have been feeling listless and unmoored re: sims stuff lately, but i got a healthy dose of inspiration from @warwickroyals & @prydainroyals this past week, so i did a little succession / magazine-ish thing :^) obviously beatriz's 2023 death would be commemorated in uspanian vogue !!!!! obviously !!!!
transcribed text below:
Fashion is a Royal (and Family) Affair
That Crown Princess Barbie is a student of Uspanian style isn’t a surprise. For this issue, she recounts the historical episode at the heart of our memorial for the late Queen Beatriz. Pictured above in private photos are: Mother Desideria in 1860; Mother Zuriñe in 1885; Mother Rowena and then-Crown Prince Alfonso in 1926.
THE “BIRDIE” ISSUE OF VOGUE USPANA debuted in 1973. At the time, the magazine was in its infancy. An issue shaped by the queen—and it was, from cover to cover, driven by her desires and presence—ensured longevity. It proved to be a bestseller. Clothes, too, flew off the racks as Uspana’s designers received a boost among popular consumers. A textiles renaissance commenced among women of a certain class who had been looking elsewhere for quality fabric. Then and now, this was the mission of the magazine: loyalty to Uspanian fashion. The Birdie issue was a testament to this, from the sensibilities it imparted to the sourcing of its materials. The queen’s favorite designers, stylists, and photographers filled the issue; it made them iconic, and they would continue to set national trends for decades to come.
More importantly, the Birdie issue fit into a larger project underway during Beatriz’s reign. Foreign fashion’s creep into the Uspanian mainstream had started two centuries before Beatriz obtained the Crown, but it reached its cultural apex under the sway of her mother. Uspana’s people had long reviled Queen Rowena’s taste in one breath and wished to emulate it in the second. The two women were not seemingly opposed in a diametric sense. They overlapped under the label of “extravagant,” namely, but Beatriz was forgiven her excess.
The Birdie issue, in retrospect, shows why. In an initial meeting with the queen, she told then-editor Lluc Soler that she cared deeply about a “revival” of traditional fashion in the country. Soler replied that traditional fashion was alive and well—“in the mountains, with the grandmothers.” Some in the annals have suggested that this retort led to control of the issue being ceded informally to a team with whom the queen preferred to work. (By 1975, Papan Ibarra had risen from those ranks to become the magazine’s new editor-in-chief, a position she occupied until 1991.) Nonetheless, a certain truth in Soler’s statement formed the foundation of the issue. It did draw heavy inspiration from those grandmothers in the mountains. This included people such as the queen’s own grandmother, Mother Zuriñe, who readily embraced the aesthetics of Yaas and was a master weaver in her own right.
The cover reflected the elevated homage orchestrated within. On it, Birdie herself posed in a wool rebozo hand-dyed with cochineal. This garment was a perfect duplicate of the so-called suncloths the queen’s great-grandmother, Mother Desideria, wore on a regular basis in the late nineteenth century. Fittingly, it was also topped with a replica inspired by the time. One of the many jewelry pieces destroyed during the 1880s had been the Shield Flower tiara with its red fire opal set in gold and symbolic allusions to the sacrifice and self-immolation of Uspana’s founding mothers.
Queen Beatriz wore tiaras on many occasions, but it was widely known that she preferred to wear the true Uspanian symbol of elite regalia: the jade necklace. For that reason, jade
BIRDIE, 1973 Shield Flower tiara by Xiuhcozcatl for the House of Tecuani. Rebozo by Quilatzli Castañeda. Necklace creator unknown. Fashion editor: Papan Ibarra.
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Look you can’t dismiss Zukka as a crackship when they, overall, had more positive interactions with each other than many other fanon Zuko or Sokka ships that are taken more seriously because they’re het.
Like okay, you’ve got
the episode 1 armor parallel
Sokka saying “if there’s one thing I know about Zuko, it’s that he never gives up”
Zuko’s time at Western Air Temple where Sokka’s the only one who’s helping him to his room and even smiling at him.
Then we get TWO WHOLE EPISODES(TWO) of Zuko and Sokka working together extremely well and the narrative itself showing how they complement and support each other positively.
Need I talk about the tent scene, yes its funny but also Sokka felt comfortable enough with Zuko at that point that he talked about his mom with Zuko.
The SWORDBENDING KAI
the fact that Zuko, Sokka and Suki become a little sub-trio during Ember Islands
the Search comic where they’re the only ones awake and they’re talking about family.
every zukka shipper knows this one, *ahem* “The prince and the fool, is that all you were, or were to one another?”
If we’re talking on Zutara terms, Zukka is equally as valid. Like yeah it’s funny as a dynamic but also, it’s not like this is completely out of nowhere. There’s stuff in there that backs up the ship rather well.
I think overall, Sokka saw Zuko as more of a person? The crystal caves thing put Zuko on Katara’s shit list, rightfully so, but it’s because Katara’s an idealist and sees the best in people. Unfortunately it goes the other way, she’s a lot more black and white about people than Sokka. Like if it were Sokka in the crystal caves and Zuko had pulled the mom story, Sokka would empathize but he’s not going to trust Zuko in any capacity or see him too differently unless he showed results.
Like he knows to some extent Zuko’s capable of good and even says that just being capable of good isn’t enough. He needs to show it. Zuko betraying them in the Ba Sing Se definitely would’ve pissed him off but like, to some extent, he’d have seen it coming. Sokka’s always been more nuanced on the morality thing than Katara and Aang. Which is why I think he more quickly was willing to give Zuko a chance at the Western Air Temple. Zuko was acting on his ability for good. Sokka being a skeptic actually helped them a lot(oh, Jet my boy).
Anyways Zukka rights
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"The worst that could happen is for us to lose Mr. Aizawa! He’s protected us this whole time!"
I'm- I'm not fine. Listen.
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i have sooo many thoughts on the absolute failure of detroit become human's message honestly like it's so crazy. kara's entire storyline is negated when alice is revealed to also be an android since not only does the "can a human child view an android as a parent" question completely disappear, suddenly everything you've done so far to "protect the kid" becomes meaningless since kara and alice are essentially the same age. and then the general issue of David Cage failing to make a good enough case as to why androids should be considered human to the point where the worst part about the bad endings is that it makes Hank, the only human main character, sad. and this is only like a fraction of the problems but i find it fascinating how even the main core and theme of the entire story falls apart as soon as you think about it for even a second
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