i really wanted to draw attention to this scene here. puss has quite a few panic attacks in this movie, which are undeniably relatable for so many, but in this particular instance, he has perrito to help him calm down and breathe and i think that's so great.
i just love the way it's not made into a joke, or brushed aside as though it's not something that's important to show - especially for someone as confident as puss in boots! the story actually takes a moment for puss to reflect and breathe and talk to someone about his fear. he's made very real and that was a huge deal for me. (இ﹏இ`。)
god i wish they hadn't retconned maul's death. i get wanting to explore more of his character because he was, objectively, one of the coolest star wars characters to ever hit the big screen and didn't get much screentime prior to his death, but also his role was fulfilled perfectly within those constraints so i wasn't too upset by it.
but by retconning it and making it so he never died it's like. okay. what now? the whole point (well, to me, ymmv of course) of the theed generator fight was that it was the first ever fight between the jedi and the sith in thousands of years, and that in the end even though the jedi (obi-wan) won the fight, a jedi (qui-gon) and a sith (maul) still died. a master and an apprentice dying together to herald the start of a new age/the return of the sith. perfectly paralleling the way in rotj a master (palps) and an apprentice (anakin/vader) died together to herald the return of the jedi. in both instances, a father figure (qui-gon/vader) dies in the arms of their son (obi-wan/luke) as a sith (palps/maul) is cast down into the abyss to their deaths. (palps being alive in the ST and retconning his death in rotj is also annoying for this reason)
i mean i like maul. don't get me wrong. he's an incredibly compelling character and i enjoy seeing more of him... but there's always the thought hovering in my mind like "he should be dead though. he should 100% be dead. this wouldn't be happening if he was dead, but i honestly would rather it not if it meant that maul was dead."
like the tpm fight just doesn't hit the same knowing that canonically he's just. going to become a robot octopus at some point. (shoutout to palps becoming sith glados in the ST) it cheapens the moment for me. it was supposed to be a moment of triumph marred by the deep and soul-crushing loss of a loved one and it's just... not, anymore. or at least not to the same extent. AUGH i'm just. frustrated. wish star wars as a whole wasn't constantly reframing/retconning what's been established. just puts a bad taste in my mouth.
If desire is the differential between need and demand, desire always exists outside of the corporeal wants and wishes that have a pressing agenda all their own--desire becomes its own project, indeed yanking at the sometimes wayward, resistant body to which it's tethered in the effort to fulfill its unfulfillable, limitless agenda... Desire floats and fluctuates above, below, beyond us, always goading us, never revealing, satisfying, or fulfilling us.
-David Greven, Contemporary Hollywood Masculinity and the Double-Protagonist Film (2009)
people actually went on about how game of thrones made it socially acceptable to be a fantasy nerd, as though the lord of the rings movies hadn't been released less than a decade earlier and left far greater cultural ripples and i am just
got may have made the adults feel better about liking fantasy, but lotr got into the kids' heads when they (we) were just young and impressionable enough to be absolutely transported and emotionally rewritten by don't you leave him, samwise gamgee and my brother, my captain, my king and and rohan will answer
lotr was rewriting entire generations' brain chemistry long before asoiaf and so obviously it's not fair to compare any post-lotr fantasy novel to it, and each book series was trying to do different things within their own spheres and so that also is not a fair comparison, but in terms of the cultural impact of the adaptations that came out within a decade of each other, saying that it was game of thrones that made fantasy mainstream is baffling
game of thrones could only run because the lord of the rings movies laid the path, and i will die on this hill
"I should've seen the signs" I feel like Stoick was basically reliving the way he lost Valka.
To him, after a lifetime of wanting nothing but to kill a dragon, Hiccup's suddenly and inexplicably changed his mind. To him, Hiccup saying he can't kill them is just like when Valka refused to and tried convincing others as well, then as a result was 'killed' by one herself.
To him, way Hiccup tossed his weapon and shield to the side then approached Hookfang while speaking about how dragons aren't what people think they are probably bares an uncomfortable resemblance to the way Valka put down her weapon and stared a dragon in the eyes and as a result was taken.
To him, attempting to do anything but preemptively defend yourself against a dragon will only end in tragedy, so he has to do anything he can to stop Hiccup before it's too late.
(And just like with Valka, he unintentionally escalated the situation by trying to protect Hiccup but only agitated the dragon, causing it to panic and react, inadvertently putting someone he loves in danger. again)
Stoick of course, wasn't acting rationally, but it makes sense when you think about how traumatizing Valka's 'death' must've been for him (and how much Hiccup reminss him of her); he watched her get taken, presumably killed, and couldn't do anything about it.
sometimes i think about how wild a mw2 movie would be if they just dropped soapghost right in the middle with no warning or marketing. like imagine it being beat for beat the exact same, it’s your typical military action movie, promoted as just another military action movie then after they get to the safe house, ghost has to patch up soap and he’s still out of it, overwhelmed by the betrayal and everything he’s seen and ghost needs to ground him and keep him in the present, to remind him that he’s alive and safe so he kisses him and they have sex. the tantrums and the rants and the “ReAl sOLdiErS aRen’t liKe ThAt”, god i can taste it and it’s delicious
I don't know what direction the movie is going to take, but I feel like addressing the purpose of the game itself from the characters' point of view could be really interesting in the context of a confession (or heart-to-heart) regarding their personal motivations and fears.
I also feel like Toad would be that kind of friend who tries to be supportive, but is more level-headed and genuinely concerned about others' disregard for their own well-being.
Overall, I think the two of them discussing Mario's journey in a more introspective way would make for a great scene, as there would be a lot to explore with this alone. 🙏
you know what really gets to me. is how jack loosens up david’s morals. like how david starts off as a staunch pacifist because of the Optics and strategy of it all, but then later he kicks a cop in the face and threatens him with a swing + tries to punch jack when he scabs. and both instances occur specifically because he cares so deeply about jack. But also there's this tidbit from the 91 script
it's like. up until now, david's interactions with jack have largely consisted of david being openly skeptical/confrontational whenever he detects any kind of bullshit. and while he immediately clocks that all this stuff about santa fe is a lie, for the first time, he decides to let it go. Because there's a kernel of authenticity to the statement, though the authenticity doesn’t lie in factual truth, it’s in how jack desperately "wants it to be true". because. this is david's first time seeing the soft underbelly to jack. because david IS charmed by jack despite not really trusting him
watching iron man 2 with someone who will only ever criticize tony stark and refuse to understand or empathize with him is so nervewracking like……we’re watching the scene where he goes to pepper’s office and what I see is someone who is anxious and dying and doesn’t have the tools to express his emotions but I can feel the judgement radiating off of this other person in the room who is only thinking of him being inconsiderate and annoying and a jerk. i’m suffocating