touch of him inches you a bit higher, winds your muscles a little tenser, until you don't think you can take any more.
His grip on your hip loosens as his hand slides up under your shirt. König's fingers spread wide under the fabric, hooking themselves in the strands between you with practiced ease. They grip, hard, and rip you forward to collapse against the table, all your tethers bursting into full technicolor. Everything inside of you breaks and you feel your orgasm crash into you.
"There you go, there you go," He groans, fingers thrusting a little faster into your cunt, hitting your sweet spot a little harder as you squirt against his mouth. Every muscle firing to shake and shudder as you collapse forward onto the table, letting König work you through your orgasm. Your legs shake, hips jerking as he keeps fucking you, keeps sucking at your clit, overstimulating you when you don't have the energy to tell him not to. You whine high and tight in your throat, feel another spring snap and bring the shivers back in full. It hurts so good. He drinks you down so nicely.
You don't know if your really standing as much as König's letting you sit on his face. Dimly you think it doesn't matter. You said you'd put yourself in his care, and you don't regret it. You're tingling and warm, wrung out. He's gentle moving you, you hardly feel it when he stands, when he helps you pull your shirt over your head so he can pick you up.
You settle against him, his hand holding you up as your arms drape over his shoulders. You close your eyes and enjoy the darkness of it, the calm peace in your mind. The sink turns on as you nod off in König's grip. The rush of water is almost a welcome sound, but does nothing to eclipse the soft purr that rumbles from your partner. He moves and you lose track of where you are in space in favor of letting his purring pull you further under his spell.
He settles you in bed, just like he promised. A warm washcloth wipes between your legs, cleaning you up as gently as König can manage before he's crawling onto the bed behind you, and tugging the covers up. He murmurs something your brain is too sluggish to hold onto, and kisses the top of your head. You're tugged snugly back against his chest, his arms oh-so tightly wrapped around you. Comfortably held, your body wastes no time dragging you down into sleep.
408 notes · View notes
cringecrew · 1 year
Text
this is me btw. when ur being mean 2 me this is who ur being mean 2.
Tumblr media Tumblr media Tumblr media Tumblr media
804 notes · View notes
justanotherwriter140 · 2 months
Text
Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
Tumblr media
Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
Tumblr media
Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
Tumblr media
Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
Tumblr media
The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
Tumblr media
I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
Tumblr media Tumblr media
A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
Tumblr media
The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
Tumblr media
The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
Tumblr media
I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
Tumblr media
As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
Tumblr media
I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
Tumblr media
Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
Tumblr media
104 notes · View notes
avocadoraisin · 6 months
Text
Tumblr media
if you told me my favorite character was going to be this asshole I would have been like "literally who" because I didnt know who he was at the end of Saw IV
129 notes · View notes
sincerelystesichorus · 2 months
Text
me becoming a gortash apologist apparently
i never thought i'd say this. i am thinking about Enver Gortash. i'm usually not one of his apologists but... i've had brain rot for my Durge lately, and i think a big moment of developing your Durge is how you react to meeting Gortash again, yeah? you may or may not be close with Karlach but the party and Durge especially have all faced similar trauma of betrayal and exploitation nonetheless (and so has Gortash), he's already been introduced vaguely at the end of Act 2 as a threat/main villain, he worships Bane, he has general edge lord vibes (remember that bit where I'm usually not a Gortash apologist djdjdjd); what i'm trying to spit out, is there's a lot to sway you against Gortash in that first meeting. and I'd argue even a little further, as someone that followed Orin's plans of betrayal against him in my first Tav run, (just because her audacity is so damn funny.)
Tumblr media
But anyway. Meeting Gortash. Finding out you used to be close. Perhaps homoerotically, perhaps in a strange platonic manner, or some other third thing, but nonetheless, Durge is assumably the only person Gortash has ever truly liked. He just really goes out of his way with praise at meeting again, the use of the word favorite is notable, and if Gortash had anyone worth elevating, he would, right? That was how Ketheric got here, Orin wants more credibility for herself and the Bhaalists, and Gortash... just enslaves his parents in their old home/business. But he liked you. He's really so similar to Astarion (it's nothing, you're just the only person I've ever truly cared for); he's just already a touch too far gone in his power hungry search for security. He's already repeated the cycle, years and years ago with Karlach as the main example and just the inevitability of being Bane's Chosen. And yet - Durge comes marching through the door again with this band of misfits and his old lackey he wronged, and he's willing to make a true bargain.
And I know it's just in Gortash's character to scheme, but l think playing as reformed Durge makes Gortash's potential deal all the more devastating, since he will truly follow through on his word (or, at least he would.)
It's so funny to show up dating Astarion or Shadowheart, and imagine them teasing you later that night, saying they thought you'd have better taste. Or the bitterness of being with Karlach, knowing that you seemed to be in such deep kahoots. And so on. The point is not valuing that past relationship with Gortash. Focusing on the shiny and new.
And like whatever. Gortash isn't ever going to publicly present that his feelings are hurt but like... wouldn't they? Your past lover or at the very least, only close friend struts in, now thinking they're some big shot, so beyond everything you two had ever done... when you always lived in their shadow beforehand, frankly. Gortash adores how this flawless plan was majorly Durge's, critiques Orin's sloppy manner of filling your place, how Ketheric was just a means to an end. But he liked you. The person who helped him raid Mephistopheles' vault, in turn helping him spit not only in the arch devil's face, but his past captor, Raphael's too (since Raph lives chronically in the shadow of his father, imo.) The person who thought they could formulate and enact this whole plot, and the only one he was willing to follow, to be an equal with, now coming to tell him what everyone always does, inevitably.
A final fuck you, or some form of betrayal, the same thing that caused his mess all those years ago when sold off to that warlock.
It would have to hurt, and while it's funny to imagine my little gnome Durge dying inside and cackling to the party about sleeping with an enemy and technically being the enemy... a little obssessed at the angst you could perceive of Gortash somehow falling for any crazy Bhaalspawn, nonetheless Durge, who was never one for morals, coming back renewed and not to come get him or work things out... but to slay him or turn against him. I'd send the Steelwatchers after our asses too.
In conclusion, Gortash, probably:
Tumblr media
sigh. my bias against greasy little guys could never truly make me hate you, enver gortash. look at you, the man that you are.
Tumblr media
79 notes · View notes
andy-clutterbuck · 7 months
Text
Tumblr media Tumblr media Tumblr media
3x01 | Seed
139 notes · View notes
catocappuccino · 9 months
Text
Silly-beings
Tumblr media
177 notes · View notes
dirtytalkinwife · 7 months
Text
Tumblr media
Message me bad things please
77 notes · View notes
jennilah · 24 days
Text
my feeds for the last day for some reason: -filled with multiple cases of people just casually shitting on my industry and our hard work again like usual-
me: something save me
in my youtube sub box, like a beacon of light:
Tumblr media
19 notes · View notes
nonsensegnomes · 3 months
Text
kinda crazy song choice for this dirties (2013) trailer i just unearthed...
yt
25 notes · View notes
ultramarine-spirit · 23 days
Note
That reminds me of something that I've been thinking about for a long time and is that I don't know if you've ever seen people say that the reason why spoon changed the manhwa of the novel is because of the plagiarism accusations, but, honestly, how much of that is true? Spoon really said that? That was the reason why the story changed? Because there are many manhwas that have changed the story of the novel and do not have any kind of accusation.
I feel like people say it mostly because they assume it's the most "obvious" reason, but I feel like what everyone assumes is obvious isn't really that obvious...
It just bothers me that they put words in the someone's mouth who never said that, if spoon really said that was the reason then that's fine but I feel like everyone is just assuming.
They also say that the reason why Jennette's character changed so much is because she was Spoon's favorite character or that she did more athykiel scenes is because she is team ijekiel. But is that true or are they just assuming?
Spoon hasn't said that, in fact, as far as I know, the changes to the plot were made before the plagiarism accusations (we see changes as early as the debutante chapters). The Courts already sentenced that the manhwa isn't plagiarizing anything, we've been over this.
Spoon has said many times that her favorite character is Claude, and to be honest, that's very obvious to me. Jennette suffers way more in the manhwa, if anything, but she has a happier ending (her ending in the novel wasn't that sad though). I do think she tried to make people like her more, as she was a pretty divisive character in the novel. To various degrees of success.
As for the athykiel scenes, there are actually less in the manhwa too. I think Spoon just wanted to keep the family focus. If you want a crazy conspiracy theory, I would also say the harassment from shippers might have turned her off from writing romance. Idk.
16 notes · View notes
dirty-spiced-chai · 6 months
Text
Tumblr media
VESSEL
SLEEP TOKEN
29 notes · View notes
goldenlol · 11 months
Text
Tumblr media
He bites you
rhahhsgghag
111 notes · View notes
utilitycaster · 11 months
Note
I really hate how people are making Laudna’s arc the past few episodes about Imogen and a ship. People saying “this is what happens when you separate them!!!! Laudna lost her tether!!!” It’s really annoying. I wish people would just let Laudna be Laudna without Imogen. She’s her own person dealing with her own trauma. She’s been so much more enjoyable without Imogen and having to fake a sunshine happy face and without having to shoulder Imogen’s burdens. I don’t know if I’m making sense but it’s just annoying me.
Yeah it's...unsurprising, again, coming from the "oh but Marisha doesn't really mean it when she says things that would conflict with my personal desires, obviously," crowd, but it's really a disservice to Laudna as a character.
As was stated in the moment, Laudna felt a sense of control that she had so often lacked - which, by implication, means she felt this way during her time with Imogen as well! And then she admits to Prism that this feels like a loss of control as well, and Prism encourages her to embrace her feelings of confusion and ambiguity, and says it might be healing to do so. She's right! It was, again, a standout moment for Laudna and frankly one of my favorite Marisha moments across all campaigns, for her to grapple with this idea that control and power are really complicated and not a binary concept.
It's just...truly remarkable to watch the difference in Laudna's demeanor with Ashton, Orym, and Prism over the past few episodes vs. how she's behaved with Imogen. There's no front. She's allowed to express herself in an equal exchange, or receive comfort, rather than nearly always being the one to give and to put on a happy face and reassure everyone that everything will work out. The problem with constantly saying that the worse thing that ever happened to her already happened is not that it's necessarily false, but rather that she hasn't allowed herself to openly feel bad about anything lesser.
I think Laudna is in a rough spot right now! Like, do I care about the cringefail specter of Delilah, no, but I do care that Laudna has reawakened something that has hurt and controlled her in the pursuit of trying to gain a sense of control against someone else who hurt her, and I'm excited to see how she processes it, because right now it's trauma no matter what she does. I think it's movement forward, but like...the only way out is through and she's uh, really going through it. I really hope that given this development, with their reunion, Laudna will no longer feel this self-imposed obligation to serve as Imogen's validation at the cost of her own emotional well-being. I hope they can be honest and work through their issues, rather than slipping into their old carefully buttoned-up walking-on-eggshells status quo.
80 notes · View notes
raviollies · 6 months
Note
Hey! I love what you've done to characters and Lorelei is now living in my head rent free! Raha and Blythe are amazing and adorable!
It's very inspiring the way you keep yourself together even when everything falls apart! Keep it up!
If my question is annoying or if it bothers you, you may not answer on it.
Originally I followed you when I saw your Ireena and Blythe art. It amazed me how much both of them and Ireena in particular got fleshed out!
In my dnd game and tbh in many other games, players don't get invested in Ireena's journey, they don't fall for her and don't care for her sadly. That's why many DM's usually replace her with a player character, in order to raise the stakes. In half a year I will be running a new cos game, for the group of three and I am honestly considering to replace Ireena with the PC, but don't really want to (especially fearing how the game might go, if the player will turn into strahd-simp).
Could you please describe Ireena's character in your game? Perhaps her bonds and flaws? So other DM's and I can do a better job of her portrayal!
Thank you for the kind words! Here is an updated Lorelai WIP for your to pay rent
Tumblr media
(and Blythe and Raha are very married yes)
So rather than referencing my game, as I am not the DM, I will provide my own suggestions as I was planning on running CoS as well. Spoilers for the campaign
I will also suggest against a Tatyana PC. Everyone is very much free to write and interpret the character however they want but to me it is very important that the Tatyana reincarnation does not want Strahd. In fact I would remove the interaction with Sergei too. Having her instantly forget herself as this new person in favour of Tatyana erases the entire point and kind of proves Strahd right in him refusing to see Ireena as her own person.
The way I would approach Ireena; she is her own person. She grew up with her family that wasn't Tatyana's. She lived a life that wasn't Tatyana's. She's met different people. It doesn't MATTER if she's a reincarnation of someone else, after all everyone in Barovia is a reincarnation of someone else. It's very important to establish that the main crux of the issue is that Strahd does NOT see her as Ireena, but Tatyana. He does not know Ireena. He only knows Tatyana. I would even have him call her that rather than "Ireena".
Ireena's story would be one of becoming independent and confident in her identity. To no longer be just Ismark's sister, Burgomaster's daughter, Tatyana's reaction, Evil's bride --- she is Ireena Kolyana. Nothing more, nothing less. I would start her off as unsure of herself, and being hesitant to take up space and over the course of the story become more confident in standing up for herself, with an eventual climax of expressing extremely clearly to Strahd that she is not Tatyana. She never was. He doesn't know her. That that person is gone, and she will never be back. He can chain her, do whatever but that will never make her Tatyana nor will it make her love him or know him. She is a woman who is constantly assigned identities by other's, but she want's to just be Ireena, she wants to do her hobbies, decide on where she wants to go, what books to read, what food to eat.
The relationship between Strahd and Tatyana is irrelevant. It could have been real, or a figment of his imagination, but the point is that...she is gone. If he had a soul of someone else, would it be fair for them to lay claim to him?
As for personality wise ; I would write her as sheepish at first, she is someone taking their first steps into adulthood in a way, outside the comfort of their home, their village. She should be curious and wonderstruck, curious and wishing to explore every nook and cranny. Because of that she would be unfortunately naïve to the problems that arise in bigger cities as Vallaki. A village and a town are very different - a big thing she's be stupefied by how impersonal everyone is. Rural villages often have people knowing everyone, it's commonplace to help your neighbor because you KNOW them. Vallaki is different...people go about their day and do not care, after all there is so many people. You physically can't know everyone.
She is down to earth and finds camaraderie with someone simpler than a noble, providing practical suggestions and being very handy with most tools and identifying local flora. On a flipside, I would say she struggles when dealing in very formal settings where it's less about honesty and more about saying a lie by omission to get what you want. When interacting with Vargas or Lady Wachter, she's visibly uncomfortable and stumbles over her words; they speak in such a way to purposely confuse her, like a lawyer would. Not only that but she most likely would refuse to do anything morally questionable, her heart is very pure!
So in all, a kind hearted, down to earth little lady who values honesty, hard work, and family but is naïve, stubborn and socially awkward. She will support and protect the party, even to her detriment but she will not stand with them to commit Crimes (so RIP if your party is murder hobos)
38 notes · View notes