I thought it was a good thing abigail wasn’t cannibalised until I realised it meant every part of her was wasted. her death fulfilled no greater purpose. none of her fathers cherished her in the end and she was elevated to no new heights. she was simply killed and laid to waste, unknown and unseen. nobody loved her
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elia martell character of all time because she was playing the game of thrones AND WINNING — survived aerys, set up an alternate court on dragonstone, universally beloved even by most of robert’s anti-targ regime, was probably at least angling to get rid of aerys — but the literal song of ice and fire was being written around her and well. you can’t outrun your inevitable doom.
like. that’s elia’s tragedy, and what makes me so insane about her. she was in the wrong story. she was playing the game of court politics but ended up yoked to 300 years of targaryen collapse and dynastic rot instead. there’s nothing i love more than characters doing their best with the pieces they can see on the board, while the fact slowly dawns on them that the board is in the process of being swallowed by an eldritch monster.
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i will always be a firm believer that this was Mike's oh no i like him moment
and that's why he immediately went after El because he likes her too right? she's cute and really pretty, she's cool she has powers and saved their lifes so many times already! and he really cares for her and missed her this year and it's like Nancy and Lucas said he must have a crush on her! that must be it. so maybe if he focuses on her these feelings for Will (whatever those feelings might be) will go away and he can be normal right?
and this was his oh fuck i'm in love with him and it won't just go away but it's too late now moment
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also quite obsessed with karl being as detached from the story as he is. there's nothing that makes him have to be the detective that has to be involved, but he unknowingly dooms himself by agreeing to work with the KYAL cult. every other detective basically deals with elias head on except weissman, who only meets him right before he kills him. like he's right when he says "by my choices" because everything that leads him to being mixed up with the mannix cult is himself. it's the gambling debts and the choice to do the dirty work for an organisation he knows nothing about. he's the only one that doesn't encounter that body doing police work and it's specifically because he's told to cover it up. he gets himself into the mess and eventually fixes it but the fact that esther always dies in the doomed timelines and he's always too late even if he starts wanting to change things ("till this child. esther.") it just makes me very ill
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it's been pointed out on here before that a lot of terf arguments are actually rooted in sexist idealology that feminists fought and died to unnormalise decades ago and that's its own kettle of fish but one thing i also find very frustrating about this so called 'radical' feminism is that it's so... defeatist? like the moment you categorically label an entire section of society as Bad and Inherently Evil then there's also the implication that nothing can be done about it, and it completely takes all accountability away. saying all men are evil is just another way of saying boys will be boys. he raped her because he's a man. he hit her because he's a man. he didn't listen because he's a man - it's almost offensively oversimplified. there's no point trying to fix this issue in society because men are just Like That, okay! so now what? it's not like they're going anywhere, so you just accept that 50% of the population are evil and will forever treat you terribly and there's nothing to be done about it bc they're biologically predisposed to it? like is that fr the argument here? you're soooo radical for that
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kiryuu sibling stasis post-32 is so interesting to me. nanami tries to leave and is (temporarily but also, crucially, violently) prevented from doing so by touga and akio. after this experience she puts distance between herself and them: she leaves touga’s phone in the car, she resigns from the student council (though she dons her old uniform still), she repeatedly dismisses and undermines the authority of the rose code, of end of the world, of akio, of touga. but she’s still in ohtori, isn’t she? uncomfortable with the idea of leaving, uncertain if it’s really possible. she tried before, and it hurt her. deeply. it’s so interesting to me, nanami’s agency and how she limits her exertion of it after 32, when she realises it for what it is. contrast that with touga, who accepts this weird stalemate between them, who is, really, uninterested in having any relationship of any kind with nanami if he can’t gain something from her. he’s very passive with her after 32, compared to the passivity he’d always feigned towards her before in order to stoke reactions from her and then exploit them. i was thinking about how touga has always been able to sever his relationship with nanami, but chosen not to; first out of a sense of obligation (‘we should live to help each other’) then a realisation of how that could be exploited. i was thinking about how nanami has never realised her ability to leave, in part because it is limited by touga and the harm he does her. i was thinking about the desperation and confusion akio calls out to anthy with as she leaves. i was thinking about how different that is to the kiryuus’ strange semi-breakdown; touga doesn’t want or need nanami, and nanami might love her brother but she cannot trust him or feel safe around him, doesn’t want to see him anymore; she’s itching to leave, and just a little scared (you know, because last time she tried that her brother assaulted her), and he’s not doing anything because ignoring her means he doesn’t have to deal with the emotions of her leaving or staying. something something gendered power dynamics something something tragic siblings
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I wish Hestia made an appearance in the first few episodes of the pjo show
like if we could've just gotten a glimpse of her sitting at the campfire, and then like Percy has to do a double take because he isn't sure he saw what he just saw
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Oh my god, anyone realise that for Jiang Cheng to have had the comb to give to Wen Qing after Lotus Pier fell, he must have had it on him on the day which means...he regularly carried it around. This teenage boy who knew full well after the Qishan Indoctrination that the Wen were The Enemy and he wouldn't ever be allowed to be with Wen Qing carried that comb around with him because he presumably couldn't bear to put aside that symbol of his feelings. Remember the day Lotus Pier was sacked started out the same as any other day - even if Jiang Cheng anticipated trouble from the Wen at some point following the fiasco in the Xuanwu Cave, there's no way he could have known that by nightfall he would have lost his home, his parents and his sect and be on the run with his siblings with nothing but the clothes on their backs and whatever they carried with them. And so he carried that comb around next to his heart everyday, just like afterwards he would carry his love for Wen Qing despite her clan massacring his, despite being so traumatised he flinched from her in the supervisory office. He carried that love through the months after the sacking until he offered it to her along with the comb when he found her in that cell. And much later, when she followed him down from the Burial Mounds and returned it to him because she couldn't accept his love and his protection, not when she would have to leave her family behind, the freaking devastation on his face as she gave it back and the way he took it so reluctantly as if it physically pained him because his feelings hadn't ebbed at all...man, that comb encompassed so much. And it was a crying shame that they couldn't be together, that the world wouldn't let them.
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