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Ceritakan Kasih dan Kuasa-Nya

Ceritakan Kasih dan Kuasa-Nya

Lukas 8:39 Salah satu panggilan hidup orang percaya adalah bersaksi (marturia). Bersaksi banyak bentuknya, bisa lewat narasi cerita, karakter hidup, tindakan hidup sehari-hari, perkataan-perkataan yang kita hasilkan, bahkan juga melalui teladan yang kita tunjukkan. Dalam semuanya itu, kita (secara langsung) sedang menceritakan Allah Trinitas dengan karya kasih-Nya dan kuasa-Nya. Orang-orang di…

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Dante and Beatrice by Henry Holiday

The Man From U.N.C.L.E. (2015)

Bernardo Buontalenti, staircase of the presbytery for the church of Santa Trinita, now in Santo Stefano al Ponte, Florence, Italy,  1574 VS Ubald Klug, Ds-1025, De Sede, 1973

My surprise trip to Rome, Italy for my Birthday, these images are of/near the Spanish Steps, both during day and at night. They are the longest & widest steps in Europe. Wonderful view of the italian skyline.

Historically, the steps bridged Rome's powerful French community with the wider Roman and Papal populace by connecting the square below with the French Church of Santa Trinità dei Monti on the Pincian Hill.

My family and I are simple people. In our factory, we made hammers. They were probably used to cut the stones you're standing on right now. / My father put hammers in the hands of the people, and they built this city. Imagine the wonders they could create if we put magic in their hands. / We need to act.

meljayvik week 2022 | prompt: craftsmanship & jayce

I love that Jayce is a skilled blacksmith and craftsman, that he can handle a gigantic forge all by himself while only breaking a few aesthetic drops of sweat, that he's clearly a compulsive tinkerer and probably "upgrades" even the most random tchotchkes for fun (see: the super nose hair clipper). I also love that he's been sketching iterations of his hextech hammer since he was a child, and that we see the schematics for said hammer way back in act 1 when the notion of having to wield such a weapon wasn't really on his radar, at least not consciously. There's something charmingly democratic about how Jayce understands magic. And it's rooted very much in his family legacy, the Talis toolmakers who're responsible for the retractable socket wrench among other innovations that have helped and improved the material lives and realities of Piltovans for decades. It's this same practical, get your hands dirty and do something approach that he brings to other arenas of his life, from the development of Hextech to his leadership as a councilor. Jayce isn't stupid or dumb, which is how he's so often described or handled in fandom discourse. He's just someone who is supremely smart and has always understood that there's a tool or a solution to "fix" or at least ameliorate any problem that he's faced with. Whether it's a hammer or magic, there must always be a way and a means to act, to make things better, to fix, to help.

His journey is about learning that sometimes the "answer" to a big problem isn't so simple, especially when the problem is complex, tangled up and terribly, tragically human. He does start to learn that lesson by the end of the season, and it turns out that his "solution" - the diplomatic peace treaty - is both the most complicated yet simple answer to the issues facing a city on the brink of war and because of that he's the one who comes up with it, not anyone else on the council. Not sure if that's irony even if we know what happens next but it makes me happy all the same.

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Scalinata di Trinita dei Monti, Rome, ITALY

Cerberus

Leviathan said: Who controls location? The space between atoms, akasha, distance, distinction. Breath: The mouth decrees. Order spoken subjectively for the first time scatters the shattering decorated plate of God, shards into all of Creation. Are they mosaic or danger? Who controls the doorway to Hell? The mind teeters on the brink of discovery. The adventurous humans fall into sleep, deep down, dense matter, condensing like rain droplets hanging tantalisingly above the thirsty desert, but they do not fall until the consciousness drops to a place it can be lapped up by the hound. Pick a direction, walk in it, you’ll always eventually find Hell when the electrons of the wind on your skin feel more like knives than comfort. The Kings will blind you with lightshows, trick your sense of rhythm with ecstatic, virulent hymns in abstract tongues your bones understand, They’ll tell you to bow to Them. They’ll bind your feet to their floors with white cinctures of justice and law… A King would never want to tell you how to leave His kingdom, why would He reduce the pool of His power? Take the feed from the mouth of His borders? Information doesn’t follow expectations. Experimentation will show you the hound is a temptable thing that leads with its snouts and it will bow to anyone who has declared themselves King. Put on the trinity crown of your own making if you dare to be seen wearing it, tempt the dog with sweet things, with softness, with play, face the Sky and don’t look back. Climb the spires to the clouds, rewrite the center of your mass from dense rain, follow yourself back to the form of the river. Remember that when you fall into sleep you are dreaming and all within a dream is you, you are the hound within whose jaws you see the teeth as a cage, not a tool.

Cimabue, artistic pseudonym of Cenni (Bencivieni) di Pepo (1240-1302) - Madonna and Child Enthroned with Angels and Prophets, (c. 1290-1300). Tempera on wood, gold background; size: 384.00 cm x 223 cm. Coming from the church of Santa Trinità in Florence, it is currently kept in the Uffizi Gallery. Florence, Italy

PARROCCHIA SAN CRISOGONO - (5.000x14.000 pixel) da Annalisa Giuseppetti Tramite Flickr: Storia L’edificio non sembra di origine cristiana e può attribuirsi ai primordi del secolo IV. La nuova basilica è stata costruita sull’antica dal Card. Giovanni da Crema nel 1123. Il Card. Scipione Borghese la ampliò e la restaurò nel 1625 dandole l’aspetto che attualmente presenta. La parrocchia vi fu eretta, secondo una lapide vicina alla sacrestia, nel 1127, ma risale certamente a prima della metà del secolo V: i suoi presbiteri infatti si trovano tra i sottoscrittori dei sinodi romani del 499 e del 595. Il papa Gregorio III (731-741), come narra il "Liber pontificalis", vi instituì un monastero che mantenne distinto dal "titulus", i cui presbiteri erano addetti alla cura d’anime. Il Card. Giovanni da Crema, come dalle due lapidi vicine all’ingresso della sacrestia, vi costruì nel 1128 un oratorio con chiostro (V. Forcella, "Iscrizioni", iII, 169 nn. 486-487). Calisto II, il 17 aprile 1121, ed Innocenzo III, il 23 luglio 1199, intervennero per risolvere i problemi di amministrazione parrocchiale di S. Salvatore della Corte nei confronti di quelli di S. Crisogono. Innocenzo III sostituì i monaci con i Canonici regolari del Salvatore i quali vi rimasero fino al 1480 quando Sisto IV affidò la parrocchia ai Carmelitani. Pio IX, il 1 giugno 1847, insediò nella basilica i Trinitari, i quali tuttora l’amministrano. Lo stato attuale architettonico si deve al card. Scipione Caffarelli Borghese, nipote di Paolo V che lo commise a Giovanni Battista Soria (1581- 1651). Nell’abside, Madonna con il Bambino tra i santi Crisogono e Giacomo, mosaico della scuola di Pietro Cavallini (c. 1290). La proprietà, per la legge del 19 giugno 1873 n. 1402 è passata al demanio del Regno d’Italia. NOTIZIE: PARROCCHIA SAN CRISOGONO Basilica Minore Piazza Sonnino 44 - 00153 ROMA Settore Centro - Prefettura III - Rione Trastevere - 1º Municipio Affidata a: Ordine della Santissima Trinità (Trinitari) (O.SS.T.) ___________________________________________________________________________ History The building does not seem to Christian origin can be attributed to the beginning of the fourth century. The new basilica was built on the Cardinal Giovanni by Cream in 1123. Cardinal Scipione Borghese enlarged and restored it in 1625 giving the appearance of which is at present. The parish was erected, according to a plaque close to the sacristy, in 1127, but it certainly dates from the first half of the century V: her priests are in fact among the subscribers of the Roman synods of 499 and 595. Pope Gregory III (731-741), as recounted in the "Liber pontificalis" we instituted a monastery that kept distinct from the "titulus", whose priests were involved in the care of souls. Cardinal John of Crema, as the two tombstones nearby the entrance to the sacristy, built there in 1128 a chapel with cloister (V. Fork, "Subscriptions", III, 169 nn. 486-487). Calisto II, April 17, 1121, and Innocent III, July 23, 1199, intervened to solve the problems of administration Parish Church of St. Savior of the Court in relation to those of S. Krševan. Innocent III replaced the monks with the Canons Regular of the Savior which you remained until 1480 when Pope Sixtus IV entrusted the parish to the Carmelites. Pius IX, June 1, 1847, settled in the basilica, the Trinitarians, who still administer it. The current state of architecture is due to the card. Scipione Caffarelli Borghese, nephew Paul V, who committed it to Giovanni Battista Soria (1581-1651). In the apse, Madonna and Child with Saints James and Grisogono, mosaic of the school of Pietro Cavallini (c. 1290). The property, by the law of 19 June 1873 no. 1402 has gone to the State the Kingdom of Italy. NEWS: PARISH SAN CRISOGONO Minor Basilica Piazza Sonnino 44-00153 ROMA Central Sector - Prefecture III - Trastevere district - 1st Hall Entrusted to: Ordine della Santissima Trinità (Trinitari) (O.SS.T.)