VOCALOID Cover - Enjou Alice (Alice Up in Flames / Alice on Fire) - Kagamine Len V4x Power

Hey guys, I know it’s been a while since my last post, but rest assured, I haven’t forgotten about this blog. I’m trying to research a couple of paid synthesizers as I don’t own them and don’t want to spread misinformation, so once I’m confident that I have enough material, I’ll publish it.

In the mean time, I thought I might as well promote some of my works here as a filler. Enjoy this trash rendition of a Maiki-P song.

Base UST: KIRI

Mix: Matthew Frostbite

Project Sekai! Colourful Stage PV Recording;: TigerCat111

Vocals: Len V4x Power/Serious + Fukase Japanese Normal + Kaito V3 Straight

VSQx + Harmonies + Extras + Tuning + Internal Screaming: hello there

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To me the joy and beauty of vocal synthesizers has always been that they don't sound real and exploring that to create artistic expression that can't be achieved by human voices, so seeing them become more and more realistic is disheartening, almost? Especially since a lot of artists make the same voice banks sound so different and have their own personal charm. I'm glad that people will be able to make things that sound realistic, but I'm worried that songs that intentionally play out of sounding as realistic as possible will be sidelined, discouraged, no longer created, impossible to find, or unsupported by fans of vocal synthesizers. I don't want things to just push towards being as realistic as possible. There is beauty in how everyone's usage of the same voice banks sound different. There is beauty in the lack of realistic sounding vocals in vocal synthesizers.

does anyone on earth remember that bf!touya fic i wrote where he very nonchalantly reveals that if he had his way u would never leave the house and no one would ever get to look at u except for him? i truly believe in my heart that this is the kind of guy he is at his core, and as his little brother shouto's #1 role model and bestie i simply cannot deny that shouto's brain is probably wired similarly

my first yuma cover ^_^

credits in tags!!

Thirty second snippets from this year's Cabinet! I'd once again suggest you make sure your headphones aren't on full blast for this, but otherwise enjoy!

Track list under the cut.

• Amnesia Was Her Name (0:00-0:30) • A Mask of My Own Face (0:30-1:00) • Aurora Borealis (1:00-1:30) • Wow Wow (1:30-2:00) • You're at the Party (2:00-2:30) • Redesign Your Logo (2:30-3:00)

Voyager plotline in which The Doctor, Seven, Tuvok, and Neelix have to become a barbershop quartet in order to save the crew. With the little outfits and everything. (Harry's providing the music)

I think I'm gonna record a self produced (so...not gonna sound great but whatever) demo of dragon race & show it to you guys by next week ...I'm literally so nervous I know some ppl are going to be mean but I need to get used to criticism

Out of all of the mimes (in host and out), which do you think would be the best at singing?

Holly would be the best of the best, in and out of host. He's an extremely theatrical mime and hits the highs and lows like it's second nature. Her host is also a famous singer/actor.

As for runner ups...................

I think Foxglove's singing voice would be hauntingly enchanting true-form... but she's not really the singing type. At least, not in front of other people.

Jarna, if you're into heavy metal & screamo, can & will blow your socks off. In and out, but moreso true-form.

Atrox's singing voice is light and airy but filled with a lot of emotion, and I'd definitely rank him up with the best on this list too.

(Also I think Funfettilla's singing voice would have a wacky, lovable charm to it.)

Can we replace AI covers with assigning characters vocal synths? Like, those videos where they edit a bunch of Vocaloids singing Bad Apple together and put images of characters over it? Yeah, that.

I've lived a whole damn life I kept my mission tight Send my message to the chief, say

I did good, I stayed out of the heat I did good, I kept it on track, yeah I was trained to stick to the mission I was trained, I kept it on track, yeah

Hey, look in the mirror Ain't gonna right your wrong With a stupid love song

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luka's my fav out of the cryptonloids if i'm being real

During the pregnancy I imagine that Peach of course sings to her baby to calm herself and the baby down. Just imagine her sitting in the garden while rubbing her own belly and singing nursery rhymes. And I am asking you, do you have any headcanons about this as well?

Oh-ho, don’t even get me started on the role singing plays in the whole ordeal. Too late! Ya got me started~

Mario’s a really good singer, but for one reason or another he just doesn’t feel comfortable singing around anybody except Luigi or Peach; even then, he doesn’t sing around them much at all. But Peach adores his voice and will occasionally attempt to cajole him into singing for her. He plays along and makes a big show of resisting before ultimately giving her that song she wants, dancing around with her and being generally overdramatic, and it’s a great deal of fun!

But on very rare occasions, he’ll sing for her without provocation. It’s always during moments of quiet intimacy, as though his heart’s just too full and it’ll burst unless he pours it out in song, or whenever she’s under strain and there’s no immediate way he can help her other than to comfort her. And those songs are soft, low, mellow, and nine times out of ten in Italian. When he sings for her like that, all feels right with the world.

Her first real bout of morning sickness sees her violently ill at four in the morning, and Mario leaves her just long enough to send a summon for the head nurse. Peach is curled up on the tiles of the darkened bathroom, and Mario returns with a blanket, sets her head in his lap, and sings softly to her as he strokes her hair. While Mario internally panics over her condition, Peach is wrapped in the warmth of his voice; she feels light and drowsy, like he’s cocooning her in pure comfort, and for a while all of her nausea falls to the wayside.

He does it again that night, laying in bed together after finding out that he’s going to be a father. She can’t understand the words, but the melody is simple and repetitive, and she quickly realizes he’s singing a lullaby. It’s enough to make her cry.

In the coming weeks, she asks him to teach her the same lullabies his mother sang to him and Luigi as children. So he does! He’ll introduce a new one every night until he runs out of lullabies he actually remembers (it HAS been a while since he was a kid). The English lullabies she of course picks up quickly; she’s particularly fond of the one with the diamond ring and looking glass, because, as Mario affectionately points out, showering a baby with expensive gifts it can’t even use is 100% something she would do. The Italian lullabies take more time, so he’ll start by translating them line-by-line (during which he realizes for the first time just how morbid some of them are…) and then singing it slowly so Peach can join in and mimic his intonation.

And since lullabies can get pretty repetitive, he’ll take regular breaks to sing different songs to her so she doesn’t go crazy. The truth is, she could never grow tired of his voice, no matter how many times he repeats the same handful of stanzas… but she certainly won’t object, because he’s sang for her more in the past month than he has in all the time she’s known him.

It feels a bit silly when she thinks about it, two grown adults singing children’s songs back and forth to each other all night. But those songs become part of their daily repertoire, and every time Mario starts sleepily murmuring one with his head on her chest and a hand on her stomach, or every time she approaches him in the middle of the day just to ask if she’s pronouncing a line correctly; every time she hears him humming about Fra’ Simon in the shower and then groaning about it being stuck in his head, and every time he tries to surprise her in the garden after their duties are complete for the day, only to find her singing the same song while rubbing soothing patterns over her belly; they both fall a little bit harder for one another.

Tracklist:

Road To Hell • Any Way The Wind Blows • Come Home With Me • Wedding Song • Epic I • Livin' It Up On Top • All I've Ever Known (Intro) ("In Spite Of Herself...") • All I've Ever Known • Way Down Hadestown • A Gathering Storm • Epic II • Chant • Hey, Little Songbird • When The Chips Are Down (Intro) ("Songbird vs. Rattlesnake...") • When The Chips Are Down • Gone, I'm Gone • Wait For Me (Intro) ("Hey, The Big Artiste...") • Wait For Me • Why We Build The Wall • Why We Build the Wall (Outro) ("Behind closed doors...") • Our Lady Of The Underground • Way Down Hadestown (Reprise) • Flowers • Come Home With Me (Reprise) • Papers (Intro) ("You're Not From Around Here, Son") • Papers (Instrumental) • Nothing Changes • If It's True • How Long? • Chant (Reprise) • Epic III • Epic III Instrumental (Intro) ("They Danced...") • Promises • Word To The Wise • His Kiss, The Riot • Wait For Me (Reprise) (Intro) ("If You Wanna Walk Out Of Hell...") • Wait For Me (Reprise) • Doubt Comes In • Road To Hell (Reprise) • We Raise Our Cups

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YA'LL THE WAY SYNTHV IS KICKING V6'S ASS RIGHT NOW, LISTEN TO HOW DIFFERENT THESE SOUND...