“Do any of you remember when I was posting about the recent scientific revelation that Cheddar Man was actually very dark-skinned and how pale skin is soooo much of a newer phenomenon (according to studies, pale skin began appearing in the human genome roughly 4,000 years ago as opposed to the previous assumption of 40,000 years ago) than originally surmised? A new genome sequencing study adds the famous 'Otzi the Iceman' to the list of incorrectly reconstructed (referring to the long-haired, pale-skinned rendering of him found in the Italian museum next to his real remains) ancient humans, as it has been revealed he was dark skinned and balding! The initial discovery of Otzi the Iceman in 1991 (on the Italian side of the Italian/Austrian border) was of enormous import for the scientific community for several reasons; Otzi is the oldest 'wet mummy' yet found and the clothes and equipment he was unearthed with are incomprehensibly unique as no other organic material from the Copper Age has survived. He also became popular for his 61 tattoos, which are the oldest preserved tattoos known to date. I absolutely love studies/revelations like this because (borrowing a lovely sentiment from co-author of the study Johannes Krause) they truly reflect our own biases in assuming what a person from that time looked like, and to use my own words, challenges many of us to re- examine the appearance of our ancient human ancestors in general. "The Iceman's new genome also reveals he had male-pattern baldness and much darker skin than artistic representations suggest. Genes conferring light skin tones didn't become prevalent until 4,000 to 3,000 years ago when early farmers started eating plant-based diets and didn't get as much vitamin D from fish and meat as hunter-gathers did, Krause says.
“As Ötzi and other ancient people's DNA illustrate, the skin color genetic changes took thousands of years to become commonplace in Europe. 'People that lived in Europe between 40,000 years ago and 8,000 years ago were as dark as people in Africa, which makes a lot of sense because [Africa is] where humans came from," he says. "We have always imagined that [Europeans] became light-skinned much faster. But now it seems that this happened actually quite late in human history!" (excerpt in quotations from Science News article by Tina Hesman Seay) Below are photos of Otzi, the first taken in 1991 shortly after he was discovered by 2 hikers, his naturally mummified body after he was carefully unearthed from the ice and his incorrect/false rendering with pale skin of 2011, and I hope to return to add a correct/more accurate rendering of him if/when a new one is made!”
Photos show 1) a pair of light-skinned, brown-haired hikers with brown beards, dressed in very 1980s clothing, with the exposed body of Otzi in situ in the ice where they found his body; 2) two photographs of Otzi’s preserved body from the top and back, 3) a close-up photo of Otzi’s preserved hand 4) an inaccurate reconstruction of Otzi in life, showing him as a light-skinned white man.
I was going to say that giving Cesare white-boy-dreadlocks was a sin against humanities but I don’t think he’s technically white even if he had light skin when he was alive.
Edit: BTB is probably based in the US where it’s really important to know how much melanin someone has so you can treat them as badly as necessary. Since Cesare owns a business, commits tax fraud (probably), and gets away with generally soapless behavior I’m going to say he has white boy privilege.
when people try to argue that feminism is unnecessary, western import for bourgeoise women, that the wage gap doesn't exist, that civilisations are built solely by men in construction doing hard labour while the women are at home, show them the impoverished female bricklayers of India, who are 49% of the second largest industry (after agriculture) of 40 million constructors, and get paid less for equal work ($7/day for men, $4/day for women) because of gender discrimination and exploited due to being poor, illiterate, debt trapped, facing gender based setbacks (not being promoted to masonry or carpentry like men) and being unaware of their union rights
this work in general is exploitative, getting paid pennies on the dollar while corporations that build their mega complexes rake in millions, hazardous to health, no safety equipment, regulations, breathing in fine dust and construction pollution for both men and women. but women in particular face gender based discrimination such as getting paid a lower raw wage and lack of opportunities to get promoted from this heavy duty scaffolding work, in fact they often do more work than the men but aren't respected by their male peers. and the idea that only men historically have done hard labour, built civilisations is a false myth that erases the plight of the millions of women in the Global South.
It's time! for! 2ha!!!!!!! I've had 'the husky and his white cat shizun' on my radar as a bookbinding project basically from the very start, back when I thought it was impossible that any of these danmei novels would ever be licensed for english translations. But this book is so long, and besides, the translation wasn't complete, so it went onto the backest of back burners. Until now! So, the book has been licensed. It's started releasing! As usual, please support these authors, they have a passionate english-speaking fanbase, and I very much want them to enjoy that success in a practical sense and not just an abstract one. And I also want more of these novels translated, haha. But the nature of licensing means I've also gotten a lot more interested in preserving prior translations in formats that can't casually be yoinked from the internet.
Now, this is a big novel. This was 1.1 million words. The stack of pressed text quarto blocks was over 15 inches, and once I added covers (very thick, for reasons I'm about to cover) and boxes, this thing was 22 inches long. Oh my god. This sustained effort naturally overlapped with an international trip and two crucially Important work presentations. I almost died. I had to split it into multiple boxes because I wasn't sure I could laminate boards thick enough to support so much weight at so much length and still cut it with any precision, lmao
And those covers? I took inspiration from notebooks I've sent with cover flaps like these, and also decided to see if I could incorporate the strip magnets I bought for peller box experiments and barely used. The downside that didn't make itself apparent until late in the construction process was that laminating boards to match this depth made the covers REAL thick, and difficult to cover with a crisp finish. Duo bookcloth can get wrinkly and fragile when it's wet, so it didn't entirely take me by surprise, but it's something I'll be accounting for next time I try this construction!
I tried to stick to a black and blue and silver color scheme, because it matches the book, but I also accepted some gold highlights on the endpapers. The duo bookcloth tends to photograph with a bit more brown in the color shift than I see in person, but I think it plays out well in person or in photos! The endpapers make for a nice striking pop when the book opens and don't blend into the cover fabric, which was something I definitely wanted to avoid.
And, speaking of thematically appropriate, I found this image for chapter headers that was almost perfect, but the wrong kind of flowers. So I did change those to haitang blosoms, haha. That happened early in the typesetting process, but I did also have that on my mind as I worked out decorations for the boxes! Mostly, I just titled what book of the novel it was on the top and left it there, but the very last detail I added was a pair of foil flowers done in pink and silver, on the outside edges of the boxes for book 1 and the extras. I finished that last night and then went to bed SO excited to take pictures in the morning. I really had an incredible time with this book, and the whole adventure reminded me just how much I love 2ha. I'm so happy I did this, I really had just an incredible time!!!!!