#which is a narrative i did love that there is no going back
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You made a post saying “it has been zero days since our last alex hirsch hates ford so much bullshit” and i know it was mostly hyperbole, but you have some really good takes that I would love to be elaborated on in terms of how ford is written
it really wasn't hyperbolic. over the years he's just really shown a lot of hatred towards this one character.
content warning: discussion of abuse
i want to start with this clip from the commentary which i think of as a microcosm for how the writers and especially alex think about ford.
transcript:
rob renzetti: i mean he [mcgucket] should've basically knocked ford out, and... and destroyed the... you know, tied him up, and, destroyed... and...
alex hirsch, speaking over him: yeah he should've beat ford with a wrench and taken this thing apart piece by piece! he's the one who understood how to built [sic] it, but...
... so that seems like a pretty violent course of action. shall we unpack that?
ford is a character who's pretty explicitly written as a victim of abuse, and who now has c-ptsd as a direct result of the abuse he experienced. alex hirsch believes that ford deserved everything bad that happened to him, that it's ford's own fault, and that he also deserved worse things to happen to him. this is why, given every narrative chance, alex hirsch has piled more suffering onto ford's plate. the biggest example of this i can think of is in the journal, when he wrote that fiddleford was actively erasing ford's memory (despite this being a massive timeline contradiction which i still refuse to accept). because god forbid ford even have one remotely healthy relationship with somebody. that would be too good for him.
ford was manipulated and lied to by bill, but alex repeatedly compares him to icarus, a teenager whose demise was the result of his own ignorance. this comparison is still so fucking offensive to me. the sun did not lie to icarus, did not guarantee icarus all of the happiness and success and sense of belonging which he had been denied all his life, did not actively shut out the voices of those around him who would try to help him.
alex in general has a very strange relationship with abuse. he seems to get really upset when people read his characters as victims of abuse. the strongest instance of this is actually not with ford, it's with pacifica - especially in the nwmm episode commentary. the episode says "pacifica's parents have conditioned her to respond to a bell" and alex says people got "the wrong idea" about it. like. dude. what the fuck. you wrote abuse. even if you didn't mean to, that's what you wrote. you can't say people got "the wrong idea" just because you didn't think about the subtext of what you were writing.
anyway, back to ford: i believe this extends to him as well. alex wanted to write a character who's a foil to stan and who was a selfish unlikable victim of his own arrogance. however that's not what he wrote. he somehow seemingly accidentally wrote a really compelling and relatable awesome autistic guy who had to fight for every good thing he he ever had in his life only for it to be taken from him every single time. but alex can't let go of seeing ford as just "the opposite of stan". when he talks about "how someone as smart as ford could fall for bill's tricks", he refuses to realize he wrote a situation in which a man was being psychologically manipulated and tortured.
it goes back further, too. people repeatedly theorized that filbrick was... not a very good father, to say the least. on top of the very explicit and canon fact that he threw one of his children out on the street (seriously, there is no defense for this), people pointed out that stan would flinch at filbrick, that ford seemed upset by things filbrick said but dared not talk back, that filbrick was mad at stan not for hurting his brother, but for "costing the family potential millions". but alex can't have people seeing ford as sympathetic. ford can't have it bad like stan did. ford had to have everything and he lost it all because he sucks so much. so he wrote the graphic novel story where ford is filbrick's favorite child and filbrick also is not even a bad parent you guys he's just stoic. ignore the whole thing in dreamscaperers where stan perpetuates the abuse that filbrick did to him. ignore the fact that ford was shouting at stan and then completely shut up as soon as filbrick entered the room and did not say another word for the rest of the night. ignore all that because i just made up this story where he cries at a present from stan. filbrick loved his boys for sure you guys!!!
i'm not even touching on how alex repeatedly villainizes traits commonly associated with mental illness and neurodivergence. ford's hypervigilance becomes arrogance. his passion for knowledge means he's a know-it-all. his difficulty socializing and making friends means he's a misanthrope. his lingering resentment for the way he was raised means he hates his brother and is the worst human being to ever have lived. i could go on, go even further into how the finale reaffirms this, but i feel weird talking about this too much.
#help you unclogged the dam and it all came rushing out#it's been years#didn't know i still had all this in me#apologies for the lack of sources. i reference a lot of old interviews and tweets from 2016-2017#i know insider was one of them but a lot of it was questions he'd be asked at convention panels and off-handed comments from the dvds#seconds before the clip i included alex says ford's great flaw is pride#as though it was his pride that led to the world ending#and not a millenium-old plan by a monster using advanced manipulation tactics supplemented with literal mind control#tales of the wild zeep#1009
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Favourite Drarry recs (long fics maybe? pretty please?) that are ideally to enjoy this Spring season ?
Hello again! That’s a great ask - I have a long fic rec list that you might find interesting, but this inspired me to do something more specific with Spring vibes feat house renovations, cooking as love language, gardening, domesticity, no angst romance etc etc etc. This is 100% based on my own perception of spring vibes btw, but I hope you’ll enjoy these as much as I did!
💐 Short fic:
magic in the making by @getawayfox (G, 2k)
I didn’t see Malfoy for a year after the trial. When Gin told me that, according to Pansy, he had opened a little posh bakery in Mayfair, I thought she was joking, so I went to see for myself.
Market Saturdays by @sorrybutblog (M, 3k)
In which Harry is an accidental part-time cheesemonger, Draco is an organic farmer and they fall in love. Not an AU.
The Long Fall by @tackytigerfic (M, 3.6k)
It's supposed to be a simple house renovation, and maybe it's just the paint fumes, but Harry is feeling dizzy around Draco Malfoy. And what's the real meaning of family, anyway?
Ice Snakes, Glow-worms and Wolverine Stew by khalulu (M, 8k)
Harry Potter apparently wants to talk to Draco about something, but odd events keep getting in the way of that conversation – and bringing them closer together. Featuring serpentine travels, misbehaving birds, dubious roofing projects, a gay beach, and an unexpected matchmaker.
Life goes not backward by @shealwaysreads (T, 9k)
Harry still isn’t used to gifts, but this one is different. A story of coming home, finding safe ground, and the wild courage of putting down roots.
A Truth Universally Acknowledged by @sorrybutblog (M, 17k)
A year out from the war, Harry agrees to accompany Hermione on a historical walking tour of Pride and Prejudice. Not in the itinerary: running into Draco Malfoy, setting off a summer of stately homes, lavish parties, resentful shagging, and maybe, falling in love.
amid this warm and steady sweetness, orphaned (E, 21k)
Harry is not living in a period drama, no matter what his friends or his new house or Malfoy’s sudden affinity for horse-riding might suggest, and if one more person uses the word courting, he’s going to start hexing people.
💐 Long fic
Moldova's Magical Tea by @aibidil (E, 32k)
Neville Longbottom, Luna Lovegood, and—to everyone’s surprise—Draco Malfoy are opening a magical tea shop to revive wizarding tea culture and, hopefully, to bring the community together after the war. Harry, who is unemployed and trying to find his way in post-war society, wants to help his friends with their new business—but that means spending a lot of time around Malfoy.
Clouds That Veil the Midnight Moon by @drarrytrash (E, 36k)
According to Harry’s personal narrative regarding the incident, he’d hooked up with Draco Malfoy for purely self-destructive reasons, or out of convenience, or by some unlucky accident. Looking at him, sprawled in the moonlight, Harry is devastated to recall that he’d hooked up with Draco Malfoy because he’s hot.
Follow the Water by @xanthippe74 (T, 40k)
Harry Potter’s life is fine. Maybe a little dull and predictable, but he shouldn’t complain about that, right? When he unexpectedly finds himself at Luna’s house one afternoon, Harry gets invited to join the secret wonderland that she’s creating with a surprising group of friends. Maybe a summer outdoors is just what a former hero needs to bring some zest back into his life.
Through the May Air, Over the Ocean by tsauergrass (T, 45k)
Draco Malfoy never expected to find himself in Scotland or being stuck in a cottage with Potter—but wonders never cease. A story about warmth, a story about falling back in love. A story about a flock of sheep in the distant fells of Scotland.
Our Objective Remains Unchanged by @citrusses (E, 46k) - Muggle AU
Harry Potter, returning member of the Oxford University Boat Club, has two goals for the spring of 2005: beat Cambridge, and beat Draco Malfoy. Perhaps not in that order.
Sweeten to Taste by @saintgarbanzo, @babooshkart (E, 51k)
It starts with Draco's buckwheat crepes with honeyed oranges. Or maybe it starts with his porridge with toasted walnuts and homemade apple butter. Or perhaps it starts with the cinnamon buns Draco made from scratch with mascarpone icing. Harry just knows he's hungry for more.
Against All Odds by momatu (E, 54k)
Beauxbatons is hosting the first ever Quidditch Summer School for children from all over Europe, and Harry has promised to enroll Teddy as his birthday present. Meanwhile, Draco is stuck in his office, putting together the first ever Quidditch Summer School for children from all over Europe during, when he should be enjoying summer holidays.
What Branches Grow by @the-fools-errand (M, 55k)
When a run-of-the-mill investigation turns up evidence that the Death Eaters may be resurfacing, Harry seems to be the only one who believes Malfoy has anything to do with it. Yet according to official records, he’s been the poster child for the Ministry’s post-war Rehabilitation program, living in a small muggle town in Wales.
Meet Me at Midnight by @the-starryknight (T, 57k)
Harry was beginning to wonder if he’d ever make anything again when Malfoy stormed through the door of Harry’s furniture shop. Now Harry’s got an impossible Ministry commission to finish, and even less energy than ever to deal with his elusive muse. That is, until he stumbles upon the surreal and beautiful world of a mysterious fae creature…
Stately Homes of Wiltshire by waspabi (E, 58k)
Malfoy Manor has mould, dry rot and an infestation of unusually historical poltergeists. Harry Potter is on the case.
The Promise of Summer by Omi_Ohmy (M, 66k)
How was Harry supposed to know that coming back for eighth year would be so confusing? Everything is the same, and yet not the same. And nowhere is this more obvious than with Draco Malfoy. Harry finds himself once more watching and following Malfoy, trying to work him out. When they are drawn together to heal the castle, Harry doesn’t just find Malfoy - he also finds himself.
Home Truths by @skeptiquewrites and @fantalfart (E, 67k)
In the off-season Harry decided to fix up Grimmauld Place and found that Draco Malfoy was the only person who could help him. A demanding career and unrelenting press scrutiny were enough to deal with before Harry added a house with a mind of its own, family history, and a tense, flirty, complicated relationship with his childhood nemesis to the mix.
The Claiming of Grimmauld Place by @bixgirl1 (E, 74k)
When Grimmauld Place begins fighting against Harry’s ownership of it, he decides he needs help to train the historic home — but little does he expect that it’ll be Malfoy who’s most suitable for the challenge. However, as Malfoy and Harry get closer, Harry comes to understand that expectations aren’t always the best path by which to guide his heart — and in the process learns just what is needed to make a house a home.
Knead by laughingd0g (E, 83k)
This is not a story about Harry renovating Grimmauld Place. This is a story about coffee shops and brewpubs, about Ginny and Luna on a farm with creatures, about magical Oregon, coastal road trips, flying, friendship, and Draco Malfoy's lean arms.
Wild, orphaned (E, 92k)
“No,” Harry said, by way of greeting. Malfoy’s blonde head rose slowly, carelessly. “Get out.” “I feel as though we’ve already established this, Potter,” Malfoy responded. “And I feel that what we established was that you telling me to get out of places really doesn’t make me more likely to vacate them.”
Little Deaths and How to Avoid Them (or Draco Malfoy's Guide to Stop Dying and Start Living Instead) by nerakrose, dustmouth (T, 96k)
Malfoy is way too interested in coroner reports for somebody who's definitely not looking for ways to die, Harry wants to be friends with him, and Ginny wants to break up with Harry.
The Liars Department by @dorthyanndrarry (T, 103k)
This is a story about Harry meeting up with Draco Malfoy four years after the war. And a story about Harry, well, not hating his job per say, but it's not like he has much to compare it to and it seemed fine. His whole life seemed fine. Then Malfoy came along with and his flashy suits and fast car making everything seem dull in comparison, and Harry... Harry couldn't just leave well enough alone.
Any Instrument by @dictacontrion (E, 131k)
Draco Malfoy wouldn't go back to England for anything less than an exceptional case. Being asked to figure out why Harry Potter can't control his magic might be exceptional enough to qualify.
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The thing about arya fans' argument that arya comes before sansa in the line of succession because robb disinherited her because of her forced marriage is the underlying misogyny and victim blaming of it, and their assumption that grrm thinks the same. We don't have jon [you know the actual person robb chose over sansa, and i think its time we start talking that the will specifically was about sansa and jon and that shit means something narratively] asserting that winterfell belongs to sansa despite everything and him not falling to the bait of stannis calling her a lannister, to just assume that according to grrm what robb did was OK. If people actually think grrm wants to show robb was right and girls truly are not important and thus his disinheritance of his sister's rights will be upheld, then they need their heads checked. Its not like he showed us that jaehaerys's sexism was what led to death of the dragons and downfall of targaryens even though grrm considers him a good ruler. Ultimately, catelyn will be validated when brienne saves either sansa or arya with oathkeeper and sansa will become lady of winterfell/qitn DESPITE robb's will. He [and arya fans] can suck it.
Hi soulmate anon,
Before we start, I have to let you know that one our previous posts was screenshotted and circulated in the arya stans circles because “we’re spreading our agenda on a neutral public platform” or something along those lines. Idk if you’ve seen that or not but I had to let you know before we go off kicking another hornet’s nest lol.
Anyway, that out of the way, to the Arya stans who are so hellbent upon removing Sansa from the Stark succession, Robb declared Jon as his heir, pushing Sansa further down the line (not disinheriting her jesus fuck) because through her Tyrion may lay claim to Winterfell, landing it in the hands of the Lannisters, exactly what Robb and Cat are trying to prevent. Robb didn’t “disinherit” Arya because he thought she was dead. Hope that helps.
WAIT!
the will being specifically about Jon and Sansa and that we need to start thinking about that narratively
SCREAM
Okay, I have now moved on (I have not). Though please feel free to talk about this more, I wanna know more. Guess I’ll now have to add jonsa tag to this answer hehe :P
I mean Robb did come from a place of “authority over the female members of his family” here with the will and that’s exactly the kind of thing we have to side eye. Taking it at face value and uncritically thinking about it is not a fair way to engage with the text I feel. You’re right when Jon himself reiterates Sansa’s claim over Winterfell, we are supposed to think twice whether Robb’s action was equitable or not. Stannis calls Sansa “Lady Lannister” to coax Jon into staking a claim over Winterfell so that Stannis gets a good reason to march to Winterfell and attack the Boltons (which he will anyway, but Jon’s, a member of the Stark family, support would mean political backing and reason). If we fall in the trap that Stannis thinks Sansa is now a Lannister, and therefore she is now a Lannister with no claim to Winterfell, then we’ve lost the plot and are coming from the same misogynistic hypocrisy (he wants Shireen on the throne if he dies but calls Sansa a Lannister, how does that work old man?) that destroys Westeros (your Jaehaerys example). And are no different from a crusty medieval era middle aged man btw.
It’s so fucking funny when the readers start emulating the same sexism that the author wants them to critique, and then start calling themselves feminists because they’re supporting a woman’s rights! Which woman’s rights besties? Because the one that clearly has them, you’re actively against her staking her claim. Wait till they read the books with their eyes open and realise that Arya comes at the end of the heirs to winterfell list, despite Sansa getting “disinherited” lmao. And I love Robb, he’s just a boy trying to do his best, but he truly made mistakes, especially with not listening to Catelyn. We also cannot deny the undercurrent of misogyny and chauvinism that Robb demonstrated with the will. Re Sansa’s rights and Jon’s decision to be with the Nights Watch. I will patiently wait for Catelyn to be validated and Sansa to be the Lady/QiTN not only because that subverts reader’s expectations and Westerosi patriarchal standards but because I want to see Sansa antis have a grand old meltdown.
#soulmate anon#asoiaf#anti arya stans#pro sansa stark#sansa stark#jon snow#robb stark#jonsa#anon your mind#anon asks t#long post don’t look
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people who think clem surviving makes no sense are so funny. "they were literally foreshadowing her death the entire season" let me introduce you to the concept of a red herring. she tells lilly she isnt lee and shes right. the narrative was forcing her down that path, a path she saw as an inevitable fate waiting to take her too, but its a narrative broken by aj, who is also his own person and not S1 clem
"it happened to lee, and itll happen to you" lilly tells clem she'll die protecting aj from some mistake he makes, when in reality his defiance of her will is what saves her life after she had already accepted her fate. he breaks clem free from the lee cycle and they get their relatively happy ending. good for them
#anyway in the commentary they talk about how they Were going to have a death ending but didnt like the idea of the good/bad ending#and how people would moreso try to avoid the 'bad end' which i understand and appreciate bc thats usually what happens#so instead they gave us both :) idk why some people seem to have such a huge problem with that#they broke the cycle :) the ericson kids broke the cycle by being a loving community :) they all break the cycle by refusing the delta#lilly and minnie were both lost to the cycle. lilly with her dad and minnie with lilly#minnie couldnt let go. clem almost did the same and it would have killed her too. but aj makes a Choice and it saves her#god even tho clem is noticeably happier in s4 shes still so gd depressed and Tired. she accepted it so fast im so glad he saved her#like idk you saw her come back on screen after that massive fake out and you got Mad?? i was crying twice as hard#i know ive made this similar post before but like i still see this criticism in 2024 and i just have to laugh now#it speaks#twdg#i just love the narrative threads of S4 bro.... seasons 1 and 4 are two sides of the same coin and i love that. its satisfying
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i wrote a 500 word dynamic poem for neo-twiny jam :-)
i rewrote this in a few different ways with a handful of different drafts before settling on just doing a poem; this originally came from a full branching narrative i've had stewing for a while, and i might come back to it one day. but for now i enjoyed channeling that into this poem, which has also been very influenced by the fact that i've been writing hungry vampires for almost 2 months now.... it was also my first time messing with audio in twine, which ended up being way easier than i expected (i'm sure it helped that i only used one audio sample tho)
faith does contain sexual content, and while not super explicit, it is the main theme of the poem.
anyways hope you enjoy and check out the other entries here!
#if u read one day hike it's in the similar vein i guess. sad lesbians...lol#this is VERY embarrassing for me i do not write or share poetry very often so. HRNG#i tried to do more of a narrative style first with choices & an abrupt short voice#but i really didnt like it. felt even more embarrassing than this...#i dont think the way i write lends itself to that style & it felt very amateurish/childish#so i set it aside for a while and kept working on my other project in the meantime#so i think when i came back to it i was feeling partially inspired by what i had written for that which made me rewrite it again#sex and food and desire and hunger... you know how it is#not 100% about it all together but i like it more than the first 4 versions lmfao#i did try to do timed lines as well and it just.. didnt hit for me. i love/hate timed lines you have to really get them just right#or else they're just annoying iykwim#also i was surprised i actually hit 500 words i didnt think i was going to#also also this is a poem in that. i wrote it and am calling it a poem...mnfkjdg#anyways. ough#faith#other writing
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I can not believe that Yakuza 3 ended with Mine realizing the error in how he'd lived, being told that he could get another chance to do better, and heroically sacrificing himself to take out Andre Richardson saying "maybe in a next life" and then Andre Richardson is the one who turns out be alive in Infinite Wealth. like lmao?
#the continuous retconning of characters to be alive is equal parts annoying and funny#and also characters sacrificing themselves and dying right after they're given redemption :| also annoying#my thought with Nishiki and Mine was that they already had been shot#so the narrative would not have let them survive anyway. so they made the most of their deaths#but yeah. retconned character deaths is egregious in like a dragon#and they've kinda been hinting Ryuji's alive#which i could be fine with. he's somehow alive in alternate reality Dead Souls. he could be alive in main canon#but they should keep his gun hand#and maybe Mine being alive would be nice because there was literally so much emphasis on a new life for him?#if Andre Richardson survived then Mine should too lol. if we're making Mine's sacrifice pointless let's just go all the way#they should actually bring back all the fridged women. they did not deserve that#Yumi Reina and Yasuko are just chilling somewhere#but other than that no bringing people back. I love Nishiki sm but I do not want to see his ass#for some reason i really do not want them to bring back Nishiki compared to like Mine and Ryuji#but I guess like Nishiki's death was so influential on Kiryu. having him actually be alive the whole time would be infuriating#same if they like. brought Rikiya back. or the Arakawas back for Ichiban#my txtstuff#yakuza spoilers#yakuza 3 spoilers
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one of the main things that I feel like 9-1-1 doesn't do right/could do better is related to how quickly they resolve any issues with the characters, like I'm on season 3 right now and I feel like the conflict with buck vs the 118 squad (just to take a specific example) could've been dragged out a little more to give it time to actually explore everyone's feelings and reactions and also the consequences
#gi watches 9-1-1#I LOVED when eddie suddenly suddenly exploded against buck#it was actually the part that was better done in regards to this specific conflict for me#but i also think it would've been even stronger if they had built it up more AND if they follow it through more (which they still#might tbh I haven't watched the next episode yet but they usually resolve stuff very quickly)#I just want them to let conflicts/narratives/plot stuff develop more#again with this example I want to see more of how bobby feels the betrayal how buck struggles with his decission to do it how bobby decides#it's okay for him to come back (is he still mad? will they talk about it?)#instead I feel like it was just 'oh okay buck apologized everything's fine now'#but did anyone try to see it from buck's perspective? are they just going back to normal? can they still trust him just as easily even#*though he 'betrayed' them (mainly bobby but still)#9-1-1#9 1 1#911#911 fox#911 abc#tv shows
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people with their fave's extra hours of dialogue and double the romance scenes claiming the char in question wasn't l*rian's writers' pet... I can't this is a stupid fucking hill to die on and that is objectively provable there is a reddit thread where someone literally did the maths. You are just wrong and you need to shut up.
#tbd#(1) one character in bg3 got more romance content than eeeeveryone else by a pretty vast margin#a clown who works at l*rian literally admitted to the blatant favouritism what more do you need#a clown i might add who in their own words#was the narrative design LEAD who worked with individual character writers to plan and develop storylines :^)#and magically only had time for the (1) one character who you keep insisting isn't a writer's pet#as if writing all those extra interactions wasn't giving more work to everyone down that pipeline during crunch lmfao#which is even more irresponsible#but soo many people at l*rian just let that happen lmfao#i love how it's like 'BUT THE STATS SAID'#it's only proving the fucking point my dude#the stats in both early access and full release said a certain couple of chars were the most popular to romance#meanwhile both those characters only got half the potentially romantic scenes the writers' pet did#(1) character got preferential writing over ALL the others for the durge romance like jesus christ#'more talked about than your fave' my god shut up you cretins#like shut the fuck up and sit the fuck down#you can get a seat at the table of people who have every right to bitch when l*rian writes in more romance scenes so it's six for EVERYONE.#and all those fucking extra wittle durge interactions#EXIST FOR EVERYONE ELSE#and now i go back to my hiatus bc this site is bad for my blood pressure#fandom wank#bg3 critical
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it might need a reread once the full official tl comes out but i gotta say. based on one read, guardian (novel-only) did not feel like it actually went anywhere. it's like the novel equivalent of those posts where you learn something and the next reblog immediately refutes it. neutral experience.
#guardian spoilers in tags#like multiple times a character introduces a tension-causing plot point and then as soon as the arc is resolved#and in some cases within like. one or two chapters#the problem just immediately resets to nothing?? no consequences at all??#at one point zhu hong 1. is made to resign immediately due to familial issues and 2. has a crush on zyl#and she immediately decides not to resign with no further familial strife/pushback AND accepts that zyl won't love her back with no issues#if there are no plot consequences then why did we introduce that. what was the point#or like. shen wei deliberately orchestrating every possible interaction he had with zyl#including the ones that provide the will they-wont they tension before and after they get together#in the service of them DYING TOGETHER#like it feels like the reveal was trying to be a gotcha moment but it just made their relationship feel more meaningless#and he doesn't even go through with it in the end!! i got a blissful thirty seconds of believing that#the reveal that every moment of narrative tension beforehand was worthless#was actually meaningful bc shen wei fucking died#but no! he comes back again! perfectly fine! BETTER in fact than beforehand!#and the only consequences there are zyl. pretending that he doesn't know him for a solid two minutes. thats it????#it just feels like a whole lot of nothing. honestly it feels a little like priest came up with the relationship dynamic first#and built the entire world around trying to make it make sense#which isn't necessarily a bad way to write a story i just wish it had been handled a bit better#also slightly unrelated but did i misread it?? bc what the hell was up with ghost face's parting line#i genuinely thought his death was setting up for another 20 chapters of plot where he comes back#bc hes like 'ohhh shen wei u wanted to defeat me w/o ever fighting me directly well guess what! u won't get away w that forever!#ill force u to fight me directly just u wait!'#AND THEN HE FUCKING DIES????? and its anticlimactic bc the main characters are barely involved?#like sir. come back and do this right.
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So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.
What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.
She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.
The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.
Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.
The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.
What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.
Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.
It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.
#scott pilgrim#spto#scott pilgrim takes off#roxie richter#roxanne richter#scott pilgrim spoilers#spto spoilers
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ghost, but as your fake boyfriend.
you were panicking.
your mother had called earlier, asking if you could come home for a few days. apparently, your brother had returned from overseas, and she called to let you know that every single member of your family would be there. a small family reunion, if you will. of course, she expected you to show up too, perhaps bring that boyfriend of yours you always told them about.
which was a problem because one, you don't have a boyfriend, and two, you have lied to your family for years and now it's come to bite you in the ass.
you didn't even know why you did it in the first place. perhaps the constant pestering and questions about "when will you get married?" is starting to bother you, especially when it came from so many of your relatives, wondering if you'd settle down already instead of being out there in danger all the time. perhaps you just want them to leave you alone and stop worrying about your wellbeing. after all, you're an adult, and it's just annoying to hear the same thing over and over again every single time when you went home for christmas.
so, you created this narrative of a "boyfriend", who you'd talk about when your parents called. a boyfriend who is tall, handsome, and loves you for who you are. a boyfriend who you'd live with and maybe plan on marrying too in the future. a boyfriend that is so much of a textbook nice guy that your family would approve of even if it sounds too good to be true.
you're not sure who to ask. soap would be your best bet, but he would be away on a mission at that date. which was unfortunate, he seemed really excited to play fake boyfriend with you. gaz just ran out of leave for this month, so he's out too. price is too old, your family would question it.
that leaves just one person...
"lt, can you do me a favor? please, just this once."
ghost turned towards you, leaning back and letting you explain. you told him that you need him to be your fake boyfriend for a family event.
unsurprisingly, he was very quick to stand up and leave you alone, not wanting to deal with your bullshit. still, you catch up to him, trying to convince him with whatever it is you could offer.
after a few rounds of convincing, tailing him for three days and nights, constantly pestering him, and some offers of the finest whiskey and whatever he wanted, ghost finally relented. it didn't take long for the two of you to fly back to your hometown two days before the family reunion, the two of you taking a week of leave from the base with very little trouble. you assumed that ghost had something to do with it.
before you arrived, you had to give him a rundown on what to expect, what questions will be asked and how to answer them for it to make sense in the web of lies you've created. he was definitely not thrilled, telling you that he got this... whatever "this" was supposed to be. you were nervous, hoping that things will actually go well.
surprisingly, ghost did keep true to his words. walking into your childhood home, he held your waist, keeping you close to him, even would act nicer to your nosy relatives (which, of course, was not surprising when you feel his grip got tighter around you).
dinner was quite cozy, everyone seemed to enjoy his presence and kept asking you if you two will end up married. ghost said something vague that made you blush, and while it embarrassed you, it got everyone to stop talking about it.
when the crowd dissolved, you took ghost to go see your childhood bedroom, closing the door behind him as you thanked him for doing you a good favor, and that you won't forget all about this. you didn't even realize that he stepped closer to you, too absorbed in gushing how successful the night has been, pulling you close and planting a kiss on your lips. it shut you up.
"... did you just kissed me?"
"mmhm. i reckon i deserve at least that, huh love?"
"i suppose you do..."
he kissed you once more. well, at least you won't have to lie about your fake boyfriend anymore.
#this has been in the drafts for so long#i lost track of where this is supposed to go#call of duty modern warfare#call of duty headcanon#call of duty#simon ghost riley#cod headcanon#simon ghost riley x reader#cod ghost x reader#fake boyfriend
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since the rusty lake tags are about to be a hellscape of nastiness toward albert fans who enjoy him in any other way than one-dimensional unattractive hate sink,* i just want to say y'all are valid and it's great that you're having fun and contributing to the fandom, and i hope the new content brings you the excitement and joy you've been looking forward to ✨️
*(boy i could go on about how Very Yikes the latter trend is for a number of reasons, but that's a whole post of its own and i will be making it lmao)
#rusty lake#rusty lake the past within#albert vanderboom#i love roots dearly;#but it has some very VERY nasty tropes re: albert and its framing of disabled people/abuse survivors#and seeing the fandom go astronomically above and beyond to take the bait is 😬😬😬😬#especially when there is not a single peep toward a single other person responsible for abuse both over-the-top and mundane#except nicholas; who is a nonsurvivor with zero power imbalance against his favor#in any aspect#and albert STILL gets 90% of the hate; and his fans get all of it#begging people to use One brain cell to step back; examine the framing; & realize that railing abt how a man w/ multiple facial differences#one of which is a severe disfiguring facial scar#both of which are used narratively to telegraph that he's Evil from the very beginning of his life#is disgusting and unattractive and a Freak and should never ever be seen as anything but an object of hatred#is uh. Bad. it's bad. no matter what he did#the writers packaged those two things together for a reason lmao#anyway pay me $500 or get back to me when you've also made posts on the regular about jakob; aldous; emma; samuel; and mary Simps#and if you have ever once in your life called albert a freak then pay me anyway#the salt files#ableism cw#abuse apologism cw#antisurvivorism cw#fr slur cw#rusty lake tag
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Honestly I think my take on the "Chat Noir was not there in the final battle" comes down to the fact that I kind of just don't think a satisfying final battle between Chat Noir and Monarch was actually possible.
I read a lot of fic, for example, and I've read the scenario play out a lot of times in a ton of ways and I've never been fully convinced of it tbh (and not because they weren't great fic!!). It seems just completely traumatic for Adrien in a way that the scenario inherently cannot properly focus on, because it's all happening in the middle of an action scene and Adrien is too busy being Mid-Battle to properly have a cathartic breakdown about it all. I mean, Chat Blanc already showed us what would happen if he did have a breakdown mid-battle (and why wouldn't he?). And though it'd be fun to have a big triumphant moment of him defeating his abusive father, Adrien simply isn't a character who would find that scenario triumphant, or cathartic, or anything other than viscerally traumatic.
Also, I agree that it's unfair that Chat Noir was not present— like it was unfairly tilted in Ladybug's favor— but I don't think it'd be fair if he was present, either. Because Marinette is, in fact, the main character. The main character whose character arc is primarily focused on her finding her footing as a hero and discovering all the responsibilities that come with that power (as opposed to Adrien, whose character arc is moreso about freedom and identity). And let's face it, in a fight between Ladybug and Chat Noir and Monarch, nobody would be focused on Ladybug at all. It's not about her. It's not her fight. She'd just be there as moral support and an extra set of hands, which really doesn't work for her character arc at all and is completely unfair to her!
Basically, it would just be Chat Noir temporarily acting as the main character and having the worst time of his life in the most un-cathartic battle for him possible left completely traumatized with Ladybug in the background awkwardly trying to comfort him after the fact? And then the season ends? And then the next season presumably goes back to Ladybug being the main character? After a time-skip to the new school year? It's just an ending that I feel like is a lot better in theory than actually on paper. And you can probably make an argument for ways that it could be made to work, where it would enhance Ladybug's story in a meaningful way where she still feels like the main character, and would somehow be triumphant for Chat Noir despite it probably being the worst moment of his life, and somehow not make the rest of the series following feel like bonus content as opposed to a continuation of the story...... but, I dunno. I think it's a lot easier said than done.
The fact of the matter is, I've always been waaayyyy more interested in how the aftermath of Gabriel's defeat affects Adrien than the battle itself. Post-Hawkmoth defeat is one of my favorite types of fic for a reason, and it's because the aftermath can be so juicy, especially for Adrien as a character. I think whether or not Adrien is actually there in the battle itself has always been kind of irrelevant to me, because no matter how Gabriel is defeated, his defeat will have immense repercussions on Adrien's life going forward. And the way they did it, Marinette is now a part of it in a more active way, too. Which is good for her character!
( Also, if he was there to triumphantly defeat Gabriel, would that mean he would just.... watch his father die? of cataclysm? a-and.... nathalie would just.... die, too? so he'd have three dead parents after all that? who he watched all die (or, in emilie's case, saw her corpse)? or is this a scenario where MONARCH BEATS CHAT NOIR and still makes the wish? is that cathartic? for Adrien to lose to Gabriel? Frankly, I loved seeing Gimmi and The Wish, it's been teased for so long that I was expecting it, and I loved the fact that Nathalie got to live as her narrative reward for coming to her senses and trying to murder Gabriel with a crossbow. I like that we got to watch a full season of Gabriel painfully dying to a cataclysm— poetically inflicted on him by Adrien, but of Gabriel's own doing. I like that Nathalie has presumably adopted Adrien after having an arc of her trying to be a parent to him once she realized nobody else would, that's so much more interesting than any other alternative. I just don't see how all of these things, some of my favorite things that season 5 gave, can still all exist at once with Chat Noir present in the final battle in any way that's satisfying. )
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You don’t have to pay for that fancy worldbuilding program
As mentioned in this post about writing with executive dysfunction, if one of your reasons to keep procrastinating on starting your book is not being able to afford something like World Anvil or Campfire, I’m here to tell you those programs are a luxury, not a necessity: Enter Google Suite (not sponsored but gosh I wish).
MS Office offers more processing power and more fine-tuning, but Office is expensive and only autosaves to OneDrive, and I have a perfectly healthy grudge against OneDrive for failing to sync and losing 19k words of a WIP that I never got back.
Google’s sync has never failed me, and the Google apps (at least for iPhone) aren’t nearly as buggy and clunky as Microsoft’s. So today I’m outlining the system I used for my upcoming fantasy novel with all the helpful pictures and diagrams. Maybe this won’t work for you, maybe you have something else, and that’s okay! I refuse to pay for what I can get legally for free and sometimes Google’s simplicity is to its benefit.
The biggest downside is that you have to manually input and update your data, but as someone who loves organizing and made all these willingly and for fun, I don’t mind.
So. Let’s start with Google Sheets.
The Character Cheat Sheet:
I organized it this way for several reasons:
I can easily see which characters belong to which factions and how many I have named and have to keep up with for each faction
All names are in alphabetical order so when I have to come up with a new name, I can look at my list and pick a letter or a string of sounds I haven’t used as often (and then ignore it and start 8 names with A).
The strikethrough feature lets me keep track of which characters I kill off (yes, I changed it, so this remains spoiler-free)
It’s an easy place to go instead of scrolling up and down an entire manuscript for names I’ve forgotten, with every named character, however minor their role, all in one spot
Also on this page are spare names I’ll see randomly in other media (commercials, movie end credits, etc) and can add easily from my phone before I forget
Also on this page are my summary, my elevator pitch, and important character beats I could otherwise easily mess up, it helps stay consistent
*I also have on here not pictured an age timeline for all my vampires so I keep track of who’s older than who and how well I’ve staggered their ages relative to important events, but it’s made in Photoshop and too much of a pain to censor and add here
On other tabs, I keep track of location names, deities, made-up vocabulary and definitions, and my chapter word count.
The Word Count Guide:
*3/30 Edit to update this chart to its full glory. Column 3 is a cumulative count. Most of what I write breaks 100k and it's fun watching the word count rise until it boils over.
This is the most frustrating to update manually, especially if you don’t have separate docs for each chapter, but it really helps me stay consistent with chapter lengths and the formula for calculating the average and rising totals is super basic.
Not that all your chapters have to be uniform, but if you care about that, this little chart is a fantastic visualizer.
If you have multiple narrators, and this book does, you can also keep track of how many POVs each narrator has, and how spread out they are. I didn’t do that for this book since it’s not an ensemble team and matters less, but I did for my sci-fi WIP, pictured below.
As I was writing that one, I had “scripted” the chapters before going back and writing out all the glorious narrative, and updated the symbols from “scripted” to “finished” accordingly.
I also have a pie chart that I had to make manually on a convoluted iPhone app to color coordinate specifically the way I wanted to easily tell who narrates the most out of the cast, and who needs more representation.
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Google Docs
Can’t show you much here unfortunately but I’d like to take an aside to talk about my “scene bits” docs.
It’s what it says on the tin, an entire doc all labeled with different heading styles with blurbs for each scene I want to include at some point in the book so I can hop around easily. Whether they make it into the manuscript or not, all practice is good practice and I like to keep old ideas because they might be useful in unsuspecting ways later.
Separate from that, I keep most of my deleted scenes and scene chunks for, again, possible use later in a “deleted scenes” doc, all labeled accordingly.
When I designed my alien language for the sci-fi series, I created a Word doc dictionary and my own "translation" matrix, for easy look-up or word generation whenever I needed it (do y'all want a breakdown for creating foreign languages? It's so fun).
Normally, as with my sci-fi series, I have an entire doc filled with character sheets and important details, I just… didn’t do that for this book. But the point is—you can still make those for free on any word processing software, you don’t need fancy gadgets.
—
I hope this helps anyone struggling! It doesn’t have to be fancy. It doesn’t have to be expensive. Everything I made here, minus the aforementioned timeline and pie chart, was done with basic excel skills and the paint bucket tool. I imagine this can be applicable to games, comics, what have you, it knows no bounds!
Now you have one less excuse to sit down and start writing.
#writing advice#writing resources#writing tips#writing tools#writing a book#writing#writeblr#organizing your book#outlining#shut up and write the book#google sheets#google docs
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Keep It In The Box : An Essay on OFMD Season 2 and the Failure to Heal
(here in is my season two reaction. It contains many many spoilers. It's also about 3k words long so you know what you're getting into.)
“See, I have a system for dealing with all the terrible things I've seen. There's a box in my mind, and I put the things in the box..” -Frenchie, Season 2 of Our Flag Means Death
…..and then he never opens it. Chekov’s locked box has no key in season two.
On first watch, it seemed clear to me that Frenchie’s declaration was a narrative plant. Clearly the whole season would be about that box of pain and trauma being opened, sorted through and at least the beginning of healing. The show had developed a reputation after season one of being kind and focused on queer narratives of healing from childhood. Ed and Stede’s parallels in their childhood traumas were frequently on display through season one and were repeated in flashback throughout season two. Jim’s season one arc about becoming someone who doesn’t think just of revenge and can now forge meaningful connections was profound, beautiful and often funny. Izzy is an antagonist because he doesn’t want Ed to move on or stop acting like the trauma-response version of himself. The antagonist wants to stop healing. The point is to grow, to change, to learn how to love. It’s one of the things that made season one work for me at the time, despite reservations about pacing and tone.
So naturally season two should follow suit. It’s a kind show! About healing and falling in love!
For the first several episodes, the remaining crew on the Revenge go through a gauntlet of trauma, forced to do and receive violence at Ed’s whims as he careens from self-destructive behavior to self-destructive behavior. This is the wounding setup. It was dark, but it seemed like it would have a payoff and at first it did.
Perhaps one of the most beautiful moments of the season comes in one of the small respites in those early episodes as Jim recounts Pinnochio to Fang to soothe him through his grief. That was the show that I expected. The kindness of that moment struck me very deeply. It gave me some understanding of Archie too, who seems to fall for Jim right at that moment.
That scene is the show season one promised. Season two led with packing Frenchie’s box full to bursting. Here is the fight to the death between lovers, there is a first mate who is mutilated and rotting in the very walls (the rot of the Revenge itself), and there is the storm of Ed’s rage and pain that threatens to consume all of them.
So surely these remaining episodes would concentrate on finding the humor in healing from those moments. That is the setup. Frenchie has a box. The box must eventually open.
Except time and again, all the characters who suffered are told that the only way to deal with what they’ve been through is to stick it in the box and never open it again.
Pete tells Lucius that he’s unable to move on and needs to let it go. Izzy has a story about a shark. Ed’s apology to the crew which doesn’t even contain the words ‘I’m sorry’ is just…accepted. I kept waiting and waiting for a meaningful apology to the people Ed had hurt the worst with his actions, but it seems all we get is Fang saying ‘eh, no problem, I got to hit you back so I feel better’.
The playful theme of ‘pirates are just violent sometimes’ from season one becomes a grinding horror machine in season two when every atrocity visited on someone is forgiven because the narrative needs it to be. Ed and Stede spend more time making amends with each other over the bloodless night on the beach than either of them spend trying to repent for their actions towards anyone else.
And let’s talk about Ed. Arguably this season pivots on his narrative, on his path to healing and growth. A path that starts at a very low point. His moment in the gravy basket, deciding he wants to live because there are still things to live for is so great! So one might assume that what would follow would be him pursuing those things, making amends, making connections. He and Stede have a wonderful moment, talking about being whim prone and how they’ll work to avoid that, build a relationship by going slower.
Yet, at no point do either of them stop following whims. They never heal or learn from what’s happened to them. They both keep running from thing to thing, particularly Ed. It’s a whim to sleep with Stede, it’s a whim to run off to fish, and the finale gives us just more of their whims. Ed drops fishing as fast as he picked it up. He finds those leathers in the ocean, murdering the symbolism of leaving them behind. Even the inn is a whim, one of those things Ed decided he’d be good at without evidence. And Stede joins him in that without a single on screen conversation about it ahead of the moment.
Ed needs to heal himself and to do that he needs to confront what he’s done and do the work to heal the wound. Instead, he doesn’t meaningfully apologize to anyone, besides Stede and Fang. Despite Izzy’s dying words (we’ll get to that), not only do we never see the crew caring about Ed, working to make him family in the same way they do with Fang and even Izzy, he also doesn’t choose to stay with them. So what is the point? Where is the healing? Or does even Ed, beloved main character, have to live with it all stuffed in a box?
He ends the season in the leathers he threw away, in a relationship that’s barely stabilized, going to live in a house which we are told by the narrative (in that they are very very clearly paralleling Anne and Mary with Ed and Stede or why do we even get that whole Who’s Afraid of Virginia Woolf? episode) will only end in them setting fire to each other to stay warm.
But Vee, I hear you cry, it’s a ROM-COM. This is all meant to be ha-ha funny and you are taking it so seriously!
Cool beans. Then why the hell isn’t it funny? Healing is often filled with comedy because people deal with pain with humor. You can heal and laugh at the same time. The finale especially is almost entirely devoid of laughs, almost entirely devoid of joy until the last minute for that matter. The episode that should show off with a flourish how far everyone’s come, mostly serves to show that no one has grown.
Okay that’s Ed. I want to talk about Lucius next. Our former audience surrogate (that’s taken away in season two when he doesn’t get enough screen time to perform that role and no one takes his place) really goes through the wringer. He experiences many many terrible things, including sexual assault (which is made into a grimace-laugh line that doesn’t take away from it’s seriousness because oh hey, that can be done as it turns out). He’s nervous, he’s smoking, it’s clear he’s suffering.
There’s a beautiful moment where Pete tells him ‘hey, I was also in pain. I grieved’ and that’s great. It’s good that Pete sets a boundary about Lucius not obsessing over the past to the point of occluding their future.
We even get our comedic moment where Lucius pushes Ed off the boat (still not apology, but I’d lost hope for that by then) and that doesn’t help enough. So Izzy comes in with a shark and the advice that you just have to move on.
Just…you know. Play pretend. Forget.
Shove it in a box. Ed didn’t take my leg, a shark did. Ed didn’t kill you, a shark did. Live with the person that tried to murder you because it’s your fault you dangled your leg over the side of a boat. That is the show’s message. I thought on first watch, that surely this would also come back up and be explained that you can’t live that way, that that is no way to heal. That it would become clear that this was no way through. You cannot make everything into sharks.
Lucius can move forward and still carry pain. He can still want a meaningful apology and still want to talk to his lover about what he’s dealing with while moving forward toward a brighter future.
And what of the flirtatious promise of relationships and connections being the way to heal?
Look to Oluwande and Jim, whose heartfelt romance from season one was relegated to the bins of history in favor of a narrative that made him a brother Jim once had sex with. They could have had Archie AND Oluwande, who in turn could also have Zheng, but that never seems to be an option. With a single short conversation, they are broken up with, despite a brief tease at the birthday that they still ‘dance’ together, it never actually manifests. Jim and Archie never talk about what they went through. It’s swept under the rug as fast as knives are lowered.
Lucius also no longer flirts with other people, the solution to his pain is to propose and get married (but not too married, lest we forget that they’re two men, they don’t even get to be husbands or even the more respectful mates, no. They’re mateys.) This season proposes that the only happy endings are monogamous ones, where no one talks about anything painful that went before.
To ensure that message, beyond assuring the success of Oluwande and Zheng’s relationship, Jim and Archie almost entirely disappear from the narrative. Sorry you guys were given layers of trauma and no growth and not even much to do this season, we need to make sure that everyone remembers Oluwande is the break in Zheng’s day so when he says that to her five minutes later we know exactly what he’s referencing. No time for Archie to learn what an apology is or for Jim to get one line in with Oluwande that isn’t affirming their newfound broship. Must do more flashbacks to things we just did two episodes ago!
The show even dangles the conversation of the Revenge being a safe space. Why would any of them ever feel safe when the man who tortured them is allowed to walk among them and they are expected to forgive and forget? What’s safe about that? The ship is never made safe for any of them, but that’s never addressed.
And Zheng! Amazing, hysterically funny Zheng! She loses her ships, her entire way of life, the kingdom she built for herself and then…she doesn’t even get to captain the Revenge. We don’t know what becomes of her fleet, of her plans, her ambitions. Don’t worry about it, she has a romantic partner and isn’t that what every lady wants in the end?
(But Vee, I hear you cry again, there will be a season three! Maybe it will be All About Zheng! To which I say: then why did they present us with the most series finale feeling episode ever? If there’s more, I have no idea where it’s going. BUT VEE: BUTTONS AS SEAGULL ON THE GR- Fine. It’s time.)
Let’s talk about Izzy Hands.
Izzy manages more healing than anyone else this season. He reaches his lowest point, suicidal in the bowels of a ship that’s become a prison (very much in contrast to Ed’s suicidal low). The person he loves most in the world has shredded him physically and emotionally (and if you’re in the camp that thinks Izzy deserves the abuse that Ed gave to him, I would really like you to sit quietly with yourself and ask why you think there is ever anything anyone can do to deserve that treatment). He’s low, he shoots Ed to protect everyone, and then seems to plan to drink himself to death, mourning his losses.
And then another beautiful moment! The crew move past their own pain to help him. They work together for the first time and it’s to give Izzy mobility back. He treasures it. He cries over it. He uses that kindness extended to him to reach a new understanding of Stede and help him succeed, doing the work to make real amends. He sings in drag, he’s vulnerable and beautiful, celebrating the side of himself that he must’ve loathed in the first season. He’s an elder queer man, coming into himself.
He never gets an apology though. (‘Sorry about your leg’ without eye contact is not an apology. There is no responsibility taking, no acknowledgement of the weeks of torture that came with it.) Izzy also never really has an honest conversation with anyone about what it means that the man he loves punished him so severely for the crime of trying to protect the crew (yes, lest we forget, Izzy lost his leg because he was trying to keep Ed from re-traumatizing the crew and himself).
Izzy does all this work, but even he’s not allowed to take it out of the box. It’s a shark, not Ed. Ed is just ‘complicated’ (the language of abuse here is so upsetting and I think not even intentional).
And then he dies. His last act? To apologize to the man who tortured him and shot at him. To have done all this work, to take on all the blame. And then die.
In a rom com.
This show ends in a profoundly unfunny moment of telling the audience: this is the one character that did the work, that made amends, that tried his hardest to accept the parts of himself that he had a hard time embracing and formerly embittered him. He’s fully accepted his queerness and turned it into beautiful music. He’s disabled, and he worked hard to accept that. The man he loves will never love him back, so he worked hard to make Stede able to meet Ed on an even playing field. The Giving Tree gave up its limbs and its trunk, and it’s not even allowed to be a stump to sit on.
Kill the queer elder, who has managed to figure out how to live and in his own way how to heal. Kill him before he manages to teach anyone else how to meaningfully move forward (he almost gets it with Lucius, almost, but it’s meant to be rule of three, you know. Cigarette..shark…and then…and then fuck it, Lucius doesn’t even get to say a word at his funeral).
The message of this season again and again is that there is no healing, just moving forward. Like a shark. Like a bird that never lands.
That is not a kind show.
Season two is not a kind season.
It splinters people up and jams them back together without purpose or reason. It tells everyone who experiences pain that they should shove it in a box and not deal with it. No one who really needs one gets an apology of any sincerity. No one puts in the work to gain forgiveness. (Ed wearing a onesie is not The Work. Ed fixing a door is not The Work. Ed broke people that the show wants us to care about. Ed never does the work of making those amends. He fires off a Notes app apology at best. After all, it’s what he told himself via Hornigold in the gravy basket: you move on or you blow your brains out! Good thing he took his own advice and therefore had to change nothing to get his just rewards.
I would’ve taken just fifteen minutes of Ed trying to actually make amends. It could’ve been hilarious! Imagine awkward Ed trying to dance around what he’s doing with Jim and the two of them having a knife throwing competition about it. Or him and Frenchie attempting to make music together, writing a song about the raids they went on! It’s not just the crew robbed of their healing because of this, it’s Ed himself. He never meaningfully changes or makes amends. How is he any different at the end of the finale then he is standing on the edge of that cliff with Hornigold? He hasn’t moved on, he hasn’t healed. He tried one thing (fishing) that doesn’t fucking work and then he runs right back.
No one leaves this season better than they went into it. They’ve lost an elder queer, they’ve lost their joyous and queer polyamory, they’ve lost a chance for meaningful reconciliation with Ed and Ed lost any chance of looking like he gave shit if they did. Stede grows enough to accept the crew’s beliefs as important and then leaves them behind without a care.
Izzy gets a beautiful speech about piracy being larger than yourself. Ed and Stede, within twenty minutes of that speech, leave piracy. They are incapable of giving themselves to something bigger, apparently. They haven’t learned to be a part of a community. They haven’t healed from their childhood trauma or their fresher wounds. They are still just following their own whims.
Zheng’s life work is in tatters, but it’s fine, she has love. Oluwande and Jim aren’t together, but it's fine because they both have dedicated monogamous partners. Lucius was deeply scarred by what happened, never recovers much of his first season personality, but hey he got-well it’s not married exactly- but you know good enough!
Frenchie, who has a box forever locked in his head, is captain. Because the key to success is to lock it all in a box and never open it. What a message. What a show. Conceal, don’t feel. Smile because it’s a happy ending. Don’t mourn the dead, don’t try to tell people what happened to you (they will literally run away or cry too hard to listen and really you’re just bumming them out), and any meaningful change you make is only rewarded with death.
Frenchie is now a pirate captain with a box in his head full of trauma that’s never been opened, leading a crew with more wounds than scars. Wonder how that could turn out? Wonder how many years before he might want to retire and then happen to run across a gentleman pirate. As if no one learned anything at all.
#our flag means death#ofmd#ofmd spoilers#the strangest message sent#and no idea if it was on purpose#I kind of think it wasn't somehow#but boy howedy did it come across
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she devil - charles leclerc
(black cat) ferrari driver reader x (golden retriever) charles leclerc social media au
a/n: the concept is stone cold driver meets sunshine driver, is infected by the happiness, and is cool with it because she fell in love. face claim is bella hadid :) ❤️
requests are open!
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scuderiaferrari
liked by 2,034,924
scuderiaferrari: We are extremely proud to announce our 2024 driver line up: Charles Leclerc, Il Predestinato, and Y/N L/N, La Diavolessa. We are certain this is a step closer to bring the championship back to Maranello, and to our Tifosi. ❤️
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charles16s: why is she named La Diavolessa?
y/nsupremacy: she’s from Italy and the tifosi have loved her forever, so they nicknamed her She Devil because of how she drives
y/ncupid: i have been dreaming of this for YEARS
leclercfosi: i wonder how she’ll team up with charles, she has always been a handful lol
fallingfory/n: she is a great sportswoman. women don’t have to be complacent to be good people, fck outta here w/ that narrative
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y/nusername
liked by 1,925,024
y/nusername: Ferrari 2024.
view all 2,034 comments
charles_leclerc: Give them hell. Welcome to the team! ❤️🔥
sebastianvettel: I’m sure you will bring glory back to Maranello ❤️
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y/nusername:
liked by 1,234,245
y/nusername: New season, new cars. That was a great first race.
view all 2,395 comments
charles_leclerc: 👊❤️🔥
scuderiaferrari: We are so proud of you!
lewishamilton: Welcome, huge start 💪🏼
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y/nusername
liked by 1,562,924
y/nusername: Amazing team results so far, let’s keep up the good work after the summer break.
leclercstarlight: miss girl doesn’t smile much does she
wildflowery/n: imagine being in 2024 and still being a “you should smile more” ass bitch, she’ll smile when she wants to
charles_leclerc: Amazing season 🏆❤️🔥
eurougeleclerc: he’s so whipped lol i’m calling it not
ferrarisduo: me when im delusional
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charles_leclerc
liked by 1,134,385
charles_leclerc: We did everything to maximize our results today. Big congrats to y/nusername for her first win; so very happy for you! ❤️🔥 The pizza celebration was better than anything.
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y/nusername: Thank you, Charles. You’ve been a great teammate.
alliny/n: what goes ON
shadowleclerc: she gives kimi and i love it
mastermindy/n: she’s like race win? cool
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y/nusername
liked by 1,035,475
y/nusername: Things didn’t go to plan in my race, but I’m genuinely happy for charles_leclerc. We will be back stronger.
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y/nsupremacy: y’all don’t get it she’s SMILING after a dnf because of A MAN
y/nhaven: she also literally defended for him. strategy had already fucked her up but the fact that she wasn’t coming for his throat… she must really like him lmao
charles_leclerc: Thank you, Y/N. Couldn’t have done with without you ❤️🔥
midnightcharles: he keeps using the heart fire emoji i can’t lmfao
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formulanews
liked by 54,724
formulanews: Charles and Y/N have been interviewed together for GQ magazine, and they were asked about the nature of their relationship as teammates or friends. Charles said: “I think the world of her and I admire her mentality and race craft a lot. I also think she is a great friend to me and everyone around her, I don’t know why people think she isn’t. Y/N brings a lot of passion to the grid.” Meanwhile, Y/N told the publication: “Charles is a good guy, and a better driver. Being his teammate is fruitful; so is being his friend.”
view all 245 comments
starleclerc: y/n doesn’t speak much but when she does it’s meaningful
y/nheart: charles also spoke so highly of her like wow
leclercsplanet: honestly charles likes her a lot and y/n also seems comfortable with him which unusual
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f1waggossip
liked by 104,483
f1waggossip: We are as shocked as anyone else but Charles and Y/N have been seen acting very cozy on a yacht in Monaco. New relationship just dropped, out of literal nowhere!
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lovebirdleclerc: THERES NO MF WAY
eurougeleclerc: i was called delusional I CALL IT MANIFESTING
y/nhaven: what, and i can’t stress this enough, the fuck just happened
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y/nusername
liked by 2,794,924
y/nusername: Love :)
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charles_leclerc: my sweet girl ❤️🔥🤍
y/nhope: i am fainting rn like actually afraid for my life rn
dazzlingleclerc: pinch me fr
landonorris: she does smile everyone, i’ve seen it when they (disgustingly) kiss
danielricciardo: don’t be so jealous (it’s true, it’s disgustingly sweet)
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charles_leclerc
liked by 2,034,835
charles_leclerc: She is actually an angel 🤍❤️🔥
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y/nusername: Still she devil, just in love.
charles_leclerc: Give them hell forever.
carlossainz55: Can I just say you’re welcome for leaving Ferrari and letting Y/N join?
#f1#f1 au#f1 fanfic#f1 smau#f1 social media au#f1 x reader#formula 1#charles leclerc#Charles leclerc fanfic#Charles leclerc x reader#Charles leclerc social media au#Charles leclerc smau#Charles leclerc au
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