The Kids Are Alright: What's In "Blood Stew"?
In preparation for my efforts on crafting some Meera Reed meta & in support of my "Jojen Is Fine, Actually" post, I will be Preemptively Addressing the subject of "Blood Stew" in the Bran POV chapters in ADWD.
CW: spoilers for ASOIF & D&E, reference to cannibalism, hunting of animals (& probable extinction), logistics of meat production, harm to children, suicidal ideation (Jojen), arson (including to religious sites, i.e. Old Gods), possible xenocide, body horror (Brynden), cult behaviour & indoctrination, drugging & grooming of minors (Bran, by the Singers), blasphemy (consistent usage of religious terminology for an in-setting cult of faith).
Team "Cave Kids": Setting the Scene
Going into WoW, Team Bran (Bran, Summer, Walder, Meera & Jojen) will have lived as guests of the Cave Singers for near up to a year: their lodgings lay within a vast & labyrinthine underground cave system, crawling with weirwood tree roots from the Haunted Forest above, and home to More Skeletons Than A Natural History Museum. All the humans (& Summer) share sleeping quarters. Summer pops out to Hunt and Do Wolf Leader Things (GRRM has subscribed his direwolves to Ye Olde Alpha Wolfe society); Jojen Worries Meera and sometimes goes Exploring; Meera and Walder are more cautious in their movements, when Bran isn't Bodysnatching Walder for his own explorations; Bran himself is carried by Singers to & from the shared sleeping chamber to Brynden's Vertigo Cave for "Flying" Lessons.
This entire region is named by the ASOIAF Wiki as "the cave of the three-eyed crow": as I always do, I Take Issue With That Name (I got sidetracked enough to move my thoughts to a separate draft).
Instead, [Team Bran] are guests of the Singers living in "the Caves [Beneath the Haunted Forest]". The Cave Singers are Singers, not Children of the Forest, though I do use Bran & Meera's nicknames for individual Singers.
Brynden is just "Brynden": he was, once, "Lord Commander"; a "Lord Hand" twice-over; and a "Master of Whispers" both before & after his ever receiving the position "officially". More hilariously, Brynden is very definitely the Distant Cousin (mayhaps even a many-times great Uncle) of every living Stark in the series. All courtesy of one Lady Melantha Blackwood of Winterfell (and GRRM's continued Indifference to the maternal sides of family trees, To Be Doylist About It).
Bed & Breakfast
My Grievances with Non-Existent Titles, Leaf's Suspect Math & Unspecified Maternal Lineage aside, let us return to "blood stew".
"And almost every day they ate blood stew, thickened with barley and onions and chunks of meat. Jojen thought it might be squirrel meat, and Meera said that it was rat. Bran did not care. It was meat and it was good. The stewing made it tender." (Bran III, ADWD)
Jojen and Meera are probably both right, sometimes at the same time: Bran is aware of Summer's freely exit the caves to Hunt & Summer likely donates the odd "squirrel" (or pieces thereof) to the Cave Kitchens, when he can. The Supernaturally Colder climate induced by the Others does make Summer's hunting an unreliable food source, in the long run: what little game still remains in the Haunted Forest is unlikely to have any offspring to replace the current population. The ever diminishing returns of Summer's hunts are a major factor in his Direwolf Mother travelling South for her pregnancy in the first place. That she, a Giant Direwolf, somehow got as far South as Winterfell's Wolfswood? Brynden is in the neighbourhood and Invested in House Stark, if only in Bran & Jon: his "Divine Intervention" is the most plausible explanation. Directing a local direwolf to Stark lands is well within his canonically established capabilities (whether this was easier than Rigging Jon's Election is a Fun Thought Experiment).
Local vermin and Summer's potluck contributions alone could not sustain the Singers, let alone their (fragile!) human guests: it is a different sort of meat that makes up most of their Blood Stews, one Greatly Speculated upon and one of Shocking Audacity... so what is the primary ingredient of Blood Stew?
Cave Goat. :D
The Kids Are Alright
The Singers canonically keep Goats for milk, used for cheesemaking. The Singers themselves are Omnivorous (they eat mushrooms & fish) so they probably eat their goats too. Given that the Cave Settlement has existed for 1 million years (Leaf's Math, GRRM's lacking a sense of Scale), the Singers have had a long time to familiarize themselves with lactose tolerance & the butchering of goats for meat. These goats have likely lived alongside the Singers for a very long time: they're never mentioned leaving the Caves to (not) graze, meaning they too live entirely in darkness. Brynden might be called upon, now & then, to skinchange into wild Flock Queens from Above (googling "do goats have leaders" has informed me that goats are Matriarchal) & thus bring "Fresh Blood" to existing herds.
Speaking of Blood, the "blood" in Blood Stew is probably goat blood preserved after slaughter in That Most Ancient Form Of Sausage... black pudding. Blood spoils too quickly otherwise, even if the Singers have "freezers" in the form of cold caves. While GRRM never says as much, the Singers certainly have the means to "farm" salt to aid in meat preservation. There is at least one underground river in the Caves (the black one with blind fish) that is never specified as "salty" or "fresh". Assuming the Singers weren't just "mining" rock salt (solar evaporation would be Rather Difficult, what with the Complete Absence of Sunlight), the Caves almost certainly boast several brine springs.
The access to salt and [cold caves] enable the Singers to "stretch" each goat slaughtered, making them the most reliable source of meat. Given that the Singers personally tend to their goat herds, the "hygiene" of their goat meat makes the goats a much safer offering for their even the most fragile of their human guests (Bran & Jojen). Goats are safer for the Singers too: Leaf gives a population count of "three-score" for her people, and there any implications that they are an "aging population". Singers are small in size, limited in number and their mobility is likely decreasing. The "strength" of any individual Singer is never really expanded upon, beyond their ability to carry Bran around (which... doesn't really say much, given that he's a malnourished nine-year old) and historic difficulties facing humans head-on (bronze weapons & fire, yes, but larger sizes too). Slaughtering domesticated goats would be within the physical capabilities of the Singers we see moving around, hunting bigger (or more aggreesive) game would be Difficult unless Skinchanging was involved (keeping an animal docile enough to restrain and drug with shrooms, the skinchanger leaving before the actual slaughter).
So, shockingly, the "blood" in Blood Stew is just goat sausages (blood, intestines, grain & salt). The "hunks of meat" are Also Goat, for the most part, with Summer's hunts and local vermin (rats, bats, probably not ravens, any safe-for-humans bugs).
Supplementary Protein
Fish are another source of "meat": the Caves have at least one river, home to blind white fish eaten by both Singers & their human guests (differentiating "fish" from game meat would be difficult, given the primary goatiness & the "Stone Soup" vibe of any communal stew).
As Meera speculated, any vermin capable of surviving the supernatural cold, are likely additional ingredients for "Blood Stew". Vermin would be an issue in the Caves, drawn to the Singers having grain stores (oats and barleycorn): these are cold climate crops, making them farmable even This Far North (barley doesn't freeze to death 'til -8° C) though how the Singers could grow these crops in their Caves can only be Handwaved By Magic (For Safety Reasons, skylights or aboveground gardens are Unlikely). That or the Singers used ravens to facilitate Trade with freefolk, when they still lived in the area (the lands of the Thenns are North-West of the Haunted Forest). Magic ravens migjt even be foraging wild grain on the behalf of the Singers: they are fey folk, even without their keeping (stealing) the odd human to act as their personal Eldritch God-Tree Wizard.
The ravens themselves can probably be ruled out as ingredients in Blood Stew: these ravens are Sapient and Divine Envoys besides. There's also the IRL precedent of corvids Holding Grudges: incurring the Wrath of the local avian hivemind would be Enormously Stupid of the Singers. The Murders vastly outnumber the Singers, making peaceful relations Rather Important. Ravens that die prematurely or of injuries (not of sickness: fragile humans are fragile, after all) might be "Fair Game" but, knowing GRRM, the Cave Ravens are probably cannibalistic carrions.
The Cave Ravens would be much more relaxed by Singers harvesting their eggs, outside Mating Season at least. All birds eat their own eggs, making them less "taboo" than one might think. Eggs function as "external food storage" for birds, adults eating unfertilized eggs they lay & babies eating their way out from the egg they hatch from. I could not speculate on how Singers prefer their eggs: in Blood Stew, I could only guess that raven egg yolk would help in "tendering" the goat blood sausages after cold storage.
For all the food sources available to the Singers, the Blood Stews being served "almost everyday" does indicate that Rationing is at play: a Long Night looms and exhausting any food source means losing that food source permanently. Goats, fish, Summer's donations, raven eggs (&/or ravens), vermin and bugs make up the actual "meat" in Blood Stew. The general confusion of the humans as to what their meat is may be further muddled by some "hunks" actually being mushrooms or cheese.
But Humanitarianism!
While zombies are an Awkwardly Plausible Convenience (Coldhands has killed Night's Watch deserters in the vicinity of the Caves & wights were Hidden in the snow surrounding one of its entrances)... consider the state of these wights. The vast majority are rotting, even in the supernaturally cold temperatures and, since Freefolk traditionally burn their dead, the wights that are reanimated likely died in Unsavoury Manners. Even "fresh" or "preserved" corpses are quickly riddled with Unappetizing bacteria and insects. The frozen wights are old, the murdered or forgotten, and all of them Decidedly Unhygienic. Human wights might be safe enough for carrion birds or even the Singers themselves... but they are not safe for their human guests.
Consider the Efforts, the Sacrifices, that enabled Bran's getting to the Singers at all: even with Brynden's "Divine Intervention" (getting the Starklings bodyguards in the form of direwolves, prompting their awakenings as Wargs; encouraging Jojen & thus Meera to meet Bran at Winterfell; bidding Coldhands to save Sam & Gilly, enabling easier passage North via Creepy Eldritch Door, on time to give the kids a "Lift" on his Great Elk), the likelihood of Bran dying was always higher than his surviving. Readers know Bran has Plot Armour but, in-universe, his continued survival has been costly. Getting Bran safely to the Singers was an expensive undertaking, one requiring a great many moving pieces (some of them arguably "moved" before Bran was even born: each Starkling held Potential, some moreso than others, and none of their parents were originally intended for each other).
It is almost certain that Bran was not the first child Brynden Lured North: popular fanon names Euron Greyjoy as an "abandoned" attempt, whilst Jojen was canonically [granted audience? scouted?] only to be "ruled out" (being "only" a greendreamer, Jojen was instead used to Better Bran's Odds of Survival).
While greendreamers and skinchangers are Statistical Anomalies, with persons who are Both being even rarer, Westeros is large enough that having a handful of potential greenseers within generations of each other is a Fair Estimate. No, the issue is the Rarity of Potential Greenseers AND the deadly nature of any "pilgrimage". That only Brynden and Bran are ever named seems to indicate that their managing both trials makes them "worthy" of Reverance, even before "earning" the title of "greenseer". That Bran survived was miraculous and, indeed, Brynden certainly worked "Overtime" in his Acts of Divine Intervention. Even then, Bran (& Jojen's) survival was very much dependent on Summer and Meera's presence in the group: the Singers owe every single member of Team Bran a debt, all of them serving vital roles in getting them a Shiny New God-Tree for their collectiom.
What does Divine Intervention and Debts of Hospitality have to do with Blood Stew, with an "Exciting" Opportunity for Hypothetical "Humanitarianism"?
Simple: Bran is too important to the Singers for them to Risk his health by their serving "Bad Meat". Imagine going to such great lengths to find a Fresh Godling, the relief that This Godling survived to meet his destiny... only for their Godling to get killed by food poisoning.
"And They Were Roommates"
The only meal noted as being Separately Prepared for any of the humans is Bran's Weirwood Paste: what one of them eats, all of them eat. That means that one of the humans getting sick (Jojen being the most susceptible), risks all of them catching ill. While each of the humans does "disappear" now and then, exploring or generally doing their own thing, the extreme cold of their environment (their extended time traumabonding with each other) means that they all share the same sleeping chamber. They share furs, body heat, breath.
While the Singers could very easily isolate the humans from each other (if only for quarrantine purposes), keeping them together is "safer": the humans would recognise sickness or distress in each othed before the Singers could and the humans already know how to take care of each other. The Singers being Good Hosts is in their best interests, not only in currying favour with their new god-in-training but also to ensure said godling survives to do any "Ascending".
Children Are Fragile: Why "Bad Meat" Isn't An Option
Grand Futures of Kingship & God-Treehood aside, at this point in time, Bran Stark is nine-years old. Human children, even Super Magical Starklings, are still children. And children are fragile.
Bran is still recovering from Attempted Murder, with his injuries limiting his independent mobility in ways his society cannot truly accomodate (not as a Prince of Winterfell & definitely not as a half-frozen cave kid). An inability to walk isn't the greatest danger of Bran's disabilities: thermoregulation of half his body is. Bran's friends are better able to recognise Bran's symptoms of physical distress than Bran is, than the Singers could. The humans also have greater strength and mobility: the Singers only seem to have three fingers on each hand and, while Bran is unlikely to grow much bigger given his environment, he will be getting some growth spurts soon. It's unknown how long Bran is expected to need "training" from Brynden, how long he will be carried to & from the communal sleepchamber and his weirwood throne. The Singers might just Graft Bran to his Throne once he's too big for them to safely carry but, again, there is no timeline given for Bran's progress. Better to keep "Hodor" about, thinketh the much tinier Singers.
Jaime's Murder Attempt also put Bran into a prolonged coma, one he was Fortunate to awaken from. That Bran has not exhibited any of the more "inconvient" (or dangerous) consequences of a longterm coma is almost certainly Brynden's "Divine Intervention" at work. Surprising lack of cognitive issues (temporary or longlasting) aside, Bran's coma & his subsequent state of "perpetual bedrest" has left his body much weaker the average child. He's already malnourished, traumatised and struggling to stay warm: Bran getting sick, even a "minor" sickness like a cold or bout of mild food poisoning? That could kill him.
Even if Bran doesn't die from an illness, recovery would be Difficult in such as a Hostile Environment: it is cold, it is dark (no sunlight whatsoever), and [Food Insecurity] is an ongoing reality. If a person is already physically weakened, minor illnesses can very easily escalate into more serious ones. There are no Maesters, no Medicine Women for Bran. The Singers have magic bit they are fey while Bran is (at present) terrifyingly mortal. Keeping Bran alive means keeping him healthy and doing that requires keeping the Other Humans 'healthy" too: serving the "spares" Questionably Sourced Meat is against the Best Interests of the Singers, their Investment in Keeping Bran Alive.
(For now, at least.)
The Jojen Problem
The terrifying fragility of their Future God-King aside, a more "immediate" danger to the continued existence of the Cave Singers is Jojen Reed: that is, Jojen's consistent lack of good health.
Bran was a healthy child who became very vulnerable very suddenly: Jojen, meanwhile, has been "sickly" for Years. Not only is Jojen "small" for his age (14-ish), he is often described as "shaking". IRL, people get tremours for any number of reasons, and comorbid conditions are not unusual. There is valid reason to view Jojen's "shakes" as symptoms of an ongoing, chronic health condition. Jojen might have a chronic illness, lasting side effects from the fever that nearly killed him, and he's had ample opportunity to acquire some [head trauma] over the series. Jojen's "shaking fits" may also be his physiology "teaming up" with psychological trauma: muscular twitches from the stress of hypervigilance, shakiness borne of anxiety & stress, atypically expressed panic attacks (that can resemble seizures in their physicality).
While Jojen's Ambiguous Disorders are decidedly non-contagious (going by IRL counterparts), Jojen's predisposition to "sickliness" makes him just as vulnerable to Death By Minor Illness as Bran, if not moreso given Jojen's Current Psychological State.
The Terrifying Fragility of Jojen Reed
Jojen, for Very Justified Reasons, is Very Depressed. Depression, in fiction & IRL, makes people more susceptible to catching illnesses and makes recovery more difficult. That is true even when a person is not deliberately enabling (or passively "allowing") an illness to harm them.
Jojen "this is not the day I die" Reed is exhibiting every sign of suicidal ideation that Bran, his friend & fellow fragile tiny human, can pick up on. Meera, the Designated Adult of Team Bran at the wise old age of 17 & Jojen's big sister, has become genuinely concerned that Jojen's (passive) Death Wish has become an Active one.
Jojen has long believed that he is Functionally Immortal outside of Greywater Watch: his very first Greendream was, after all, a vision of his own Death. It's not unreasonable to suspect that said Death Dream is a recurring one, that Present Circumstances (Brynden's Body Horror, the complete lack of sunlight) have Exacerbated the frequency of Jojen's Dreaming of Death. Fans of The Song greatly enjoy speculating on Jojen's Inevitable Demise, many assuming he is Already Dead. This is based on his last "appearance" being Bran noting Jojen's Absence: fans fail to extend this state of Already Dead to the Also Absent Meera.
(My tinfoil has One of The Reeds Finding Something while Exploring, grabbing their sibling so as to Convene Privately Elsewhere, & that together they have begun to Conspire An Escape)
If Jojen were to Die Prematurely, far from his Destined Death at Greywater Watch... there goes Meera Reed's Entire Motivation for Being Here, in this Far Away Frozen Helscape.
Meera, obligatory loyalty to House Stark aside, has stated that her primary incentive to follow Bran, to Go North and remain there while Bran [gets made into a tree-wizard]... was to save Jojen from his Death Wish.
Reasons to Fear Meera Reed
Meera is the "healthiest" of all the humans in Team Bran: she's able-bodied, physically mature (short, yes, but strong), lethal with a net & spear... and the primary caregiver of everyone in their group.
Summer (2 y/o) helps, with scouting and hunting and bodyguarding. Walder (17 or older) helps, kind and physically powerful. Jojen (14 y/o) helped, with Uncanny Wisdom and foresight and faith in Bran. Bran (9 y/o) is, of course, the Designated Hero of his chapters (this is Greatly Limited by his being only nine-years old).
Meera (17-ish) did all that and more. Meera hunted, guarded, scouted, foraged, killed, climbed... and did so as a non-magical human, relying on her experience as a crannogmen and her Father's Daughter.
Meera keeps up morale and tells [Very Helpful] Stories, leads where Walder and the children cannot, posseses Common Sense & life experience, mediates when the children are fighting (scolds them for taking their frustrations out on each other), senses Social Danger that Summer might miss, skins prey & butchers it (ensuring none of it goes to waste). Meera is a survivalist, one canny of the Old Ways, a "Modern" example of why the First Men so successfully survived in Westeros.
And the Singers of the Cave are Old. They Know the capabilities of Humans, the single greatest threat the Singers have ever known. The Singers Remember: the Pact, the 4000 years of war before it; the First Men, their axes; the Andals, their iron & blasphemy. The Singers know Human as Invaders and Desecrators and (sometimes) Allies. The Singers also "know" the Consequences of a Human who FeelsToo Much.
Humans, historically, have Little Issue with Seeings Things Burn. Humans, it seems, will respond to Any Strong Emotion with Bronze or Iron or Fire.
Cold? A Human will find a Tree and set it on fire.
Hungry? A human will Kill Something and heat it... over fire.
Dead? Other humans gather, collect the deceased, set the body on fire.
Grieving? A human will find iron, demand answers, find you. And should your "Answers" prove unsatisfactory? Humans will set fire to YOU, your settlement, your Gods.
Meera is very, very "human". She is the most human of her group: Bran is, of course, a God-Tree sapling; Jojen is Greensighted, not long for his human flesh and soon to join You in the Trees; the one called "Hodor" reminds You of the Giants, long ago foes and more recent allies but all but a few Gone to the Earth.
(Summer is a Direwolf.)
Meera is the Single Greatest Threat to the Cave Singers, who believe themselves the "last" of their people. Meera is a Consiserable Threat to the Last Greenseer, whom she has grown to Suspect and Resent. Meera does not, at least, carry on her person any axe (she wields spear and net and shield).
Meera can definitely start a fire. Meera would willingly start a Fire, a pyre for her brother built from the Last Greenseer himself. Meera would gladly burn out the Last of the Singers, for Vengeance and as Sacrifices to stay the suit of wights (of Others) as she Flees South and homeward (taking your Prince, your Shiny New God-Tree, the Last Hope of your People with her for spite alone).
That's All, Folks!
So, no: "Blood Stew" is not made from people. It is not made of Jojen or Meera, it is Goat and Vermin and Bugs. It is occasionally made with Squirrels. The "blood" is black pudding, goat's blood and intestines salted to ensure no goat goes to waste: their hides and furs warm the children, their blood and flesh sustains them, their cheese enables their exercising in philosophy. Wights are just too dangerous, to hunt or serve for supper: Bran (& Jojen) cannot be risked for the sake of morbid convenience. Live humans are right out, too much bigger and stronger than the Singers, or too dearly missed by The Scariest Being North of The Wall.
The Kids are Alright (the human ones, anyway).
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Hi!
I have a question regarding the depiction of gender roles in ASOIAF and how they compare to that of the real medieval Europe, specifically high-to late medieval.
I'm aware that the violence against women and misogyny depicted in the books are often justified by fans on the basis of "historical realism".
How does the depiction of traditional gender roles in Westeros such as limitations based on gender-what women can and can't do-and violence against women differ from the real middle ages?
Another question: Cersei is meant to be a deconstruction of the "evil queen archetype", and part of her character is learning at an early age that she has no agency because she's female and that her only value is her ability to bear children, and the only way she's able to get anything done in the books is by influencing men with sex or using underhanded magical means because she's barred from traditional routes of power.
However, does this reflect real medieval queen consorts and noble-women? I've read that the things Cersei does were the sort of nasty stereotypes that existed about women during the period seeking illegitimate power.
Okay, here goes, but I am going to immodestly observe that answering questions like this is usually part of the work I'm paid to do. And there's so much going on here.
To your final question first: no, it does not reflect reality. And also, uh, no. There are a lot of assumptions embedded in that phrase "seeking illegitimate power" (illegitimate how/why?) but anyway. The image of Cersei as sexually voracious and insatiable (and incestuous) may borrow from the charges against Anne Boleyn, but that case is 1) exceptional for a lot of reasons 2) not medieval. Evil Woman Wielding Power Via Sex + Magic is a medieval idea if you count Thomas Malory's Morgan le Fay, I guess? Which is not nothing! But a work of entertainment literature from 1485 ≠ generalized medieval stereotype.
The fact that real medieval queens, and queens-consort, and queens-regent, and noblewomen -- including those known as lords because that's what they were -- wielded power with no one freaking out about it is, in scholarly terms, old news. Joan Kelly's brilliant 1977 article, "Did Women Have A Renaissance?" (brilliantly summarized/contextualized here by Natalie Zemon Davis, thank you @jstor) points out some of the ways this was so. From at least the 1990s on, the work of other scholars, e.g. Bonnie Wheeler, Amy Livingstone, Fredric Cheyette, Miriam Shadis, has expanded our vision of this. And I'm going into this detail in order to illustrate how long this accurate work has been around, and thus available to work into undergraduate coursework, which is where I'm presuming most people have the closest access to up-to-date scholarship.
Three books in, I'm going to say that if Cersei is intended to be a deconstruction of the "evil queen archetype," uh. GRRM could have done better. I do think she's a fascinating character. But she's also, I think, very clearly a woman who would not be evil™ if women could get MBA degrees. Okay, well, she might be a bit evil™, but in a Narcissist With An MBA way. Anyway. In Westeros, she would be a lot less evil/angry if women could just wield power the way they did in the Actual Middle Ages!! FFS!
Taking your first question last: this is one of the things that frustrates me about ASOIAF because it is so far from historical reality that there is no simple answer to this. This question cannot be answered with a checklist, with items. Medieval misogyny existed. It was also very different from modern misogyny. I don't know why GRRM treats sadistic and often sexual/sexualized violence and abuse of women as normative. Women's legal recourse against marital abuse would require Fantasy Canon Law™, which as we have seen, he does not have. And the idea that most medieval people (canon law notwithstanding) were just a lot less uptight about sex than, say, the Victorians does not seem to have entered his head. Also ~traditional gender roles~ my left foot.
I'll close with one story about medieval misogyny. It comes from a miracle collection. A non-elite woman (artisan or peasant, we don't know) was raped by a stranger; "some man of high rank," according to the text. She was deeply traumatized. She was also, and this breaks my heart, "fearful lest her husband have hate for her because of this thing." But here's where it gets better: we know this in part because she told her neighbors! They functioned as a support system, and recommended that she seek healing at a saint's shrine (mental/emotional/physical health being seen as inseparable.) She stayed in that place for nine days, resting, and visiting the shrine, and talking with the friars who managed it. Gradually, her symptoms of trauma improved. She returned home. I don't know the rest of her story; I hope she was okay, and that her husband behaved decently. But the fact that she was treated with compassion both by her community of origin and the community to which she went for specialized help shows a reality very different from that of ASOIAF.
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okay so i want to hear about your take on aegon i know you like him and all (so do i no matter how much i wish not to) but whyy
yess thanks for asking, I love being insane about him<3
I think Aegon is such a wildly tragic character– many asoiaf characters are but I'm so drawn specifically to him; he didn't want power or responsibility or the crown. It all was bestowed upon him against his will, and he shouldn't; putting on the crown is his definitive death sentence. The coronation scene has got to be one of my favorites in the season– he is quite literally walking up to be butchered like a sacrificial lamb, there are tears streaking his cheeks in the scene! I love the tragedy of it, the way it couldn't have been avoided anyways; his fate was sealed from the very start! He was quite literally dead from the very beginning.
I'm going off a mix from the book and the show but I actually love what they did with the character in the show? The book version does have some hard-hitting moments from him that are missing ("What sort of brother steals his sister's birthright?") but there wasn't that much there in terms of characterization and relationships. And wow, did they deliver on that in the show; I'm gonna give whoever came up with his mommy issues a forehead kiss.
Because YES! He and Alicent are reflections of one another– Alicent suffered under the heavy boot of Otto, turned into the perfect daughter, turned into the perfect queen for him. She recognizes that this was wrong and abusive of him, then she turns around and does the same thing to Aegon– the poison DOES drip through, the wheel is NOT broken!! It's BRILLIANT.
@atopvisenyashill put a GREAT tag under one of my posts–
#he looks like her and he’s weak like her so why can’t he get strong like her.
While Alicent persevered, Aegon crumbled under the pressure. He is miserable when we meet him– and he should be! He is unfit for the role of king, but it is his destiny nonetheless, everybody tells him so. It destroys him.
It's so sad too and I cannot help but to feel bad for him. No one knows where he is in ep 9, I don't think he has anyone to confide in; it must be lonely. Everybody seems to have written him off already– he is a drunk and a failure at being heir, being a son, being a father. He tries to prove them wrong later, and does in some aspects.
His loneliness plays into another aspect of him that I really love; his desperation to be loved. He will never be enough for anybody, he probably knows it deep down.
"[Aegon is] desperate to be loved but destined to be hated." – Tom Glynn-Carney
Obviously there is the carriage scene with Alicent that shows this. But I also really love the moment in his coronation, where he basks in the people's affection and cheers. He is poised to bleed out in front of the throne, he was crying and fighting for his life not to take the crown just minutes before. But now he's here and they love him and he can't help but love that.
He takes the crown to protect his family (the show does hint at that with Alicent telling him as much in ep. 6– in the book it's much more explicit with Criston pressuring him on the day of the coronation itself) and then his son DIES because of it! And he drinks and rages and drinks some more; he must've blamed himself. He goes to battle, flies too high (figuratively), and he FALLS; he burns and falls to the ground. He isn't made to be king. He knows. He does it anyways.
"You have already written yourself into legend, you survived dragonfire" – Larys Strong in season 2 (probably)
He survives, he is gone for over a year, unable to do anything but he SURVIVES. He escapes the capital, takes Dragonstone, he falls AGAIN, he loses most of his family; but he still goes on. Fueled by what? Maybe anger, or bitterness or just pure lust for revenge. It doesn't matter. He must've realized somewhere on the way that this was always meant to go this way, ever since he put the conqueror's crown on. It doesn't matter.
And then he dies and it's not grand or spectacular or anything like that. He drinks poisoned wine, nobody even sees him die, they only find him after. It's so uniquely lonely.
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