Tumgik
#this movie even is haha
spideyladman · 1 year
Text
I hate the Paramount Network channel sometimes 'cause it can give you the most obscure movie with the most awesome song ever and you can't find it online because it is that obscure and I just
Tumblr media Tumblr media Tumblr media
help
3 notes · View notes
switchbladefightz · 3 months
Text
lisa frankenstein is the most "target audience" movie ever. it's me i'm the target audience
536 notes · View notes
sysig · 5 months
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Two skeletons in a trench lab coat (Patreon)
Bonus:
Tumblr media Tumblr media Tumblr media
He’s very careful! Everything was fine before you interrupted!
#Doodles#Handplates#UT#FJdlsafjdsf Handplates fuzzes my brain#I cannot tell you how weird it feels to draw Gaster with the Lost Soul head after all this time away haha#It drops me back into the person I was when I first read Handplates - for better or for worse. It's a very strange feeling#Even drawing Sans and Papyrus again sends me back! Not as strongly but certain little details stand out#Sans' eyes especially... Very strange feeling#Anyhow! Since Fellplates sent me back down the rabbit hole and I've gotten back into rereading lightly - still not a full commitment!#Maybe soon tho 👀 I feel like I always say that haha#But in the meantime thinking of the pre-Plates Handplates time period <3 Since that's the one I'm still most familiar with haha#I love when they're still growing and learning ♪ Scaffolded baby talk! Twin language! Love 'em ♥#And fearless* mischievous little troublemakers hehe#They're so cute <3 I love the little ways they interact as young'uns - like when Papyrus will just lift Sans by his arms lol#I'd been thinking about and then had to go read the one of Sans as a the blanket/coat tickle monster and then - this ✨#''Excuse me sir I'd like One Ticket to the R Rated movie I am an adult Monster'' lol#Probably another one of those moments where Gaster is just *nervously sweats in Dad* lol - stop being so cute!#Also there's no particular meaning to when I use WingDings for his text :P Just convenience and if I remember to lol#Comics where he talks a lot are not convenient XP I have enough trouble editing on this paper ugh I will Not miss it when it's done#Even attempted this comic in as few pencil strokes/erasing as possible and it was still a pain to work with! >:0 Rude#Doubly so that I've had a Handplates comic idea for past like - year lol - and /this/ was the first one I finished pfftbl#To be fair to the other I do want to at least attempt making it a look-alike hehe ♪ You know how it is with Ideas™#I can't be too mad about it haha ♫ It did turn out quite cute after all :3
739 notes · View notes
ghost-proofbaby · 7 months
Text
Tumblr media
my little scaredy cat
request: [anon] i would love to see watching horror movies with best friend!eddie and reader instinctively grabs his arm and hides herself against him and it leads to feelings and confessions haha
warnings: none! except it's unedited, which would be scary if that wasn't 90% of my writing on here lmao
pairing: eddie x fem!reader
wc: 3.1k+
i had a lot of fun busting this one out. it's just so cute and certainly how i wish i was spending my halloween! also, rest assured, i am also eyeing the other request you submitting anon. <3 happy haunting, my friends.
Tumblr media
This was such a stupid idea. Such a stupid, stupid idea. 
You’ve always been a scaredy cat. Everyone in your friend group was well aware of it – you loved the idea of Halloween, but your poor heart just couldn’t take most of the frights that came with the eccentric holiday. 
It was fine, most of the time. If anyone had the urge to plan out a day at a pumpkin patch, you were eagerly accepting the invitation. If anyone wanted to bake any sort of sweet treats laced with pumpkin spice or caramel apple flavor profiles, you were already in your car and armed with the perfect recipe to help them. Someone wanted to peruse the decoration aisles of various stores? Wait no more, the perfect shopping buddy could be found in you. You, who could handle most of the trivial and sweet aspects of the holiday. You, who divulged in the more aesthetic side of it all rather than the scary side of it. 
Your distaste of being jumpscared or unnerved by gore and ghouls alike only really caused issues when it came to your best friend, Eddie Munson. 
His taste in experience of the frightful time of year was entirely the opposite of yours. It’s not that he didn’t like decorating caramel apples with you or that he didn’t find your choice in decorations cute, because he did. But he liked the terrifying aspect of it all – he liked the adrenaline rush of fictional danger. 
And friendship, in all its glory, is about give and take, is it not? 
Compromise. That’s what he called it when he’d begged and pleaded for you to join him in a movie night. Because the moment the suggestion fell from his lips, you both knew he had no intentions of watching one of your usual festive movies that only teased about the creatures that crept through the night. PG-13 films that didn’t really do it for him. No, Eddie Munson had insisted you join him for a movie night, and you both knew exactly what kind of movie he intended to play. 
You just hadn’t anticipated the scariest fucking movie you’d ever endured for the boy beside you on the couch. 
“Shit!” 
Your squeak is muffled over by the crescendo of creepy instrumental echoing from the small TV across the room. A cycle had quickly been found during this movie night; the movie would fall eerily silent as a tense scene arrived, you’d tense every single muscle so hard that Eddie could feel you shaking from the other side of the couch, and then once the jumpscare occurred and your small squeals were let out involuntarily, his own laughter would follow. 
“Oh, come on,” he coos a little, leaning closer to the middle of the couch, still a fair distance away from your figure bundled up in blankets that were being used more as shields than anything at this point, “That one wasn’t even that bad!” 
“To you!” you snap, yanking the fabric back down from your eyes only to glare at Eddie rather than look at whatever grotesque was plaguing the screen, “I’m a scaredy cat, remember?” 
And oh, remember he does. In all your years of friendship, Eddie had called you that nickname more times than either of you could count. He never meant it with ill will, but it was easier to tease you than to admit just how adorable he found your small reactions. 
Easier to tease than to admit just how badly he wishes you would seek protection or refuge from him during the scares he put you through. 
His face falls slightly, but he doesn’t let his small grin slip up, not wanting to give himself or his twinge of guilt away, “I’m sorry, kitty cat. C’mere – I can protect you from all the big bad monsters-”
Eddie’s opened arms are only met with one of the pillows you’d stolen off his bed to make the couch more comfortable. It smacks into the center of his chest with deadly aim and ferocious power, making him let out an exaggerated oomph. 
“Fuck you,” you grumble, adjusting the blanket around your shoulders now that the scare had passed. You almost tack on a comment about how he’s lucky you like him, because you would never endure this for anyone else.
Robin had tried. Steve had tried. Nancy had tried. They’d all tried to entice you in the scarier, classic Halloween experiences to no avail. Every offer of going to a haunted house, or attending the premiere of the newest horror movies at the local theater, were shot down before they even finished their sentences. 
Only one person could break your staunch demeanor on your limits. And right now, you sort of hated his guts. 
Eddie softens a bit, watching the way you pout and curl into yourself just a little tighter.
“Sweetheart,” he finally drops the cool guy demeanor, his voice gentle as he leans over with genuine concern, “We can turn it off, if you really want. Hell, if you want me to, I’ll put on something in your taste. Little Shop of Horrors, or maybe Beetlejuice? Those don’t usually scare you.” 
The offer is enticing. But you have a point to prove. 
“No,” you sit up a little straighter, square your shoulders with a little more defiance and faux bravery, “No, you wanted to watch…” 
You pause, and Eddie smiles softly as he supplies the title of his film of choice, “Poltergeist.” 
“Right, yes, Poltergeist. You wanted to watch it, so we’re gonna watch it.” 
Your stubbornness is admirable. 
Even when it falters. Even when another jumpscare has you ever so slightly scooching towards the center of the couch, no longer pressed to the opposite arm from Eddie in defiance. Even when Eddie spreads his legs casually, and you bump your knee into his thigh, the slightest touch bringing immense comfort.  
Once you discover that, it all seems downhill from there. 
A press of a knee against the side of his thigh turns into your side brushing his. Suddenly, the blanket you’d wielded like a weapon becomes shared. Moments where you try to hold up a barrier between your eyes and the screen cause slight disturbances in Eddie’s own vision. And then, it happens.
The thing he’d been diabolically planning for years. The one scenario he’d dreamt of every Halloween season, the one intention he’d held secretly every time he’d put your through endless scares. 
The one touch that could send him into cardiac arrest. 
He almost missed it, it happens so suddenly. One moment, you’re just curling up a little bit closer to him. The next, your arms fully wiggly their way around his bicep, capturing his arm in your grasp as your face buries into his shoulder. He can no longer smell the buttery popcorn or faint chocolate on his breath as you invade his space. It’s all sweet shampoo and subtle perfume that tickles his nose, skin against skin in a quick flush as he can hear the vibrations of your predictable scream against the fabric of his shirt. 
You hardly seem to notice the sudden entanglement of your bodies in all your fear — your knees practically in his lap and your torso clinging onto his forearm for dear life. You’re acting on instinct, seeking out humane comfort without considering what you were doing.
When you do notice, you don’t let go, only slacken your grip. 
“Oh, I-“ you stutter, pulling back slightly to look up at a stunned Eddie, “I’m sorry, that’s- I just- I was scared and-“ 
“It’s fine,” he cuts you off, eyes blown wide, “It’s… it’s fine.” 
It’s more than fine.
His heart races in a way no horror movie or haunted house could incite. Every nerve ending tingles, everywhere his body connects to yours burning in delicious warmth. He wants to spend an eternity like this — you, curled up to him, clinging to him like your holy savior. 
Years, and years, and years of wait pays off. Patience is surely virtue as those big eyes of yours look into his. 
After a couple awkward beats of silence, you whisper, “I don’t think I like Poltergeist.” 
Just like that, you have him laughing again. It’s slow and steady, a gentle chuckle that stirs from his chest in disbelief as he tries to thaw from his shock and yearning.
“You think?” he breathes out, tone not nearly teasing enough to cover up the shakiness. 
He swears he can feel your heart pounding against his shoulder. 
“Don’t be mean,” you start to scowl, slowly unfurling. But he stops you — angles his arm so you can’t slip your arms away as easily as before, tilting his head in closer.
“Mean? I could never be mean to you, my little scaredy cat.” 
“You’re literally being mean as we speak-“
And so, he decides to stop speaking. 
It’s impulsive and an even dumber idea than you enduring such a scary movie to be around him. But you look so fucking cute, his heart is tearing up his throat, and suddenly his lips are on yours in his largest spurt of bravery to date. Even more brave than the time he’d made himself a human shield between you and that dude with a chainsaw at the local haunted house, despite the way chainsaws actually kind of made him shit himself.
You don’t fully reciprocate at first. His lips are pressed hard against yours, tips of noses crushed and eyes fluttered shut, and he starts to believe he’s made a mistake. A terrible, terrible mistake that just washed years of friendship down the drain. 
Until your hands tighten on his bicep. Until that soft squeeze comes, and it feels like he can breathe again despite sharing the air with you. 
He breaks away for just a second, “I-“
“Don’t be mean,” you repeat your earlier words with entirely new meaning now. He opens his eyes and finds yours already pleading up at his face, glossy and desperate, movie forgotten. 
Those hands once squeezing his bicep let go and move to the collar of his t-shirt. Normally, he’d make a comment about you stretching it out, deforming the perfect fit that took him ages to wear in, but he can’t be bothered to feel anything but delight when you’re tugging him back in for another kiss. 
And the last thing he wants to be is mean. So he kisses you kindly, kisses you with all the care in the world that he had buried beneath his skin since the day he met you. Kisses you like it could scare away all the monsters that wait in the shadows. Like he’d lay down his life to protect you from the very frights he’d been subjecting you to for far too long now. 
“Hey,” he mumbles, pulling back briefly, “Hey.”
This time, his forehead doesn’t leave yours as he pauses the kisses. 
“God, Munson, I’ve waited for this God knows how long, sat through so many fucking scary movies, and you’re really going to-“ 
“Hold on, what?”
He’s grinning so hard, it aches. In his cheeks, in his chest, in the back of his head. Your words sink in and he relishes each syllable, even in your frustration.
“I- Uh,” you pull back suddenly, fingers still loosely tangled in his t-shirt, “I-“
“Enlighten me, sweetheart,” he insists, eyes finally fluttering back open to catch the embarrassment painted plainly across your face. You wear a nearly painful expression that only tightens as you know he’s watching you, “Just how many scary movies have you sat through wanting me to kiss you?” 
“Fuck off,” you sigh out, shaking your head a little, “I mean it. Fuck right off-“
“Cause I could probably give a ballpark number for how many times I’ve wanted to kiss you during them,” he continues on quickly, “Actually, I bet I could count how many times I suggested watching these fuckin’ films just for this moment only to chicken out.” 
Your eyes are open again in an instant. Sparkling with hope and realization of what he was getting at. “Excuse me?”
“Do you really think I’m that mean?” he scoffs, finally reaching up for your hands, surprisingly calm despite the delightful storm wreaking havoc in his chest. He takes your knuckles in his and lets his thumb trail right over them, “No offense, but if I didn’t like you, I wouldn’t have-“
“You like me?” 
Your voice is sweet as honey, bright and drowning out the horror movie still playing. 
He smiles, boyish glint and all, as he confirms, “I like you.” 
You put the first real amount of distance between the two of you since you’d started to cling to him out of fear, almost as if signaling that bravery beginning to bubble over in your chest, “You actually like me?”
“Yes. Is that so hard to believe?”
“No, I- Well, maybe,” you bite your lip, and he’s suddenly dizzy with the need to capture it between his own teeth, “I just… I always thought you might like someone a little braver.”
His nose wrinkles, hands still twisting yours in his, “Excuse me? I think you’re plenty brave.” 
“Eddie, you’ve said it yourself, I’m a goddamn scaredy cat.”
“So?”
“So,” you persist, shuffling so that your legs fold beneath you and you gain some leverage over him, “You’re the exact opposite. You love scary things. Not even just during Halloween, but year round. And you’re telling me you like me even though I’m a scaredy cat.” 
“I like you because you’re a scaredy cat, thank you very much,” he corrects you immediately, “I love the way you always need me to protect you. I know, I know — not very feminist of me. I’m sorry. It’s just- it’s really fuckin’ cute, y’know?” now that his floodgates have opened, he’s pouring out all the words he’s held back for so long, “And besides, you’re more than just a scaredy cat. You’re also so smart, so beautiful, so funny. Yeah, you scare easily, but you’re also the same person who is the first to put me in my place when I’m being an absolute little shit. And don’t even get me started on all the cute faces you make when you’re talking about things you actually like, or when you’ve been baking with Nance and have flour all over your cheeks-“ 
“Okay, okay,” you stop his rambling before he can embarrass you any further. Any more affection, and your face might end up buried in his shoulder again, “I get it. You like me.” 
It’s quiet for a few moments. The two of you only stare, both smiling stupid, the screams of whatever climax occurring in the movie not even reaching your ears. All you can hear is the echo of his words, of his admission. And all he can hear is the pretty way your breath catches when he gives a small squeeze to your palm. 
It’s nice. It should be more anxiety inducing, it should be more dramatic. Eddie Munson should be absolutely losing his mind right now because he just kissed his best friend he’s been in love with for ages, but he isn’t. Actually, for the first time in a while, it feels as though he’s finally found it — he’s found his mind, he’s found his peace as he’s staring at your shy expression. It just feels right. Like a sigh of relief from the Universe. 
“I like you, too,” you break the silence, unable to meet his gaze, “I mean, you probably already got that, but-“
“Say it again.”
“Huh?”
“I did gather that, but my God, please say it again.” 
Your eyes meet him, and another piece clicks into place. 
Right. It’s so fucking right.
“I like you,” you repeat yourself, a smile beginning to dance on your lips. He can’t help himself — he leans forward and pecks the corner of your upturned mouth, “I like you,” the repetition is music to his ears as he plants a second kiss on your cheek, “I like you, Munson.” 
His peppered kisses mark every inch of skin available to him, making giggles begin to escape you. You even try to hide from his onslaught, but it’s no use. He’s quick to drop your hands and wrap his arms around you, tugging you in close and trapping you against him as each kiss grows more obnoxious. Loud smacking sounds, deliberately leaving spit behind that has you squealing. It’s nothing like the squeaks from when you were watching the movie; these small noises are filled with a little more joy, a little more happiness that only fuels Eddie.
“Eddie!” you try to scold, placing two hands on his solid chest, “Oh my God, stop it. You’re gross.” 
“You love it,” he mutters with his mouth fully pressed to your temple, nose buried in your hair. That sweet, sweet shampoo intoxicating him.
You like him. He didn’t fuck it up. 
You finally go slack in his touch, succumbing and letting him place you in his lap, curled up comfortably as you sigh, “Yeah. Okay, maybe I do. Whatever.” 
“Oh, don’t act all tough now, kitty cat.” 
Your hands are curled back in the fabric against his chest and you share the wonderful ache he had been feeling in his own cheeks and bones as you look down at him with playfully squinted eyes.
When he ducks down for another kiss, you stop him easily, “Nope. First, I have a request.” 
“Anything.”
“Anything?”
“Anything. Name it, and it’s yours.” 
“Please turn off that goddamn movie.” 
He throws his head back in laughter that shoots straight for your heart. The kind of laughter that haunts a chilled autumn night as children prance the streets for candy, as teenagers get into mischief in distant bonfire parties, as elderly couples enjoy morning coffees over eerie fog. 
It kind of feels like home. It kind of feels like everything is as it should be, finally. 
“I suppose I can do that for you, my little scaredy cat,” he muses as his head tilts back forward, chest swelling with affection, “Besides, I think I know something we can do that’s a little more fun than watching the Poltergeist.” 
“Oh, yeah? And what would that be?”
His arms tighten around you as he suddenly throws the two of you to lay down on the couch, his body hovering over yours and pick necklace nipping at your chin while he reaches out to click off the TV. The weight of him between your hips feels even better than either of your wildest dreams.
Years. You couldn’t believe it had taken years for this, and neither could he. But patience is virtue, and he probably would have waited another thousand years for this feeling, truth be told. 
“This,” he says boldly once the TV buzzes in sudden silence, dipping down and continuing where the two of you left off. Two sets of lips fit together like the world’s easiest jigsaw puzzle.
It’s safe to say the rest of the night, any further squeaks and squeals you let out aren’t due to ghosts.
eddie's taglist: @capricornrisingsstuff @thisisktrying @hideoutside @vol2eddie @corrcdedcoffin @ches-86 @alovesongtheywrote @its-not-rain @feralchaospixie @cheesypuffkins87 @thebook-hobbit @babez-a-licious @eddies-acousticguitar @gagasbee @d64d-n0t-sl66p1ng @aysheashea @kellsck @cosmorant @billyhvrgrove-main @micheledawn1975 @eddiesxangel @siriuslysmoking @witchwolflea @tlclick73 @magicalchocolatecheesecake @mizzfizz @nanaminswhore @mikiepeach @ali-r3n
669 notes · View notes
equill · 13 days
Text
Tumblr media
Another Otsutsuki?!
we’re messing up the timeline for this one. (I lost this crack idea but then it came back… the abyss stare back and I jumped in.)
anyways, now some kids meeting the new kid
Panel 1: There’s something wrong here.
Tumblr media
Comic 1: Attention.
Tumblr media Tumblr media
they’re both in the same boat
Comic 2: Day Off (with confusion.)
Tumblr media Tumblr media Tumblr media
he just a little insecure,, (kakashi still told him to get it together)
back to the future now
Comic 3: What. (huh?)
Tumblr media Tumblr media
Panel 2: very tiny.
Tumblr media
175 notes · View notes
turtleblogatlast · 25 days
Text
[ cw: death mention / family death mention / ]
Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.
I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.
Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.
#rottmnt#rise of the teenage mutant ninja turtles#rise of the tmnt#rise karai#rise leo#rottmnt karai#rottmnt leo#I think a lot about these two in particular#and how that dynamic could have flourished#the way it was depicted in the finale is so purposefully unique and painful like#that hug man#can you imagine how much more heartbreaking that would have been if we knew her longer#not that it wasn’t already sad but we just simply didn’t know her long enough to be completely attached#also imo having more episodes with her and in general would have presented something I’ve been thinking about since the finale#so like - I like to think each bro kinda immediately leans more toward certain family members#Mikey has Draxum#Donnie has April#Raph has Splinter because this is another one that would be SO GOOD and make the finale moment where Raph sees his memories hit harder#if they had an ep or two more of Splinter and Raph together bc I really do feel like Raph respects Splinter most of the four#and finally- Leo has Karai#and then he loses her#imo? this would align with the movie even more#because it was the act of heroism that kinda killed her in a way - makes sense that Leo would initially be leaning away from that#and yet he ends up exactly like her anyway#haha sorry for rambling I just really love the interesting dynamic these two tend to have#and it’s a shame we didn’t get to see it really explored in rise#but yeah make no mistake while I’m focusing on Leo here I wanted more for all the boys and karai#Mikey’s little moments with her were so sweet and we already know how much he yearns for more family#Karai being from an age long gone would mean she’d be super impressed by literally any invention Donnie has (adult validation!!)#and could you imagine her training with Raph - with this training being referenced in the finale?
190 notes · View notes
calimera62 · 1 month
Text
"RIP to KaiShin shippers" this
"My sincerest condolences to the KaiShin nation" that
FOOLS! You think it will stop us or prevent us from shipping KaiShin?
I won't lie, the revelation hit us badly but we will rise like the phoenix, stronger than ever, and keep shipping them and making and enjoying content about them, no matter what movie 27 revealed.
The KaiShin nation will go on!
237 notes · View notes
wes-laye · 21 days
Text
Tumblr media
Confession
| 270424
144 notes · View notes
pachimation · 11 months
Text
Tumblr media
havin a normal one, dudes 🙃
358 notes · View notes
b4kuch1n · 7 months
Photo
Tumblr media Tumblr media Tumblr media
yay! I drew these quite literally three years ago. dragonheart!milo and raihan! a knight on a doomed dragon hunt being lifted out of his station by a small village medicine man. together they become magic lawyers and overthrow the government
the main details in these do survive into the iterations I’ve drawn (instead of these actual designs I spent time to make el oh el): the “leaf” diamond quilt/gambeson and the plaited coattail for milo, the “atypical” weapons, long coat, and large number of scattered fake gold trims and accessories for raihan. I think I lost raihan the hat and added a cape for milo further down the line because like this their general silhouettes are too similar for my liking lol
#pokemon#swsh#applinshipping#dragonheart AU#gym leader raihan#gym leader milo#leon is the puppet king in this one (I never made a design for him lol. lmao) (its not about him!!!!) (it is just a tiny bit#sonia actually disappeared out to sea like just the year before raihan got sent off too. and the shows up where raihan and milo are later on#as usual the everything between those three are messy in a way that makes every one of them embarrassed to bring it up lmao#if u remember one of the october pieces I did last year. the applinshipping one. yeap thats from this AU too#lmao. also remembering the swordsman AU. in every AU where I bring up a king you can TELL I cant WAIT to get rid of that guy#(its usually leon)#anyways it's not about him this is about raihan and milo!!! iirc everyone in the village knows milo is Something. bc he has literally not#aged at all for four generations#he's like doing his therapy away from the dragon hierarchy out here and raihan crash lands nearby#laughs this is so hallmark movie romance I just realized. except the city girl is trying to#extract her family from the palace before stealing the declaration of independence#oh yeah the AU is named that Specifically because the 'artifact' the whole plot runs around is supposedly a 'calcified' heart of a dragon#and the magic lawyer part is so raihan will seize the right to the throne by haha. winning a living dragon's heart instead#I'm actually surprised I remember this much abt this AU lmao it's literally been three years! I don't even remember what Im#supposed to do tomorrow#it's gettign a USB stick isnt it. Im doin a canadian horror triple feature with the senpai#I gotta remember that. well I remember This so. maybe there's a chance#man there are actually a number of applinshipping things I wanna draw... theyre my Fuckin BoyS#well! there's this at least. have a good night lads! I'll have cake soon#it's time to put cinnamon in things.
239 notes · View notes
jojo-schmo · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Did anyone else get roped back into liking fnaf after the movie like that SpongeBob episode where Sandy lassos Patrick back to her and he explodes
189 notes · View notes
quietwingsinthesky · 1 month
Text
now that my friend pointed it out i cant stop thinking about the design of the tardis in the tv movie because 1) it was gorgeous but 2) that was a home. that was his home. he had a chair to lounge in and a record player. seeing the tardis in the tv show, that one huge console room, bigger on the inside and yeah, it’s impressive but it’s functional. (i’m assuming this is a budget thing, because it would probably be extremely impractical to have the kind of set they put together for the tv movie for every episode of an actual show lmao.)
there’s just something so. i think it’s the first time i’ve really looked at the doctor in the tardis and thought, right, he lives in there. rather than it just being his car. it is very funny to think of the doctor as a guy living out of his shitty van, but no, the tardis can be a home. it can be warm and comfy and full of knick-knacks.
94 notes · View notes
chloecherrysip · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Power of the Star
498 notes · View notes
gayymomgod · 10 months
Text
Tumblr media
could you even become half of what she was
275 notes · View notes
vaguely-concerned · 4 months
Text
Random Assortment of Ghibli’s Howl’s Moving Castle Thoughts
Because I rewatched it today for the first time in many years and it’s one of those miraculous works that not only remaine as magical as I remembered it through childhood eyes, but if anything was even more magical as an adult and in more complex ways. I’ve finally got words for at least some of the things I was processing only subconsciously as a kid, so here we go. 
- The sneaky underlying theme of deeply flawed mother figures in this movie. Drives me nuts. The narrative doesn’t go out of its way to condemn these characters, it takes a characteristically phlegmatic nonjudgemental view of them, but it feels like this is low-key a stealth Mommy Issues story. (Making it go 🤝 with Dragon Age 2 in my head lol) Sophie’s mother does not seem to be consciously malicious but is intensely smotheringly self-absorbed and immature to the point where it has clearly been neglectful, and on the other side of the ‘Overly Permissive/Neglectful to Overly Authoritarian/Controlling’ scale of shitty parenting Suliman is controlling and invasive and heedless of boundaries. (Notice that her real complaint about Howl entering the contract with Calcifer and thus losing his heart seems to be that it means she can no longer control him and his grasp on magic, more than actual worry for him as a person. Her presence in his life is largely, ironically, paternalistic. She even frames it as something he blundered into incompetently — phrasing as him having had his heart stolen, rather than the mutual agreement we see Howl and Calcifer make even if they couldn’t know all the consequences it would have.) In the end Sophie breaks the circle by managing to be an engaged and responsive mother figure to Markl and making an actual home with the people closest to her. 
Interestingly Howl at his worst seems to be much more like Sophie’s mother than like Suliman — he leaves Markl to handle things he really shouldn’t have to alone all the time and is noted to barely be home anyway, in the beginning especially he’s flighty and vivacious and evasive (not to mention aggressively blond haha) in some of the same patterns we see her mom exhibit. Since Lettie is quite like their mother in terms of looks and sociability, we might infer that Sophie takes more after their father (including in choice of spouse lol). But crucially when the chips are down Howl is ready to protect Sophie and their home with his life rather than abandon her, in sharp contrast with her mother. I like that the movie doesn’t vilify Sophie’s mom for what she does, as such, it’s a pretty impossible position to be in for anyone… but it is just an extension of what she’s apparently been doing for a long time anyway, privileging other parts of her life and her own comfort over her daughter’s wellbeing and happiness. (Adds a certain spice and heartache to how scared Sophie is that Howl is going to leave them, too. And her fear that it would be because she’s fundamentally not good enough, beautiful enough, clever enough for anyone to choose her and stay with her. Ooof. Girl he’s been looking for you everywhere girl he thinks you’re the most beautiful thing in the world girl it’ll be okay)
- Relatedly: the unspeakably sinister vibes and implications of Suliman’s fucking… army of little Ersatz Howl page boys. When I was younger I sort of bought that he was just being a coward in refusing to go back, but honestly looking at all those kids with smiling empty eyes like painted marbles — you know what maybe it was good he got out of there when he did and in whatever way he could, huh. I don’t feel like there were wonderful things ahead here. Between that and the Witch of the Waste — who must have been much, much older than him when they seem to have sort of had a thing, since he seems to be like… mid-twenties-ish? at the time of the movie — there’s some really uncomfortable subtext going on if you want to read into it that way. I don’t think it’s the only way to read it by any means, but there’s something icky and clandestine sticking to Suliman’s whole deal that makes some form of grooming feel potentially relevant, especially taken along with the shame and fear that seems to cling to Howl around it and the recurring symbolism of him being stuck at a child state beneath it all — he slipped away from Suliman one day but never really grew up. (I’ll readily admit this is some fully Vibes based ramblings on my part, so YMMV on how convincingly you find this present in the text vs. how much is conjecture in my overthinking overheating noggin lmao)
- The fact that the first thing that allows Sophie to heal is to get to be angry — to finally get to say ‘this is all such absolute fucking bullshit *aggressively scrubs all the shit away about it*’. So much of her arc is about reclaiming the full spectrum of her emotions instead of having to make herself small, to prioritize her own inner experience and expressiveness above the need to be acceptable or pleasing to someone else's gaze. It’s not doing quite the same thing as the book in this regard (which if memory serves does more complex work around societal dynamics around gender and sexuality and aging vs. the more internal personal approach the film takes), but what it is doing is very interesting in its own right. The castle being a space (a home!!!) where all the inhabitants can eventually express themselves freely, including Howl dropping the uncannily imperturbable smiling facade to show the sad wet pathetic drama queen beneath (deeply affectionate) and Markl just getting to be a kid running around having fun. And Sophie makes that home for everyone possible by being herself unfiltered for the first time in her life. What the fuck I’m not crying don’t look at me — 
- The little one-room cottage in the fields being the forerunner to the castle… 
- Something so pleasing about the irony that Howl is said to eat hearts when really he seems to have basically had to tear his own heart out and set it on fire to keep it safe. And then after people have tried to get their hands on it to possess it (the Witch) or dictate how he uses it and who he gives it to (Suliman) for the whole movie, Sophie gives it back to him without a thought at the end; it’s more important to her for him to be whole than to own his heart. Hmnngh. (also so funny that the first thing he does upon waking up is plaintively whining about it fhdasj. Yeah having feelings again can take a person like that) 
- Howl’s bad dye job freakout is still very funny and silly, of course, never change you giant drama queen slime the place down, but there’s something about the fact that he’s apparently been dyeing his hair the colour Suliman seems to favor/uses to mark ‘her people’ all this time even when he hasn’t been able to face her, especially since the flashback shows black is his natural hair colour, and how badly it freaks him out to not meet that standard anymore… Huh. Hm.Hah.
(This time I actually wondered to myself if part of the reason he made the deal with Calcifer was to be able to get away from her and the plans she had for his life (and that he clearly would have hated, if their fundamental philosophical disagreement about warfare is any indication!). I think it says some very sad things that his happiest childhood memory is of a secret place where he got to be entirely alone because it was the only place he felt safe. Howl’s Moving Giant Coping Mechanism Metaphor. You see the castle is the Flight response made. Well not flesh. Timber, I guess. The Flight response made timber. In this essay I will etc.)   
- It hurts me that Howl brings Sophie’s old bedroom into the castle. He wanted so badly to make her happy and he seems to assume that because his memory of childhood solitude is a… if not happy then comforting thing to him, it would be for her too. But to her that’s just a reminder of the stagnancy and loneliness and… indignity? of her life before, and makes her feel like he’s treating her like a housekeeper, relegating her to that tiny room all over again, unwanted and ignored. Augh. At least she seems to understand what he meant to do for her when he shows her the meadow, though, and he doesn’t stop trying to communicate it to her even though his gesture didn’t land the way he’d hoped at first. This movie is so quietly kind about people trying to learn how to understand and love each other. Everyone is allowed to stay at the castle in all their imperfections, even the Witch. 
- Something something the Witch curses Sophie with not being able to tell anyone what’s happened to her… and in the end that doesn’t even really matter because the people around her either grow to understand without having to be told by actually paying attention to her (like Howl) or just accept her exactly as she is anyway, age yo-yoing and all, no questions asked (like Markl). And in the same way Sophie immediately recognizes Howl in his monster form and isn’t afraid of him even when he tells her it’s too late. Suliman warning her about ‘what he really is’ and Sophie immediately hugging him in his full monster form because he came home and that’s all that matters to her. Howl thinks her white hair is the most beautiful thing in the world and worth coming back to the world fully for. Sobbing. 
- The implication that part of the reason Calcifer wants out of the contract (other than just being stuck in the hearth of a place slowly falling into depressing disrepair and neglect around him) is that he’s genuinely terrified of what Howl is doing to himself. There’s something kind of sad and very funny about that. What if you went into a deal with a demon and the demon had to keep telling you ‘uh. Uh bro that’s kind of fucked up you know that right. Hey are you listening to me you’re molting monster feathers onto the carpet Sophie is gonna LOSE IT and don’t come crying to me when she does’. I wonder what would have happened to Howl’s heart if he turned completely — it seems that their contract has kept it safe and unchanged in every other way, if frozen in time, so presumably it would just… keep going the same way? (Calcifer telling Sophie that ‘it’s still the heart of a child’ got me so bad this time around. Bawling all over the place haha.) The idea of being stuck burning around a homeless heart forever is — well Calcifer I guess I get where you’re coming from here
- Of interest only to a very few people, I suppose, but the Norwegian dub of this movie fucking rules, I’m glad to find my childhood self was right about that. Calcifer is so cute in it it almost makes me dizzy sometimes, Aksel Hennie went ham on this one. Also an incredibly calming and charming performance for Howl — whenever I hear the English dub I just start laughing b/c like uh okay that’s Batman, takes me right out every time, that is not my lil guy fhsakjd. (I suspect his characterization is a bit different and softer in Norwegian too, just from the differences in translation I’ve seen?) 
- The first time Howl takes Sophie flying he holds her hand through it the entire time and guides her, the second time he takes her flying he lets her steer the flying machine for a while under his supervision before he goes off to make the distraction (there’s something so sweet about it as much as he’s being a little shit about it, honestly, he believes in her in such a quiet undramatic way even as she’s freaking out), and then after walking away from Howl’s childhood memory she walk-flies confidently on her own exactly like he showed her at the beginning. At the end the whole castle flies, with all of them safe and comfortable within it. Thoughts. Feels. Agony.
- There’s something so… weirdly achingly beautiful about the non-linearity of love in this movie. To properly meet each other as themselves here and now, Sophie and Howl have to flicker through polar opposite ends of life where they’re both stuck: old age and calcified (ahaha) childhood, resigned depression and overwhelmed fear. The promise Sophie makes at the end that is the beginning for Howl and probably kept him going in the meantime — love and a feeling of home that echoes even through the part of your life when it wasn’t there yet, love as hope. He finds her in the future, she finds him in the past, their hearts call to each other across time and space and they both work so hard to be able to actually meet in the now. The castle is kind of a wheezing overwrought monstrosity, the result of having to keep your heart outside of yourself and be constantly running from everything… but how can you begrudge it for it, when it works so doggedly to keep you and all you love safe while you look for that home? (To me Calcifer is basically a metaphor for dissociation, for what it’s worth, and he always has been)
TL;DR One of my fave movies of all times and touches me to the soul, I can't help but be distressingly earnest about it
54 notes · View notes
pynkhues · 6 months
Note
I recently read an article in which Quentin Tarantino stated that fewer movie stars exist as a result of "Marvel movies in Hollywood." I think Jennifer Aniston made a similar argument before saying that there are no longer any movie stars. I'm not sure what that means. I can think of a lot of movie stars right now, such as Zendaya, Timothee Chalamet, and Zoey Deutch etc. what do you think? I'd love to hear your thoughts on this and Quentin's comments.
QuillBot's
Months ago, when you sent me this ask, anon, I wrote out a really long reply and as soon as I hit post, my laptop crashed and ate the answer, and I was so annoyed at myself for not saving my reply, that I couldn't bring myself to try and re-write an answer. I'm really sorry for that, especially because I think this is such an interesting ask (or well, two asks, because I think the death of the movie star and the impact Marvel's had on the broader concept of a movie star, are kinda two different things).
I've been thinking about it a bit again recently though, particularly as the Oscar race gears up, and Jacob Elordi and Charles Melton''s respective stars are rising in an industry currently desperate to find the new young Hollywood male 'talent', and I've been thinking about it again because honestly?
I agree with Jennifer Aniston, I think the movie star is dead.
We are a long, long way from Golden Age Hollywood where actors like Cary Grant and Marilyn Monroe could captivate a public imagination in a way that translated to big box office effect, after all. Hell, we're even out of New Hollywood, an era dominated by names like Al Pacino, Jack Nicholson, and Jane Fonda, and the Blockbuster era with Tom Cruise, Sylvester Stallone and Harrison Ford.
My original reply went into a lot of the different reasoning as to why this is (like with many things, I don't think there's any one reason for it), in particular how the advent of streaming has changed our relationship with films and TV shows, how the saturation of the market has diluted the staying power of celebrities, how social media and the perceived accessibility of celebrities removes personal mystique which in turn removes intrigue and increases a sense of entitlement, and the fact that so many people having stopped going to the cinema means that the experiential element of seeing a film in a setting larger than life has been diminished.
I think call out culture plays a role too, with any actor on the rise being torn down by tweets they made eight, nine or ten years ago impacting how their star rises, I think the dismantling of the studio system (which is a good thing!) also harmed actors in the long run as studios stopped investing the same resources into making and training stars (they used to be able to sing, dance and act! Now some can barely even act!), and I think, of course, the rise of prestige TV changed the industry substantially (after all, movie stars were movie stars - they traditionally did not, and would not, do TV, which created a clear class structure in terms of screen-based storytelling).
And yeah, I think the language shift from film and TV to content has done irrepairable damage to the artistry of filmmaking and the consideration of a movie star as an actor at the top of their field instead of an actor with the most Insta followers or YouTube subscribers (after all, if everything's content, isn't it the same thing? [no lol]).
Which I guess is kind of where Quentin Tarantino's argument comes in, right? What he's saying is that Marvel's made it so that the IP - the content itself - is the star, not the actor, and I'd say he's probably right with that.
Think of it this way - back in the New Hollywood/Blockbuster era, Harrison Ford was the movie star - he was leading new franchises left-right-and-centre between Star Wars and Indiana Jones, sci fi epics like Blade Runner, leading action thrillers like Patriot Games, The Fugitive and Clear and Present Danger and getting nominated for Oscars for Witness.
He was a movie star in every sense of the word because you could hinge a film - one with a new concept, not just remakes or sequels - on him and be virtually guaranteed a success. He was what sold the tickets, the director just hopefully had to make something good enough people would leave the cinema glad they saw.
Tarantino's argument is the Marvel model - - hell, even the new Star Wars properties, turned the franchise into the star, for better or worse, which means original films can't compete because nobody knows the IP. Back when Harrison Ford was at the top of his game, his name was what helped original films including smaller, standalone works like Witness find an audience, but the studios have changed that. Capitalism has changed that.
Properties with existing audiences and deep pockets for merch were prioritised, only now those franchises are faltering and you've got a generation trained that 'cinematic events' are reserved for blockbusters in established universes, instead of taking a risk on a new film because you know you love an actor who's in it.
Do I think we could go back?
Maybe, but probably not.
I think the place we are now in the history of cinema / TV / 'content' means you can't make a movie star anymore because I think the industry is simply so different that no actor can break through in the same way that even Leonardo DiCaprio could 30 years ago. That industry doesn't exist anymore, actors aren't guaranteed draws (Bones and All proved that for Timothee Chalamet, and Wonka I think could go a similar way), or they have to heavily rely on other industries to become household names which I think dilutes them as a pure 'movie star' (Zendaya's a great example of this - I like her a lot, but how many movies has she even been in? They built her career up in peripheral industries long before they tried to sell her as a movie star, and frankly, I'd question her even as a leading actress yet given she's typically only either been in ensemble casts or clear supporting).
It's a whole new world, and yeah, I think the movie star is dead.
73 notes · View notes