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#why are people so boring
reachexceedinggrasp · 8 months
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So when I've been complaining about even fanfiction not being romantic enough, part of what I mean by that is that people take huge, gothic characters in pairings with gigantic, dramatic stakes full of titanic emotions and then make them feel small and mundane. Stripping the very romanicism from the bones of the romance.
There are many things that are deeply appealing to me about B&tB pairings or 'unlikely' pairings or Gothic romance in general, but something that is less structural while still being absolutely key is that it's not an easy relationship to get the characters into. It's not something that would happen under ordinary circumstances for either person. It's not a bond that can be forged without some form of pressure preventing these people from continuing in their regular patterns.
If you're writing an E/C fic where you start from scratch, the moment they so much as touch for the first time should be absolutely show-stoppingly prodigious. It can never be casual, not between these two, the idea of a touch being allowed should be an Event. The reader's heart should be thundering in their chest, the suspense should be palpable, the consummation divine. A single touch is a consummation for them, there should be that much tension. If they hold hands and I'm not holding my breath, you have done it wrong. The first kiss should feel like an atom bomb going off, the world should shift on its axis, a line is being crossed which has left both characters forever altered.
And people will instead write them like a standard romance novel couple who make standard pervy comments in the narration, get a bit flirty, casually hook up and then weigh pros and cons about whether dating fits into their life plans or not. All of this being totally without weight, without feeling like any kind of Rubicon has been crossed or that it's significant for the characters to have entered into something which must foundationally alter their worldview.
Reylo brushing fingers across the galaxy and it being the turning point of the entire narrative, given the same majesty and mystical significance as Luke's vision in the cave or Yoda lifting the X-Wing is the exact correct amount of emphasis for them reaching towards each other in tenderness. You have a character defined by abandonment and loneliness and a character who is surrounded by people but never touched, both unseen by anyone else, both aching for connection, both never having felt anything like this before, both aware of the galaxy-spanning consequences of what they're feeling. Them touching is le big deal.
The kiss for the B&tB pairing, the EtL pairing, any Gothic pairing has to feel out of reach, a chasm that cannot be crossed- until it happens, impossible yet inevitable. Something the characters could never have conceived of taking place at the beginning of the story, an infinite abyss of which they have somehow found themselves on the other side. You have to do the work to get them there, you have to build that bridge stone by stone, and it should be a sublime agony of seeing the path take shape while it still feels like the gap is just unbridgable, that no matter how close you come, it will never be complete, they can never get all the way across. Until they do.
If you write characters who have (or should have) that kind of vast gulf separating them as just kind of falling into an intimacy which isn't earned and thus means nothing, I just have no idea why we're here. Why buy a giant gothic castle of romanticism and then bulldoze it to build a minimalist condo? Everything about the pairing that makes it that pairing is stripped away. If these were people who could just meet at a party and end up in bed, they would be completely different people.
#taking something epic and portentous#reducing it to a casual instant attraction they sort of casually and impulsively act on like it's ordering a coffee levels of important#and then it's all 'well maybe there's ~something there~ whatever tho don't think it matters or anything' while they're going on caj dates'#and ends with 'it's pretty good I guess we're compatible maybe we'll get married eventually'#LIKE#why#why are people so boring#if it is not love of the most exquisite kind#the far far better thing you do than you have ever done#these people would never go through the bullshit of being with their enemy/a pariah/a difficult Beast/etc.#sshg stories where they're casual actually pain me#it CAN'T be casual it's NOT a casual attraction if they were under normal circumstances it would NEVER happen#SOME THINGS HAVE TO BE FORGED IN FIRE OKAY?#the chasm which has to be crossed for it to happen is what makes it so satisfying my guy#WORK FOR IT#don't get me wrong I like low key ships as well but it's just a fundamentally different thing and some characters#absolutely cannot be plugged into a low key dynamic#Erik categorically cannot be a standard mundane love interest about whom one can be casual#he has never had a casual relationship with literally anything#he is intense about everything he does#this is what makes him wonderful#if you don't want to deal with his dramatic virgin antics then you don't want to write about him#and that's fine! but it means THEN DON'T#writing#romance#tropes
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poorly-drawn-mdzs · 3 months
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Good Morning, World.
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loboazul16 · 3 months
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This is how these two went right?
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circuitcharles · 2 years
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So no Latvia, Austria or Bulgaria but Greece and Portugal???
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teaboot · 6 months
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Theoretically I enjoy living with people but unfortunately when you tell people you're a neuroatypical raccoon with twelve ongoing hobbies, completely random work hours, and a series of admittedly unusual lifelong compulsions they tend to hear that and go "oh haha you're trying to be Quirky okay" and then save their ten million questions and concerns for when you can't run away
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findafight · 2 years
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I am a hardline Steve is a "boring queer" truther. Yes he's bi and genderqueer!! Does he change pronouns? Nope! It's easier to use he/him and he doesn't care. Does he wear anything other than high waisted mom jeans and sweatshirts? Absolutely not. Just because gender means next to nothing to him both for himself and in regards to attraction doesn't mean he's going out of his way to do anything about it. He knows he looks like Just Some Jock but he's comfy!! His ass looks good! What more is there to clothes than that!
He goes to bed at ten and wakes up at six-thirty for a run before work. His favourite show is M*A*S*H. The most outlandish thing he's done besides Monster Killing is name his rescue cat WoodChipper because it kept trying to eat his porch.
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roukabi · 12 days
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I feel like when it comes to the Dusthide debate, a lot of people seem to misinterpret the main point of Ancients as both a game element and a product.
A big part of Flight Rising is dress-up. While users can argue on what the sole draw of FR is (dragons themselves, breeding, the Dominance system, etc), it's generally agreed that the dress-up aspect is one with a lot of care and resources put into it, and is therefore very important to site gameplay. Dress-up keeps getting updated with new apparel, and if there is to be a new dragon breed, it needs every piece of apparel re-drawn on it. This takes time. A lot of time. Gaps between dragons (now known as Moderns) stretch for years at a time.
Ancients were initially created as a way to fill in these time gaps between Moderns, and the easiest way to do that was to release dragons without apparel. However, this is a game that puts a lot of emphasis on dragon dress-up. Imagine if Obelisks were released without any coded apparel. You'd just have a naked dragon missing a huge element of the game, and for most players, there's no fun in that.
This is where the second point of Ancients comes in: because the appeal of clothing is gone, there has to be some kind of compromise. So... if Ancients can't wear apparel, then they are no longer restrained by the requirements for apparel (1 head/4 legs/2 wings)...
which means that they can break the modern mold freely! You can have a dragon with no legs, or six. Or with two heads, or no head. And now that you don't have to worry about apparel clipping, the tertiary genes can go wild! There is room for customization that apparel can't fulfill - you could give it extra wings, or a jellyfish head, or giant tree horns, or you could give it nothing at all as tertiary genes are optional, and it wouldn't matter because there's no apparel to be drawn around it!
Ancients are supposed to be a trade-off. There's no selling point to a dragon without clothing on the Dragons With Clothing Game, but there is a selling point to a dragon with, say, 13 legs, no wings and no tail. It doesn't wear apparel, because it physically can't, and it makes use of this function in creative ways. The inability to wear apparel is justified by the Ancient's unique proportions.
And this is where the criticisms for Dusthides and other 'basic' Ancients stems from: if your Ancient dragon is just the 1 head/4 legs/2 wings setup, then is it really an Ancient or a Modern you can't dress up? You could have the wildest, gaudiest, 15-limb tertiary gene on a Dusthide and it wouldn't matter, because tertiaries are optional and aren't a permanent part of the dragon that would inhibit the usage of apparel.
If a dragon doesn't have a justifiable reason to not wear apparel, then there's no reason for it being an Ancient.
No amount of linebreaking tertiaries will be able to hide the fact that some dragons seem to be created only for the first, initial purpose: just to tide people over until a better, 'real' dragon is created.
And that's just disappointing.
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fallenrain40 · 2 months
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"aroace people can still have relationships-" NOT ALL OF THEM CAN. YOU KNOW THAT RIGHT. WHY DO YOU WORD IT AS "aroaces can still be in relationships" AND NOT "some can have relationships, and others cannot."? WHY MUST YOU INSIST THAT WE STILL CAN LOVE IN SOME WAY. WHY DOES IT MATTER. WHY SHOULD WE HAVE TO LOVE. WHY, WHEN TALKING ABOUT AROACES, DO YOU ALWAYS HAVE TO IMPLY THAT IT'S OUR OTHER WAYS OF LOVING THAT MAKES US ACCEPTABLE? WHY CAN'T THE FACT WE DON'T LOVE MAKE US GOOD PEOPLE? WHY IS THERE ALWAYS AN EMPHASIS ON THE OTHER WAYS WE LOVE, OR THE AROACES THAT CAN STILL DATE, AND NOT ON OUR LACK OF LOVE? IT FEELS TO ME, LIKE YOU ARE TRYING TO PUSH ASIDE THAT ASPECT OF OUR IDENTITY, BECUASE IT'S TOO STRANGE TO YOU. YOU MAY NOT SAY IT OUTLOUD, BUT THERE'S STILL A STIGMA AROUND LOVELESSNESS. IN YOUR MIND, YOU STILL ARE VIEWING LOVELESS PEOPLE AS LESS MORAL OR GOOD, AREN'T YOU? OTHERWISE, YOU WOULD CELEBRATE OUR LOVELESSNESS, NOT SHOVE IT ASIDE BECUASE "THERE ARE OTHER WAYS TO LOVE"
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gay-jesus-probably · 11 months
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Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.
First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.
And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.
And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.
Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.
Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.
TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.
...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.
There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.
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fromtheseventhhell · 2 months
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Very funny to me how Stansas present her character as being so interesting and complex because of her vulnerabilities, while simultaneously ignoring those same vulnerabilities in other characters. Dany is sold as a bridal slave and lacks agency throughout AGOT and after. Her dragons are either too young/small to utilize effectively or locked away for the majority of the story. They aren't some all-powerful trump card that protects her from harm. Arya is captured as a prisoner of war, forced to watch countless people tortured and murdered, and then essentially enslaved in Harrenhal with no way to fight back. She has an entire arc of feeling powerless, of being a "mouse", during ACOK. She doesn't have "kung-fu" or the ability to magically fight her way out of every situation, she's a young child lacking physical strength with only the most basic sword training.
Sansa isn't the only female character, she isn't the only young character, she isn't the only character who suffered, and no one is obligated to prioritize her. I'm so tired of Dany and Arya being mischaracterized and having their stories erased to prop Sansa up. "Sansa has kept her dignity" In other words, let's praise her for having a level of security that Dany and Arya don't have access to. She hasn't ever been forced to make a hard decision which of course means that she's morally superior to them. They can't even admit to themselves that her lack of action is due to her own passivity. If it doesn't fit their delusion, they erase it from the story and expect the rest of us to play along. Ask one of them what they like about her character without bringing up her being the ultimate victim, and I genuinely don't believe they'd be able to give you an answer. They belittle other characters more than they talk about her and these takes just scream insecurity/jealousy at the content and development other characters have in their POVs.
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YEAHHH OC DESIGNS BABEY!!!!! OK SO LIKE THESE PPL ARE LIKE THE MAGIC COUNCIL AND ITS THEIR JOB TO GUIDE AND PROTECT THEIR PEOPLE YAYAY!!!!
(NOTE: I DID NOT MAKE KAZEMIS PATTERN I FOUND IT HERE)
Character lore and ramblings below!!
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ARKENAS MY BELOVED!!! Hes Filipino because i said so JKSDHDS
Hes wearing a zoot suit which is a suit originated from african americans and would become popular with italians, filipinos, mexicans etc AND LIKE ITS PERFFECT FOR ARKENAS Because this type of suits were typically worn by performers due to how its easy to move around in AND HE himself is a performer as hes a very well known magician and illusionist!
Hes more of a sillay guy always looking to entertain people, but his magical performances got so good that people were struggling discerning what was real or not, enough that he was was given the title of master!
He always tries to befriend Magnus but always kinda fails at it JKHDHSD
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Magnus!!! He wasnt always so serious and brooding, in fact, he was a slick playboy back in the days. But because of uhhh many plotlines and backstory that will take too long to explain hes always feels sad and empty despite not knowing why...😲
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IMOGEN MY BELOVED!!! She comes from Ireland!!
Shes known for her experimental ways of doing Alchemy, for not sticking to rules and regulations and doing whatever she wants, and in that way she had become the embodiment of alchemy in a way it is all about risky experimentation and she goes through with it because she likes the thrill!!
Because of this she had done many contributions to the field of Alchemy, despite being deemed "unproffesional" by others
She also likes to do flirty teasing with Valentina because she thinks its cute how she reacts and crumbles HEHE
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VALENTINA!!!!! ONE OF MY FAV DESIGNS IVE EVER MADE🥺 Im so happy with the way she looks!! She was initially gonna be the master of ALL the elements, but because her design turned out too look more Earthy and Firey, i only made her master of that!
She has like rich posh aristocracy vibes and owns various fashion businesses while also doing her duties as a magicia master! 🙏 SLAY
As for her design i really wanted to give of posh businesswoman whos also fashionable!
Lowkey has a crush on Imogen but is in denial <3 Valentina is also besties with Kazemi and they like to gossip all the drama over tea <3
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KAZEMI MY WIFE MY EVERYTHING I LOVE YOUUUUU AUGH Shes also one of my fav designs along with Valentina!! Shes also from Japan >:]
Ive actually done quite abit of research on her name AND KAZEMI IS LITERALLLY THE MOST PERFECT NAME BECAUSE IT MEANS WATER OR WIND WHICH IS WHERE SHES MASTER AT...,, AND TOMIKAWA MEANS RICHES AND ALSO RIVER OR STREAM AND LIKE IT RELATES TO HER BECAUSE SHES WORKED SO HARD TO GET TO HER POSITION AS SHE ALWAYS KNEW SHE WAS DESTINED FOR PROSPERITY AND WEALTH RAAAA but if anyone like actually knows more abt japanese names and thinks that the name could be improved PLEASE DONT HESITATE TO DM 🙏
But yes due to how she more on the polite and demure side and her magic being water and wind, shes more underestimated and seen as more 'weak' than the others. But just how the seas can be gentle and also be a terrifying, great force, she can be too 🥺
Shes trying to court Samara btw 🥺 she relates to Samara in a way where their magic is underestimated due to how it looks "harmless", but both actually having the ability to do great harm if you know how to do it. Shes seen that Samara can do harm and damage if she wanted to, and she was like 'i want her" JKSDHJSHD
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SAMARA!!! 🥺 Shes more of the precise, rational, proffesional type! Always wanting everything to be clean and pristine, thats why she mainly wears white. Shes also Arabic :D
Shes known as one of the greatest healers in the world, known for her quickness and precision, basically knows every body part and muscle and veins and how to heal it as well as how to damage it!! ^-^
As for her veil type i used a niqab! Well a half niqab specifically, as it doesnt cover the entire half of the body. Their design is influenced by Arabic fashion as well as like nurse doctor outfits in the 1900s :D
Figuring out her name was a bit tricky because im not familiar with Arabic names and i also didnt want to go to babynames.com for it because i know its a bit more complicated but i managed to get help from friends who are more qualified n knowledgable about arabic names😭 THANK YOU @lastcookieontheplate MY DEAR FRIEND
AND AND she doesnt want to admit it but she gets flustered and blushy whenever Kazemi does her courting attempts <3 HEEHEE
ANYWAYS THATS ALL OF EM!!!!! Say "BERRI IS SO PRETTY AND COOL" If youve reached this far!
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andoutofharm · 10 months
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i have a special kind of annoyance for people who say fall out boy (or any band!) look “sad” or “bored” because they’re standing still while playing or have a serious expression like. just say you know nothing about them and also have zero respect for neurodivergent people and/or people who’ve had surgeries that restrict their movement and go
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lover-of-mine · 3 months
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No, but this is definitely my most controversial opinion, but the whole thing with Buck and Eddie being the same age comes back to the fact that they are mirrors of each other. Down to the tattoos with mirrored placement, yes, but like, narratively speaking too. They've been running parallel to each other their whole lives and them being the same age makes that even more intense. Eddie had to grow up too fast and Buck didn't have to grow up at all. Eddie was forced to take care of more than he could and Buck was never allowed to care as much as he wanted. Both of them ran because their lives were overwhelming. Buck gives Eddie the tools to slow down for the first time in years while Eddie gives Buck something he's allowed to care about. They're two sides of the same coin. They complement each other. They're each other's missing piece. And that's so much better when they're the same age.
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chinese guzhuang fashion
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aroanthy · 1 month
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i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc
#what am i trying to say here?#idk! think about all of the pieces you have#dying is complicated in ohtori in countless different ways#and i find it boring to see so much ‘this character is dead and that’s it’ stuff#when death is used farrrrrrr more figuratively than some ppl give credit for#and i think the movie too does wonderful things with death#and what ‘dying’ really means#being disbelieved. being forgotten. being rejected. haunting despite this#much more interesting to think about wrt commentary on abusive relationships than it is#to think about what?? oh me when my brother died but plot twist he’s alive and can walk on this road all cool. like?????#akio doesn’t have the power to make himself revenant#he THINKS he does and he absolutely has power when he’s alive and he imbues that power with such meaning that it does live on after him#but ANTHY. anthy is the one struggling with herself and her feelings and the impact of trauma and abuse (that power!!) in aou#he’s dead? he died? she brought him back through her memories? or she’s left him (metaphorical death) and he’s haunting her??#all such interesting interpretations#i haven’t mentioned touga bc i don’t have the energy today. if dead and just illusion of others memories then why active. why awful#like in aou akio is only Obviously scummy when he’s alive. his illusory self is based upon anthy’s love for him#if anime!touga is nothing more than nanami/whoever’s memories of him before he died……. why does he actively choose to suck again and again#like nanami wouldn’t do that. unless it was meant to be a subconscious thing like ooo he’s dead all along but that’s not what her arc is#it’s not ‘he’s been dead all along’ literally or figuratively. it’s ‘he’s unsafe and i don’t want him’#sigh. once again i am asking people to think about nanami and touga’s dynamic through touga’s eyes#it’s so interesting to me how people forget to consider his motivations or feelings on ANYTHING#like sure his motivations and feelings are scummy but they’re interesting!!!!! they intrigue me!!!!#compel me even#anyway ignore how i said i didn’t have the energy for this and then typed it all out anyway#dais.txt
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sonknuxadow · 14 days
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i dont think its a crime to make music (or art in general) that might be considered bad but if im going to have to hear about taylor swift all the time because people keep hyping her up as the most talented lyricist of our generation when the lyrics in question are Like This i AM going to be a little hater. because what the hell is this
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