BECCA THESE SUBBY DBF!BUCKY THOTS ARE KILLING ME IN THE BEST WAY I LOVE IT SO MUCH😩😵💫🤤
Coming back to this because my weakness is submissive older men 🤤
Just the thought of clamping your hands around his neck while you're on top and watching him lose it makes me dizzy.
I absolutely love the thought of fucking yourself on him, grinding your hips back and forth with his length inside you while he whimpers and moans beneath you.
He's surrendered all the control he's ever had. You both know that it'd take very little effort if he decided he wanted to change the dynamic but he has no interest in doing that.
He wants you on top of him, using him for your own pleasure rather than his. He wants you to leave scratches down his chest where your nails have sunk into his skin. He wants flushed, stinging cheeks, reminding him of each little slap you've given him when his eyes flutter shut and he stops looking at you for even a few seconds.
But then one of your hands cups his neck and that feels like an entirely different kind of submission. It's not a painful sensation that he expects when he imagines being submissive in bed; it's dizzying. The light pressure on his neck is delightful but more than anything, it feels like you're fully in control. He's vulnerable like this and he loves it.
"Both hands. Please." He's never sounded so needy and any hesitation you might have felt a few seconds ago melts away. Your other hand joins the first, wrapped around his neck, your fingers squeezing slightly and he looks entirely blissed out underneath you.
"Oh fuck." He groans, thrusting his hips up towards you in a desperate attempt to make sure he's buried as deep inside you as he can manage.
"You're fucking pathetic like this." You tease, adjusting your grip on his neck to remind him exactly where your hands are. You feel his pulse under your fingers and you feel your body flutter at the realisation. "You're losing yourself in me, aren't you?"
His eyes close for a few seconds while he tries to focus on the sensation, rather than the sight of you but that won't do. You take one hand from his neck, slapping his face gently and the rush he feels from the release of pressure is euphoric.
"Did I say you could look away?" You tease, putting your hand back on his throat, keeping your grip tight while he shakes his head.
His hands land on your hips, helping you grind back and forth on him, rubbing his length right where you need it. He probably won't get off like this but you absolutely could.
"I want to feel you cum. I need you to squeeze my neck and my cock at the same time." He's fantasised about this and it shows.
"Make me." You were half joking but he starts working your hips faster, setting the pace he knows you like until he stops suddenly, holding your hips still.
"God, I can't cum yet. I don't want this to end." You forgive him this time for closing his eyes, giving him a moment to collect himself before he's back to fucking you on him, begging you to squeeze his neck harder.
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Triage: Initial Thoughts
Hello! Venus back at it again with the 4-5 AM theory time! This time we’re looking at Shidou’s second MV, Triage!
I’m going to be going through my various thoughts on everything as usual, going point by point to analyze each thing. I’ll be referencing Triage, his first MV Throwdown, and the always-fast audio drama translation by @onigiriico!
Alright, let’s do this!
Shidou’s kids died immediately, but his wife had a chance to live.
I’m basically just going to give a quick play by play of what I think happened in the video.
Surprise, Shidou has kids! And a wife, but we figured that already. They’re all very cute and all until they fade out like ghosts pretty early on. Before that happens, though, I think that, chronologically, the opening sequence of Shidou walking with some groceries happens first.
He’s just going about his day, walking around, having a great time. He’s intending to take stuff back to his family and cook dinner or whatever he usually does that we see in the cute scenes.
Then, though, he gets a phone call. He answers it (this is the untranslated “Kirisaki desu” part; please let us know if you find a full translation of what he says on the call there!) and we move on to the next scene. However, later, at 1:57, we hear the line die. I think that this is probably Shidou getting a phone call from the hospital. He sounds casual in his initial response because he probably assumes it’s work related, but once he hears what happened, he drops the line and immediately heads over.
I think Shidou’s kids must have died immediately because of Throwdown. Throwdown has absolutely no references to his kids (though he does mention liking children and stuff like that in his first audio drama, which now kinda stings) and, were he also trying to save them, I’m sure there would’ve been at least some references.
I think it’s far more likely that, whatever happened, both his kids died immediately, but his wife was in a condition where he could still try to save her. That’s when Throwdown occurs. Shidou probably focused intensely on trying to save his wife as a way to cope with the death of his children. Then, after his wife officially died, it really hit him that he had nothing left, and he was forced to process it. That’s when he started feeling all the guilt and wishing for death.
This isn’t really relevant, but my best bet is a car crash. It seems like a likely and viable way that his kids could’ve died instantly while the wife could’ve kept living. As a minor note on that, he’s also walking back with groceries, which could indicate that someone else (the rest of his family) might’ve had a car. I don’t remember if Shidou mentions anything about driving or anything like that at any time, but if I had to call a method of death right now, that’s what I’d go for.
NOTE: I do want to disclaim this by saying it’s also possible that one of his kids was the flower person in Throwdown. He gives a receipt to one of his kids, so that could make some sense. I need to go back and compare the flower person in Throwdown with the people in Shidou’s family now that they have appearances. I also need to reread his first audio drama; he says something about it being fitting that Es is judging him, which could check out if his crime relates to trying to save his kid instead. If I am wrong and it was one of his kids that he was trying to save, then everything about what I’m saying still checks out; just swap everything I say about his wife with one of the kids.
Shidou purposefully showed us the least forgivable parts of his crime in Throwdown.
Looking back on it, Shidou painted himself in an awful light in Throwdown, and I’m sure it was intentional. After all, he was trying to get us to give him a guilty verdict. If you say that a prisoner like Muu might have been altering what part of her story we received in order to get her desired verdict in the first round (innocent), Shidou could absolutely do the same thing with a guilty verdict.
He doesn’t show us any of the context of his loved ones and how much he loved them; that was all stuff we had to read between the lines of. We see him butchering plant after plant only to end in horrific failure without ever seeing him succeed at anything surgical. (He still should’ve hypothetically been saving lives while doing all of this; it’s not like he was ONLY killing people.)
He even shows us the horrified reactions of the loved ones of patients he killed. I can only imagine that he would do that if he was trying to spark a negative reaction in us.
In contrast, this MV is very straightforwardly showing how the day he lost his family went for Shidou and directly examines what verdict Shidou wants (more on this later). I think, therefore, that this is probably a much more honest view of the situation than Throwdown, at least in terms of how Shidou perceives the truth.
Shidou is constantly plagued by the guilt of what happened.
The simplest way to explain this is with this image:
When showing Shidou’s family turning to ghosts, he views the man that he used to be as dying with them. Shidou, as he was, is dead. Still, what happened clearly still impacts him. That’s pretty obvious, but I’m talking down to the details. He mentions kids and liking them in both of his audio dramas. Further, take this lovely image:
Pancakes. Shidou made pancakes for his kids. In BOTH Minigrams 3 (Pancake) and 24 (Pancake: a Second Trial) Shidou is directly shown talking about pancakes and their relation to children. He really wants Amane, the young child, to try some. It seems like he used to make pancakes for his kids before they died. He’s very clearly not recovered in any sense. That’s not surprising, but it’s still something to point out.
Triage takes place almost entirely before and after Throwdown.
That sounds a little confusing, but all I mean is that Throwdown is completely isolated from this MV. Some parts of this MV happen before the events of Throwdown; those are the ones featuring Shidou’s wife and kids, as well as the ones where he simply looks younger. The other parts are clearly looking back at the same time frame, but are from Shidou’s present perspective, here in Milgram. Those are the ones where he reflects on his verdict or directly addresses what verdict he wants.
Most directly, I think the part at 2:14 indicates this. Shidou, looking back on the death he caused (knives in the pomegranates and other food, dead flowers, receipts from the surgeries that we also saw in Throwdown), says “I want to be INNOCENT / I want to live.” That’s him, in the Milgram prison, right now, coming to terms with the fact that he actually, genuinely wants to live right now.
In the audio drama, he’s clearly conflicted. He still says that he wants to die, that he wants to atone for his sins and that dying is the only way he can make it up to the people he killed. He also, though, says that, at least for right now, he wants to live. Futa and especially Mahiru are on death’s door, and there’s no telling what other injury might occur. He believes he’s essential to saving lives within the Milgram prison (and I think he’s 100% right).
He even directly references this in the song lyrics, talking about “extracting the fang.” The fang is clearly Kotoko, given that Milgram has referred to the damage Kotoko does with fang imagery before and given that that’s what he’s currently healing. He has to be the one to save them because he’s the only one who can; as a result, to save lives, he has to care about his life right now. While he’s still unsure of what final verdict he wants, he knows that he needs to stay alive, at least going into trial 3.
VOTE: INNOCENT
Personally, this one’s a no-brainer. Es theorizes in the audio drama that Shidou only harvested organs from braindead patients, and though he never outright confirms it, based on his responses, it seems to me like that’s true. That means his crime isn’t as severe as we initially thought it was.
Additionally, he’s right; he is indispensable to us right now. He outright says in the audio drama that if he stops giving Mahiru care, she’ll die, whether or not anything else happens to her. That basically tells us that voting Shidou guilty means Mahiru dies. That’s not good, and I’d rather avoid prisoner death when we think it’s possible.
I also just don’t think it’s smart to change verdicts on him here. If we decide that, after all is said and done, we can’t forgive Shidou, we should do that with the third verdict. Here, we want to leave both options open. Right now, Shidou is torn between wanting to live and wanting to die. If we switch to guilty, we’ll ruin any chance he has at recovering a will to live and a will to atone through any means other than death. If we want to preserve the option of forgiving him in the end, I think we have to forgive him here. We can debate whether his actions were forgivable or not in the last round.
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Alright, I finally got my hands on this full ... presscon? cast reaction? Whatever.
I already shared some screenshots from this before (by some people on Twitter) and after finally watching the full version, I fell like I need to share the rest of the season 2 world building and character lores mentioned and discussed to you guys in here (and also major spoilers for season 3)
P.S. I could be wrong on some of the points here (either misinterpreting or not paying enough attention), so please correct me if I do in the reply section
Season 2
I'm still confused af on this line : "he killed his original body as well as his personality, eventually turning into the twisted monster that he is now". Like so, does it refer to Sang-won killing his original body in season 2 or is it about monster Sang-won killing the real Sang-won?
I still don't get this line too, so interpret it however you want : "The child covered in black?" "This is where what's remaining of Sang-won disappears, uncovering the child."
Chan-young was a baseball player. Ye-seul was one of the cheerleaders
Oh, apparently monsterization does still happened inside the stadium. That's why there's a regular daily checking. Anyone showing symptoms will be out in the isolation place (yeah that place where they put the sick mom in). Some lived, some died inside the isolation => might be why Chief Ji keeping her monster son secluded somewhere deep inside the stadium
Hyun-su cut Yi-kyung's daughter hair the same style as him, hence how they're being similar appearance wise
The live action crew is adapting Shotgun Boy into Netflix Sweet Home
Yi-kyung blames herself for how her child turned out to be with her monster-turning power
Yi-kyung's inability to give affection or even touched her child stems from the fact that monsters are created from human desires, so she didn't want her child to have desire (awfully familiar with a particular old man *side glance*)
Yep, you guessed it. These three (Hyun-su, Eun-yu, and Chan-young) are dense as fuck about their own feelings to each other (minus Hyun-su to Chan-young and vice versa ofc)
Yi-kyung's daughter views Hyun-su as her own family even more than her biological mother. Because they're similar and he's the only person she could hold hands with without her power reacting
Hyun-su uses red ribbons to mark the safe area for Eun-yu because color red stands out among the greenery of Seoul post time skip
The monster cocoons are shaped like a heart because monsterization manifests from human desires
The "real Jung Wui-myeong" is one of the scientists. Sang-won (or monster Sang-won depending how you interpret the earlier points) took his identity and used it as his own, probably to separate himself from his old human self
Lmao, not them calling Sang-won's family as family of evil and there's no good apple in it. That's so fucking foul
Sang-wook is still there somewhere (I already shared this one before)
Sang-won's original abilities include the Medusa touch he did to Hyun-su in episode 3
Oh wait, Yi-kyung survived?! I thought she died after her fight with Hyun-su (uh oh *nervous glance to every instance of me mentioning "her death" in replies*)
Monster Hyun-su act according to what Hyun-su thinks and desires (I had shared this one before)
Monster Hyun-su is more proactive and extrovert (is the extrovert part really necessary?")
Season 3 rough summary
Family drama : Nam Sang-won starts a bunch of trouble (this bitch) in order to create a world he dreams of. There are family reunions and conflicts between spouses. He also meets his child (uh oh). They fight for her custody. This custody case didn't need a court (fuck, oh come on 😂). Yi-kyung wouldn't just talk it out. She'd fight until one is dead
Sibling drama : Eun-yu will meet Eun-hyeok again, but I'm not sure it'll make her happy
Second male lead struggle : Chan-yeong faces even more hardships as the story progresses. But even then, he gives up a lot just to protect Eun-yu. He starts to understand the monsters more. There's a lot on his mind as the story goes on.
More monster Hyun-su : Hyun-su lets go of himself and lets out the monster. But the monster doesn't just do its thing. He reads Hyun-su's mind and acts as he wants.
Another Hyun-su and Yi-kyung interaction : And later on, he interacts with Yi-kyung as well. The emotion it brings also felt huge. In the narration, he tells Eun-yu how much pain Yi-kyung is in and that he has to stop it all himself. So I'm sure Hyun-su sparked a change in Yi-kyung's heart. That'll continue in Season 3.
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