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onlyperioddramas · 1 year

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Wide Sargasso Sea (1993), director John Duigan

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kennethbrangh · 4 months

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Nathaniel Parker as Edward Rochester in Wide Sargasso Sea (1993)

#nathaniel parker #wide sargasso sea #🤒🤒🤒🤒#he's playing rochester!#THAT rochester!#i swear im haunted by this #he's so handsome what the hell #gifs*

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forest-enchantress · 5 months

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✦Cary Elwes

Another Country 1984 — part 1, part 2, part 3, part 4 The Princess Bride 1987 — under development

✦Colin Firth

Another Country 1984 — part 1, part 2, part 3, part 4, part 5, part 6, part 7, part 8 A Month in the Country 1987 — part 1, part 2, part 3, part 4, part 5, part 6, part 7, part 8, part 9, part 10, part 11, part 12, part 13, part 14 Camille 1984 — under development Lost Empires 1986 — part 1, part 2, part 3, part 4, part 5, part 6, part 7, part 8, part 9, part 10, part 11

✦Daniel Day-Lewis

The Age of Innocence 1993 — under development

✦Emilia Verginelli

Io, Don Giovanni 2009 — part 1, part 2, part 3, part 4, part 5

✦Hannah James

Mercy Street 2016 — under development

✦Jonah Hauer-King

Little Women 2017 episode 1 — part 1, part 2, part 3, part 4 episode 2 — under development episode 3 — under development

✦Loli Bahia

Jeanne du Barry 2023 — part 1

✦Lorenzo Balducci

Io, Don Giovanni 2009 — part 1, part 2, part 3, part 4, part 5, part 6, part 7, part 8, part 9, part 10, part 11, part 12, part 13, part 14

✦Rebecca Hall

Dorian Gray 2009 — under development Wide Sargasso Sea 2006 — under development

✦Robin Wright

The Princess Bride 1987 — under development

✦Rupert Everett

Another Country 1984 — part 1, part 2, part 3, part 4, part 5, part 6, part 7, part 8, part 9, part 10, part 11, part 12, part 13, part 14, part 15

✦Willa Fitzgerald

Little Women 2017 episode 1 — part 1, part 2, part 3, part 4, part 5 episode 2,3 — part 1, part 2, part 3, part 4, part 5, part 6, part 7

#forestenchantress #Navigation #Navigationforestenchantress

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autumncottageattic · 3 years

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Wide Sargasso Sea (1993)

It is an adaptation of Jean Rhys’s 1966 novel of the same name.

#wide sargasso sea #wide sargasso sea 1993 #book adaptation #drama film #dramatic love #dramatic love story #period drama #period drama film #costume drama #australian film #Karina Lombard #Nathaniel Parker #movies to watch

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clemsfilmdiary · 2 years

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Wide Sargasso Sea (1993, John Duigan)

4/11/22

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newsstoryoftheweekblog · 2 years

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NEWS STORY OF THE WEEK 22/4/22 - the Queen’s platinum jubile book list

‘The Big Jubilee Read list

1952-61

The Palm-Wine Drinkard – Amos Tutuola (1952, Nigeria) The Hills Were Joyful Together – Roger Mais (1953, Jamaica) In the Castle of My Skin – George Lamming (1953, Barbados) My Bones and My Flute – Edgar Mittelholzer (1955, Guyana) The Lonely Londoners – Sam Selvon (1956, Trinidad and Tobago/England) The Guide – RK Narayan (1958, India) To Sir, With Love – ER Braithwaite (1959, Guyana) One Moonlit Night – Caradog Prichard (1961, Wales) A House for Mr Biswas – VS Naipaul (1961, Trinidad and Tobago/England Sunlight on a Broken Column – Attia Hosain (1961, India)

1962-71

A Clockwork Orange – Anthony Burgess (1962, England) The Interrogation – JMG Le Clézio (1963, France/Mauritius) The Girls of Slender Means – Muriel Spark (1963, Scotland) Arrow of God – Chinua Achebe (1964, Nigeria) Death of a Naturalist – Seamus Heaney (1966, Northern Ireland) Wide Sargasso Sea – Jean Rhys (1966, Dominica/Wales) A Grain of Wheat – Ngũgĩ wa Thiong’o (1967, Kenya) Picnic at Hanging Rock – Joan Lindsay (1967, Australia) The Beautyful Ones Are Not Yet Born – Ayi Kwei Armah (1968, Ghana) When Rain Clouds Gather – Bessie Head (1968, Botswana/South Africa)

1972-81

The Nowhere Man – Kamala Markandaya (1972, India) Tinker Tailor Soldier Spy – John Le Carré (1974, England) The Thorn Birds – Colleen McCullough (1977, Australia) The Crow Eaters – Bapsi Sidhwa (1978, Pakistan) The Sea, The Sea – Iris Murdoch (1978, England) Who Do You think You Are? – Alice Munro (1978, Canada) The Hitchhiker’s Guide to the Galaxy – Douglas Adams (1979, England) Tsotsi – Athol Fugard (1980, South Africa) Clear Light of Day – Anita Desai (1980, India) Midnight’s Children – Salman Rushdie (1981, England/India)

1982-91

Schindler’s Ark – Thomas Keneally (1982, Australia) Beka Lamb – Zee Edgell (1982, Belize) The Bone People – Keri Hulme (1984, New Zealand) The Handmaid’s Tale – Margaret Atwood (1985, Canada) Summer Lightning – Olive Senior (1986, Jamaica) The Whale Rider – Witi Ihimaera (1987, New Zealand) The Remains of the Day – Kazuo Ishiguro (1989, England) Omeros – Derek Walcott (1990, Saint Lucia) The Adoption Papers – Jackie Kay (1991, Scotland) Cloudstreet – Tim Winton (1991, Australia)

1992-2001

The English Patient – Michael Ondaatje (1992, Canada/Sri Lanka) The Stone Diaries – Carol Shields (1993, Canada) Paradise – Abdulrazak Gurnah (1994, Tanzania/England) A Fine Balance – Rohinton Mistry (1995, India/Canada) Salt – Earl Lovelace (1996, Trinidad and Tobago) The God of Small Things – Arundhati Roy (1997, India) The Blue Bedspread – Raj Kamal Jha (1999, India) Disgrace – JM Coetzee (1999, South Africa/Australia) White Teeth – Zadie Smith (2000, England) Life of Pi – Yann Martel (2001, Canada)

2002-11

Small Island – Andrea Levy (2004, England) The Secret River – Kate Grenville (2005, Australia) The Book Thief – Markus Zusak (2005, Australia) Half of a Yellow Sun – Chimamanda Ngozi Adichie (2006, Nigeria) A Golden Age – Tahmima Anam (2007, Bangladesh) The Boat – Nam Le (2008, Australia) Wolf Hall – Hilary Mantel (2009, England) The Book of Night Women – Marlon James (2009, Jamaica) The Memory of Love – Aminatta Forna (2010, Sierra Leone/Scotland) Chinaman – Shehan Karunatilaka (2010, Sri Lanka)

2012-21

Our Lady of the Nile – Scholastique Mukasonga (2012, Rwanda) The Luminaries – Eleanor Catton (2013, New Zealand) Behold the Dreamers – Imbolo Mbue (2016, Cameroon) The Bone Readers – Jacob Ross (2016, Grenada) How We Disappeared – Jing-Jing Lee (2019, Singapore) Girl, Woman, Other – Bernardine Evaristo (2019, England) The Night Tiger – Yangsze Choo (2019, Malaysia) Shuggie Bain – Douglas Stuart (2020, Scotland) A Passage North – Anuk Arudpragasam (2021, Sri Lanka) The Promise – Damon Galgut (2021, South Africa)’ (Sherwood, 2022).

REFERENCE

Sherwood, H. (2022) 'The God of Small Things to Shuggie Bain: the Queen’s jubilee book list', The Guardian 18 April [Online]. Available at: https://www.theguardian.com/books/2022/apr/18/the-god-of-small-things-to-shuggie-bain-the-queens-jubilee-book-list (Accessed 21 April 2022).

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jadelotusflower · 3 years

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Roundup: August 2021

This month: Jane Eyre, Wide Sargasso Sea, Don’t Call it a Cult, The Secret Garden, Showbiz Kids, Masters of the Universe: Revelation, Lucifer.

Reading Jane Eyre (Charlotte Bronte) - I’ve been meaning to read the Wide Sargasso Sea for a long, long time, but first I thought I’d revisit the source material. I find my opinion hasn’t much changed - I still love the prose, still love Jane as a character, and still find Rochester extremely unappealing. The section with Jane at school is the most engaging for me, and her early time as a governess at Thornfield, but as soon as Rochester shows up I just find him so irritating I have no idea why Jane loves him so much (other than he was the first man to ever show her a scrap of attention). I mean, I know to an extent - I've read the Takes, and part of fiction is accepting what you want for the character as a reader and what they want for themselves can be two different things, and that's not the fault of the text. I can be satisfied by the ending because Jane gets what she wants, I just can’t help but wonder about a Jane who was found by John Eyre before she went to Thornfield, or who took her inheritance and made her own way after Moor House. Byronic heroes just aren't my thing I guess ¯\_(ツ)_/¯ Wide Sargasso Sea (Jean Rhys) - The first Mrs Rochester of Jane Eyre strikes an uneasy tone to a modern reader; she does not utter a word in the novel, is depicted as animalistic and almost demonic, her story only told in a self-serving manner by Rochester, and conveniently disposed of so Jane can return to claim him. Rhys reimagines Bertha as Antoinette, a “white Creole” of Jamaica in a postcolonial take on the racial/social prejudices and hierarchy only hinted at in Eyre, where Bertha being Creole primarily an aspect of her Otherness, and in which Rochester describes himself as being desired as a husband because he was "of good race" . In Sea, although Antoinette is white (passing, perhaps), he sees her "not English or European either" and this contributes to his rejection of her (and perhaps his willingness to believe she is mad). The novel is surprisingly short - it skips over the meeting and courtship of Antoinette and Rochester (tellingly unnamed in the novel) entirely, jumping directly from her childhood/coming of age to the couple already married, and over much of Bertha's (renamed by Rochester) sad life in the attic. Still, there's a density to the writing, much is implied beyond the sparse use of words and recurring imagery - subjugation, reflection, and of course, fire - when freed slaves (Rhys changes the timeframe to after the passing of the Emancipation Act of 1833) set fire to Antoinette's family plantation, a pet parrot whose wings have been clipped by her English step-father Mason, cannot flee and falls to a fiery doom, in a grim omen of Bertha's fate. It did, however, leave me wanting more - I understand Rhys' stylistic choices and restraint, but in her effort to give voice to the voiceless, Antoinette/Bertha remains somewhat an enigma. Don’t Call it a Cult: Keith Raniere and the women of NXIVM (Sarah Berman) - I continue to be disturbed but intrigued by the NXIVM case, not only because of my abhorrence of MLMs/pyramid schemes, but my bafflement as to how this thoroughly unremarkable man was able to hold sway over so many women. My mild criticism of the two documentaries on this subject was that they tended to jump around in time so you never really got a good idea of what happened when. This book provides a well researched, detailed summary of events and linear chronology of Raniere’s perverse pathology reaching all the way back to childhood, and so is both an excellent supplement to the already informed, and broad overview to those new to the case. Berman is a Vancouver-based journalist who was present at Raniere’s trial and gives insight into witness testimony, supported by her own interviews and extensive research. There's less of a focus on the sensationalised celebrity members, with greater emphasis on the lesser known victims - including the three Mexican sisters who were all abused by Raniere, one of whom was kept confined to a room for years. It's difficult reading, consolation being the

knowledge that Raniere is rotting in prison and that his crimes finally caught up with him. Watching The Secret Garden (dir. Marc Munden) - Spoilers, if one needs a spoiler warning for a 110 year old novel. One of those stories that is adapted every generation, and generally I have no problem with this, since new adaptations can often bring something new or be a different take on old material (see Little Women 2019). But a part of me can’t help feel why bother with this when the perfect 1993 version exists. There is an Attempt at something new with this film, moving the setting forward to 1947 (Mary’s parents having died during the Partition), and turning the garden from a small walled secret to a mystical, huge wonderland full of ferns and flowers and endless sun. But in doing so, the central metaphor is lost - rather than Mary discovering something abandoned and run wild, gently bringing it back to life with love and care, she merely discovers a magical place that requires no effort on her part. There’s also less of a character arc for Mary, remaining unpleasant far into the proceedings, forcing Colin to visit the garden instead of it being his true wish, and generally succeeding by imposing her will on everyone else. In many ways she’s more like Burnett's other child heroine Sarah Crewe - the film opens I’m with her telling stories to her doll including Ramayana, which is eerily reminiscent of Alfonso Cuaron's (also perfect) 1995 adaptation of A Little Princess. But I suppose a sliver of credit where it's due - Julie Walters' Mrs Medlock is less of an antagonist, with Colin Firth's Lord Craven being Mary's primary obstacle. There's also a subplot with Mary's mother's depression following the death of her sister being the reason for her neglect (and Merlin alum Rupert Young shows up briefly as Mary's father) but like shifting the time period, there just doesn't seem to be a point to it. The climax of the film involves the Manor burning down (writer Jack Thorne stealing from Rebecca too, lol), with Mary and Craven have a very calm conversation as fire and smoke surrounds them. It’s all very bizarre, but also…rather dull? Don't bother with this, just watch the 1993 film again. Showbiz Kids (dir. Alex Winter) - a really interesting documentary on the titular subject - Winter was himself a child actor on Broadway before his film career kicked off in The Lost Boys and Bill and Ted, and has been able to assemble a broad range of interview subjects - Mara Wilson, Evan Rachel Wood, Wil Wheaton, Jada Pinkett Smith among others - former child actors, those still in the business, and some up and comers like Disney star Cameron Boyce (who I was sad to see in the coda has passed away). We also follow two young hopefuls - Marc, attending acting classes and auditioning in pilot season, yet to book a job but his parents are invested in "his" dream, and Demi, already established on Broadway but having to start to make choices between a career and a childhood. There's no voiceover, no expert opinions in this, letting the actors speak for themselves, but there is a telling juxtaposition of Marc returning home, jobless but having fun in the pool with his friends, while Demi has to cancel the summer camp she had been so looking forward to because she has booked a new role. The film is fairly even handed, but ultimately I took away that there just seems to be more harm than not in this industry, and abuses of many kinds. It does make you wonder about the ethics of child acting, at least in the current system where the cautionary tales are plentiful. Masters of the Universe: Revelation (episodes 1-5) - Mild spoilers I guess? I was never really into He-Man as a kid, other than the Secret of the Sword movie, so most of the in jokes and references in this went over my head. I have to admit, it was actually seeing all the outrage that made me want to check this out and see what all the complaining was about. I actually…really enjoyed it?!? I’m sympathetic to the complaints of a bait and switch (creators really need to learn to say

“just wait and see”), but other than that in my view the rest seemed completely unfounded. Adam/He-Man being killed in the first episode and the impact that has on Eternia and those left behind is actually a really interesting premise. This isn’t a TLJ situation; in contrast everyone (except Evil-Lyn) is always going on about how much they miss Adam, and the whole point of the first arc is him coming back. There’s also a nice little detail of Adam in Preternia (heroes heaven) choosing to remain as he is rather than as He-Man where all his predecessors have chosen their “ultimate” forms. I love him and his Magical Girl transformation. As for Teela - female characters can’t win, it seems. If they are perfect, they’re Mary Sues, if they have flaws, they’re unlikeable. Teela is Going Through things and is on a journey, but I often feel (and it seems the case here) that people confuse a character arc with author intent. No! Just because a character says/does something it doesn't mean you're supposed to agree with them! Some of Teela's actions may be petty and her demeanor less than sweet, but people make bad choices as a response to grief, and I actually thought her anger over Adam never telling her his secret and how that manifested was a pretty interesting take. I'll be interested to see the next half of the season, and ignore the ragebait youtube commentary. One more thing - Evil-Lyn (perfectly voiced by Lena Headey) was an absolute delight. Lucifer (season 5 part 2): They’ve basically given up on the procedural side of things by now and are leaning heavily into the mythology, which works for me since the case of the week is always the least interesting part of any show. It also struck me this season that there’s gender parity in the main cast (Lucifer, Amenadiel, Dan and then Chloe, Maze, Ella, Linda) - and actually, that’s more women than men. How often does that happen?!? I can’t say I’m particularly engaged with the Lucifer/Chloe pairing, but am happy to go along with it since that’s where the whole plot revolves. The best scenes for me this season were with God’s Dysfunctional Family, even if the lead up to the finale felt rushed (I understand the need to wrap things up in case of cancellation but still). I would have liked to see more of the sibling dynamics between the angels and less romantic drama, but hey. The character death got me, as well. I didn't see it coming and I didn't realise how much I had enjoyed that character until they were gone and well...it got me. I see the last season is coming soon, I'm not exactly sure where they can go from here, but looking forward to it nonetheless. Writing I was actually quite sick this month with a throat infection, so wasn't in the best frame of mind to get anything finished like I had planned to. I'm going to hold off posting the word count this month and roll it over to September when hopefully I've actually posted things.

#roundup #reading watching writing #august roundup

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princesssarisa · 3 years

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Have and/or watched the 1993 movie adaptation of Jean Rhys's Wide Sargasso Sea, wich is a prequel of Jane Eyre exploring the point of view of Bertha, the woman in the attic? If yes, what did you tought of it?

No, I’ve neither read that book or seen the movie. I’ve read about it, though, and I am glad it exists, though I don’t consider it a canon prequel in the least. Bertha’s whole character comes with so many unfortunate implications - Charlotte Brontë even admitted later that she played her madness too much for horror and not enough for pity and tragedy, but that doesn’t even touch on the racist/xenophobic aspect of Bertha’s Creole origins. So I’m glad that other authors have explored Bertha’s point of view and deconstructed the original book’s problematic aspects.

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scandireader · 4 years

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what's your favourite period drama tv shows? or movies?

Here's a list of my favourite ones, including links to IMDb! I bolded the ones that I think are underrated or forgotten but definitely worth to watch :)

Films:

The return of Martin Guerre (1982)

A room with a view (1985)

Orlando (1992)

Bram Stoker's Dracula (1992)

Wide Sargasso sea (1993)

Hamlet (1996)

The virgin suicides (1999)

Gladiator (2000)

The new world (2005)

Pride and prejudice (2005)

Marie Antoinette (2006)

Jane Eyre (2011)

A royal affair (2012)

Miss Julie (2014)

Suite Française (2014)

Portrait of a lady on fire (2019)

Little women (2020)

TV series:

North & South (2004)

Jane Eyre (2006)

Persuasion (2007)

The devil's whore (2008)

Wuthering Heights (2009)

Downton Abbey (2010-2015)

Westworld (2016-) (if that counts as a period drama?)

#i love anything with ruth wilson in it #or andrea riseborough or tilda swinton #let me know if you've seen some of these so we can obsess about it!!!#asks #films #film recommendations #movie recommendations

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someones-reading-list · 4 years

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Fall 2018: The Sounds of Silence: A Biodiversity of Mute and Quiet Women in a World of Brutal Noise

Susan Morrison - Texas State University

Reading list:

Margaret Atwood: The Penelopiad

Susan Signe Morrison: Grendel’s Mother: The Saga of the Wyrd-Wife

Sarah Roche-Mahdi: Silence: A Thirteenth-Century French Romance

Nella Larsen: Passing

Jean Rhys: Wide Sargasso Sea

John Biguenet: Silence

William Shakespeare: Titus Andronicus

Ancillary materials:

The Piano (1993 film)

The Shape of Water (2017 film)

Ovid: “Arachne Into a Spider”

Gower: “Philomena” (from Confessio Amantis)

Chaucer: “The Legend of Good Women VII. Philomena” & “The Clerk’s Prologue, Tale, and Envoy”

Alicia Ostriker: “The Thieves of Language: Women Poets and Revisionist Myth Making”

Elissa Marder: “Disarticulated Voices: Feminism and Philomena”

Christine Carpenter: Rule for Anchoresses

Jennifer Reilly Bluma: “Weaving Ropes with the Desert Fathers: (Re)Inventing Rehetorical Strategy as Silence and Listening”

Charlotte Perkin Gilman: “The Yellow Wallpaper”

Hoffmann: The Sandman

The Writings of Teresa de Cartagena

Christine de Pizan: “The Authority of Experience” & “Rwandan Women’s Testimonial Literature”

#womens literature #world literature

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onlyperioddramas · 1 year

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Karina Lombard as Antoinette Cosway in Wide Sargasso Sea (1993)

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rainymovies · 5 years

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Wide Sargasso Sea (1993)

#Wide Sargasso Sea #Rowena King

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theinspiredinfp · 5 years

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Huge INFP reading list

Miguel de Cervantes: Don Quixote (1605)

Hans Christian Andersen: Fairy tales (1800s)

Mary Shelley: Frankenstein (1818)

Edgar Allan Poe: The Tell-Tale Heart and Other Writings (1843)

Emily Brontë: Wuthering Heights (1847)

Herman Melville: Moby-Dick (1851)

Henry David Thoreau: Walden (1854)

Leo Tolstoy: Anna Karenina (1877)

Thomas Hardy: Jude the Obscure (1895)

Frances Hodgson Burnett: A Little Princess (1905)

E. M. Forster: A Room With a View (1908)

Lucy Maud Montgomery: Anne of Green Gables (1908)

Vincent van Gogh: The Letters of Vincent van Gogh (1918)

Xun Lu: Diary of a Madman and Other Stories (1918)

Sherwood Anderson: Winesburg, Ohio (1919)

A. A. Milne: Winnie-the-Pooh (1926)

Virginia Woolf: A Room of One's Own (1929)

Daphne du Maurier: Rebecca (1938)

Jean-Paul Sartre: Nausea (1938)

Carson McCullers: The Heart Is a Lonely Hunter (1940)

Albert Camus: The stranger (1942)

Antoine de Saint-Exupéry: The Little Prince (1943)

Viktor E. Frankl: Man's Search for Meaning (1946)

Osamu Dazai: No Longer Human (1948)

George Orwell: 1984 (1949)

C.S. Lewis: The Chronicles of Narnia (1950)

J. D. Salinger: The Catcher in the Rye (1951)

John Steinbeck: East of Eden (1952)

J. R. R. Tolkien: The Lord of the Rings (1954)

Ray Bradbury: Dandelion Wine (1957)

Jack Kerouac: On the Road (1957)

Harper Lee: To Kill a Mockingbird (1960)

J. D. Salinger: Franny and Zooey (1961)

Shirley Jackson: We Have Always Lived in the Castle (1962)

Sylvia Plath: The Bell Jar (1964)

Hubert Selby Jr: Last Exit to Brooklyn (1964)

John Fowles: The Magus (1965)

Julio Cortázar: Hopscotch (1966)

Jean Rhys: Wide Sargasso Sea (1966)

S.E. Hinton: The Outsiders (1967)

Joyce Carol Oates: them (1969)

John Berryman: The Dream Songs (1969)

James Kavanaugh: There Are Men Too Gentle to Live Among Wolves (1970)

Milan Kundera: The Unbearable Lightness of Being (1984)

Patrick Süskind: The Story of Mr Sommer (1991)

Pat Conroy: The Prince of Tides (1991)

Katherine Frank: A Chainless Soul: A Life of Emily Brontë (1992)

Charles Bukowski: The Last Night of the Earth Poems (1992)

Lois Lowry: The Giver (1993)

E. E. Cummings: Selected Poems (1994)

Douglas Coupland: Generation X: Tales for an Accelerated Culture (1996)

Jon Krakauer: Into the Wild (1996)

Chuck Palahniuk: Fight Club (1996)

Stephen Chbosky: The Perks of Being a Wallflower (1999)

Janet Fitch: White Oleander (1999)

Laurie Halse Anderson: Speak (1999)

Helen DeWitt: The Last Samurai (2000)

Yann Martel: Life of Pi (2001)

David Mitchell: Cloud Atlas (2004)

Kazuo Ishiguro: Never Let Me Go (2005)

Amy Tan: The Joy Luck Club (2006)

Cormac McCarthy: The Road (2006)

Betty Smith: A Tree Grows in Brooklyn (2006)

André Aciman: Call Me by Your Name (2007)

Junot Díaz: The Brief Wondrous Life of Oscar Wao (2007)

Miranda July: No One Belongs Here More Than You (2007)

Karl Ove Knausgaard: My struggle (2009)

Haruki Murakami: 1Q84 (2009)

Aimee Bender: The Particular Sadness of Lemon Cake (2010)

Deborah Levy: Swimming Home (2011)

Jonathan Culver: I am an Island (2011)

Vanessa Diffenbaugh: The Language of Flowers (2011)

Elena Ferrante: Neapolitan novels (2012)

Carol Rifka Brunt: Tell the Wolves I'm Home (2012)

Alexis M. Smith: Glaciers (2012)

Rachel Kushner: The Flamethrowers (2013)

Ruth Ozeki: A Tale for the Time Being (2013)

Donna Tartt: The Goldfinch (2013)

Neil Gaiman: The Ocean at the End of the Lane (2015)

Martine Leavitt: Calvin (2015)

Janice Y.K. Lee: The Expatriates (2016)

Elizabeth Strout: My Name Is Lucy Barton (2016)

Olivia Laing: The Lonely City: Adventures in the Art of Being Alone (2017)

Rebecca Solnit: A Field Guide To Getting Lost (2017)

Rachel Cusk: Outline Trilogy (2018)

Stephen Chbosky: Imaginary Friend (2019)

Patti Smith: Year of the monkey (2019)

#infp #infp literature #reading list #what to read #introvert

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p1325 · 2 years

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youtube

Movie: Wide Sargasso Sea (1993) --------------------------------------------------------------------------------------------- #fanvidfeed #widesargassosea #janeeyre #jeanrhys #literature #englishliterature #hilaryduff #pop #music #whosthatgirl ------------------------------------------------------ Song: Who's That Girl? Artist: Hilary Duff

#hilary duff #pop #pop music #who's that girl #jean rhys #english literature #literature #post colonialism #post colonial literature #2000s #90s #film #movie #bertha #wide sargasso sea #video #rochester #antoinette cosway #jane eyre

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autumncottageattic · 3 years

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Wide Sargasso Sea (1993)

It is an adaptation of Jean Rhys's 1966 novel of the same name.

#wide sargasso sea #wide sargasso sea 1993 #book adaptation #drama film #dramatic love story #dramatic love #period drama #period drama film #costume drama #australian film #Karina Lombard #Nathaniel Parker #Rachel Ward #Michael York #movies to watch

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itsnirmal888 · 3 years

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Wide Sargasso Sea (1993), Nathaniel Parker.

Wide Sargasso Sea 1993 TV movie. Edward Rochester’s story with Bertha Mason. Plot: A young female landowner in 1840s Jamaica marries a just-arrived … source

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#athlean x #Drama (TV Genre)#Karina Lombard (Film Actor)#Michael York (Film Actor)#Nathaniel #Nathaniel Parker (TV Actor)#official athlean x #Parker #rachel aust #Rachel Ward (Film Actor)#Sargasso #Sea #Wide #Wide Sargasso Sea #yoga with adriene

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