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#wfm spoilers
halveablock · 11 months
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✨welcome to your new gundam family✨
stickersheet for AX @ table B3!!
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eggtempest · 10 months
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TIMESKIP NIKA... 😭😭
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takerfoxx · 6 months
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Personally, I feel that the reason Suletta and Miorine work so well as a couple is the same reason why they didn't work for me at first: they're just such fundamentally different people, with total opposite personalities, upbringings, values, desires, needs, strengths, weaknesses, traumas, the list goes on. If it weren't for the very strange set of circumstances that forced them to form a connection, I honestly doubt that they would even be friends, so much so that for the first few episodes, I found myself feeling weirdly disconnected from their relationship, and even found myself wondering if they even liked each other.
I mean, take a look at Suletta. She's a country girl from Mercury's mining colonies who never had any friends of her own growing up. She's a clone created in part to replace her older sister, in part to usher in her mother's plan to free her sister, and in part to be a weapon of revenge, leading to an extremely bizarre relationship with her mother that is equal parts affectionate and neglectful. She loves being around people, but is so socially anxious that any sort of interactions sends her into a stuttering fit. She's terrified of confrontation, and yet is larger and stronger than most, and put her behind the controls of a mech, and she will turn you into mincemeat. She's a total klutz when it comes to dealing with other people, and yet stays cool in a crisis and isn't phased by dead bodies. She trusts with her whole heart, measures her relationships by the value she gives to other people, blames herself whenever others let her down, can and will take a life without flinching to protect those close to her, and is delighted by something so simple as having others laugh at a joke that she made.
Now, take Miorine. A rich girl from an extremely powerful family, she lost her mother, quite possibly the only person to ever show her genuine kindness when she was a child, was "raised" by her contemptuous and neglectful excuse for a father, and grew to resent everyone and everything around her. She hates being around people, but has the confidence and social knowledge to play the game. She's tiny and physically weak, but also angry and assertive. She openly loathes her father and will insult him to his face, but also desperately craves his approval. She's been used as a commodity her entire life by people who see her as a stepping stone into power, and is bound and determined to make everyone who tries damned to a living hell. She was raised in luxury in space, but dreams of running away to what is essentially a refugee camp of a planet. She wants so badly to be allowed to stand on her own two feet and be respected for her own accomplishments, but has no real idea how to do it. She views relationships as transactions, has exactly zero patience for other people's nonsense, can and will sacrifice her own happiness for the sake of the select few that she cares about, will run headlong into the most harrowing of political battles, but also fall apart completely when confronted with the reality of death.
And, like I said, for whatever reason I just didn't feel the sparks between them at first. Their whole relationship just felt like a mutually beneficial arrangement, like it was said to be.
But then we got to that magical episode, where they had that amazingly written misunderstanding in the greenhouse, followed by that incredible argument on the space station, and I realized that this was the plan all along, and Suletta and Miorine are actually perfect as a couple...once they've managed to bridge the gap between their extremely different life experiences and massive communication issues.
See, what's so great about them is that while they are extremely different, those difference are also perfectly compatible. One's strength is the other's weakness, and together they make each other better. In a way, they're less opposites and more of two halves of one complete whole. It was Miorine's confidence that allowed Suletta to start standing up for herself, to learn confidence and make real friends, to figure out what love is. And it was Suletta's bravery that inspired Miorine to find a way to make something of her own, to seek out ways to use their families' legacies to help people instead of hurt them, to bridge gaps long carved out by blood. And in the end, they were two desperately lonely girls who just wanted someone to truly, honestly, and unconditionally love them, and they found it in each other.
Granted, it was rough going for a bit. Like I said, they had such different ways of seeing the world, they didn't communicate in the same way, they didn't see relationships in the same way, and they ended up hurting each other just trying to do what they thought was best. But they also forgave one another. They strove to better understand one another. And they came to realize just how much they needed each other. And though it took even greater loss and pain in order to achieve it, they finally found their happy ending. They found each other.
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tumblezwei · 2 years
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Calling attention to the funniest fucking tweet in existence
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happy mother’s day
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Shinji: Man I can't believe the consciousness of a family member has been inside of my giant robot this whole time and my sole surviving parent deliberately hid that fact from me in furtherance of their own goals.
Suletta: same
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gundamcalibarney · 11 months
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Calibarn my friend Calibarn
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set-wingedwarrior · 1 year
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After today’s episode I saw, well within reason, a lot of people talking about Prospera’s brainwashing of Suletta, and I wanted to share my two cents.
First of all, my (probably) unpopular opinion: Prospera was kinda right this time.
DON’T KILL ME, LET ME EXPLAIN PLS.
So, Prospera’s technically right: they are being attacked my terrorists, they are in mortal danger, and they need to fight back to survive and save everybody, and that will mean most likely taking lives. Like, that’s fair. War isn’t pretty and survival demands sacrifice.
What’s really wrong and fucked up is:
 1) the way she says and explaines it. Her whole voice and behaviour, the words she chooses, so calm and chill and apparently comforting but actually really dismissive (and kinda creepy imo). She approaches Suletta and the whole situation as if it’s not a big deal.
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But at the same time, she does underline that they’re in danger, even pressing on Suletta’s rightful fear in order to have her move forward and fight.
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This isn’t a “this is unfortunate, but it’s either us or them” kind of speech, but a “we must get to our goal at all cost”. The line is thin, but there’s a difference. And, most importantly, it is portrayed as if it’s a natural progression and not just a situational thing.
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The thing is, we saw Suletta impacted by death, and these words alone aren’t enough to wipe away your morals. That brings me at point two, the most fucked up and vicious:
2) how Suletta has been raised and educated until then. She’s always following her motto with a smile, and helping others, never letting anyone (aside her mother) see her sad or overwhelmed. And what’s her mother’s answer every time she comes to her? “If you run, gain one. Move forward, gain two”.
After Miorine confronting her, we know that Suletta is scared every time and every time her motto is her way to cheer herself up, wear a smile, and keep going. The focus is always on moving forward, on the goal, and it NEVER AKNOWLEDGES OR QUESTIONS HER PRESENT FEELINGS.
It’s very likely that growing up, every time Suletta had to face something scary (harmless growing up stuff), she’s always been encouraged to move forward with that stupid motto instead of processing her feelings and thinking things through. Prospera just never taught her.
So, what does Suletta do instead? Say her motto like a mantra, and move forward withouth questioning anything, actively ignoring and burying her unprocessed feelings under a smile to the point that she doesn’t even realize it (it’s no surprise why she’s also so terrible at social cues and stuff).
Her whole bubbly happy persona is the product of her whole life having to face scary things withouth learning how to process how that made her feel, ignoring everything in favor of putting up her happy persona.
The result? Going from this
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to this
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because she doesn’t know any other way to “keep moving forward” that isn’t “do what you must and brush everything else off with a smile”. But what’s the result? Saving Miorine at the cost of their relationship because she’s rightfully horrified.
The problem isn’t even that Suletta killed a man; we already estabilished that this is a survival, and even if you can argue that she could have simply incapacitate the terrorist, considering that she’s been fighting for their lives until then it isn’t too unbelievable that instinct woul kick in and end it all the same way.
The problem is, obviously, how she reacted to it. I’d bet anything that, despite being still shocked, if Suletta just stayed serious (maybe still ignoring what she did in in favor of checking on and take care of Miorine because, again, this is a “live or die” situation) then Miorine would have understood and seen Suletta’s actions differently (”she made a sacrifice by doing something terrible to protect me”). But Suletta fucking laughed! How fucked up is that? Was she having fun?
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All of this isn’t caused by Prospera’s words alone because they do have some merit in the given circumstances. No, this is about the way she speaks them and the way she knows how Suletta would perceive them.
She spent years raising her to move forward no matter what, withouth ever questioning if moving forward even is the smartest choice (and we saw with Guel the consequences that come from not thinking it through). Raising her to make her the perfect little soldier.
And she succeeded.
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call-me-flicky · 1 year
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woah hold on, hold on. there's too much info 😭
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nemmmo · 11 months
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In retrospect, the series beginning and focusing so much on the quaint setting of the school makes what is happening and what will happen so much more heartbreaking.
Because doesn't matter what type of characters they were…
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or what parts they played…
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or even what they have done
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It should never have come to this. This war that has started well before their time, that was always going to be this way mo matter what they do.
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That is now their burden to bear.
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and they are still kids, for god sake.
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halveablock · 1 year
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messed up family dynamics? give me like 100 of those!
i loved episode 14 and wanted to draw the ending scene from aerial’s pov! i took a lot of her characterization from the season 1 OP mv and the cradle planet short story. i think it’s fascinating how aerial is probably just as trapped in her situation as suletta is and completely lacks agency (though maybe that’s changing...), yet wishes the best for suletta, like a good older sister. if it turns out she’s completely different, ah well, this was still fun to draw..!
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happychappy439 · 1 year
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The absolute sitcom timing of Prospera just Kramer-ing in to cause problems
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hemopathi · 1 year
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"Parallels”
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beeffilledshark · 10 months
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While I’m very happy at wfm’s success and how it’s drawn so many people into Gundam (me included), it’s so upsetting we have to do this song and dance and explain how to “interpret” the explicit narrative that Sulemio is a real romance despite “them never kissing or saying I love you.” The whole fucking point of Gundam and the Newtype story is “understanding each other without misconception,” and while Witches aren’t able to really do that the same way Newtypes are, the core story of Suletta is getting people to truly understand her.
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Sulemio’s resolution is Miorine finally “understanding“ that Suletta WANTS to save her family and Miorine revealing her “ugly” and disheveled self she’s hidden from everyone, only getting a taste of it when she invited Suletta to her room in ep 4. Suletta “understands” her mother and Aerial’s betrayal after Quinnharbor and that they do love her, just that they think she’ll be fine separated from them and to not involve her in their machinations. Chuchu’s entire arc is the perfect example of this theme: she goes from violently hating Spacians and picking fights with them on a regular basis to basically becoming Suletta’s older sister and rescuing hundreds of Spacian students and providing food and aid to them. The tragedy of Norea and El5n is amplified by this theme since only El5n could possibly “understand” Norea’s agony and existential anguish in considering herself a living casualty of war as a Gundam pilot. What’s made worse is she “understands” El5n empathizes with her and truly cares for her moments before being killed by Cathedra after her rampage. Hell, the Space Magic solution of Gwitch is a direct reference to Unicorn where the Gundams project the love interest's voice throughout the Earth Sphere so that they can communicate directly with the common person.
If you’ve watched Unicorn as many times as I have, you know they drill this fucking theme into your head every chance you give them but similarly to gwitch, there’s no kiss scene or “I love you” scene. Gundam, and Sunrise in general, has a long-standing tradition of demonstrating the primary romance through the dialogue and actions of the characters. I have never seen anyone question if Audrey and Banagher are in a relationship despite them never having any kind of kiss scene or a scene where they utter “I love you.” Of course, they were kind of meant to parallel Amuro and Sayla, but the dynamic between Suletta and Miorine are almost identical: Gundam pilot who has to protect the Princess from scheming enemies on both the enemy and their side.
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The point of this post is that you have to be able to possess an ounce of media literacy in order to understand the sheer plot and character interactions of most popular Gundam media. Now that a lot more people are interested in picking up this franchise, I’m BEGGING you to really think about these shows and movies beyond the mech fights. Every Gundam series has something you can pick apart and the first step in analyzing that is to understand some of the core ideas of Gundam. We don’t kiss here. We’re too high brow to have that so we have characters say shit like “promise you’ll come with me to Earth,” since it means Miorine intends to incorporate Suletta into her future and in her desires or calling the Princess of Zeon Audrey despite her government name being Mineva. Though it may have been forceful, Banagher understood what Mineva wanted and vocalized that by referring to her as her cover name until the end of the OVA.
I do also want to add, this theme is why the Blowjob Brothers exist in nearly every incarnation of Gundam ever. Once you learn how to interpret characters' actions and how they demonstrate love, you'll understand why the fandom has so many gay ships with varying degrees of "authenticity" or canon-ness. The difference with Suletta and Miorine is that it's unabashedly explicit and the focus of Gwitch.
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Anyways, any fellow Gwitch enthusiasts who are dipping their toes into 0079 or IBO or any other property as their second Gundam experience, please understand that a LOT of narrative devices and characters are direct references or homages to the past and trying to catch up on it all is like trying to integrate yourself into a religion you converted into. There's a lot of unwritten practices and beliefs that you have to learn and teach yourself, especially since there's psychos out there in the fandom.
(this entire post was spurred on by a dipshit twitter user arguing Sulemio wasn't the goal of gwitch and they changed it mid-hiatus to appeal to the wokes asdfklafd;ljkasf. Anyways Chamuro is real and gundam loves doing polycules this is unironically true)
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omegy · 2 years
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You're laughing. Ericht Samaya got fucking Five Nights at Freddy'd into a Gundam and you're laughing
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tumblezwei · 1 year
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A small collection of my favorite Twitter comments for this week's GWitch episode
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