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engagemythrusters · 5 months

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[Video description: an instagram reel of a video call between two women and a man. The two women are from Israel. Only one woman does the talking. What they say is being captioned over the video between them (though not entirely accurate). Audio transcription: Woman: People in Gaza need to die! Man, serious: Is that seriously what you think? Woman: I am--I am kill two people Palestinia. Man: I don't believe you did that. Woman: I am in the army. In Israel. Man: Are you actually in the army? Woman: Yes! I--I am in the army, and I (mimics shooting someone, miming with finger guns) boom boom! Two people! Man: Two Palestinians? Woman, emphatic: Yes. Man: And you're happy about it? Woman, excitedly: Yes! Of course! I want to kill more, more more more! Man: The world's going to see your actions. End video description.]

If anyone knows these people, please feel free to expound on that!

#none of my own words needed. she said everything she needed to say to express how disgusting Zionists are.#so. yeah.#free palestine #side note I do know the captions they used on the video is not the same as what I wrote but some of what they were saying was missing #so I just transcribed it myself.#if I shouldn't be doing that for video descriptions and audio transcriptions #please let me know!!#thanks #yes im posting this here bc the wayback machine is NOT letting me upload stuff rn #i think the servers are down?#so. i need it to be archived somewhere and I guess this is the only other place i know. I'll keep trying the wayback machine to see if it's #up again soon

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heritageposts · 3 months

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🇵🇸 From BDS:

More than 300 Palestinian sports teams are calling to ban Israel from the Olympics over its genocide against Palestinians in Gaza. [...] In Gaza, Israel has killed Palestinian Olympic Football coach Hani Al Masdar, destroyed the Palestinian Olympic Committee offices, and turned sports facilities into shameful mass detention and torture centers. We can’t sit back as the IOC allows Israel to use the Olympics to sportswash its genocide in Gaza and its apartheid regime against Palestinians everywhere. Support the call from Palestinian teams. Join the campaign to #BanIsrael from the Olympics and peacefully disrupt the road to the Paris 2024 games.

Global days of action planned for March 15-17:

Ahead of the IOC executive board meeting in Lausanne Switzerland (March 19-21), take the call from Palestinian teams to your National Olympic Committee, International Sports Federations and Recognized Sports Federations. Organize protests, sit-ins, peaceful disruptions, or awareness raising events on Israeli attacks on Palestinian sports.

For more concrete information on how you can participate in the campaign, see the link above. You should also check in with your local BDS-affiliated organization(s) to see if they have anything planned for these dates (if they don't, consider bringing it up to them)

If you're not familiar with any BDS-affiliated organizations in your country (or state/city), then take a look at BDS's "Join a Campaign'"page.

There's also a petition you can sign.

#free palestine #palestine #gaza #israel #bds #boycott divest sanction #israeli apartheid month #iaw #the 'join a campaign page' seems to be down at the time up writing this but hopefully it should be up again soon

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qc-wiggles · 4 months

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niche tmaposting GO!! heres a gift for ginger on discord for the tmi server gift exchange. i saw their prompt about jon's parents being involved in the institute/fears and went wild!!! imagine being descended from not one but two cunty office workers!!!!!!

#wiggly pen #tma #tma fanart #the magnus archives #the magnus archives fanart #jonathan sims #jon's mum and dad #you will never see them again #illust #need to switch up my palette soon #mag81

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egophiliac · 7 months

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"IT WAS SUPPOSED TO BE A JOKE" As someone who's been playing TWST since march and stopped going out of my way to be spoilerfree after I got stuck at Overblott!Jamil? That's honestly been one of my favorite things about it - seeing something in fanart or a comment you think is just fans joking, only for it to be canon. "The economy!", "May I also throw a tantrum?", Malleus' gargoyle thing, and... everything about Rook being my top examples.

there's a whole bit in Trey's platinum birthday card where he goes on about how he became increasingly obsessed with mustard for like a week straight until the other students held an intervention. how are you supposed to talk about this. how can you bring up something like Trey's descent into mustard obsession to the point that the other characters are worried for him without it sounding like the most obvious lolrandom "he mentioned it once and now fandom acts like he puts mustard in everything" joke. also, how can I slip this into every Twst post from now on, because I need everyone in the world to know that this is a real canon fact about Trey "I'm just an average normal guy (who sticks my hands into people's mouths and owns 20 toothbrushes and used to eat flowers off the side of the road)" Clover.

for bonus points, 1) the punchline is that he still doesn't even like mustard that much, 2) he's saying all of this to Leona, and 3) Leona is actually kind of invested in Trey's mustard story for some reason, which is the most unbelievable part of all of this to be honest. (then Trey gets distracted by a painting of the Cheshire Cat and Leona takes the opportunity to powerwalk away to freedom before they can start talking about dijon versus spicy brown or whatever and extend this bit even longer)

#art #twisted wonderland #twisted wonderland spoilers #platinum jacket birthday #sorry that this ended up as me just talking about trey's birthday story for...about as long as trey talked about mustard. whoops.#i have said it before and i'll say it again though #the birthday cards have the best and most insane lore and i love them #especially for trey. he wants us to believe he's just some ordinary dude SO bad but he also keeps saying shit like this.#although to be fair as soon as rook enters the building the weirdness bell curve gets immediately fubar'd #so i guess it's all relative #me any time the characters brush off the most whackadoodle bonkers nonsense: why are they not questioning...oh wait #this is a universe in which rook exists and is a real person that they know #never mind please continue

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sketchy--akechi · 2 months

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my two cents on the recent art book reveals screaming crying throwing up what the fukc

#sorry i know my messages are piling up again ILL GO THROUGH THEM ALL SOON!!!#for now tho #AAAAAAAAAAAA #txt

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elitadream · 8 months

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"The Princess will welcome me with open arms... and there's nothing you can do about it!"

Before officially bringing Bowser back in my art, I felt like revisiting the body swap concept I had shared sometime last year. Switching two contrasting characters' personalities is always a fascinating exercise for me, and I couldn't pass up the opportunity to draw 'Evil Mario' again! 👀

#No worries guys: Bowser will show up as himself soon ;)#Been practicing drawing him again #If you notice a few eventual changes - that's normal #I've recently adjusted his design again a tiny bit #nlg I had kinda missed drawing the big bully! x3 #Mario #Bowser #body swap #personal concept #suspense #magic #Mario Bros #Fanart

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crabsnpersimmons · 4 months

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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!