Modern AU: Norton Campbell
You've heard of modern reader? Well now it's time for Modern canon!
- Previously, he worked in the oil industry, but a nasty accident he doesn’t speak about has left him with his fair share of burn scars. Norton now works as an independent contractor, known around town as a do-it-all type of handyman. He rarely works with or for group projects, preferring to be hired directly by property owners for the work they need done. He’s his own boss, and he makes his own schedule, but he’s a workaholic.
- He was raised by his uncle Benny after his parents died when he was still very young—his mother shortly after childbirth, due to complications, and his father in a work-related accident. Benny’s health deteriorated fast, though, and as soon as he was legally able Norton picked up a part-time job to help pay the bills and build a college fund. (Or several, more like, and he was known to bounce around for better pay.)
-Some time in his senior year of high school, he discovered that Benny was keeping secrets; Benny had not only convinced his father to stay in the oil industry after he was born, but wasted and gambled away all the life insurance money from his death. Enraged and betrayed, Norton dropped out of school and left. He drove as far away as he could with the little money he had, and then lived out of his truck for a while. Eventually, he made enough money to rent a shitty little motel room by the week, and then a shitty little apartment.
-After leaving, he at first went into the oil industry like his old man and Benny had been—it was something he was familiar enough with and hard labor paid better than being a busboy again. But after a few years there was an accident which left him with several burn scars. He was left in pain for a long time, but the worker’s comp paid for most of his medical bills and his rent, giving him just enough time to get his GED. After that, he started into construction, plumbing, and other handiman things he was knowledgeable in after years of being poor and self-sufficient.
-The accident, this time, was more of an ACTUAL accident. Norton had a disagreement with some of the coworkers he hated. There was an altercation, and something ignited…and Norton was the only one who got out. He doesn’t talk about it, mostly out of shame and a sense of guilt, but he copes by telling himself they deserved it.
- He drives the same beat-up old pickup truck Benny bought for him as a kid. It was transferred into his name when he was 18, so Benny can’t swipe it from under his nose. (Legally, anyway.) He could probably get a loan and buy a new car, but at this point he prefers to keep the old hunk of junk. Maybe he’s sentimental, or maybe the weekly maintenance he has to do on it is just therapeutic in a way.
-Not a super techy guy. He keeps up with industry news and learns new skills often, but his truck, his phone, and most of his home appliances are older. He’s good enough with fixing things that he hasn’t bothered to replace them.
-He’s not much of a decorator, either, but he’s good at thrifting and building his own furniture with recycled materials. His apartment/home is a bit of a hodgepodge, with mostly bare walls, but what he does have I impressive in its own way. Any décor he has is likely gifted.
-He’d like to own a home one day, but he’s playing things by ear. He realizes that might be asking a lot while he’s got no real support system.
-He’s a fair cook, but a lot of what he makes could be called “struggle meals.” They’re what he’s been used to for a long time.
-He’s a little paranoid about pumping gas into his truck, but he’s gotta do what he’s gotta do. On his days off, he tends to walk to take public transit to save some money and gas mileage.
-He’s that guy with a 7-in-1 shampoo, conditioner, bodywash etc men’s soap. Someone please teach him better ways.
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Mizus Gender
He/him they/them she/her pronouns for Mizu
I know the writers of the show wrote blue eye samurai with Mizu as a woman disguised as a man in a way similar ish to Mulan but uh
They accidentally made it deeper than that ??
If you removed like 2 lines of dialogue in episode 5 you could even make an argument for trans masc Mizu. Or at the least gender queer.
Being transgender is not a concept in this time period. But trust. People have always wanted to be other genders, probably for the entirety of human history. And how someone would go about being trans in a world with no true understanding of the concept, might be similar to what Mizu IS DOING RIGHT NOW.
Living as a man. PERMANENTLY. Not temporarily to achieve some near goal like Mulan and the many other stories with this concept. Mizu has lived as a man nearly their entire life and no intention to ever live as a woman in the future.
Mizu admires their freshly binded chest in the mirror as a teen.
When alone Mizu refers to himself as a man.
When alone with Ringo, (someone who knows the secret) Ringo also refers to Mizu as a man.
Mizu threatens to straight kill Ringo at the the very use of the word “girl”.
When, and ONLY when seeing 2 MEN kiss does he think of Taigen.
Not to mention madame Kajis indelicate insinuation of gay sex to Mizu, something I believe wasn’t for no reason. OR Madams iconic line “you are more man than ANY come through my door” (I’m convinced she has an idea of Mizus true sex but doesn’t care to accuse or call them out for it)
They HAD lived as a woman in the past. Only for about a year, and they did it to get married for her mothers sake. To save her from a life of prostitution. She was able to be happy, because it IS POSSIBLE to be happy while not presenting how you like. It’s a strain and some can never be happy doing so but it’s possible and people do it all the time to make their lives easier or to keep the peace with family or for many other reasons.
Episode 5 gave HUGE VIBES of going back into the closet when living with your parents or just visiting. And Mizu looked SO uncomfortable and awkward in woman’s clothing and doing “wife things” (partly cause they have never done that before) and maybe it was my own projecting but I felt so uncomfortable FOR Mizu.
These things don’t necessarily mean being a transgender man specifically. Gender is actually really complicated and has ALOT to do with what society deems it.
Mizu is a masculine person. Being what Japan wants women to be isn’t in line with what Mizu is. A violent, practical, stoic, cold, masculine, confident and capable warrior.
dressing up as a woman with the makeup ONLY to try and make her husband happy. She didn’t WANT to. “To soften her husbands heart, the bride… danced” performed femininity FOR HIM. Only for Mikio to betray her for, in his eyes, being more masculine than him, by beating him in a physical fight.
Mizu is both the ronin and the bride. Mizu will be whatever they need to in order to achieve their owed deaths. They HAVE to be a man to get their revenge but that doesn’t mean Mizu WANTS to be a woman. (To be fair who WOULD in that time but I digress) and it doesn’t mean they WANT to be a man. They WANT their revenge. Everything is secondary to that.
Mizu is so different from other characters…
I grew up in a kinda misogynistic place and my mom really didn’t let me “do boy stuff” or dress masculine in any sense until my late teens. I my self don’t know if I can even call myself Trans. But I’m masculine, I like looking like a man and dressing as one but I don’t WANT to be a man necessarily. But I don’t WANT to be a woman. I feel like we as a society put to much distinction between the two and the people who don’t fit either side get left out at times.
Mizu is such a relatable character to me, like no other characters complicated feelings about their own sex and gender have ever come close.
They are for those who don’t have a strong sense of their own gender. Especially those who are biologically female and hesitant to lean into their sex because of the societal baggage.
Once people realize that how you dress, how you act, and what you do in reality have nothing to do with your bio sex and everything with what society has forced people to do based on factors out of our control is the day we can finally stop having these conversations.
Do what you want, gender is fake.
But Mizu is forever 🫶
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Claudia being forced into the acting role of a child is so complicated to me because on one hand, she has spent the season so far trying to look more like an adult and trying to feel less trapped in the body of a child so this is definitely going to be traumatic for her, but on the other hand, this coven sees her for the powerful and commanding person she is and immediately put her in a center role on stage (when longer standing coven members just have filler roles) because of that. And I know that valuing her like that should be the bare minimum, but unfortunately that’s more than anyone has ever done for her before.
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A small spider-man 2099 reading guide
Just watched atsv and wondering where to start getting into Miguel O’Hara? Hate trying to figure out comic timelines? Well hopefully this guide can help a little bit. Please note its far from a definitive guide and could probably use some work but I'm hoping it helps someone out!
Also not including spider-verse appearances or those in most other comics, because we could be here forever listing every comic appearance and this is meant to be a quick guide
Miguel's original appearance was in Amazing Spider-Man #365, but that was more of a preview than anything else. I've split it pre-2000's and post-2000's, but listen to me if you have to pick one comic to read out of all of this make it the original 1992 run. You basically cannot go wrong with just reading 1992.
A few have been marked with asterisks because you really don't have to read them but it felt wrong to not include them on the list.
Pre 2000's
Spider-man 2099 (1992): Literally Required Reading. Keep in mind that the last two issues had different writers and are kinda disregarded by just about everyone. Issue #16 starts the crossover event Fall of The Hammer, a mini-guide to which I've included below. The Special and Annual take place in between issues but it's easiest to just read them last.
Spider-Man 2099 Meets Spider-Man (1995): It's short, it's sweet, give it a read.
*2099: World of Tomorrow (1996): At the time this was meant to close off all the 2099 plots, theres lots of other 2099 characters in here but a fair bit of Mig.
*2099: Manifest Destiny (1998): Further closure to the 2099 world, again lots of other characters but still a solid read. Basically waves away the last two issues of sm2099 (1992) in a slightly hilarious way and worth reading just for that.
Fall of the Hammer crossover mini-guide:
Spider-man 2099 (1992) #16
Ravage 2099 #15
X-men 2099 #5
Doom 2099 (1993) #14
Punisher 2099 (1993) #13
Post 2000's
*Superior Spider-man (2013) issues #16-19: Largely set up but its cool too
Spider-man 2099 (2014): You can read this without the Superior Spider-man setup but depending on your prior comic reading experience you may be a bit confused. If you're a seasoned reader and used to taking weird comic shifts in stride due to missing some random issues of a completely different comic you'll be fine
Spider-man 2099 (2015): Solid run, I don't have much to say about it honestly
Marvel's 2099 (2019 event): you are better off looking up a separate guide for this one it is not my ballpark
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Yara, who are your 3 besties?
"Hmm... It's hard to pick "besties" but I do have a few friends-- outside my brothers on the Whitebeard Pirates and the special bonds I've formed with Ace and Yamato-- that I'm particularly close with.
I met Ghost Princess Perona on Kuraigana Island. She helped me a lot during the worst moment of my life just by hanging out with me and keeping me distracted from my pain. I didn't really have any friends that were girls my age before her. It was always a fun game for us during those two years to try to trick Zoro into taking a bath more than once a week.
Masked Deuce-- as he is known-- was the vice-captain of the Spade Pirates, Ace's first crew, as well as Ace's best friend, so naturally, we became close, too. Deuce isn't a pirate anymore; he's off pursuing his dreams of becoming a writer. Every now and again, we touch base and he sends me a manuscript of whatever he's been working on for me to provide some feedback.
Okiku is... Well, she's beautiful, and kind, and an amazing swordswoman; everything I hope to be one day. I respect and look up to her a lot. We've been spending a lot of time together while I'm still in Wano, which has been very nice."
Ask Yara (or any of my OCs) anything!
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hi gang! i know it's been,,,,, literally years since i started working on my fairy tail rewrite but i do want to assure anyone still interested that it is still something i'm working on. however, perhaps unsurprisingly, a lot has changed since i first started the project, so i wanted to give some updates on things people have expressed interest in in the past:
-i toyed with the idea of aro/ace erza for a while and while i do genuinely love the concept, i ultimately decided that it wouldn't really fit into what i want to do with her character. so tragically i can't fulfill this initial idea. i'm a little disappointed myself tbh but i actually really like what i came up with for her part of the story, so... hope this wasn't what anyone was looking forward to the most.
-when i first mentioned rewriting ft, i said there'd be no fanservice. however, having thought about it for some time, fairy tail is a series where somewhat dirty jokes have been since the start, and i don't think it's entirely fair to get rid of it altogether just bc the last couple of arcs forgot to do anything else. i will however promise that no one is going to be less important than their own boobs.
-the relationship between gajeel and team shadowgear will absolutely still be important, but i don't intend to put gajeel or levy in a relationship with anyone, including each other. this isn't really about whether i like the ships involved or not; it's just that i actually ended up putting a bit more of a spotlight on this little faction than i'd intended to (tbh i'd been pretty sure gajeel and levy would have somewhat more minor roles, but fortunately it looks like they'll stay major supporting characters)
-lucy and her family are going to be marginally more complicated than what we got in canon, and while i don't plan to give away too much too soon, there might be some hints towards what's really going on there significantly before i actually unveil my masterpiece (i am ngl so so SO happy with my version of the heartfilia family. i feel like it's both somewhat original and also fits within the world of fairy tail. idk if anyone else is going to be enjoying keeping up with the heartfilias as much as me but i sure hope so. whoa boy)
-natsu spends a lot more time looking for igneel. not like 100% absolutely dedicated nothing else matters or anything (bc that's just not natsu), but it is his main motivation throughout a good chunk of the story, so i'm hoping to bring that into play a bit more.
-i've been pretty clear on this part since the beginning, but ultear and siegrain are going to play a much bigger role in the early parts of the story. this is both bc i adore their dynamic and bc crime sorcière is unfortunately not going to happen. just getting that part out of the way now. as much as i adore them, it just doesn't work here. i don't intend for them to usurp the story or anything, but they definitely have a much bigger and more direct impact on the plot. also like reasons for doing things and better publicity than most of the rest of the council.
-i simply am not going to have the time to give natsu's parents the screentime they deserve, but i promise to give them as much as i possibly can. unfortunately, they really don't matter all that much in term's of natsu or zeref's parts in the story, but there are a couple of other characters with fairly strong ties to them, so it's not like i'm going to ignore them entirely
-cubellios is and will forever remain a snake. hiss hiss
-none of the other manga side stories (including 100 year quest) are going to be taken into account whatsoever. i simply do not care <3
-zeref and mavis's relationship is deeply, DEEPLY important to the plot, but it absolutely isn't romantic at all, so sorry if you were hoping it would be. also i tried my best to make mavis significantly more interesting (plus yuriy, warrod, and precht. especially precht)
-none of the big 4 ships will happen. this isn't due to me not liking them for the most part (i mean, i don't but tbh that really isn't relevant here; i have no problem with writing for ships i don't ship myself if it works with the story), it's either bc it doesn't fit into these versions of the characters or it just didn't end up happening. i know this is gonna put some people off, but i hope you'll give it a try anyway once it's done; i ended up trying out a few things i'd never thought about before and really enjoying them, so hopefully i won't be alone in that.
-the celestial spirits are currently one of my bigger roadblocks writing-wise bc while they're also very important to the story, they rarely get enough screentime to showcase anything other than their powers and One Quirky Trait. and there are so dang many of them; it's kinda hard to balance. however, i know what i want to do with them in the long run, so it's more a matter of getting them there and not having them effectively turn into lucy's somewhat talkative pokémon. also, the spirits aren't property– they've made a contract with their wielder, and this is very very relevant. they are also not human. you may want to keep those two things in mind.
-if a character dies and you see their body and their body is definitely 100% checked-their-pulse-and-tried-cpr dead, that character is dead. it's a fantasy story, so i'm not going to pretend there's no possible way to un-die, but i will say this: consider whether or not dying a likely-traumatic death and then coming back is a good thing.
-there will be ocs. this is basically unavoidable due to what few changes i've made, but i'm hoping they'll at least be enjoyable ocs. most of them shouldn't be relevant for a while anyway
-there are, and i cannot stress this enough, characters that may for some reason have something to gain from lying to the heroes. or to other villains. or to themselves. characters lie, or twist the truth, or are wrong, or a bajillion other things.
-whoever you're expecting the final badguy to be, you're wrong
-lastly, and this is easily the most important, i have completely changed irene's character design to one of mashima's concept art versions of her. if you've never seen it, here's the piece of that sketch collection i'm talking about:
^that's my irene. love me some unhinged old ladymom
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