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screebyy · 3 months

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A little crowlyon dawning comic wheee i finished it please clap

I have lots more written on this but idk if i will do another comic or write part of it as a fic or some mix of both. im just very normal about them right now 🙂

ID/transcript below cut

Panel 1: Crow is walking down a path outside of the dreaming city with a brown cross-body messenger bag slung over his shoulder. Crow is holding the strap of the messenger bag and looking up in exasperation as he talks to Glint, who is floating beside him and speaking emphatically. Crow: “There's still time to turn back…” Glint: “Don't!” Crow: “But -” Glint: “You said you wanted to go through with this!” Crow: “I know but -” Panel 2: Close up of Crow’s eyes as he spots something off-screen. He looks startled. Crow: “!-”

Panel 3: Jolyon is standing next to a natural stone wall, looking away from the viewer. He is resting one hand on the wall and staring out at the Dreaming City watchtower and buildings in the distance, which are overtaken with taken corruption and several taken orbs hang in the air around the city. Crow is standing in the foreground, looking at Jolyon with one hand resting on his messenger bag. Crow: “Jolyon.”

Panel 4: Close shot of Jolyon turning towards the viewer, he is only visible from his shoulder to his nose so his expression is neutral and unreadable.

Panel 5: Camera is looking over Jolyon’s shoulder as he looks at crow. Crow looks at Jolyon with determination. He is holding the strap of his bag with one hand where it falls across his chest. Glint is transmatting away with an enthusiastic expression. Jolyon’s face is not visible. Crow: “Thanks for meeting me” Glint: “ok good luck bye”

Panel 6: Close shot of Crow’s face. He is looking down and to his left, blushing lightly. He looks uncertain and slightly embarrassed. Crow: “I’m sorry if you… didn’t want to hear from me.” Jolyon (offscreen): “It’s fine.”

Panel 7: Close shot of Jolyon’s face. He is staring down at Crow with a distant, slightly pained expression. Jolyon: “What do you want?”

Panel 8: Close shot of Crow’s hands gripping the strap of the messenger bag. He is twisting it with both hands, clearly fidgeting due to nervousness. Crow: “I’m…”

Panel 9: Side shot of Crow and Jolyon looking at each other. Crow is leaning slightly forward, while Jolyon looks entirely neutral. Crow: “I’m trying to make amends.” Jolyon: “Amends. For what?”

Panel 10: Close shot of Crow’s face. He looks confused but determined, and is looking up at Jolyon with a furrowed brow. Crow: “For-... For Uldren, for everything-”

Panel 11: Extreme closeup of Jolyon’s eyes. He looks angry and his eyes are suddenly glowing with intensity as he glares down at Crow. Jolyon: “No. What specifically?”

Panel 12: Low angle looking up at Jolyon, who is glaring down at Crow with an intense, angry expression, bordering on hatred. Jolyon: “Tell me. What exactly do you remember?”

Panel 13: Extreme closeup of Jolyon’s mouth as he sneers, speaking through gritted teeth. Jolyon: “Crow.”

Panel 14: Shot of Crow’s face, he looks startled and distraught as he stares at Jolyon. Crow: “...”

Panel 15: Crow looks away to his right, looking ashamed. Crow: “I remember enough. I remember when things were good between us. And when they were… less good.”

Panel 16: Extreme close up of Jolyon’s left eye, he is looking down at Crow and looks alarmed. Crow: “I remember the garden.”

Panel 17: Wide shot from behind Crow. Crow is looking up at Jolyon. Jolyon is flinching and looking swiftly away from Crow to his left. Crow: “After that… things start to get confused. Honestly, I don’t understand everything that happened between us at the end… But I know it wasn’t what he wanted.”

Panel 18: Shot of Jolyon looking away, looking extremely upset as Crow talks. Crow: “So… I’m sorry. For all of it.”

Panel 19: Extreme close up of Jolyon’s eyes, he is squeezing his eyes shut and still looks emotional. Crow: “And so is he.”

Jolyon: “...”

Panel 20: Wide shot from behind Jolyon. Jolyon turns back to look down at crow, his face is not visible. Crow is still looking up at him. Jolyon: “Okay. Is that all?”

Panel 21: Shot of Crow’s face, turning down to look at the messenger bag at his hip. Crow looks nervous and is blushing with embarrassment. Crow: “Um…”

Panel 22: Close shot of Crow’s hand as he opens the messenger bag and reaches inside. A purple box is visible inside the bag. Crow: “No.”

Panel 23: Wide shot of Crow. He has pulled the purple box out of the bag, and is looking down at it, blushing slightly. In an inset panel, Jolyon is looking at him suspiciously. Crow: “Do you know about the dawning?” Jolyon: “Yes… The Awoken don’t celebrate it.” Crow: “I know.”

Panel 24: Close shot of Crow’s face as he looks down at the box. He is smiling wistfully, and blushing. Crow: “But… in the city, we give each other sweets, to say thanks. And… I don’t know. Now, it always reminds me of this time…”

The background shifts to a black backdrop, with white snowflakes falling quickly.

Panel 25: Extreme close up of Uldren Sov’s face in a flashback. It is dark, and snowing. Uldren is wearing a hood and is hunched over while looking straight ahead at the viewer. His hair is obscuring his right eye, and he looks serious and intense. Crow: “It was centuries ago. Back when the last city was just a tiny settlement.”

Panel 26: Close up of Uldren holding a pair of dark gray-purple binoculars, with glowing magenta lenses. He is resting his hand with the binoculars on one knee in the air. Uldren is wearing a dark blue shirt and black gloves with burnt orange detailing, and a long black cloak. Crow: “I… He was doing surveillance on earth. Keeping tabs on the people trying to build a sanctuary beneath the traveler.”

Panel 27: A wide shot from behind Uldren, who is sitting on top of a dilapidated building on earth. He is looking down on a festive nighttime scene. There are several buildings that have been partially destroyed and reclaimed by time, but dark silhouettes of people have made a home in them. The windows are all glowing with firelight, and the buildings have been decorated with glowing garlands and colorful flags. Between the buildings, many people are visible, holding hands, hugging, and waving at each other. It is snowing very hard, and snow is piled up around Uldren and the village. Four inset panels show closer views of people within the village. The first shows a woman hugging a man from behind. The man is holding a steaming hot cake inside a baking tray, and is wearing baking gloves. The woman is pressing her face against his neck, and the man is turning towards her and laughing. The second panel shows a human man throwing his arm over the shoulder of a blue exo. The Exo is waving at somebody to the left, and the man is looking the other direction and lifting a tankard of beer in cheers. The third panel shows an Awoken person and a human woman sitting at a table. The Awoken is holding a warm mug of tea, and is smiling lightly at the human woman. The human woman is turned towards the Awoken and is leaning close to them. She has placed one hand on their arm tenderly. The fourth panel shows a closeup of two people, one with dark hair and one with light hair. The light haired person is cupping the dark haired person with one hand, and is leaning in to kiss their other cheek. The dark haired person is blushign and laughing with their eyes closed. Crow: “They had almost nothing. But they were celebrating. Sharing, and laughing.”

Panel 28: Another closeup of Uldren’s eye as he watches the scenes below him, he now looks sad and distant. Crow: “It was snowing, nonstop. It was so cold. And he was so lonely…”

Panel 29: Uldren is walking away from the viewer, through a dark pine forest covered in snow. His cloak is blowing in the wind.

Panel 30: Uldren’s ship is flying towards the Dreaming city in the distance, weaving between two cliffs in the reef. Snow is blowing in the ships glowing purple trail.

Panel 31: Wide, side view of Uldren as he walks through the snow-covered dreaming city. In the background, ornate arches and pillars can be seen, along with an awoken statue. Snow is falling hard, and it looks windy.

Panel 32: Shot over Uldren’s shoulder as he bangs loudly on a wooden door. His hood is up and his face is not visible.

Panel 33: Waist-high shot of Jolyon opening the door. Jolyon is wearing a green sweater with the sleeves rolled up, and gray sweatpants. Jolyon: “Hello?”

Panel 34: Side shot of Uldren rushing inside, tackling Jolyon with a hug. Jolyon looks startled, and is stumbling back inside the doorway as the snow blows inside. Jolyon: “Wha-”

Panel 35: Side shot of Jolyon and Uldren embracing. Uldren has buried his face in Jolyon’s shoulder, and Jolyon is cupping the back of his head tenderly with one hand while his other arm drapes around Uldren’s shoulder. Uldren is clutching Jolyon’s sweater with one hand. Jolyon: “Aren’t you supposed to be on earth? Why are you back so soon?” Uldren: “Why do you think? I was freezing my ass off.”

Panel 36: Close shot of Uldren’s face pressed into Jolyon’s sweater, he is smiling wide and blushing slightly. His hair is falling over his face and his eyes are not visible. Uldren: “Listen- this is kind of stupid, but… Do you want to bake something with me? Something sweet?”

Panel 37: Shot of Jolyon’s hands in present day, holding the purple box that Crow has given him. The lid has been removed, revealing that it is full of cookies. They look like italian almond cookes, covered in powdered sugar and slivered almonds. Jolyon: “Hah… you remember that?”

Panel 38: Crow glances away, smiling nostalgically and blushing lightly. Crow: “Yeah. We made… well, I guess they were kind of like almond cookes? There were almonds in them, at least…”

Flashback Panel 1: In the background, a memory from the flashback is visible. It shows Uldren and Jolyon standing in a kitchen. Jolyon is standing behind Uldren and holding his waist affectionately. Uldren is holding a mixing bowl on the kitchen counter with one hand, and is pouring something into the bowl with his other hand. Several ingredients are visible strewn all over the counter, along with piles of spilled dough. Jolyon: “Haha, what are you doing? You’ve got to measure.” Uldren: “Following my royal intuition.” Jolyon: “Your intuition kind of looks like cat puke.”

Flashback Panel 2: View of Jolyon and Uldren from the front. Uldren is mixing the dough with a wooden spoon, and looking down at the bowl with a soft smile. Jolyon is behind him, with one arm wrapped around his waist. His other hand is holding Uldren’s arm tenderly. Jolyon is leaning down to kiss Uldren’s cheek. Jolyon: “You’re making a mess of my kitchen, Sov.” Uldren: “I’ll clean it up.” Jolyon: “Will you?” Uldren: “For you? Probably.”

Panel 39: In present day, Jolyon is staring down at the tin of cookies, smiling faintly. Crow (offscreen): “We didn’t really have much of a plan…” Jolyon: “Uldren wasn’t big on plans. Or recipes.”

Panel 40: Jolyon says from offscreen, above the rest of the panel: “Whatever they were, they didn’t turn out very good.” In the panel, Crow is blushing furiously, looking nervously at a thought bubble to his left with a shaky smile. Within his thought bubble another memory is visible, of Jolyon and Uldren kissing passionately on a couch. In the background of the memory, several “BEEP” sound effects are visible. Jolyon is on top of Uldren, holding Uldren’s head in one hand while kissing his neck. Uldren is smirking, while pulling Jolyon’s shirt off with both hands. Jolyon (flashback): “Oven’s going off. We should probably get that.” Uldren (flashback): “I don’t give a shit.” Crow (present day): “Um. Yeah. They were kind of… burnt…”

Panel 41: In present day, Jolyon is smiling faintly, looking at one of the cookies as he holds it up in front of his face. Crow (offscreen): “These are better, I hope.” Jolyon: “Seems like it.”

Panel 42: Close up of Jolyon taking a bite of the cookie.

Panel 43: Crow is smiling enthusiastically up at Jolyon. Jolyon (offscreen): “They’re good.” Crow: “Good!”

Panel 44: Close up of Jolyon. His smile is falling, he looks seems distant and emotional as he looks down at Crow. His eyes are glistening with the first signs of tears. Jolyon: “I uh…”

Panel 45: Jolyon turning to his right, digging the heel of his hand into his right eye as his tears start to fall. He looks distraught, squeezing his eyes shut. Jolyon: “I should go.”

Panel 46: Shot over Crow’s shoulder, Jolyon is walking swiftly away, holding one hand over his face. Crow is looking after him, with one hand reaching awkwardly towards Jolyon. Crow: “Wait…” Jolyon: “Thank you.”

Panel 47: Shot of Crow’s face as he watches Jolyon leave. He looks startled and upset. Crow: “...”

Panel 48: Crow facepalms, looking frustrated and embarrassed. Crow: AUGH.

Panel 49: Crow is sitting on a rock on the cliffside, he is hunched over and propping up his face on one hand. He looks defeated and is sighing. Glint has re-appeared next to him, and looks enthusiastic. Glint: “That could have gone worse! He said they were good! How do you feel?” Crow. “Fantastic. Why did I let you talk me into this?”

#long post #i just really like them!!! the them that exists in my mind!!!!!#reposting the first 3 pages bc i changed some details kind of #comics is hard and also words is hard #if i do more comics they are not gonna be this detailed though lol #i spent. a LOT of time on this #destiny 2 #crow destiny #uldren sov #jolyon till #crowlyon #also if you have any thoughts on formatting of this as a very long post vs. splitting into smaller snippets id appreciate hearing about it

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hyakunana · 7 months

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The Crafting Mystery

(yes, this is a parody — and yes this is the second time I make a parody of the same scene that is printed in my brain at this point)

#destiny 2 #destiny the game #bungie #destiny art #fanart #comics #ikora rey #commander zavala #drifter d2 #uldren sov #crow d2 #lord shaxx #eris morn #hunter guardian #the young wolf #also this time i went until the end of the scene bc when i did the fe3h one ppl were actually theorizing all wrong #me: this season my hunter is in absolute anguish / my braincells: so—#LITERALLY REDREW HALF OF THIS COMIC BY THE LAST MINUTE TO CHANGE THE JOKE YELP

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unstable-and-gay · 2 months

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hey it's the mailman. yeah i have more text posts. no i won't run away this time i promise

#yes the drifteris picture is a byf thumbnail leave me alone #destiny 2 #cayde 6 #uldren sov #taniks #the speaker #mara sov #destiny crow #eris morn #the drifter #drifteris #elsie bray #lord shaxx #immaru #calus #rhulk #nezarec #destiny text post

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exodyss · 3 months

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#destiny 2 #destiny the game #uldren sov #destiny uldren sov #destiny uldren #crow destiny 2 #destiny crow

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exotic-inquiry · 12 days

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uldren eyes 👁 👁

#just thinking abt forsaken again #i miss it dearly #and doing some real low motivation painting today #destiny 2 #uldren sov #destiny 2 art #destiny the game #my art

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anodesu · 3 months

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“I heard that before the Collapse, there used to be an art. It took broken things and put them back together with precious metals. It made something new and beautiful out of something that would have just been thrown away.” -The Crow from Destiny 2. This is yet another piece I approached again after remembering it existed because somehow the character's VA found it 3 years later and retweeted it. I don't know why my brain does this.

#destiny the game #destiny 2 #destiny crow #crow destiny #uldren sov #destiny uldren #kintsugi #not me redoing yet another old piece of mine #What even ARE subtle themes?#Sorry new Warframe followers #I am actually a Destiny simp

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waterdeep · 8 months

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PRINCE ULDREN SOV in DESTINY 2: FORSAKEN.

Hey, you got a gun I can borrow?

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fetabathwater · 3 months

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Alone midnight and skin for ms lamby lamb my lov <33

prompts here!

alone: How does your OC deal with loneliness? Have they ever been completely alone before? How do they act when there’s no one around to see them?

Loneliness to Jennifer is like an itch. It's not enough to call it a phantom limb, even though that has increased exponentially since the vote, but loneliness as a child was her purposely standing in the middle of the house and screaming until someone came running. It was the outbursts in class and the clawing for attention, only to rebuff it as she hit her teens and thought she was above it all. Loneliness crawls all over her brain and down her spine and it eats away at her, because Jen never really had her parents, and her grandmother passed, and her grandfather sits in his chair or in the garden, just waiting away each day. Her other half is gone, through actions of her own too, and yeah, Jen can stand in a room and feel the separation, because she doesn't want to go through the motions again. Noise isn't enough to scare the loneliness away, when no one else has her in their eyesight. Lights are on, tv blaring, music playing, and Jen's fingers do itch to start taking something a bit heavier to ease it all away.

midnight: What keeps your OC up at night? Do they have nightmares? Fears? Anxieties? What do they do in the small hours of the morning when they should be sleeping?

Thinking and re-thinking and replaying the fight. In her mind, she's got variations of the vote running, sometimes hard enough that she convinces herself that is real. Her phone keeps her up, hovering over Seven's number, and no matter how many times she throws it to the other side of the room, she still gets out of bed, picks it up, rinse and repeat. Jen's nightmares about no longer being palatable. About never being enough. All the sites say their voices work better apart, but Jen sees how expendable she is, because what if she stops appealing? What if the band doesn't need her anymore? Kicking out a singer never stopped anyone before, historically. Those small hours of the morning are the worst, when she's on her phone and the independent journal sites and the odd vid dedicated to breaking down what happened. Jen tells herself if she doesn't stay on top of this, then the worst will happen - but she also knows that's bullshit.

skin: How comfortable is your OC in their skin? Do they grapple with anything that lives inside them—a beast, a curse, a failure, a monster? How do they face the smallest, weakest, most horrible version of themself? Are they able to acknowledge it at all?

Jennifer stands in front of the mirror and feels like she's a marionette and the one pulling her own strings. The curse she bears is the word 'palatable'. It was an offhand comment, a reason for her to stay lead, but something in the way she was already so broken after the vote ate that word up, as if it was glue to keep her together. Palatable. Easy to digest, pleasant, constant. Just as easy to replace for something better. Jen dyes her hair and brushes her teeth, does her makeup and puts on the clothes but she doesn't recognise herself, really. She should cover the tattoo, remove it, burn it off, anything, to sell the image that the band wants. They can't have someone who is walking a very fine line, right? What would that say? She's still stamped, even though that ended swiftly, all those years ago. Reinvented herself into the star that would appeal; Jen digs her nails into the skin around the tattoo. Half-moons, as if she might be able to take it off herself, because having it still there means that Jennifer Lamb, duet partner, carried by her former everything, still exists - and she can't face that any time soon.

(and when she saw that Seven still had her initials, her carefully constructed everything ached, as if who she was might still be alive, and not this version of herself she's trying so hard to be)

#uldren-sov #replies #oc: jennifer lamb #OH OKAY LEMME JUST FUCK LAMBY UP EVEN MORE HEY???#KJHDFKJSHFKSDFHKSD #im so sorry baby girl i swear it'll be alright soon

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shaxxuality · 5 months

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#destinyedit #gamingedit #destiny #uldren sov #mara sov #gif

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purpleorange · 11 months

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Every Jolyon lore after Beyond Light be like:

#Destiny2 #the crow #jolyon till #uldren sov #they are friend zoning each other SO HARD it's almost delusional

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screebyy · 3 months

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Part 2: local empath tries and fails to parse his own feelings apart from the feelings of the dead little freak living inside his brain

Next part is either gonna be either a really big one or split into several little parts idk yet but i would like to finish this at least through the next Scene™️

Prev || Next

ID below cut

Panel 1: Crow is sitting on a branch high up in a dead tree, on a hill above the Harbinger’s Seclude temple in the Dreaming City. Crow is relaxing along the branch, with one leg stretched out and one propped up so he can rest his hand on his knee. He is leaning back against the trunk of the tree as he looks to his right, down at the temple and away from the viewer. He is holding a flaming hunter throwing knife in his hand, flicking it back and forth. Glint is floating next to him. Glint: “Do you want to see him again?” Crow: “I don’t think he wants to see me.” Glint: “That’s not what I asked!”

Panel 2: Crow twirls the knife in his hand, scowling as he looks down at it. The knife is made of solar flame, and leaves trails of fire behind it as he twirls it. Crow looks like he is reluctantly considering Glint’s question.

Panel 3: Crow turns back towards the temple, grabbing the knife and pulling his knees into his chest. Crow: “I just want him to be alright.”

Panel 4: Crow hugs his knees into his chest. His face is not visible. Crow: “And… it seems like knowing me doesn’t help with that.”

Panel 5: Crow has his arms crossed over his knees, and is resting his face on his forearm. With his other hand, he continues to fidget with the solar knife, twirling it between his fingers. He is looking at the knife, but his expression is distant. Crow: “I shouldn’t be surprised.”

Panel 6: In a memory, Uldren and Jolyon are in bed, late at night. Jolyon seems to be sleeping peacefully, and is embracing Uldren from behind with his face pressed against the back of Uldren’s head. One arm is draped over Uldren’s waist, while the other is resting under Uldren’s cheek, with his hand palm-up on the mattress in front of Uldren’s face.Uldren is awake. He is clutching the blanket around his waist with one hand. His other hand is clutching desperately at Jolyon’s hand on the mattress in front of him, with his fingers threaded between Jolyon’s at an awkward, stiff angle. He is staring at their clasped hands, looking distraught and almost angry. He is crying. Crow (from present day): “I always knew I was bad for him. Even before the garden, when things were… Mostly good. I knew I’d never be what he wanted. What he deserved…”

Panel 7: In present day, Crow continues to twirl the knife, but has turned his face further into the crook of his elbow, staring vacantly into the distance. Crow: “I was just too selfish to let him go.” Panel 8: Close up of Glint staring down at Crow passively. Glint: “It sounds like that’s how Uldren felt. What about you?”

Panel 8: Close up of Crow’s hand holding the knife. He has stopped it mid-spin, catching it between his fingers. Crow: “...”

Panel 9: Close up of Crow’s hand. He dissolves the knife into a fizzling burst of flame as he closes his hand into a fist. Crow: “Right.”

Panel 10: Wide shot from behind Crow. Crow turns his body fully towards the temple, still resting his left hand on his knee. Glint is floating in front of him, looking at his face. Crow: “I don’t want to make the same mistake. So… if he asks, I’ll be there. But after everything Uldren did, the way things ended…”

Panel 11: Crow turns his head away from Glint, leaning on his right hand stiffly. Crow: “I don’t think I’ll hear from him again.”

Panel 12: Glint floats in front of Crow again. Crow is looking down and away from the camera. Glint: “... And you’re okay with that?”

Panel 13: Crow starts to turn back towards Glint, looking torn. Crow: “... I-” He is interrupted by a dinging sound coming from his pocket.

Panel 14: Crow pulls his phone from his pocket, looking at the screen curiously. The phone dings again, and the screen shows that there are two new notifications.

Panel 15: Crow pulls the phone very close to his face, clutching it tightly with both hands. He is staring at the phone with comically wide eyes, looking alarmed and is blushing lightly. The phone shows two messages from an external sender [EXT]. Crow: “A-” Phone: “Are you still in the reef?” Phone: “It’s Jolyon”

Panel 16: Wide shot of Crow squatting like a gremlin on the branch, holding the phone with both hands directly in front of his face as he types on it quickly. He is blushing, and looks extremely focused. Glint is spinning excitedly above him. Crow’s response is visible coming from the phone. Phone (Crow’s response): “yes leaving tomorrow” Glint: “He’s messaging you!! Do you think he wants to see you??” Crow: “I don’t know shush” Crow: “He’s typing…”

Panel 17: Close up of the phone screen, where 3 messages from Jolyon are visible: [EXT]: Can we talk? [EXT]: Meet me here? [EXT]: (a UI element reads NAV DATA SHARED, showing a nav point over cartographical lines)

Panel 18: Close up of Crow’s face, looking down at the phone. He look surprised.

Panel 19: Text shows Crow’s response: “on my way.”

#i like them so much!!!!!!!!!#It's Crow Sulking Hours #i will be getting deep into mine own headcanons for jolyon & uldren for this project #starting with: whatever they had going on i think it was probably a 'b- needs improvement' realistically #on account of uldren having so much wrong with him all of the time #society if the sovs didn't have absolutely nuclear levels of mommy problems #crowlyon #crow destiny #jolyon till #uldren sov #destiny 2

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