i wanna know about youre ocs

Um okay!

[OC]

Vincent Zakaria Wayne (He/Him)

Old oc who's white/seasian i had years ago revamped!

He was originally a batgirl oc before i turned him into a batboy.

He transitioned when he was 11, and he grew up together with dick. He was an accidental baby bruce, and his late mother had during his around the world training or..yeah..idk...just an accidental baby.

Basket delivered baby right on the wayne manor's doorstep lol. Bruce and alfred kept it a secret to public, bruce tried his best to raise a baby until dick came along and made it somewhat easier since he's got a sibling and he doesnt need to take care of vincent alone anymore. Somewhere during his batboy run, which bruce was really against since he was still 7 y.o, he got an accident with poison ivy where one of her plants injected a toxin in his left arm resulting it to be amputated during his recovery. He's forever banned from joining any outings with bruce and dick.

He did, however, find enjoyment from tinkering bruce's bats devices when he's not in the cave, which led him to learn about how the gadgets operate and work. Bruce found out but then just gave up and let him do whatever as long as he doesn't sneak out, and he made sure dick doesnt let him out either.

He's...28? Now and he travels a lot from gotham to anywhere. One time, he goes to Evergreen as an intel. He ran across the task force x and decided to tag along as an undercover guy and became infatuated with adrian. Um....idk that task force x involvements part's still messy, but who care its my oc i can put him in any situation for fun hehe.

So his current partner is Adrian Chase/Vigilante :]

I still need to write a lot of things for this guy since most of them are just blurbs of his reactions/what he did during important events and his interactions with the other family members + rogues.

Kheiran Hasan Renaldi (He/It) + Thrash (They/Them)

Originally made bcs i just wanted to give jason a partner, but then it spiraled down, got invested in his character, so i started developing a lore for him.

He goes by Keke most of the times.

He was born and is currently "living" in gotham, but sometimes he's out in space. I got inspired by nocturna's character at first, but now he's a completely different character lol. Also, they both are heavily inspired by negative man.

He had an unfortunate run with an abusive ex, which triggered some type of entity to lash out and save him from the brink of death. Unfortunately, he passed away on the same night. Then the entity revived him, but it turned Keke into a phantom who can only have his physical appearance during nighttime, and the entity bound themselves with his soul, giving him a star-like power which give him an opportunity to exist fully and physically but only when out in space.

Meanwhile, on earth, when the sun rises, he just vanishes, leaving a faint presence, so sometimes the entity would take over to protect his soul and mind from any type of harm or he would just be in the shadows waiting for the day to pass.

The entity's called Thrash, i havent really made a solid design for them yet but they're supposed to be a monster like figure from space

...no further explanation bcs im still writing abt him more so thats all for now ^^

honorary mention GRUNKY SCRIMPLE (any pronouns)

My beloved dcuo oc, a fox anthro with argokinesis power. Grunk's just a silly, big guy who just wanders around metropolis with a disguise and occasionally helps people. Despite having argokinesis, this guy knows nothing about plants!!

Grunk lives with a person who does tho <3

sorry I got posessed by the wattpad demon I'm normal now (lying)

+alt version that didnt fit the #aesthetic but it better represents my #vision of them ^_^ hashtag couplegoals

I wish the thieves had SOME kind of reaction to the Satanael awakening. Kinda wish we at least had RYUJI react to it….

I think its sooooo compelling to have Ryuji be the only person to witness BOTH awakenings; to see how much Akira and his will has grown since they first met. There was a raw, burning fury in Akiras core that recoiled at the injustice before him, and when given the tools to punish said injustice, eagerly accepted it with a wild, almost manic kind of intensity. I think it would be difficult for the others to truly grasp just how scary that was; that for a short moment, Ryuji couldnt pinpoint the cause of that rage, and the target of it. Akiras mellowed out alot since then, but its always in the back of Ryujis head; theres a side of their leader literally none of the thieves have or will ever see, and he doesnt really know how hes supposed to feel about that.

And now the airs charged in the same way he felt back in Kamoshidas palace; right as Akiras eyes widened at seeing him slammed against the wall. The blazing, untamed ferocity in his eyes from back then is replaced with a cool, calm, steely conviction. He knows his purpose; understands completely what his will screamed at him to understand back when it first started. This is the Akira the team knows, and its definitely the one Ryuji is used to now, but its insane to see the shift; insane to see the kind of power that simmered in Akiras core, literally too big and too overwhelming for past Akira to grapple with and set free.

Satanael comes down, and theres a moment, through all the excited screaming and hollering, where Ryuji can see it look right at him, and Ryuji is taken back to the floor of Kamoshidas Palace; not to the fear he felt when Arsene came forth incinerating everything, but immediately after, when Akira comes to with wide eyes and an outstretched hand- that bizarre feeling of safety, of knowing that this kid would have his back, and that hed never have to worry about where his place would be (its right beside him, obviously.)

hmm okay but like imagine. springtrap is in every sort of pain you can imagine daily. physical, emotional, spiritual, mental, and he spent 30 years trapped in a broom closet so bro is probably very mentally unstable. so like. imagine how he would feel upon receiving affection for the first time in all those years. i think his brain would explode. all this agony that he walks around with daily, and then one day hes given a hug and the gentle press of another person against him. holding him. makes him feel sturdy even though he's basically falling apart. maybe a quiet remark of fondness particularly stabs him in the chest. i mean, he would come undone. he hasnt felt good like this in years.

he wouldnt be able ta get enough of this good feeling. seeking out physical affection whenever he can, even when its just from brushing past each other or fingertips lingering for a split second. always needing ta be near. finding solace in being an arms length away. the praise he would try ta draw out. "hey look at this thing i did i truly am the best at this sort of thing," the way he would cherish being spoken about in any positive manner. just the way it would feel so good ta have someone give him some much needed attention and praise. and ta feel such positive emotions abt and around them in return. the way that even with all the agony he experiences he is blessed to be afforded a single break from all of it. if only for a moment, to feel it all melt away...

Not the magnus anon, consider, ultra magnus orgy with Predaking, Optimus, and Wheeljack.

Maybe he gets sparked 👀

Big, heavy, refineries. Also babies. Full of babies. Between Optimus' breeding kink and Predakings probable breeding kink(at the very leat repopulating his species) and wheeljack definitely being a kinmy fucker. He is fucked out and full of transfluid.

Who r u and how TF did you get my notes app!!!!! 🫣🫣🫣 Akkslqkakskwwaaa Am I that obvious!?!??! 😭 Breeding kink so strong it shines through da goddamn blog 😔😔

Okay but idea: instead of Ultra Magnus, Wheeljack and Predaking fighting, it devolves into an orgy 😳😳 maybe predakings in rut or something, he's obv pissed at losing the rest of the predacons, but luckily for him he's got a nice big bot in front of him perfect for breeding.

They do fight of course, well, Wheeljack and Ultra Magnus think they're fighting but Predakings trying to get a perceived rival (Wheeljack) out of the way long enough for him to claim Ultra Magnus. Wheeljack gets thrown into the wall and gets back up just in time to see Predaking fingering Ultra Magnus open, just enough prep so Ultra Magnus can take the heads of both of his spikes.

^wheeljack trying to figure what he's supposed to do, he just gained respect for Ultra Magnus and now realized he ALSO wants to fuck him

Maybe fucking you mate on top of your defeated 'rival' is some kinda instinctive predacon thing 🤭🤭

Optimus comes back to check on them and make sure Wheeljack and UM are okay, and instead walks in on Ultra Magnus being spit roasted, covered in paint transfers that make it clear Wheeljack and Predaking have both fucked him multiple times. Optimus and ultra Magnus have been dancing around a whole 'thing' since Magnus landed on earth, so of course he's going to want Optimus to take a turn filling him up with transfluid.

They ground bridge back to base later like "surprise! New dragon autobot :)" and the kids are distracted enough by a cool ass dragon transformers they don't notice Ultra Magnus hiding away until the transfluid bump goes away. But it turns out with three attentive sires, the bump doesn't go away. In fact, Ultra Magnus just gets bigger as the sparklings of a prime and a huge predacon (and Wheeljack's tiny bitty that was kinda a surprise cause she was hiding behind her siblings in the scans) grow inside him. Poor Magnus 🤭🤭🤭

(also poor fowler, having to deal with these horny robots having BABIES. Maybe him and June can have a nice date night to make up for it lol)

My thoughts on The Ballad of Songbirds and Snakes movie

I don’t know if I liked it as much as the original films (maybe Mockingjay 1 & 2 as they are pretty emotionally draining), but I still enjoyed it.

I think where it fell a little flat for me is 1. The beginning was a bit slow (tbh I only really started getting interested when Lucy Gray stuck that snake down that girl’s dress & even then I enjoyed the story more when the setting changed from the Capitol to the district) 2. I knew Snow would survive 3. I’d already been spoiled online for a lot of stuff that happens & 4. while I know the director did his best to make Snow as “likeable” as he could for as long as possible, even before he started getting “a little too comfortable” with killing & snitching I didn’t find him as sympathetic as Katniss or Peeta (but that is probably again down to the fact that I know what he goes onto do & there’s no real way around that), this made engaging with him difficult for me.

The world is fascinating. Getting to see all the new locations we never had access to before as well as old locations now in a totally different light (for example district 12 which, while still clearly suffering, seemed like such a bustling industrial town compared to how it is in Katniss’s time). It might have a much more retro aesthetic but there's also just a more vibrant, natural, wild & lawless atmosphere to this movie compared to the others in the franchise. The whole scope of the film just felt more cinematic then I remember the others being yet also weirdly intimate. Maybe because it was one contained story & we knew the main character’s fate from the start. I also loved the title cards signifying the start of each section of the story like from the books & wished they'd done something similar for the other films. It just added a certain flair to the whole thing. Almost gave it the vibe of a tragic play.

The costuming was great. The bright red of the academy uniforms.  Flickerman’s snazzy suits. Snow’s dapper black & white outfit. Both peace keeper uniforms (despite one of them giving very ‘1930’s Germany’ vibes) looked great. Grandma might have been a bigot, but at least she was well dressed. Everything Dr Gaul wore (except the top that looked like a used tampon, lol) was exquisite. The main ladies of fashion, Tigris & Lucy Gray slayed. Our Future Capitol stylist looked like some regal yet exotic bird & Miss Survivor was giving Bohemian, country girl realness the entire time she was on screen. Even the extras were serving (like that random couple Snow walked past on his way to the reaping ceremony).

The music was amazing. Every song that played was fantastic (shout out to Olivia for her end credit contribution). The lyrics & instrumentation were beautiful & my god does Rachel Zegler have pipes! Anyone who says the singing scenes are cringy is just stupid like I’m sorry you can’t appreciate art. Also, the words ‘ballad’ & ‘songbirds’ are literally in the title. Plus, Lucy Gray is from the poorest district, so what exactly do those people want her to do in her free time? She can’t exactly hop on an X-box for a few hours. Not too mention that (as the offspring of someone who’s musically inclined) I can tell you, it’s completely realistic for a musician to use their craft to help them deal with trauma & Lucy Gray clearly had more than her fair share of that.

The Grandma'am helped to paint a sadly very realistic background for Snow. As who among us hasn’t met at least one delusional old person who thinks that their/their group’s suffering (regardless of the severity of it or the reason behind their former/newer status in society) means that no one else are deserving of even the tiniest shred of humanity & there are some people who are unlucky enough to not only be related to these people but be raised by them.

Hunter schafer as Tigris is clearly the superior Snow when it comes to things like empathy & overall mental stability but I do kind of wish they’d been more for her to do. Credit where credit is due though her & Tom did actually look like they could be related & I did buy their familial bond (which makes her appearance in Mockingjay so much sadder in hindsight).

Peter Dinklage as Casca Highbottom was a bit of a mix for me just due to his purpose as a character & the limit of film as a form of media. Like sure the audience know that Snow’s going to become an irredeemable monster in the end but without a window into his mind it really does just seem like the Dean is just out to get him & even when we find out why it seems kind of unfair. Like sure his dad sucked but haven’t the Games shown that blaming children for violence caused by others is unjust (& like ok he hates Coriolanus & probably the grandma but Tigris hadn’t done anything to deserve living in poverty, as she can’t control who she’s related to)? Plus, it felt like he could have at least tried taking Snow under his wing at some point to try to hinder Dr Gual’s influence. Saying all of that, though, Peter Dinklage is great at playing an addict with depression & the idea that some drunken rambling could lead to such long-lasting suffering is terrifying. Also its pretty realistic that living with that kind of guilt & in such a cruel environment for that long would make most people jaded & bitter, even if they did have good intentions.

Omg we finally get a Mayor family on screen & they’re assholes! Madge would be so disappointed 😭. It was interesting to see how harsh & overall “boot licky” the mayor & his family seemed compared to decades later, which makes sense as the war wasn’t that long ago for them so the dad probably felt more incentive to align himself with the Capitol as well as not feeling very connected to the district people as 12’s decline probably didn’t fully set in until they really started running low on coal & Snow became president (oh I just know he wanted to blow that district off the map 😆). I also wouldn’t put it past Billy to come up with some sob story of how he really does love Mayfair but wicked Lucy Gray is somehow preventing them from being together. Still no excuse to try to send her to her death twice in one week, though. Definitely not a girl’s girl.

Ok, so a liar. Cheat. Drunk & someone who hits women. Is there anything good about Billy Taupe? Also, trying to get your ex back, while your current girlfriend is literally standing right next to you? Dude, have some god damn back bone! You made a choice, now stick to it. Also, fumbling Lucy Gray, for a girl like that? What’s it like having no brains or taste? Well, too bad, coz you’re stuck with her forever now, lol.

Viola Davies, the actress that you are. What else is there to say? Dr Gaul is almost comic book levels of insane. Like she is how the Right see women in STEM, on crack! I don’t know what she did to get into character, but whatever it was, it worked.

Jason Schwartzman as Lucretius Flickerman is a very interesting addition to the story despite playing such a small & seemingly insignificant role. He is strange in how unthreatening he is while also extremely blasé about the abhorrent violence he witnesses that it’s as funny as it is disturbing. Making him come across as  more human yet harsher than his son, who at least pretends to care about the tributes (in a very Capitol way, obviously but still). There’s also a polish & confidence to Tucci’s performance that I think Schwartzman did a great job of avoiding copying (despite knowing what audiences were probably expecting) because not only are their characters in entirely different stages of their careers but the whole ethos of the Hunger Games is different in Snow’s youth than it is in Katniss’s. Caesar is a well established presenter & during his time, the games have always been a success (minus the year with the tundra) that the entire Capitol is invested in & seemingly in support of. On the other hand Lucretius had the unique task of not only coming into a job like this with zero experience (I mean imagine going from announcing the weather to presenting the fucking hunger games) but also there were no vibes to try to emulate let alone guidelines to follow because he truly was the first person to do this. On top of that, the "event" his presenting has been panned for years as both boring & unethical. Schwartzman brought a slightly awkward, experimental, yet try hard vibe (like a comedian who's desperate to get a laugh) that I think worked wonderfully for the character.

Tom Blyth's performance was great & he was visually perfect for a young Snow (the power of a good wig! Who knew lol). Even having the cool, analytical stare of Donald Sutherland, down pat. While his appearance was very Eminem during his peacekeeping days, his realisation in the cabin and subsequent breakdown in the woods were crazy. There was so much tension between him & Rachel in that scene that for a second, it literally felt like all the air had been sucked out of the room. I could almost hear the record scratch for both of them, & all that building paranoia finally coming to a sudden crescendo in the way that it did? Pure cinema!

Josh Rivera, as Sejanus, was honestly a mix for me. Obviously, I agree with his morals, but his way of going about it did seem a little dumb. However I do think it’s pretty realistic that a teenager, especially a rich one, would be rather naive. Also I’ve heard that he’s smarter in the book & I think at times my frustration with him is more just down to the fact that I’m seeing him from Snow’s point of view. Meaning scenes that would be portrayed as noble in any other film instead come across as almost painfully inconvenient because the focus is always on how they affect Snow rather than the actual victims of the situation. Lastly, sorry, Snowjanus shippers, I just don’t see it (especially on Snow’s end), but whatever floats your boat.

Rachel Zegler played Lucy Gray with the perfect mix of natural charm & emotional vulnerability with clear pride in her culture & a refusal to let the world around her change who she is. Yet there was also an air of mystery & a subtle resilience to her that makes her potentially surviving out in the woods for years without being detected actually believable (though I don’t buy the theory that she went on to become president Coin). Definitely the highlight of the movie for me.

PS. I'd love to know what you think of my review in the comments/tags & am open to criticism (as long as it's respectful) just remember that I'm only talking about the movie so please don't reference anything spersific to the book.

Ouh. I really like how out of all the antagonists in the series, Prism's motivations (and her turning to Zoraxis) are directly influenced by Phoenix's track record. She has the most personal beef with the agent, though it's a little ironic that her TK implant helped the agent's success. If it weren't for Prism, Phoenix wouldn't be the legend that they are known for.

...Except...That's minimizing Phoenix's own ingenuity and skill with the implant, isn't it? It's a useful tool, yes! But in the end, it's just a tool. Phoenix was able to use it in unique ways, and that's not counting whatever else Phoenix has to do in the moment without TK. If it weren't for Phoenix's own efforts (and their strange ability to not Die), Prism wouldn't be forced to take revenge.

They're their own self-made people, but inevitably they left such a huge impact on each other before the third game...and if Prism wasn't the one who personally added the implant in Phoenix's head, then they haven't even interacted in person!

It could be seen as a little tragic, and it sorta is--Prism's desire for revenge is a little misplaced (and, yes, it is bolstered by Zor when she switches to their side). For all we know, Phoenix never intended to be the villain in Prism's story. But Prism's frustrated and angry and devastated about being reduced to the One Project she made. She just wanted to make something bigger than herself.

And it's really nice to see Phoenix help her once she recognizes that Zor's been using her all this time...even if it takes some time for Prism to really let them help her.

It takes the combination of their unique skills, brainpower, and their eventual trust in one another to destroy Zor's volcano kinesium base. Prism gets saved by the person she thought made her dreams impossible, and in return, Phoenix gets saved in the one IEYTD ending where they're not declared legally dead. I feel like that's something interesting? Because this is also the one finale where Phoenix has an active ally working with them close to their side (...as close as Prism and Phoenix could get, anyway).

Well. Anyway. What was I talking about? Enemies who are closely intertwined with one another's journeys end up becoming each other's most important allies? Okay, yeah. Let's go with that.

hey man. i'm just saying. why would we put inexperienced teenagers with over-inflated egos and obvious emotional issues into combat classes and make them claw their way to the top of their dorms and expect things to just run smoothly. who actually thought this

RESIDENT EVIL → THE WESKER FAMILY

To the public, little is known of the families behind some of the world’s most renowned bioterrorists, but the question remains: did they play a role in causing their children to walk down the path that they did? Or are these individuals simply ambitious criminals with delusions of grandeur?

For Diana Wesker (née Afanasyeva), her introduction into the bioweapons black market trade was upon discovering her employers were using her research into limb regeneration with salamanders to further their experiments in creating enhanced soldiers, instead of developing human therapies with which she was recruited for. Although the prospect of using biological weapons in the military did not appeal to her, the concept remained fascinating for her own selfish endeavours. Born on the 27th of October, 1963 in Sydney, Australia to Russian immigrant parents, Diana had harsh expectations placed upon her at a young age, ones that no matter how hard she tried she could never live up to. Her mother, Tatyana, was an unfeeling woman, absent for long stretches of time with little regard to how it affected her daughters, much more concerned with her craft as an accomplished opera singer. Viktor was no better. A strict man whose role as father and ballet master blurred, he pushed his girls to one day follow in his footsteps. Whilst Sofia enjoyed ballet, and went on to become a professional ballet dancer, Diana’s heart was set on going into the field of biology. She wished to make a name for herself, separate from her family – to which she succeeded.

Diana was married to former U.S. Marine, Dave Monroe, for only a year until he was declared dead in 1992 after succumbing to injuries sustained in a horrific car accident. Foul play was ruled out while Diana played the role of the grief-stricken widow, but in reality, she had snapped after years of mistreatment at her husband’s hands, and opted for something she could pass off as an accident to be free of him. For years she believed he was dead – and he was, legally – but that proved to not be the case when he found his way back into her life again in 1999. Unbeknownst to her, she had been lied to by the police and coroner, who were paid off by her employers when they took Dave’s body for themselves and used him as one of their first test subjects in developing supersoldiers. Before he could ever hurt her again, Diana’s second husband, Albert Wesker, tracked the man down, captured him and tortured him, before allowing Diana to get her violent and bloody revenge.

The origins of Albert Wesker’s involvement in bioterrorism, alongside his twin sister, Alex, are much different than that of Diana’s. The two hail from London, Canada, but unfortunately, they hold no memories of their lives there, nor what happened to their biological parents when they were eight years old. Agents of Oswell E. Spencer, an aristocratic billionaire and eugenicist, took the twins from their home and executed their parents as per Spencer’s orders. Albert and Alex were then placed in a home funded by the Spencer Foundation where they were given new names and a privileged upbringing. They had access to the best education possible, free to pursue whichever field they decided, but it was by no accident they both went into virology and bioengineering; at home, their adoptive parents – agents whom they believed to be their real parents – instilled them with the beliefs of Oswell E. Spencer, harbouring disdain for war and pestilence, and believing humans to be an evolutionary dead-end in need of a rebirth. They were only two of the hundreds of children “adopted” as part of what is known as Project W, a plan intended to develop an advanced race of human beings. The most promising candidates were headhunted by Umbrella Pharmaceuticals, the twins amongst them, where they went on to create bioweapons for the company founded by none other than the man who had handpicked them for his plan. The final stage of this was to infect the thirteen Spencer saw fit, however, only two survived; Albert received the intended effects, now possessing superhuman abilities, however, Alex was only offered more time to live due to her terminal degenerative illness.

In the summer of 1995, Diana was working undercover within Umbrella to gather development data on their projects for her company. Here, she had a chance encounter with Albert, an intelligence officer at the time, which permanently altered the course of her life. The two were never seen far from one another’s side, marrying in 1998, and they went on to become notorious in the bioweapons industry. The development of the Uroboros virus was where things took a turn for the worst. Although Diana’s infection was successful and she bore abilities that rivalled her husband’s, the plan itself did not succeed as they had hoped, and almost cost Albert his life at the hands of his former subordinates.

Now, they work within the shadows, with Diana declared missing and Albert believed to be dead. Their legacy, however, lives on with the mark they left on the world. As visionaries in their field, they influenced bioterror attacks carried out by countless individuals and organisations. In turn, they also inspired others to fight against such atrocities. One such person happens to be Albert’s son from a former relationship, Jake Müller, whose existence he was unaware of.

I posted astobean but I think some of you guys wanted to see this

an um. snippet. from me. for the first time since. july :-)

i love ryomina

no but seriously. even when i’m thinking about other things that captivate my interest, i find myself coming back to them and feeling like i fell down three whole flights of staircases every time i do. they are one of my favorite pairs in media and are very special to me.

it’s the way that ryoji and minato’s lives are inevitably intertwined with each other due to the circumstances 10 years ago on the moonlight bridge. without no minato, there is no ryoji. minato as he is today is because of ryoji. they have irreparably affected each other’s lives that you cannot discuss one without bringing up the other one.

ryoji mochizuki, who is death, pharos, thanatos, nyx avatar, the man of many names and identities, is the perfect summation of p3′s messages and themes.

minato arisato, the wildcard and protagonist, who has boundless kindness in his actions despite the unfortunate cards handed to him.

the two of them complement each other and tell a beautiful story from start to finish.

minato’s personas capture this perfectly. he awakens to orpheus, who’s flames burns bright, is snuffed out by thanatos during the encounter against the arcana magician. a visual precursor of the idea that ryoji stole from the life that minato could have had.

it’s the way that over the course of the game as minato interacts with pharos, talking throughout the dark hour, forging a bond that cannot be broken, that allows ryoji to exist. minato humanizes death.

november. the bells toll, calling the appriser. and yet, it’s peaceful... quiet, and full of life. ryoji, who breaks free from death’s chains, refusing his role, is given the chance to live for a month. to make the most of the humanity that minato has given him over those ten years. and what a life he lived. ryoji’s life is a reflection of what minato’s life could have been like in another universe.

it is the way the two of them are reflections of each other. ryoji with his hair down is just like minato. they are both stubbornly committed to choosing to be kind, to love life, yet are chained down by the cards the narrative dealt them with. they finish each other’s sentences, knowing each other intimately in a way no one else does.

how is that, a boy who lived for only one month, profoundly changes the course of the narrative? he is simultaneously relevant and irrelevant. blink, and you miss it, the beautiful life that he led.

ryoji is horrified at the revelations of being the appriser. he who so desperately wished to forget that his existence was meant to bring the end to all life, was unable to escape the inevitability of death. in a non-human way, of course. he becomes remorseful. a shadow of his brief time as a human who was enamored by the small beautiful things that life had to offer.

he is swallowed by grief. grief knowing that his very existence will take away not only minato’s life, but everyone else’s. the very thing that ryoji loved- life, fundamentally went against the role he was born for- to be the harbinger of death. and unable to grapple with this sadness he believes that the best thing for minato to do is to kill him, so that SEES can live in bliss not knowing about their inevitable end.

SEES is left rattled, calling into question what the meaning of life is and what they do when faced against the inevitability of death.

and!!! minato chooses!! for ryoji to live!! even in spite of what ryoji is MEANT to embody, minato still stubbornly chooses to defy death itself! and if that’s not cool i don’t know what is!! minato wants everyone to have the chance to live!!

so he climbs. he ascends tartarus, to meet ryoji, again, who is now the nyx avatar. and i just think there’s something so so beautiful about being able to use messiah, minato’s ultimate persona, against nyx avatar.

messiah, being the fusion of orpheus and thanatos is peak ryomina to me. because ryoji and minato have established an unbreakable bond from having been entwined for 10 years, minato still has a piece of death with him, and by proxy!! ryoji is able to defy and rebel against nyx trying to bring the fall! and i think that’s fucking cool shit if you ask me!

even when all of the arcanas have been gone through, it’s still not enough to stop the fall. and yet. minato knows. in the way that ryoji was sealed in minato 10 years ago by aigis... minato becomes the great seal so that everyone can live. it comes full circle.

march rolls around. he fulfills his promise to SEES on graduation day. minato dies from exhaustion. but goddamn does his sacrifice make me weep- he’s had such, such a tiring journey. he’s been through so many things because he was at the wrong place at the wrong time. but at the end of it all, he’s reunited with ryoji in death.

and i think this is why ryomina continues to evoke so much emotions for me, to this day. the relationship that they have embodies so much of persona 3′s messages and themes that it makes me feel like a microwave with nothing running in it.

p3′s message is very hopeful, for me. my favorite takeaway from it is that even if death is inevitable, appreciating the life that we were given and choosing to live as best as we can with kindness (even if we can’t feasibly do everything), is just? really nice? and you see this manifest in both ryoji and minato’s personalities and what they do for the other characters.

ryomina just feels so distinct to me, the flavor that their relationship ties back to my favorite takeaways from this game and im just!!  god!! i love you minato arisato! i love you ryoji mochizuki! im so glad that i could meet them! i’m happy that they changed my life! they made me want to appreciate the connections in life even if they were fleeting! they made me!! want to pay attention to the good moments in life and cherish them!

i love ryomina so much!!! i’m so glad that these two could bring so much joy into my life! and i hope that others can have this joy too! 💛💙

i read this book back in like 2019 and i liked it so much i wanted my own copy and then found out it was out of print, despite having been published in 2015, AND there was an article from 2018 saying they were making a movie adaptation of it?????

wait omg i’m curious about your unpopular thoughts about temenos writing wise.. i love when people discuss octopath writing it’s really enriching to see what we all have to say about certain story elements. plus you’re like a temenos representative to me. your thoughts about temenos make me go “so true!”

Aw, thank you! It took a while for me to decide on what to write here, since honestly I could go on for… frankly any aspect of this guy, especially in regards to treatment in fanon. But for now, I'll focus on my thoughts regarding how people treat tragedy in Temenos' story— namely, Crick's death— and why I personally dislike it as a writing decision and why I disagree with the idea that it is necessary.

Note: Goes without saying, but this is my personal opinion. If you believe otherwise, then that's all good. I'm not writing this to say that any one person is wrong, just to talk about an issue I have with the game's writing itself.

To start, I'll say that my main reason for disliking Crick's death in SH route is a matter of practicality. Killing him off causes Temenos to lose the main person that he had a fantastic relationship and banter with, and in my opinion, Temenos works best when he's bouncing off another person; not unlike most under the Sherlock-archetype.

Also, genuinely? It works wonders to keep Crick alive, if just because it provides a fantastic avenue to explore Temenos' institutional trauma. Having a character that's lived a different experience but within the same harmful institution opens up ways to explore the scope of its harm. And yes, this is for Crick specifically; not Ort, not the travelers, but Crick.

I think it really adds something that Temenos was raised by the church while Crick converted as a teenager during a really difficult time in his life. These two are good for each other. Crick sure as hell makes it a lot easier to write Temenos in fic.

(If you have a different experience, again, that's cool. I'm glad for you. I, however, will never fail to take the easy way out.)

(This is a lie, I'm over here making up fantasy church law for fic stuff but that's not related to this answer.)

I won't pretend that disliking Crick's death is an unpopular opinion. I mean, "Stormhail Fix-it" is an entire genre of fic on the OT2 Ao3 tag. What I do feel tends to go unaddressed though, is the fact that the idea that Crick's death is canon, therefore it is necessary, therefore it is the best decision; an idea that I wholeheartedly disagree with.

Within the text itself, Crick is killed off in order to give Temenos a personal reason to pursue Kaldena, thus putting him at odds with Kaldena's motivations being driven by her ideology and worldview that, "because humans committed the massacre, it was the gods' mistake to put us here". I also won't pretend that Kaldena's writing here isn't fucking awful, because Crick's death is also a device to make the player want Kaldena defeated even though she is just as much as a victim of the church; and that's to say nothing of her portrayal as an indigenous and dark-skinned woman.

These decisions are ones I disagree with. Killing Crick off was unnecessary to give Temenos reason to pursue the culprit, because Temenos already had someone close to him killed; and that's Pontiff Jörg. He raised Temenos from infancy, but due to the lack of focus on him outside of banter conversations, it's never relevant to his motivations outside of the desire for truth because a crime was committed. 

We also didn't need to kill Crick off to show that the church was a terrible institution, because Roi already went missing in action. The Sacred Guard is the main body of law within Eastern Solistia, it's not unreasonable to think that the reason why Temenos dislikes them is because they clearly didn't do shit to investigate his disappearance.

However, one thing I really don't agree with is the idea that Crick's death is necessary because Temenos' story is a tragedy. And if you asked me why, I'd ask this in turn: why is death the only form of tragedy? Furthermore, why must a tragedy contain only tragic events? That in mind, what gives anything value in a tragedy, then?

Pretend we cannot completely rewrite Temenos' story. Even then, changing Crick's death to a permanent injury, a coma, or whatever is still a tragic event; and that's nothing to say of living with the consequences. Isn't losing your faith a tragedy? Isn't losing something you worked for years to do a tragedy?

Similarly, I'd still argue that it's more valuable to make Stormhail a near-death experience because not only does it show Temenos succeeding in making someone question the church but also the terror that is feeling like you're doomed to repeat tragedy. Even if you really aren't, it's hard to dismiss that feeling; especially when it has to do with being victimized by institutions.

And before someone says, "but bad things happen to good people in real life", I'm not treating these characters as living, breathing people who are subject to things like gravity, hunger, and exhaustion. I'm treating them as choices, and choices made that I disagree with. 

It's why I make different choices. I choose to make Crick have to deal with chronic pain onwards. I choose to make Temenos realize change is still possible. I choose to let them both leave Stormhail alive. Are these better choices? I don't know. But I'll never stop questioning the ones made by the writers regardless; much less stop disagreeing with them.

So, in summary: I dislike Crick's death. I dislike Temenos having to spend the rest of the story without someone he can talk to so easily because Crick's absence weakens a lot of his scenes in Temenos 4. But more than that, I dislike the idea that tragedy is necessary on top of the idea that it is superior. Tragedy's good, I adore the genre; but written in mindful doses and all that.

can you describe matthias and theo night routines? and their sleep schedule

<3 ly

Theo doesn’t get a lot of sleep since he’s either out partying into the long stretches of the night or up studying until the words begin to blur on the page. I’d say he normally falls asleep around 3AM-4AM and doesn’t wake back up until 7AM. Four-ish hours is pretty average for how much sleep he gets a night… maybe less at times if he’s more stressed than usual. I should add that he does sleep more when he’s staying over at Matthias’s or vice versa, but generally he tries his best not to let Matthias distract him from studying before bed… which only ever works out about a quarter of the time. Matthias can be... very persuasive.

In the case of Matthias, well… he’s a chronic insomniac whose insomnia is exacerbated by hallucinations and nightmares. Unsurprisingly, his sleep schedule is terribly inconsistent, but if he does sleep then I think he normally manages it sometime around noon and will stay asleep for about an hour or two. It’s actually very rare that he falls asleep during the night—especially after Theo begins to sleep over, as Matthias prefers to read and watch over him at that time instead. Theo has fits in his sleep (from nightmares that he never remembers…) and Matthias gently calms him so he doesn’t wake up.

The only time they fall asleep at around the same time is when they’ve been at it for a while and both need a break. Matthias doesn’t stay asleep for long, though… maybe an hour at most. He does sleep easier around Theo, but that’s mostly just when Theo is awake. I think Matthias finds a lot of comfort in knowing Theo is there watching over him. He went through a lot at the reformation school and there were many times within those years where sleep would be abruptly interrupted and then he’d be back on the killing floor, so to speak, so having someone there to watch over him… I think it really helps. Then, on the other hand, Theo sleeps pretty deeply after they’ve been having sex. There’s never a time he feels more cared for and adored than when Matthias is making love to him, so it's... a relaxing experience. It puts Theo's mind at ease and I think it’s probably when Theo feels the safest. So he'll sleep for a long while after, feeling cradled in Matthias's presence, his anxiety finally snuffed out.

As for their actual night routines… hm. They’re very different, especially before and after the start of Echthroi. 

Theo’s night routine stays pretty much the same throughout the story. He’s not one for self-care, like, at all. Because of that, he doesn’t necessarily have a routine… Theo’s honestly only really meticulous in his studies and everything else suffers for it. However, Theo physically cannot fall asleep unless he’s checked the locks on the windows and doors and closed all of the blinds and curtains. That’s the one routine of his he’s always sure to follow through on, even when he’s intoxicated or sleep deprived.

Otherwise, what else he does as part of his “routine” is up in the air. Sometimes he showers before bed, other times he showers after waking up. Sometimes he combs through his hair all nicely and other times he just impatiently rips his fingers through his hair and shrugs. Sometimes he forgets to brush his teeth, other times he forgets that he’s already brushed his teeth and ends up doing it again. He’s a bit of a mess. If he’s actually aware/awake enough to put himself to bed, then he’ll messily wipe any makeup off his face post-clubbing and/or he’ll shower post-hook up (if it’s the pre-Matthias part of Echthroi). If he’s tired from studying he’ll put all of his materials away and then flop down on his bed. If he has to see his parents in the morning then he’ll wind up in the bathroom for too long, brushing his teeth until his gums bleed. If we’re talking about Theo in the post-meeting Matthias part of the story then he might take a cold shower to try and get Matthias out of his head for a little bit, or he’ll find himself laying in bed staring warily at his phone. Hm… and in general Theo will hum lullabies to himself so he can fall asleep easier… it’s a childhood habit.

By nature of Matthias’s insomnia, Matthias doesn’t exactly find himself preparing for bed during the night like most people. He does, however, still run through his personal care routine at around 8pm. He showers, brushes, flosses, cleanses and hydrates, primps and preens, and then he’ll usually find himself entertaining guests or a partner for the night.

For Matthias pre-meeting Theo, he’s often not alone after dark as he has a string of men with whom he takes to his bed or a list of faceless people to call on whenever he wants to be surrounded by bodies and chatter. There are still quiet nights where he’s by himself or just with Imani, but they’re relatively few and far between. For Matthias post-meeting Theo… woof. He did sleep around here and there still, but I think he gave it up pretty early on… his mind was always swimming with thoughts of Theo and he couldn’t focus on nor did he find himself interested in the men he’d have under him. So after meeting Theo his usual night circuit changes and he often finds himself staying home and reading with some wine and the occasional glance at his phone, waiting for a response. Matthias does a lot of waiting when it comes to Theo.

If they're together at night (when they’re dating), then Matthias will usually make dinner for Theo. He likes feeding him (by hand, even, though Theo often protests). Normally Theo will have a few textbooks with him that he can study from while he waits for dinner and he always winds up going "give me a minute" when the food is finally done. They'll enjoy each other's company just fine at home or they'll go out for a drive or a walk. Theo often winds up getting roped into following along with Matthias's night routine and will poke fun at how fussy Matthias can be as Matthias does skincare beside him in the bathroom. Theo tries to get away with studying again later in the night, but Matthias likes to distract him as he’s personally offended whenever Theo whips out his textbooks past, like, 11PM. In general, they'll wind up having sex at some point, or multiple points, and then they'll shower together. After they towel off and Matthias dries Theo's hair, Matthias will most likely end up reading to Theo until Theo falls asleep. If Theo wakes up during the night, Matthias simply kisses him back to sleep.