#ual art and design
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Art school Dropout
As someone who wants to drop out of art school and is getting a lot of push back from their parents about it. I wanna know what people think. I see myself as just a creator I just to create things. I get great ideas and love executing them. I wanna create my own bespoke furniture line of very much sculptural art that can be used as furniture by people. I honestly have big plans and goals for myself and I currently don’t feel like art school is the way for me to get there at this very moment. I have gut feeling that it isn’t the best possible way for me to accomplish. I am currently at Parsons school of design as a fine art major and I honestly just think the whole thing is stupid. in the past, school was definitely a place to gain access to knowledge that not all people where able to have. Information was a lot more gated. In this age of the internet that just isn’t the case anymore. I’ve been “studying” art in school for 5 years now (about to finish my first year at parsons the other 4 were at school). But everything I’ve learnt about creating has been through creating.
I understand school can give you access to facilities but with the money spent on school you could buy all your own equipment and keep it FOR LIFE and not just 3/4 years. I honestly think if people invested the money they spend on school on just themselves and strategically mapped out what would be best for them personally people would be a lot happier and better off. Anyways. I do worry that sometimes im being delusional in thinking I can sell my crochet and get an paid Apprenticeship in furniture design. I wanna work along side from an actual designer and learn how to make the shit I wanna make gaddamn. I also really wanna go back to London as that’s where im originally from and studying abroad aint it. Its interesting to see how my parents are so hell bent on the idea that an “education” is everything when I believe there are better more effective ways to learn and grow as a person, than just getting a degree.
#etsy#furniture#college#student#university#college dropout#art school#parsons#dropout#University dropout#ual#artist#education#theroy#human design#manifestor#crocheting#knitters of tumblr#knit and crochet#crohet#small buisness#independent artist#designer#bespoke furniture
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UAL Level 3/4 Foundation Dip in Art & Design
Unit 1
This is a small collection of work from Unit 1, which took place over the first half of the term up to the end of October. This was very different from my previous course, which was pretty structured. I decided I wanted to do a course that was more experimental, using different media, and get used to being more messy and try and get out of my comfort zone.
From the start we were working in groups, collaborating and using different mediums. We went on couple of field trips and encouraged to go beyond the studio. I made some good friends, which helped my social anxiety a lot.
I enjoyed all of the workshops, though some were more challenging than others. The installation stuff, 3D work and puppet making was tricky, but enjoyable. I really liked how my puppet turned out. My first attempt was a disaster and had to learn how to sew in a week, it was rapid learning curve.
Making the Julian Robers dress was interesting, and I really liked working with my friends on this.
Overall, Unit 1 for me was pretty much almost everything I had hoped for. I've explored, I've experimented, I’ve gotten messy and pushed myself out of my comfort zone.
Unit 2 is the Pathway stage, and I have chosen Narrative and Printmaking. Will try and post about that more frequently.
#November 5th 2023#UAL#Foundation Art & Design#College course#UAL level 3#art#printmaking#3d#tradtional art
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From concept and designs to the prop, made out of eva foam.
This project was based on a book that we read & had to create a production around. My influence was Osiris, and so I made their staff.
University of the Arts London work.
#Osiris#props#propmaker#propmaking#3d work#3d art#3d prop#3d props#designs#ual#university of the arts london
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What the heck is this?!
Can we please talk about this godawful excuse for interior design I saw at a Cafe Nero in central London this week??
DID SOMEONE LOSE A BET??
This image reminds me of my sister in the early 2000s using a car window to pop a pimple or something. Omg!
PLEASE HIRE ME AND I WILL MAKE YOU SOMETHING YOU CAN HANG IN YOUR CAFE INSTEAD!!
#cafe nero#interior design#questionable taste#ual#university of the arts london#student life#london college of communication#studyblr#illustration and visual media#lcc#uni life#please hire me
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I visited the design museum with my course today! Here are some images I took!
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Selection of Final Major Project work | Unit 3 | Message(s)
Mia French | Jynx Murrey | Bella Manning | Lillie Lockyer | Jas Jones | Harvey Horrell
June 2022
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Nazir Tanbouli (b. 1971) is an Egyptian artist based in Cairo. After studying art and design at the School of Fine Art, Alexandria University, Egypt, between 1989-1994, Tanbouli worked on many projects as a painter, muralist, illustrator and graphic designer, before moving to the UK in 2002. Tanbouli studied book art and printmaking in 2010 at Camberwell College of Art, University of the Arts London (UAL) and was awarded an MFA. Tanbouli’s work is narrative, biographical, communicative, and often humorous. Characters and places in his work are a dream-like rendering of all the people he knows and all the places he travelled to, yet his works often contain global themes and symbols which make them both non-culturally specific and widely appealing.
http://www.nazirtanbouli.com/
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(tho)ugh(ts) no one asked for but my mind has no mouth and must scream
Alfred Pennyworth and Ulysses Klaue doing Shibari/Kinbaku
Word Count: 1.3K
Rating: E 18+
Tags: images and mention of the following: shibari, bondage, restraints, pain play, (bd)(sm) themes, light degradation, F!Reader, smut, aftercare
Some helpful info before we continue (I am by no mean an expert in this field):
- Shibari is the art of rope tying and is about the aesthetic and form of the person being tied and Kinbaku takes it in a more sen(s/x)ual direction.
Here is a neat article for some info and context on the art! Kinbaku @ Museum of Sex
There’s a short interview with Hajime Kinoko, a rope artist, and he gives some insight into the emotional depth of the art.
Here’s another that touches on why people do shibari: What Is Shibari - Women’s Health
Years ago, I was lucky enough to see a shibari/kinbaku performance/demonstration and it really is truly a beautiful art!
Alfred and Klaue are like opposite sides of the same coin so that’s why this has both! Don’t ask what brought these on cause I’m not even sure myself.
!!! Mind the tags !!!
May contain triggering content
Last chance
Alfred Pennyworth
Alfred loves when you allow him to play to his more dominant side, but he is still soft with you. He loves the art and how tying you up nice and pretty brings you closer to each other. The trust you place in him to never go past your limits, but the encouragement you give him to test your limits is very attractive to him and a turn on.
He is big on you playing just as much a part in this as him. He loves communicating with you about the color of the rope you want or what kind of ties you want to try.
Alfred favors symmetry.
He likes to do intricate knots/ties and loves to appreciate how they shape you. He understands that some of them might be uncomfortable so again, big on communicating with you.
“How’s this, darling?”
“Let me know if it’s too much.”
He’s not one for the suspended looks, much preferring you in positions that require you to be lying down or on your knees. Some ties he favors are the mermaid tail, loop chain stockings, arm binder, peach shorts, and he loves weaving designs like flowers/hearts/stars whenever he can.
For some of the more intricate work, he’ll have to put on his glasses. It’s a treat to watch his hands nimbly weave the rope. This time will be used to casually chat about your day or joke around. Alfred makes sure it is a fun and lighthearted experience for the both of you.
Alfred definitely appreciates the way you look all tied up, he loves to run his hands over your body feeling where the rope squishes out your flesh. He’s constantly praising you throughout the process.
“You look so lovely like this, darling.”
“You’re doing so well for me.”
“Look at you, tied up beautifully for me, like the gift you are.”
Alfred isn’t really one for fucking you this way, he really likes you to be a more active participant; he loves feeling your hands on him too much. If you insist then he’ll rearrange the ties so they are more suitable. The ties while he takes you serve more for fashion over function so they won’t bind you or restrict movement, they just look pretty.
But they are good for grabbing onto! Whether he’s taking you from behind or if you’re on top, he grabs the rope wrapped around your waist/hips/ass and uses it as leverage to fuck you deeper.
Alfred’s safe word for you to use is “subsisto”, latin for “stop” or “halt”.
After a session or if you use the safe word, Alfred will carefully remove your bindings. A bath is in order and he’ll take this time to assess your body as he’s very nervous about the possibility of visible harm done to you. He keeps a first aid kit for you guys handy with salves that he massages into your skin where the ropes were.
Alfred is very susceptible to dom-drop. You’ll need to give him proper aftercare as well! Feedback versus praise is the one that makes him feel much better since it sounds more sincere. Your honesty with him will comfort him.
“I really liked when you...”
“Maybe next time we try __ instead?”
Let him take care of you. Thank him for his efforts during aftercare with affirmations that you’re okay and he’ll feel much better.
“Thank you.”
“I appreciate when you...”
“I’m doing much better now, thank you.”
Physical affection is also a must for Alfred; hugging, holding, snuggling, cuddling him will help come back down out of his head. Doing an activity together afterwards helps him shift back to reality.
Ulysses Klaue
This process is definitely a power play for the two of you to emphasize your submissive side and his dominant side. Where one might expect him to be harsh, he’s very passionate about the process.
Klaue makes most of the decisions, but runs them by you first. You can make your suggestions as you see fit and he’ll always consider them in practice. Your words do not fall on deaf ears!
“I’ll tie it differently then.”
“We can try something else instead.”
“What about this way?”
Klaue loves asymmetry.
He prefers the form and shape your body takes on over the pattern of the rope. He definitely loves the purpose and function of the ties versus the fashion of them. This means he loves suspending you, loves to get a full view of your body spinning for him. There’s something beautiful about you allowing yourself to be at his mercy. Seeing your legs tucked awkwardly and arms bound, like he’s captured you, stopped you in time right in the midst of pleasure.
“You look so fucking beautiful.”
“You’ve no idea how hard it is to keep going when you look like this.”
Some of his favorite ties are chest harness ties, frog ties, waist harness with cuffs, Hojojutsu Capture, and face ties.
The positions he’ll have you in are uncomfortable, but he’ll never do more than he know you can take. It’s also arousing to watch him work at these heavy duty ties, his muscles flexing when he pulls on the rope to suspend you. It’s freeing being in mid-air in such a comprising position where most people, when they’re exposed this way or hanging mid-air, have a tendency to hide.
Klaue is into pain play.
There are no surprises, of course, everything is planned out accordingly. You have complete say in what is used and to what degree. Klaue isn’t interested in the inflicting actual pain so much as he is interested in the dynamic of it. He also likes watching the effect it has on your skin, how warm/red it gets from the sensations he’s inflicted.
Klaue loves to tease you and lightly degrade you while you’re suspended or tied down; feathery touches over your breasts and cunt, rolling your nipples between his fingers, and eventually slipping two fingers inside of you, pumping them until you’re squirting.
“Oh, look at you squirming, just begging for me to touch this pretty cunt.”
“Silly girl, just can’t wait ‘til I’m inside you, can you?”
He doesn’t fuck you while you’re suspended. He’ll bring you down for that. Definitely loves to keep you restrained while he fucks you. He also loves to sit back in a chair with you bound on your knees going to town on his cock; his hand twisted in your hair guiding you to take him further into your throat.
Klaue’s safe word for you to us is “Cuttlefish”. Man’s got a sense of humor and it’s not going anywhere. (You cannot change my mind on this, it is locked IN.)
For aftercare, Klaue likes to remove the bindings carefully and slow, caressing your body as the ropes loosen and fall off your form. He kisses your body where the ropes were and kisses your lips affectionately to bring you back from the scene. He holds you and snuggles you until you’re feeling well enough. He brings you plenty of water and snacks. (We all saw that candy bowl on his desk in AOU and he’s got a belly, you can’t tell me he doesn’t keep snacks on hand. It is locked IN.)
Klaue is not always susceptible to dom-drop, but he will drop hard and become apprehensive at seeing visible marks on you. His mood will swing drastically and he’s gonna be angry, not at you, just in general he’s in a bad mood. He likes to be coddled and doted on to help bring him out of this; lay his head on your lap or on your chest while you run your hands through his hair and say some general support and affirmations.
“It’s okay, I’m here.”
“You did really well. I enjoyed it.”
“I love how you keep me safe during our sessions.”
He’s a big boy who seems mean, but he’s also a big baby.
~~~
I hope you guys enjoyed this blurb! 💕
This is all based on information I know and my understanding, again I do not claim to be an expert.
Here’s a link to a page that has the ties mentioned and more for visual reference! Shibari Academy
#Alfred Pennyworth#ulysses klaue#alfred pennyworth x reader#ulysses klaue x reader#alfred pennyworth smut#ulysses klaue smut
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i rewached the hunchback of notre dame on friday for the first time, in a long time, and i'm still in shock.
hond was a film that was around when i was a child, because it had just come out, and the merchandising was still prevalent. it was being pushed a lot, so to speak, and growing up in the era that i did, the kids on the playground or online were either belle, meg, or esmeralda girls- there wasn't room for anyone else. as a child that gravitated more toward the classic princesses and femininity, it was not a movie that spoke to me and the fact that i felt it was shoved down my throat turned me off of it for a time. too much happened, even in the first five minutes, and there was constantly a wild series of events that i would try to reel my head in from. it wasn't a universe i wished to inhabit and, frankly, i think the crux of the reason why i didn't like it was because esmeralda was really the only female character (aside from laverne) and there wasn't enough for me, as a child, outside of the violence and shouting men and misery showcased. i revisited the film when i was twelve and i loved it so, but i think parts of me valued it at even higher a premium because of how rare and forgotten it had been. i even wrote esmeralda for a time. needless to say, it didn't last, and until now i've kind of been undecided about it
but watching it on friday...wow. i'm filled with both wonderment and despair. after craving quality content from disney for so long and continually being disappointed with tangled and frozen and moana and brave and raya, and every other movie i've tried to watch, i was instantly transfixed by how adult hunchback was, from the opening frames. the epic scale of the art, how ambitious it seemed, how elevated the jargon was- but mostly, how raw and realistic the storyline was. this movie threw no punches- it contained swear words, topics relating to disabilities, religion, death, genocide, se*ual assault, you literally name it. it exposed an underbelly of society that could be flattering and unflattering. while parts didn't age well, i'm surprised at how nuanced the conversation was around certain topics- decades before me too and social activism became more commonplace. i couldn't believe how beautiful it was and how much guts it took for the artists and writers to really go there. i was in disbelief for how evolved their viewpoints seemed, and this was before the internet was commonplace and they could've gotten as many viewpoints as readily as we can get them now...but then it filled me with instant sorrow, because i know they all got so much pushback and this film was so discouraged, we never saw the likes of it again.
it's funny because this film came years after the little mermaid, and you can tell how much of a higher budget this crew had to work with. the film's crew had sharpened their abilities and skills from previous years and made astounding technical advancements. that, mixed with how varied and diverse their topics became really signaled them finding their footing- or trying to. can you imagine, if they didn't give up on these types of movies, where we'd be today? how many more diverse stories, in diverse settings, we would've gotten- all adult in nature? the beautiful 2d designs and animation mixed to heighten the effect and impact and how it would've rounded out walt's vision, of wanting these films to not only be kid's stuff but genuinely be able to compete as a film genre unto itself? how different this movie was from any other??? and compare that to now, where they're all the same. what's the difference between dreamsworks, pixar, and disney movies anymore? and the activism they push now is 20 years too late, nothing cutting edge, and it's all the same. this female character is this much more badass, our first (minor) gay character that actually has no weight, addressing x about generation trauma, etc. even the topics we address in films now have been so sanitized and vetted out for audience approval that there's no real risk or edge to anything anymore, it's all monolithic and as safe as you can get.
but that's the thing with how experimental these later movies were- pocahontas, hunchback, hercules, mulan...while certain elements aged better than others, these movies should've been the beginning of an entirely new genre, not the last of their kind? how disturbing and offputting is it that tangled and brave came out decades after these films? that we've replaced the 'hellfire' villain type song with 'shiny?' we really could've had so much and it's sad that everything collapsed out from under us in that last breath of disney creating true art
the only thing that gives me hope is that we, the generation that grew up on these films, are the marketplace now. perhaps that will make these films come back into vogue and disney start producing them once more? but can they ever pick back up after such a long hiatus, without the original creative teams? is it all just a lost art form? also disney is making more money than ever with their marketable, but soulless, movies that are coming out now...also if these movies are to be in the spotlight again, does that just mean they'll be primed for another unnecessary remake? don hahn recently said disney only did animation because they couldn't make the special effects look real, but now that there's cgi to achieve hyperrealism, there's no need for 2d anymore and that's so sad to me. just because photorealism is in (which looks dated by the minute) and 3d is what people prefer, does that mean 2d is banished forever? that's like saying the invention of photography justifies the banishment of art. idk i just hope our generation can get these renaissance style movies back and to stay
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Shynola / Radiohead / Kid A Blips / Multimedia / 2000
In the 1990s and early 2000s Britain enjoyed a cultural resurgence, British music was amongst the best in world and was accompanied by groundbreaking visual works in part due to the relative strength of local infrastructure. Like Central Saint Martins today, in the 1990s other UAL schools were top of their fields as institutions like London College of Printing were producing students to enter into the burgeoning visual fields of art and design. Firms like The Designer's Republic(Warp Records), Farrow Design(Spiritualized, Pet Shop Boys), and Tomato(Underworld) were all intrinsically linked to the music industry and a massive part of their catalogue has gone on to define a generation of British electronic music.
An equally notable although slighter lesser known design firm of the era is directing team Shynola. Their film for UNKLE's track Guns Blazing(Drums of Death, Pt.1)(1998) was a partial collaboration with graffiti artist Futura 2000 and Ben Drury(more on that film later) and propelled their career. About two years later Shynola directed a series of shorts,referred to as Blips for Radiohead's seminal, critically acclaimed album Kid A(2000). The blips served as promotional material and made the rounds through various art,television, digital and physical publication circuits.
Each Blip featured short bits of music from the album accompanying a mix of film, motion graphics and animation. The compilation excerpt shown here was featured in Gasbook 10;Movement. An .ISO copy can be found here and the entire collection has been backed up on Youtube. You can read more about Shynola's body of work here.
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Presenting "International Collaborations and Remote Immersive Filmmaking" at ART+ Conference 2023
Presenting “International Collaborations and Remote Immersive Filmmaking” at ART+ Conference 2023
I have been selected to present at ART+ 2023 Conference for our project International Collaborations and Remote Immersive filmmaking with UAL and Srishti.
Abstract
Online Creative studio practice provides a space to explore, experiment and build a conversation with material, medium and methods. Artists and designers use intensive engagement with contexts and issues to discover contemporary…
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1st year UAL Art and Design final piece, A1 oil painting
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Welcome to Art Foundation 2023!
We are really glad you have decided to study on our UAL Foundation Diploma in Art and Design this year. You will start the course on Tuesday September 4th at 9.00 in F34. Enrolment will be on-line from 24th August, and you will hear from student services over the next few weeks about this.
We would like you to get started on making work now, on the tasks set out below, which you should bring with you on the first day, with your equipment. Although this is Induction week, you will start making work this week.
You should now have received your sketch book. If not, get yourself a small A6 book, with a cardboard cover, or make one.
Collages in a used 4x6 accounting notebook from 1942 found in an old warehouse in Salem Massachusetts
Reposted from @fred_freepicture interlude (2010)
Task 1: Fill it with ideas around the theme ‘Order and Chaos’
Interpret the theme in any way you want, that tells us about your interests and experiences. You might visit a location- chaotic junk shop/ ordered library; look at family life, different landscapes, document a festival, types of music, events in the news, your working day, public spaces. You might focus on one idea and explore it in an ordered way, or you book might be a chaotic collection of different thoughts. Whatever you like. Use any methods and techniques to do this- draw using fine liner, paint with watercolour, collage using found objects …….
RULES
you must fill the book by the first day of term- week beginning 4th September.
you can incorporate photographs, but this should NOT be a photo album.
do not take 6 hours on each page! Vary the time you spend - 1 hour to 1 minute.
take risks- try something new; make mistakes.
the book should tell us something about you as a person, your interests and experiences
You can also use your Tumblr blog to post 3d, film and photos if you like.
Remember to bring the book on the first day of the course! It will be the start of work for unit 1.
TASK 2: set up your Tumblr blog
The UAL Art Foundation Diploma at Derby College is delivered through a number of methods, but central to the programme is the Tumblr blog. Assignments and tasks will be set on this blog, along with tutorial information, UCAS information and assessment details.
You will also be required to have your own Tumblr blog, which should be set up by the first day of term. On this, you will post photos and videos of your work and it’s production, evaluate your work daily, and post links to artists research and so on. Staff can track this on a daily basis and it becomes the keystone to your course.
Please set up your own Tumblr blog.
1. Set up a Tumblr account and create your own Art Foundation blog. It should be a new blog for Art Foundation, and NOT your own personal blog. Call it a name we can recognise as being you. Have fun designing how your site looks. There is a tutorial to help you set this up.
2. Follow the Art Foundation blog and we will follow you.
http://derby-art-foundation-2016.tumblr.com/
3. Please photograph your summer work as you make it and post on your blog. This could also be film and photos, as well as the sketchbook, if you like.
Task 3: Artist research: sketch books
Artists Who Use Their Sketchbook as Handheld Galleries – Scene360Scene360 is tattoo magazine interviewing tattoo legends like Charlie Cartwright and Kari Barba and newschool artists Jio and Paradox. SCENE360.COM
https://www.tate.org.uk/art/archive/tga-812/sutherland-collection-of-forty-sketchbooks-and-fragments-of-sketchbooks
https://www.tate.org.uk/search?q=sketchbook&type=archive&page=4
https://www.instagram.com/collage_between_the_covers/?hl=en
Please look at the links above.
You should research artist’s sketchbooks using the Tate as a resource initially, but you can also search for the sketchbooks of a broader range of artists and designers.
On your blog, post at least 6 sketchbook pages you are interested in, and record:
the artist’s name
what qualities does the sketch book
page have that interests you? eg content, style, visual language
Could you try this in your own work?
Task 4: Buy a Journal
For the first day of term you will need a plain-covered A5 notebook to use as a written journal, preferably lined (not a spiral bound one). There are some plain covered books in Reams and WH Smiths, and Moleskin make good quality books.
http://www.amazon.co.uk/Moleskine-Ruled-Notebook-13-21cm/dp/8883701127/ref=sr_1_7?ie=UTF8&qid=1404917033&sr=8-7&keywords=lined+notebooks
http://www.amazon.co.uk/Tiger-notables-notebook-leather-effect/dp/B00BWUIX74/ref=sr_1_4?ie=UTF8&qid=1404916992&sr=8-4&keywords=lined+notebooks
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Liposuction Surgery Cost in Delhi: A Comprehensive Guide
Liposuction, a popular cosmetic procedure designed to remove excess fat deposits and contour the body, has gained immense popularity in Delhi due to the city's advanced medical infrastructure and the availability of skilled surgeons. Understanding the cost of liposuction surgery in Delhi is crucial for anyone considering this procedure. This guide will explore the factors influencing the cost, provide an estimate of the typical price range, and discuss how to find the best liposuction surgeon near me.
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Laura Kelly London x Simona Interiors Interview
Image above: Simona and I catching up in De Beauvoir
Born and raised in Italy, Simona Marsibilio embarked on a dance career that eventually led her to the vibrant streets of London in 2008. With a background in ballet, that included performances with renowned companies such as the English National Ballet and the Birmingham Royal Ballet, her artistic journey led her to study interior design. As I sit with her to discuss this, I see her eyes light up as she talks about how the streets of De Beauvoir have inspired her.
From Ballet to Interiors
I asked Simona how she discovered her first love of performing arts: ‘I started dancing with my best friend when we were very young. I loved the smell of the backstage area which I thought was magical and dancing became a subtle way for me to express myself, without feeling like I was the centre of attention.’
Having settled in London, she was struggling to find what to do in the gaps between dance contracts, and started thinking about pursuing a new path: ‘I enjoyed spending afternoons strolling the high streets in East London and always found myself drawn to homeware shops. It got me thinking how could I turn this into a hobby or a business, and with the support of my husband and friends, I finally decided to study interior design,’ she told me. ‘I enrolled in a course at UAL (University of the Arts London), instantly bonded with my tutor and I haven’t looked back!’
Images below: Simona performing
Inspiration from De Beauvoir
During lockdown, Simona found solace and inspiration in the quaint neighbourhood of De Beauvoir. ‘As I wandered our leafy streets, I couldn't help but be captivated by the diverse array of architectural styles and interior designs. From modern and sleek to traditional and timeless, every home offered a glimpse into the lives of its inhabitants. I was captivated,’ she said.
Simona’s favourite stretch of De Beauvoir is from the square to the end of Northchurch Road. ‘It’s so idyllic, the houses and gardens are gorgeous. In spring and summer I love walking down the road, smelling and photographing the roses that peep out from the fences.’
She also loves the atmosphere of our food and drink spots; ‘I love to go to the Scolt Head and De Beauvoir Arms, the pubs are warm and cosy and the food is great. I also love that The Scolt Head has live music and organises the Christmas Caroles’ And when it comes to pizza? ‘the atmosphere of Sweet Thursday makes me feel at home.’ High praise from an Italian!
Image below: Simona and I on our fave road, Northchurch Road!
Creative Process and Signature Style
I asked her what processes she uses when designing for a new client: ‘I love how everyone has a different way of living and I watch how a client moves through their space. This helps me design to their specific flow. I describe my signature style as relaxed, airy and light and love effortless interior design which is not overly structured and that doesn’t make you feel you’re sitting in a museum’.
Simona creates soft, textured spaces using a large variety of different fabrics and believes above all that homes should be a place to relax in. Drawing inspiration from the world around her, she seamlessly integrates earthy tones with pops of colour, architectural features with modern accents and creates spaces that are both functional and visually stunning.
Simona has especially enjoyed this process whilst working on one of her most recent projects; a Victorian Terrace in Walthamstow,where she is working with the owners to blend old-world charm with contemporary comforts. Guided by the client's brief for a light and airy space, Simona reintroduced architectural elements like fireplaces and Crittal windows to honor the property's heritage while adding a touch of modern sophistication.
Images below: Simona's moodboard for her recent Walthamstow project (left). A space staged by Simona in Belsize Park (right).
Her decision to pursue interior design was not just about finding a new career path but also about finding fulfilment outside of the dance studio. Fuelled by curiosity, she continues to dance to the rhythm of her own creativity.
If you would like to discuss an interior design project with Simona, you can check out her website: https://www.simonainteriors.com/, or you can each her on email: [email protected]
Simona and I also work together in De Beauvoir and the wider North and East London areas to help clients style, stage and market their home for sale. You can also contact me via phone on 07594 150 021 or email on [email protected].
A bit about me: with a background in property development, I founded Laura Kelly London on the belief that estate agency could and should be done better. I provide a hands on, personal approach to style and stage your property - working with professional videographers, photographers and copywriters to capture your home in its best light. www.laurakellyldn.co.uk
#architecture#home#interiors#aesthetic#decor#londonproperty#london#property#realestate#estate agents#northlondon#eastlondon#hackney#interior design
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“Whispers of Wimbledon: A Tribute to Artistry”
In Wimbledon’s halls where creativity thrives,
Where art and design ignite our lives,
A place where screens and stages blend,
Where every story finds its end.
From humble roots, a seed did grow,
In Rutlish’s class, beginnings sow,
Through years and change, it stood tall,
From boys’ art class to grand art hall.
Theatre’s whispers echo through the air,
Designs take flight with meticulous care,
In Merton’s embrace, talents bloom,
In Wimbledon’s heart, there’s endless room.
From BA to MA, the journey unfolds,
As students’ stories are beautifully told,
With each stroke of brush, and each line penned,
Wimbledon’s legacy, it shall extend.
Under the banner of UAL’s embrace,
Wimbledon’s spirit finds its place,
A beacon of art, in London’s heart,
Where creativity thrives, never to depart.
So here’s to Wimbledon, where dreams take flight,
Where art is nurtured, day and night,
In Wimbledon’s embrace, we find our muse,
In its halls, our passions fuse.
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