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#twin link
ayyy-imma-ninja · 7 months
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Are imps born imps? Or are they something else first? The twins seem to have some link since bo felt the pain when dee got hit. Is that something that happens with all imps or are the twins special? Also AAAA I feel bad for lunar sm but I also feel bad for the twins for getting yelled at :w: they’re scared of KC. I hope we get to learn more about their life
There's a saying that twins have a special link. If Sun and Moon have one, then the imp twins will, too.
I will say, imps aren't born in this universe. But it is a very...cursed way of living.
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cat-sithe · 4 months
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the brothers ever :)
idk if this relatable to anyone else, but i don’t really talk about my special interests to anyone irl. like the thought of anyone finding out, especially close friends and family, that i like rise as much as i do makes me want to die a little bit on the inside. of course it wouldn’t be a big deal but still… does anyone know what i’m talking about or am i just being silly…?
i haven’t watched Bluey so idk much about it other than it has dogs so i just made leo like it for the same reasons i like rise (family shenanigans)
also messy comic ik but it is what it is
part two
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wuntrum · 4 months
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"meanwhile" by sachin teng, gouache on cold press paper, 2018
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l3ominor · 2 months
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Wanted to share this doodle I did for Spirit Tracks cause yes. They're adorable.
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evasive-anon · 4 months
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Jason was having a pretty OK time with the league of assassins, sure getting dunked in a lazarus pit sucked and Bruce turned out to be a scumbag who didn't care about him, but at least he isn't dead. He even liked most of the new skills he was learning there so on the whole being with the league seemed like a pretty good deal to him until Talia woke him up in the middle of the night and left him alone with two child assassins.
Or, a demon twins AU where when Talia realizes her father intends to have her boys fight to the death takes action first by deciding to take all her kids and leave the league. Talia either dies or is separated from them in the initial escape and now Jason just has a bag of supplies and a letter from Talia explaining the plan to get to Gotham. Jason has to get himself and two 7 year olds out of the Himalayas, across a desert, and over 12k miles to Gotham. Only now the league members hunting them down want them dead or worse and Jason isn't too confident that B will accept them given their kill counts.
Featuring:
Good Mom Talia. she loves her kids. Did she teach them to kill? Sure, but that's an important life skill.
Single Teen Mom Jason. He's the oldest and in charge but he also will not answer any questions about The Plan™ given he isn't committed to Talia's but also doesn't have a set alternative. Oscillates between looking forward to just dumping his new little brothers with Bruce so they'll be his problem and thinking of just moving somewhere random in the US and keeping them based entirely on how cute vs annoying they are at that time. Didn't realize how much he relied on Talia to help him with things until she is gone. He's really trying his best but he wasn't all that emotionally stable before this so hang in there.
Angry Smol Dami. He's still drinking the LoS punch and really dislikes that he is now considered a traitor. Can't stand that Jason won't answer any of his very relevant questions. Is actually very scared but will not show it. Misses his mom. Didn't even know he had siblings until his mom yoinked him out of bed that night and brought him to Jason and Danny and started all this. Physically the stronger twin. Thinks Danny is dragging them down in fights and also may blame him a bit because clearly his mother only did all this to spare him.
Danny, reincarnated with limited access to his memories and powers. Has been trying to keep his powers a secret. Talia knew about them but never told anyone but she may have hinted at it in her letter to Jason. Not the strongest physically but very good at stealth and social interactions. Didn't know he had and older brother or twin before Jason woke him up at Talia's instruction that night. Thinks Damian is mean and has faith Jason knows what he's doing even if that is very much untrue.
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risetherivermoon · 3 months
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not enough people talk about how funny the scene of lark pretending to be sparrow in the papa johns arc is when you relisten to it knowing it isn't sparrow whos talking 😭
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LIKE SIR-
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mirai-e-jump · 1 year
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MAYLA×サンリオ「Black Cat Academy」
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birdricks · 4 months
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the final phrase of my last sentence / hangs in the air, sounding stupider and stupider
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luna-lovegreat · 5 months
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WHY do Zelda (flora) and Wild have the exact same cajoling Wolfie pose
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You've gotta be kidding me
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trucksrgr8 · 6 months
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thought it was fitting 😒😒
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chrliekclly · 1 month
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demico-art · 10 days
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A Tale of One Hoax - Page 28 (The End)
This is it, folks! The last page. It's been a loooong ride, and there were times I thought I wouldn't finish it. Thanks to the readers who stuck with me for all these years, and new readers too! I hope you enjoyed the story! A special thanks to my co-author @peonychikh (formerly known as Anfidersio) for the support and fun all these years!
Cover | Page 27
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chaos0pikachu · 4 months
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Is BL Being Overly Influenced by Modern Western Romance Tropes?
Short answer: No. anyways, in the following essay I will explain that James Cameron is a weeb...
(okay fine~~ lets actually do this)
TLDR: discussing what media globalization is, how fandom can distill it down to only American/European cinema, showcasing how a lot of current BL is influenced by countries within it's own proximity and NOT "the west" but each other, also James Cameron is still a weeb
I had seen a post that basically proposited that BL was being influenced by modern western romance tropes and had used things like omegaverse and mafia settings as an example. I found this, in a word, fucking annoying (oh, two words I guess) because it's micro-xenophobic to me.
It positions western - and really what we mean by this is American/European countries, we're not talking about South American countries are we? - cinema as the central breadbasket of all cinema in and of itself. Inherently, all following cinema must be in some way, shape, or form, influenced by American/European standards, and as such America/European countries are directly responsible for cinema everywhere else, and these places - namely non-white countries - do not influence each other, nor have their own histories in regards to storytelling or cinema and do not, in turn, also influence American/European film making either.
Now like, do I think all of that~~ is intentionally malicious thinking on behalf of folks in fandom? No, so chill out.
I do, however, think a lot of it is birthed from simple ignorance and growing up in an environment where ~The West~ is propagated to be central, individual, and exceptional as opposed to the monolith of "Asia" - by which we mean China, Korea, Japan don't we? How often in discussions of Asian countries is Iran, India, or Saudi Arabia brought up even tho they are all Asian countries? - or the monolith that is South America - in which some folks might believe regions like the Caribbean and/or Central America belong to, but nope there both North America.
Anyway, what we're talking about here is the concept of "media globalization":
"The production, distribution, and consumption of media products on a global scale, facilitating the exchange and diffusion of ideas cross-culturally." (source)
"The media industry is, in many ways, perfect for globalization, or the spread of global trade without regard for traditional political borders. [...] the low marginal costs of media mean that reaching a wider market creates much larger profit margins for media companies. [...] Media is largely a cultural product, and the transfer of such a product is likely to have an influence on the recipient’s culture." (source)
Typically when I see fandom discussing what falls under MG the topic is usually focused on how "the west" is influencing Thai/Korean/Chinese/Japanese media.
Enter, Pit Babe.
Surely Pit Babe was influenced by Supernatural right? Omegaverse is huge in the west - love it, hate it, meh it - it originated in the west - specifically via Supernatural after all.
Nah.
Omegaverse has been popular in Japan and China for almost a decade, if not longer. The earliest omegaverse manga I can think of is Pendulum: Juujin Omegaverse by Hana Hasumi which was released in 2015, almost a decade ago.
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(what if you added furries into omegaverse? WHAT IF?? - Japan)
There's countless popular omegaverse manga too, and the dynamics only moderately resemble the ones we're familiar with in the west. Juujin is part omegaverse and part furry/beastmen - the alphas are all beastmen the omegas are humans - while something like Ookami-kun Is Not Scary only slightly resembles omegaverse dynamics as a hybrid series - beastmen are really popular in Japan in part b/c of historical mythology (you see the combination of romantic Beastmen and Japanese culture & folklore in Mamoru Hosoda's work The Boy and the Beast and Wolf Children).
Megumi & Tsugumi (2018) is so popular they're an official English edition published by VIZ's imprint SuBlime and that's a straight up omegaverse story.
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(look at the omega symbol on the cover loud and proud baby)
So if Pit Babe was influenced by anything, it certainly wasn't "the west" it was Japan, Korea and China. Because those countries have a thriving omegaverse sub-genre going and have had such for 10 plus years now. Supernatural is popular in Japan, yes, and that may be where Japan and Japanese fans originally found omegaverse as a fictional sub-genre.
HOWEVER
Japanese fans took the sub-genre, bent it, played with it, and evolved it into their own thing. As such, other countries in their proximity, like Thailand, China, and Korea who read BL and GL manga, found it and were like "hey, we wanna play too!"
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(is that an omegaverse yuri novel I spy?? yes, yes it is)
When I watched the Red Peafowl trailer, it had more in common with Kinnporsche, History: Trapped, along with films and shows like: Jet Li's The Enforcer, and Fist of Legend, Donnie Yen's Flash Point, Raging Fire, and Kung Fu Jungle, Han Dong-wook's The Worst of Evil, Kim Jin-Min's My Name, Lee Chung-hyeon's The Ballerina, Baik's Believer & Believer 2, Yoshie Kaoruhara's KeixYaku, popular Don Lee films The Gangster, the Cop and the Devil and Unstoppable alongside BL manga like Honto Yajuu and Bi No Isu (probably one of the most well known yazuka manga to date).
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Like, we're seeing a rise in mafia based BLs and people think that's because of "western influence" and not the absolute insane success of kinnporsche??? Especially in countries like China, Korea, Taiwan, Philippines and other Asian countries???
Mafia films and gang shows aren't even that popular here in America/Europe; don't get me wrong, they still get made and exist, but the last full length film was The Irishman which did not make it's budget back, and while Power is still on-going it's not a smash hit either. The heyday of Breaking Bad, The Sopranos, The Wire, Goodfellas, and Scarface are long gone. And if you've watched any those shows or films they have very little in common with Kei x Yaku, Kinnporsche, or Red Peafowl in tone, or style.
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(who knew martin just wanted to make his al pacino/robert de niro fanfic come to life all these years?)
Another example, The Sign, which is clearly taking inspiration from Chinese costume dramas: Ashes of Love, Fairy and Devil, White Snake (and it's many adaptions), Guardian, & Ying Yang Master Dream of Eternity. Alongside Hong Kong and Korean cop and romance shows like Tale of the Nine-Tailed, Hotel Del Luna, Director Who Buys Me Dinner, First Love, Again, and previously mentioned cop dramas.
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Like, I know y'all don't think Twins is influenced by, what, American sports classic Angels in the Outfield?? Gridiron Gang?? Rocky?? Nah that shit is inspired by the popularity of sports manga like Haikyuu!!, Slam Dunk, Prince of Tennis (which even has a Chinese drama adaption), and the like. And also probably History 2, & Not Me but I'm like 87% sure Twins is just Haikyuu fanfic.
So like, does this mean that there's NO history in which American and European cinema influenced these countries? What, no, obviously that's not true, American/European totally have had media influence on countries like Korea, Japan, etc.
Astro Boy by Osamu Tezuka considered "the father of manga" was inspired by Walt Disney's work on Bambi. Another more recent and prominent example is director Yeon Sang-ho and his film Train to Busan.
"And it was Snyder’s movie [Dawn of the Dead, 2004], not the 1978 original, that filmmaker Yeon Sang-ho recalled as his first encounter with the undead. “That was when I started my interest in zombies,” Yeon said, in an email interview through a translator from South Korea. Even today, he added, “it’s the most memorable and intense zombie movie I’ve ever seen.”" (source)
HOWEVER, the global influence doesn't stop there. It's not a one-way street. Yeon Sang-Ho was inspired by Zack Synder's Dawn of the Dead, a remake of George Romero's own work, but Yeon Sang-Ho's work has inspired countless Korean film makers to make their own zombie media; following Train to Busan there's been: Kingdom (2019 - current), All of Us Are Dead (2022), Zombie Detective (2020), Zombieverse (2023), Alive (2020), Rampant (2018).
And hey, wouldn't you know it now we're starting to see more zombie media coming out of places like Japan (Zom 100 the manga, movie, and anime) and High School of the Dead.
Do you know what Domundi's series Zombivor (2023, pilot trailer only) reminds me of? It's NOT The Walking Dead (which is the only relevant zombie media America has created in the last decade) it's Korea's All of Us Are Dead (2022). Comparing the trailers, the settings, the tone, it's clear where Zombivor is pulling inspiration from: Korean zombie cinema. NOT American zombie cinema.
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In fact a lot of Domundi's shows - Cutie Pie, Middleman's Love, Naughty Babe, Bed Friend - are all very clearly inspired by Korean filmmaking, specifically that of romantic kdramas from the 2016 - 2020 era. Not always in story, but rather in technique.
This is media globalization. It's not simply ~The West~ influencing non-American/European countries but countries who are often more close in terms of: proximity, culture, and trade are going to have more influence on each other.
It is far more likely that Aoftion (Naughty Babe, Cutie Pie, Zombivor) was influenced by watching Train to Busan, All of Us Are Dead, and other Korean zombie shows and films than a single episode of Walking Dead.
My point isn't that this goes one way only, but rather it is very literally a global thing. This includes American and European film makers being influenced by non-American and European cinema.
Martin Scorsese, Steven Spielberg, Darren Aronofsky, Christopher Nolan, the Wachowski sisters, George Lucas and James Cameron have all been influenced by Japanese film making, especially the works of Akira Kurosawa, Satoshi Kon, and Mamoru Oshii.
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John Wick's entire gun-fu sub-genre is heavily influenced by classic Hong Kong action films, specifically John Woo films. Legend of Korra, The Boondocks, Voltron, Young Justice, My Adventures with Superman are all obviously inspired by Japanese anime but animated by a Korean animation studio (Studio Mir). Beyond that, the rise in adult animated dramas like Castlevania, Critical Role Vox Machina, and Invincible to name a few are very clearly taking inspiration from anime in terms of style. The weebs that were watching Adult Swim's Inuyasha, Bleach, and Dragon Ball Z have grown up and are now working in Hollywood.
Okay so like, what's the point of all this? What's the issue? Since American/European cinema does influence et all cinema does any of this really matter?
YES.
I take contention with this line of thinking because it centers "the west" and our supposed individual importance way to much. Declaring definitively that "BL is being influenced by western tropes" and then including tropes, narratives, and film making styles that aren't inherently western and actually have major roots in the cinema of various Asian countries, removes the existence of individual history these countries have which are rich, varied, and nuanced. It removes the "global" part of globalization by declaring "the globe" is really just America and Europe.
It distills these countries down to static places that only exist when American/European audiences discover them.
BL doesn't exist in a vacuum you can trace the development of Korean BL to the development of Korean het dramas almost to a T. You can also trace their development to the queer history of each country and how Thailand interacts culturally with China, Japan, Korea, etc and vice versa. It also ignores the history of these countries influencing American cinema as well. Don't mistake "the globe" for only your sphere of experience.
Anyway James Cameron is a damn weeb y'all have a good night.
Check out other posts in the series:
Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI | Is BL Being Overly Influenced by Modern Western Romance Tropes?
[like these posts? drop me a couple pennies on ko-fi]
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daedelweiss · 1 year
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"15 years into the Krang invasion and everything is going south: food was running low, everyone had to take multiple shifts in multiple jobs, and almost everyone is missing a family member. Mikey's mystic powers haven't developed fully and Donnie's and Leo's were dwindling. There was one way to regain that power, one way to turn the tide to their favor, and, possibly, save the twins' bond.
The cost? Silence." • AAAAAA IT HEEEEREEEE 👀 decided to post the chapters day after day so that there's time to process it 😄 chapter 2 will be out tomorrow so 👀👀👀
• ( 🌿 please do NOT repost, edit, trace, use, and/or sell 🌿 )
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chubphoe-linkclick · 6 days
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These parallel shots of Tianchen and Tianxi running as they each throw away everything that ever mattered to them are killing me
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The fact that they use lighting to say 'Tianxi dies and goes to heaven while Tianchen descends into further into a living hell' is killing me
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Like fuck man, I just wanted to watch some noodle lesbians.
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marenwithanm · 2 months
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A bit of a part 2 to this. I like to think that the Oracle games Zelda is a different person from A Link to the Past Zelda, because she doesn't recognize or know you at the start of the Oracle games and she looks completely different, so here's that. Don't worry, Link is still short, this Zelda is just even more short LOL
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