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seiwas · 6 months

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₊˚⊹。these traces of love, they outline you | gojo satoru

wc: 12.9k

summary: the 5 times gojo’s sure you’ve changed his life + the 1 time he hopes to change yours.

contains: f!reader, pronoun she, 18+ nsfw (not super explicit but the act is there), symptoms similar to synesthesia, reader’s cursed technique, sparring, drunk call, pet names (cutie, silly, pretty, baby, loml), nervous feelings, tummy ache, food descriptions, surprise appearance of one character, emotional tears!!, internal thoughts and insecurities.

a/n: primarily in gojo's pov! & best read if you’ve gone through the other parts in the series! (lots of callbacks and references + better context!), lots of songs as inspo (would gladly share if you’re curious!), will add descriptions for the food in the a/n at the bottom!, from conceptualisation to actual writing this piece is my baby!!

collection masterlist: conversations on love +04b (extra). if you're ready (let me) <- you are here

MINORS PLEASE DO NOT INTERACT.

Gojo thinks he might pass out.

There’s a feeling of unease sitting deep in his gut, nervous and gurgling. His hands have always been restless and fidgety but never this sweaty, and his head feels like it’s floating—even more than that first time he attempted a 24-hour stint on keeping up Infinity.

It’s eerily quiet in his office as he waits for your meeting to end, the white colon on his digital clock taunting him as it flicks on and off—16:27. 3 more minutes until you finish.

He paces around the room.

Attempts at any distraction are thwarted when everywhere he looks, he’s reminded of you. There’s a photo hanging by the door, the mix-and-match of couch cushions in varying hues—all souvenirs you’ve given him from places you’ve been to. The coffee table books hold your touch too, and as he runs his hand over his face. he’s hit with that signature scent, clean and subtle from the hand cream you use.

Waiting in his office today has been absolute torture, but what’s made it more excruciating is the fact that he knows you’re aware of absolutely nothing.

To you, this is just like every other Friday.

You’d done your usual morning routine, kissed him on the nose with the promise to meet him in his office after work, as you always do. And it feels like a big joke when he thinks about it now, because while he’s been on edge this entire day about it, you really have no clue what’s coming.

To him, this could change everything with you.

He’s been feeling it for a while now, the ripple effect of loving and being loved by you—how he can recall every time a single drop of you has shifted something deep within him, marked and colored you.

There’s not a lot that Gojo wants now that he feels like he truly has it all, but when he thinks about all the times he’s sure you’ve changed his life, he hopes that with this one thing, he can change yours.

1 — UNDER YOUR TOUCH, WHEN IT GETS TOO MUCH

The weather today is good—sunlight peeking behind cloud pillows and the occasional gust of wind passing through the space you’ve put between you and Gojo. It’s neither too humid nor too dry and though Gojo does get the occasional sniffle from his pollen allergies around this time, he woke up earlier completely fine.

So, the weather today is good, perfect even, for a brush-up on sparring practice.

You’ve kept a sizable distance away from him since it started, and every attempt he’s made to draw nearer, you’ve only moved away farther—a push-and-pull, an old dynamic that shows itself in the ways you engage in battle.

Gojo’s hands stay tucked in his pockets, his stance one you know perfectly well as relaxed but still guarded. He’s gotten a lot bulkier than the days you used to spar often, the past few years having filled in all the areas of what used to be slim, lean muscle. He doesn’t move because he knows the style you fight with, how you stay on defense until your opponent charges, utilizing their own strength against them.

It’s the only way you’ve managed to win against someone as deadly as Gojo, equal-parts lethal in speed and strength.

So when a cluster of clouds pass by and the sun glares directly into your eyes, Gojo smirks, then bends his knees as he lunges for an attack.

Your senses are sharp and reflexes quick; in the split second that a white-and-black blur appears before you, you attempt a high kick, only for it to be blocked with his forearm. He uses his other hand to twist around your ankle, trying to flip you over, but you see right through his motives. You huff, furrowing your brows as you narrowly escape, slipping your ankle out before he can fully grab a hold of it.

Most of this practice has felt like a stalemate, with the both of you waiting on the other for the most part of the hour. Gojo can see how it’s wearing you down, this entire thing being dragged out, and if he’s being honest—this is exactly what he wants.

Sparring out here with you today, while still meant for actual training, is also just an excuse to do this for old time’s sake—the way you huff and frown, jaw clenched as your fists ball up tightly like you’re doing right now.

He kind of misses seeing you like this, impatient and frustrated, so unlike the tenderness you always regard him with.

A smile threatens to form on his lips, and he bites it back down.

You only ever get like this sparring against him.

The tension breaks when you decidedly throw a punch; it’s a desperate attempt to get the fight moving but he ducks, arm securing itself around your waist as he locks your hip with his. Before you can even comprehend, your body is lifted across his back and lowered down to the grass below—the only thing in sight being two blue skies, beaming at you.

Somewhere during the commotion, he managed to remove his blindfold, hair let loose, fluffy and white almost like the clouds above you. Gojo isn’t taking this seriously at all; he’s way too soft, having cushioned your fall by carrying most of your weight instead of throwing you down like anyone seriously sparring is supposed to.

He doesn’t care though. All he really wanted this afternoon was to reminisce with you.

You’re kept underneath him, one of his arms remains wrapped around your waist while the other cradles the back of your head—and it’s there, that frown on your face, that pout he’s witnessed for years evolve into what it is now. Beads of sweat collect at the crease between your brows, your temples tensing as you breathe out.

Gojo at 17 would have teased you relentlessly for this, but he feels different now, warmth settling in his chest as he stares; he can’t help it, the words coming out of his mouth—

“You’re so—”

But he doesn’t even get to finish.

Everything around him blurs, green and blue blending in motion before he finds himself on his back, completely flipped over. He’s met with the sight of you, smug smile pulled wide with your hands resting on his chest. And his heart—

Can you feel it under your fingertips? How it’s beating a mile a minute?

A shiver runs down his spine, the pinpricks of grass tickling the nape of his neck. The shock is tingling, his eyes fully open as he processes what just occurred.

In the lapse of time he’d been a little too preoccupied staring at you, you managed to inch your leg to wrap around his, locking it at the last minute to flip him over—it lands you where you are now, on his lap, straddling his hips.

“Sneaky.” he gazes fondly, grin teasing.

You catch your breath, “Do I win?”

“Only because I let you get too close this time.”

Which is a lie, he knows, because having you near him like this, with some form of touching—you could never be close enough.

You roll your eyes, his fingers grabbing hold of your thighs. The grass pricks at your knees through the fabric of your leggings, and Gojo knows that if you stay like this any longer, it’s going to start to itch.

“Did I hurt you anywhere?” you ask, already assessing him for any point of injury. Your eyes go over his face before trailing down his arms, rarely exposed today in his black compression shirt.

“Yeah,” he pouts, pointing to his lips, all pink and puckered out, “kiss it better?”

Asking for this is against his better judgment, he’s aware; with the way you’re situated on his lap, this could escalate into something else entirely. You shake your head, swatting at his chest. His grip on your thighs loosens as you get off him, but the curl of your lips is extremely telling.

As you stand up to dust your knees, Gojo gazes at you fondly. The sun hides behind you from where you tower over him, but the halo effect around your head is just as blinding.

“Lie down with me,” he pats the space beside him. You quirk your brow but follow anyway.

He requests, not asks, because the weather today is good, and it’s making him a little bit sentimental, remembering earlier days with you.

You lie down, positioning your head to align with his. And for a few moments, Gojo doesn’t speak, just looks at you once and smiles before turning to face the sky, hand placed behind his head as he sighs.

You do the same for a while, this shared silence warm and just right.

“So rude,” he jokingly tuts, “interrupting me while I was talking earlier…”

“You shouldn’t have been so distracted then,” you tease back, sneaking a glance only to lock eyes with two skies.

He wonders if you can tell—how he’s always looking at you in the stolen seconds before you notice him.

“Well, you shouldn't have been so distracting then,” he holds your gaze.

It’s incredibly cheesy but a part of you still feels like melting—he sounds so sincere; no lilt, no tease, no Gojo-typical flirting laced into it.

You scrunch your nose, shifting on your side to face him, the arm used to support your head now resting against your cheek. He follows, taking one last look around him before turning to you. His other hand rests on your hip, fingers splayed out while his thumb draws hearts on fabric.

You reach for him.

The gesture is small, just your finger running across his cheek, but it nudges something in him—a memory of you and how you’ve always touched him like this: softly, kindly.

“Remember when you used to do this?” he takes your hand, long and lithe fingers wrapping around yours as he guides them over his ear.

Your eyes widen in recognition and he blinks, taking you in as he stares, “Wanna do it now?”

Concern reveals itself in the furrow of your brows, “Is it hurt—”

“No,” he chuckles, already knowing what you’re about to say.

The last time you did this for him, he didn’t even have to ask. One look and you knew—it’d been the night of his final conversation with Suguru. His skull-splitting migraine ensued after bickering with Shoko on what to do with the body. You were there; you heard everything, and when she gave up arguing and left, there was only one thing you could do.

With his head on your lap by his office couch, you tuned out the sounds.

He doesn’t prefer you using your cursed technique this way; it takes a considerable amount of your cursed energy to focus its effects solely on another body—and frankly, it’s a waste of time for you to spend all of that on him, at least in his opinion, personally.

You’d struggled a lot with your technique back in high school, having to learn how to fully manipulate different sonic hues: white noise, brown noise, any and all of it in the entire spectrum. Being able to amplify, distort, reduce, and isolate them into their respective hues covers only the bare minimum when it comes to understanding your technique.

It’s tedious work, and when one of your senses holds so much more power over the others, the information that flows through it can be overwhelming, overloaded even. Sorting through all that noise—he gets it, gets you, and how it must hurt too.

And yet you, at 17, still figuring out how to grasp it all, came knocking on his door when you noticed he hadn’t come for dinner. Quietly, you placed your hands over his ears and selflessly offered your discomfort for his relief.

The first time you did this for him, you’d only heard of his migraines from Shoko. You witnessed it yourself when he opened his door and looked so unlike himself: blindfold secured tightly but haphazardly, strands of hair sticking out oddly; his room seemed to be blacked out completely.

Gojo Satoru is no stranger to sensations beyond what any human should be subjected to, but when you laid your hands on him that day, cursed energy tickling his ears as it flowed through your fingertips—he’d never felt more normal, more human to be able to hear things without conjuring a visual of it.

It’s almost like you silenced his mind—enough to hear himself, and you, and the buzz of the white noise you’d amplified to flow through him in his blacked out room.

You’ve gotten a lot better at controlling it now, the task in itself barely causing you any ache or struggle at all.

“Just like old times,” he nudges you.

So you keep your hand where he’s left it, covering his ear with your palm as your fingers rest on his temples. Cursed energy flows from your touch, all sounds drowning out.

He keeps his eyes on yours, watching as your expression shifts with every sonic hue you focus on—an upgrade to your abilities the more you’d gotten the hang of it.

You concentrate hard for white noise, creating your own mix to emulate radio static, transitioning out to green noise the moment you highlight the sound of birds chirping. Then, you ease it to brown noise, intensifying the soft whistles of the wind to mimic it.

It’s weird how sentimental he’s been feeling lately—without any trigger or anything, but the more he leans into your palm, the more it gets him thinking.

Touch had begun as extremely foreign to him—a god revered and valued but never really truly loved, untouchable with infinity, and the pedestal he’s always stood on.

It was never supposed to be important to him.

Until you.

From your kindness that first day, and the many more that followed: of fingers brushing and hand-holding to breaths mingling and bodies moulding, moving—you’ve always touched him in ways no one else has, in places no one’s been able to reach.

And if it wasn’t important then, completely foreign, it’s important now, so much that he looks for it everywhere, all the time, even. The way you scratch the short bristles of his undercut, fingers dragging down to the nape of his neck; the way you tap his collarbone thrice, run your fingers across his lip, and intertwine your fingers with his at random.

When Gojo thinks about your touch, he thinks about how gentle it is, with intent and purpose. How it’s always been careful for him but never of him, and that’s made the biggest difference.

He blinks, and you follow two times, focusing on him.

All he hears is a heartbeat now, a little too fast to be at rest, but still steady and grounding—

The way he feels when he’s with you.

Whether it’s his or yours, from your cursed technique or just the blood rushing in his ears, he knows this is pink noise, the one you’d so excitedly shown him when you first mastered it.

The pink noise that resounded all throughout his twenty-somethings, when he first realized that you meant more to him than what you were.

2 — WHEN YOU CALL MY NAME

The bed feels cold tonight.

Gojo’s been staring at the lights on his ceiling for the past 30 minutes, and though his pillow is cool and blanket soft, he’s wide awake—nowhere near falling asleep any time soon.

He shifts to the side, the space beside him taunting, empty.

He misses you.

For the past week, you’ve been off to a much-needed girls trip with Shoko and Utahime. He’d even offered to pay for the entire accommodation—to which you and Utahime declined, while Shoko shrugged, crossing her arms as she snorted, “If he really wants. At least he’s being useful.”

You’d compromised and agreed that he could pay for an evening out in some nightclub.

Now, he regrets it. A little bit. Maybe.

Gojo’s bed is big, a king-size that fits the height of him and all his long limbs, and while it’s comfortable and spacious–supposed good things–he feels anything but comfortable in how spacious and vacant it now feels.

He turns to the other side, facing his sidetable instead.

The digital clock reads 01:17 and he sighs; you still have a few days left.

The next time you bring up being away for this long, he’s going with you. Even if he has to spend the entire day on his own, he’ll do it—as long as he gets to end it next to you.

If he’s really thinking about it, nothing’s stopping him from teleporting there right now. He could hop in quick, give you a hug, hopefully a kiss, and maybe even get lucky if you allow him to steal you for the night. He’ll teleport you right back in the morning and it’ll be like you never left, even.

He could do it. You can never resist him when he gives you his googly eyes.

If you’re already back from—

Bzz bzz. His phone vibrates.

He reaches for it over his night stand, instantly sitting up once he reads that it’s from you—the nickname he just recently changed your contact to.

(It was always just your name, simple and straightforward, easy to find; when you return, he’s probably going to change it back because you prefer it that way—for safety purposes and everything.

But while he still can, he’s going to keep it like this: a petname with an obnoxious string of emojis that he associates with you).

1:20 a.m.

cutie 💞🥺☁️🌸✨

> satoourur are u awaeke??

The corner of his lips curl up, endeared at the image of you hunched over your phone, fingers slipping as you clumsily press the wrong letters. So cute.

1:21 a.m.

< yes cutie? ( ˘ ³˘) 💕

1:21 a.m.

cutie 💞🥺☁️🌸✨

> casll?

He stares at it for a good minute or two, trying to decipher this rare, drunken code from you. But before he gets the chance to respond, your face appears on his screen, a photo of you he’d taken months ago, mid-chew special Daifuku.

You’re calling.

He grins, biting his lower lip. His feet slip inside the house slippers by the side of his bed as he gets up, swiping his phone to answer before holding it against his ear.

“Miss me already?” he teases, padding out of his bedroom.

“Satoruuu,” you drawl. Definitely drunk, if not tipsy.

Even like this though, Gojo aches when he hears you speak; there’s a twinge that pokes at his ribcage, making him wish he was right next to you.

The music around you sounds muffled, almost as if you’d stepped out just to make this call—another thought that makes him ache.

He walks down the hall towards his kitchen and stops, realizing: if you stepped out of the club, does this mean you’re alone? He trusts you can take care of yourself, but if you’re this inebriated…

“Are you with Shoko and Utahime?” he asks casually, attempting to mask his worry. His hand digs deeper into his pocket, shifting his weight to his other foot.

“‘Nside.” you slur.

You don’t actually sound that drunk, more sleepy if anything, really, but his heart still picks up pace. Maybe he should just go to you already.

“You should go to them,” he urges, continuing his walk to the kitchen.

“M’be later,” you sigh, and he hears a bit of rustling on your end—a soft curse and a small thud, “w’na talk t’you.”

Another ache.

He can picture it: you, in some sidestreet, phone clutched to your ear as you tuck your hair back before sighing, legs buckling as you clumsily drop down to sit.

“Oh?” he lilts, eyebrow lifting. A smirk forms on his lips, head tilting as he wedges his phone between his neck and shoulder. He reaches for his refrigerator, “Got something to tell me, pretty?”

He doesn’t really know what he’s expecting you to say, maybe a recount of your day, or something funny that he’s bound to laugh at, whatever it is.

“Just miss you.”

He wasn’t expecting you to say this—

—in an exhale, with a slight tremble, like it’s been waiting to be let out. Vulnerable.

There’s another ache, and he nearly drops the water bottle.

He should really just go to you.

His phone nearly slips from his neck, the thump of his heartbeat on rampage as he readjusts it.

He swallows, “I miss you too.”

And it’s odd, how it sounds when he says it, a bit shaky too. A stillness settles in the room and it echoes off every kitchen equipment and countertop. He can’t even get himself to tease you for this one.

“I can go there now, if you want.” he offers, almost a whisper, before attempting a chuckle. It comes out flat, tinted a little sad, “Blink twice and I’ll be there when you open your eyes.”

You giggle on the other end, and it fills him in this moment.

When he looks around his apartment now, steel finish and walls accented black, the backsplash of his kitchen a grayish hue of iron—it reminds him of luxury fit for a bachelor, sleek in its utility.

He’s lived here since his mid-twenties, and he likes how it’s designed, the colors and feel of it right up his alley. The furniture remains simple, modern and minimalist, filling the spaces of his open floor plan down to the two bedrooms and office space.

But right now, it feels so empty.

“Silly,” you chuckle, he can hear your grin forming, affection dripping, “my silly baby.”

Now his heart really aches.

The subtle static makes you sound unreal, strung together by radio waves; it’s rare enough for you to call him ‘baby’, and for you to say it when he can’t even see or hold you while you do it—it’s cruel; a test of his restraint.

He rests his back against the kitchen counter, arm coming across his chest to rest under his elbow, supporting the one holding his phone–you–by his ear. His teasing is softer tonight, tinged by yearning, so he hums, “Your silly baby, huh? Any chance it could be your silly ‘Toru instead?”

The way he says ‘‘Toru’ is a pitch lower, slower, and exaggeratingly more seductive in his banter; it’s what you call him in bed, or by accident, and in the moments you find yourself needing him in ways he can only satisfy by being your lover.

If you say it, he’s definitely going to teleport himself over.

You giggle again.

“S’that your fav’rite one?” you mumble, words blending together. He can imagine your cheek smushed against your knee, arms curled around your legs as you sit on concrete, “‘‘Toru?’”

When he thinks about it, you aren’t too big on his nicknames—at least, not as much as he is with you. You only call him three things: baby (which truthfully, he had to convince you to), ‘Toru (first whispered in the moment, heat fueling it), and Satoru (since you were 16, weighted and grounding throughout all the years you’ve known him).

Is ‘‘Toru’ his favorite?

For obvious reasons, maybe.

But—

“I like everything you call me,” he smirks, shifting his weight.

“Sweet-talker.”

He closes his eyes, head tilting back as he leans further—and he swears, he can see you, the image of you rolling your eyes and scrunching your nose seared into his eyelids.

God damn, he really misses you.

“You love it,” he murmurs.

A beat. He hears the faint honk of a car before you drown it out, sighing.

“I do,” you whisper, admittance ringing in his ears, “I love you, Satoru.”

He hears this all the time, but tonight it just aches; the way you say things so sincerely, so honestly even in an inebriated state—how you call him Satoru and it’s still weighted, still grounding, like who he is resides right there, in the softness of your lips.

Gojo’s always been relevant but when you call him Satoru, he feels more than just the name.

If you’re asking about his favorite, he thinks this might be it—in every handwritten note you leave, his name scrawled in your hybrid of semi-print-semi-cursive letters; in every call you pick up, opening always with a ‘Satoru?’, end pitched higher, sweet and curious.

“C’n I tell you somethin’?” you ask (even when you don’t need to, even when he’s already listening).

“Let me guess, Utahime has a travel ick and Shoko—”

“Satoru.” you scold, rolling your eyes, but there’s no bite. The next bit you say under your breath, a little fragile, “‘M serious.”

The nervousness sits in his stomach; this conversation feels significant.

He takes a seat on his barstool.

“Listening.”

For a while, it’s only your breathing; knowing you, you’re probably thinking, crafting what to say carefully.

You sigh again, and—

“I worry sometimes,” you admit.

He furrows his brows, “About?”

“That maybe bein’ with me’s a lil’ boring?”

And this… this aches in a different way.

How can you even think that?

You chuckle anxiously; he can bet you’re biting your lips, a habit you’ve picked up from him.

He rests an elbow on his kitchen island, leaning onto it as he tilts his phone closer to his ear.

“Apologize right now,” he commands, sternness making him feel a little guilty, “that’s the person I love you’re slandering.”

But you only laugh, real and more relaxed, nervousness dissipating.

“My bad, my bad,” you play along before mumbling, “‘m just sayin’, there’re lotsa others who are more everythin’ y’know?”

He wonders what’s got you thinking like this, if it’s triggered by seeing people at the club, perhaps younger and far livelier—how you spent those years of your life exorcizing curses and making a home for two kids.

“So what? They’re still not you.”

And he means it, genuinely.

Your breath hitches and he grins, swinging around on the bar stool.

Those years of youth were still fun, he thinks, and it’s precisely because of you—how you’d made the apartment the four of you stayed in as fun and homely as a teen barely pushing twenty could.

You had your fair share of mishaps and adventures—rushed breakfasts and Megumi’s ‘my dog ate my homework’s. Tsumiki had to miss a day of school once because you accidentally booked her a birthday gift trip to Disneyland on a weekday.

(And he got scolded a lot, ‘Satoru’ exhaled with a look. But it would only last a few moments; you can never stay mad at him, no matter how hard you try).

There was no way you and Gojo had the maturity and responsibility of actual parents (maybe more like inexperienced guardians, really), but you tried your hardest to give Megumi and Tsumiki a home.

Home, what he’s beginning to realize reminds him of you.

He looks around him now, at the details of his interior, and begins to think of yours—your apartment, a little more wooden and lived-in; there’s a lot more wear but also a lot more love, never empty like his feels right now.

“If being with you was so boring, I wouldn’t be itching to go to you right now.” he confesses, fiddling with the string of his sweatpants.

You laugh again before it falls into comfortable silence.

Muffled conversations and the occasional beep sound in your background. There’s a couple giggling around you and he thinks that could be the two of you—if only he were with you.

“Satoru,” you call him softly.

He hums, letting it sink in—the way you say his name, distinct in how you stress his consonants despite the softness around his vowels.

When you say ‘Satoru’, it always feels targeted, speaking straight to who he is.

“‘M so happy it’s you,” you whisper shyly, but it’s bright—unmistakably smiling, the visual of your eyes crinkling.

He doesn’t know what’s gotten into you tonight, drunken affection and vulnerable confessions, but there’s that ache again, and all he wants to do is go to you, hold you. Be with you.

For a while, Gojo’s been resigned to the fact that there are some things he can’t give you: how you’ll never know true peace because he’ll always be linked to jujutsu society; how choosing him means choosing the tumultuous, the unpredictable.

And while you’ve already told him that you prefer this life with him better, for you to say you’re happy, that it’s him—

He’s thankful it’s you, too.

Tears collect at his lash line, pools of gratitude, “I love you.”

“Hmm? you’re coverin’ the mic w’your double-chin,” you joke, just to hear him say it again, he knows.

(There’s no way he has a double-chin from how you complain about his jawline being too sharp all the time).

“I love you.” he repeats, louder, steadier, pressing it into his phone’s microphone.

He’ll repeat it again as many times as you want him to.

You giggle and he echoes it—like that couple from earlier, your own version.

The clock reads 02:47, and he normally doesn’t like being up this late, barely getting enough sleep as is. But if you’re the reason why, he doesn’t mind staying awake.

3 — TUCKED IN BED, WHEN I LIE CORRECTED

“Satoru, you can’t keep eating sweets on an empty stomach.”

He turns beside you, the dull rumbling of the Shinkansen hardly masking how loudly he asks, “Why not?”

An old man seated across the aisle looks your way, grumpy by the folds between his brows—as if he’d been woken up by Gojo’s whining. You bow your head slightly in apology.

It’s been an early day so far, with you and Gojo catching the first train out from Kyoto to Tokyo. Departing at 06:14 doesn’t exactly leave room for food stops, so all you have are the two water bottles handed out from yesterday’s meeting and a pack of (now) half-eaten Hi-Chew that Gojo picked up from the convenience store last night.

“You’ll get a stomach ache.” you whisper, with emphasis.

He fiddles with the stick of Hi-Chew, tossing it between his fingers before popping one piece out.

The seats in the Shinkansen are spacious enough for Gojo to stretch his long, gangly legs, but despite all the free room in your row, he’s chosen to encroach on your space, sticking to you shoulder-to-shoulder.

“Nonsense,” he tilts his face, sunglasses sliding a few centimeters down the bridge of his nose, “I do this all the time.”

And his eye, clear and bright blue amidst the morning haze zipping past the windows of the train, winks at you.

Heat warms your cheeks; it’s too early for this.

The moment you look away, hiding your smile, he knows he’s got you.

Or not.

Because you seem to have gotten him—

—tucked in bed, nursing this stomach ache that could have been avoided if he just listened.

To be fair, he does do it all the time: a few candies, sometimes gummies first thing in the morning, last thing at night. So he’s right, it’s nonsense; he probably got this from something else.

(Even when you’d both eaten the same meals—how you always order to share because you like tasting a little bit of everything).

Which is why, you insist it’s from the sweets, his beloved Hi-Chew to be specific. And though he wants to, he can’t argue much when he’s curled into a fetal position, clutching his stomach while writhing in bed.

“I made you tea,” you stand by your bedside, holding out your mug—small cereals patterned all over it.

He opens an eye, hair mussed up from all his squirming. The pain in his stomach is radiating, a knot that tightens in waves; this is different from the twist-y pop-y sparks of jealousy, and is nothing compared to the sting of multiple slashes.

Still, it’s a pain he doesn’t understand: a mixture of feeling gassy and bloated, like he needs to run to the toilet only for it to turn out futile. What makes it worse is that when he catches a glimpse of you, a lock of hair perfectly out of place, the sensation in his stomach intensifies—like butterflies flapping (or maybe just another wave of radiating pain).

“S’hot,” he grumbles, half of his face mushed into the pillow.

The mug in your hand is piping hot, steam lifting from it, and Gojo doesn’t like drinking hot things; he’s burnt his tongue enough times on hot chocolate that he swears any hot liquid is out to get him.

But you don’t know that about him—he’s never told you, he thinks.

You take a seat on the edge of the bed.

“That’s kind of the point, baby.” you chuckle, tone doting with a hint of pity, “It has to be.”

Your hand rests on his thigh, attempting to soothe him. He catches your eye and whines.

“If I blow on it, will you drink?” you plead, “Please?”

At this point, he doesn’t know what hurts more: this stupid stomach ache or how nice you’re being.

You could have said ‘I told you so’ the moment his stomach started gurgling when you both arrived in Tokyo—but you didn’t. Instead, you asked him what exactly he was feeling and had him change into his pajamas as you nursed him to bed. Then, you cooked him real food, a bowl of Okayu for his stomach to digest something plain and non-irritable.

You haven’t stopped moving since you both got back from Kyoto, unpacking both your things while simultaneously darting in and out your bedroom, checking in.

How you speak to him is so gentle, caring, doting—even when you have every right to hold it against him.

He pushes himself up, leaning back on the headrest. You smile, lovely, and beautiful, and every bit healing that it eases the pain a little, somehow. Your mouth forms an ‘o’ as you blow on his tea, scooting closer.

A gurgling sound comes from his stomach again, but it’s manageable, and he bears it as he takes you in—how you’ve barely had the time to change out of your clothes since this morning. You’re tired, he’s sure, but you don’t mention it as you take care of him.

The bed dips as you draw nearer, bringing the mug to his lips—he’s a grown man and he can definitely do this on his own, but you always take such good care of him.

Who is he to say no?

Sips of peppermint coat his tongue, warm as it eases down his throat. He wraps his fingers around yours, drinking a third of the mug before urging you to set it down.

“I’ll heat up a hot compress,” you motion to get up, placing the mug by your bedside.

He stops you, grip loose on your wrist.

“Have you eaten?”

You stare at him, a little surprised, but you nod.

“Just stay with me, then. Don’t need that thing.”

Your brows furrow, pouting, “But it’ll help,”

“Hug me instead,” his fingers play with yours, intertwining, “or I’ll hug you. Either.”

You shoot him a look, disbelieving, but he musters up a wink, for you, despite the new wave of pain arising.

“Okay,” you sigh, knowing you can’t exactly argue. As you get up, you land a kiss on top of his head, rubbing his knuckles as you get ready for bed.

When you come back, dressed in your pajamas, he’s turned to his side, lifting the comforter to welcome you in. You lie face-to-face with him, his arm reaching out to rest on your lower back, pushing you closer.

“You sure this is enough?” you whisper, breath tickling his chin.

“Mm, yeah,” he hums, hugging you tighter as he grins, “you’re hot.”

You hit his arm lightly, and he chuckles.

It turns quiet, then he shifts, resting his forehead against yours. White strands, as pale as your pillowcases tickle your eyes.

He nuzzles your nose, hiking your leg up to rest on his hip while slotting his leg between your thighs—like a pretzel, twisted into each other tight.

“You’re too good to me.”

He’s said this before, and no matter how much you say it isn’t true—he’ll always think it, believe it.

You frown, gripping his waist, “I don’t like seeing you in pain, you know.”

And he thinks you’ve always been like this: hands outstretched farther than his, offering yourself to help carry whatever pain, struggle, or burden you can. You cry for the sadness others feel, share the hurt of anyone who needs it. You’re the pillar, the support for everyone around you—from Yuuji, Megumi, and Tsumiki all the way back to Utahime, Suguru, and Nanami.

You’ve always been this way, ever since he met you.

“Does it still hurt?” you mutter, concerned, fingers grazing his stomach.

It does and it doesn’t—the pain is unfamiliar but he can take it, having gone through far worse. If he’s being really honest, a part of him just likes being babied by you.

“Better,” he inches back a little, lips curling into mischief, “would definitely go away with some Hi-Chew.”

You shoot him a look, then pout.

“Satoru.”

He figures there are still a few things you don’t know about him: how he really dislikes hot drinks, how discomfort turns him into a whiney, needy baby, and how he remains incredibly stubborn, maintaining what he stands for (but maybe you know this already).

“Hey, you should be thanking my Hi-Chew’s. It helps with energy when we fu—”

You swat at his chest in hopes of shutting him up.

He clears his throat, correcting himself instead, “—make love.”

This is hardly the time or situation to be talking about the other things you do on your bed, given that he’s been out of commission, curled in on himself the entire day on it. But you sigh, resting your palm on his cheek.

He turns to peck your wrist, hand coming up to cover yours.

“Just because you were fine doing it before, doesn’t mean you always will be.” you whisper, rubbing your thumb across his cheekbone.

And Gojo thinks he’s right most of the time, if not all the time, but—

“We’re not old, but we aren’t as young as we used to be, you know? Have to take better care of ourselves now…” you continue.

—when you talk to him like this, you humble him. Immensely.

He’s always known that if he were to give in to anyone, it’d be to you.

Things are different now, he knows; his considerations have changed too—like how to lay the foundations of a new, ideal jujutsu society, with all the political and diplomatic gymnastics he knows is necessary; what to do with all this downtime, with all this life and no more death looming overhead; there’s also you, where this relationship is headed, what he plans to do.

“What will I tell everyone when the love of my life, Gojo Satoru, the strongest, gets knocked out by sweets?”

Then you joke around like this so casually, kissing his nose and calling him the love of your life like it doesn’t bear commitment that spans your–his–entire lifetime—it shakes him a little.

He holds his breath, eyes staring at yours. You seem completely unfazed—a slip of the tongue maybe, so he lets it go.

“Okay, okay,” he pinches your nose as you scrunch it, “I’ll try, but no promises.”

You kiss his wrist in return—the softness of your lips always turning him a little delirious when he feels it. He pulls you closer to his chest, palm pressed to the back of your head as his other arm wraps around you, squeezing you tighter.

“But don’t complain if I only last one rou—”

He gets kicked in the thigh.

4 — WHEN IT'S YOUR WAY OR DOWN THE DRAIN

There’s the right way, then there’s the Gojo way.

Sometimes there’s an overlap, but most times he’s just unorthodox. Gojo’s always had his own way of doing things, but now, he’s throwing all that down the drain in lieu of doing things your way (which in this case, he’s decided is the right way).

Between the two of you, you’re definitely better at cooking.

He isn’t inept at it per se; all these years, he’s managed to get by. It’s just that, he’s only ever made quick, simple things—barely having the time or need to make things on his own when you seem to have an extra plate on standby.

Long cooks like this, for real, big meals aren’t his forte at all.

This is the fullest his kitchen has ever been, a trip to the grocery store producing bags overflowing with the ingredients he needs. He tightens his apron (yours, actually) by his waist, pale pink a stark contrast to his black shirt and gray lounge pants. It’s tiny on him, barely fitting, but it covers enough to (hopefully) save him from any mishaps.

With all the ingredients lined up on his kitchen counter, he stares, hands on hips as he contemplates where to begin.

You’ve mentioned before how his kitchen is every cook’s dream: complete equipment, all high-grade with steel surfaces for easy wipe downs and more than enough real estate to move around. It’s a shame he’s barely used it over the years, either too busy out on missions or lately, too often staying at yours.

The unease makes him fidgety.

There’s an air of confidence that normally surrounds Gojo in everything he does, but it wavers just a bit with this one.

He has to get this right.

It’s your anniversary—the third (officially), but the number doesn’t matter as much when the years have always blurred the lines of what you are to each other.

The past two celebrations were cute and fun, adventurous in how you’d spent the first one on a trail date up north, and the second one fruit picking in a farm, just west of Tokyo—things you’d both done for the first time, together. Now, there’s added pressure because this is your thing; everything on the menu for tonight’s home cooked dinner is based on your recipes.

You know all of this by heart. And though he’s aware he doesn’t have to impress you, he wants to.

He glances at the clock: 15:05 in white, 4 hours until you arrive. The table hasn’t been set up yet and he’s barely dressed, an array of ingredients on the table waiting to be transformed into four of your recipes he plans to attempt.

Gojo is no quitter, but it’d be stupid of him to underestimate how fast time flies.

He pulls out his phone, scrolling through his contact list—then he shoots a text, pocketing the device as soon as he hits send.

In the amount of time between asking for help and said help standing outside his door, ringing the doorbell, Gojo’s managed to do most of the prepwork: slice all the vegetables, set the rice cooker, and mix together all the sauces and glazes so he can set them aside for later.

“Just type it!” he shouts from the kitchen.

Four beeps sound from the door, a soft woosh following as it opens. Help enters in the form of spiky hair and a deadpan gaze, putting on house slippers by the genkan as he drags his feet to the kitchen counter.

“Megumi!”

The younger boy sighs, tucking his hands into the pockets of his joggers, long sleeves wrinkling higher. “Why did you call me?”

“Oh!” Gojo claps his hands together, “I need your help.”

Megumi looks him over, eyes zeroing in on the pink apron, then the bowls of sauces and chopped vegetables in front of him. The rice cooker is steaming beside the sink while empty pots and pans line the burners of the stove.

“With cooking?” Megumi shifts his attention back to Gojo as the older male nods. He mumbles, “You made it sound like an emergency.”

(“Come here now.” in proper punctuation, lacking any of his usual emoticons—only ever being used in the most dire situations).

Gojo furrows his brows, “It is!”

Megumi stares.

“Anniversaries are emergencies.” Gojo stares back, holding the silence for a few seconds before he continues, demeanor turned serious, “Think of it as doing this for your Sensei, not me.”

There’s a crack in Megumi’s resolve that Gojo knows only appears when it comes to you; a soft spot that exists because you’ve always been closer, warmer—an accumulation of all the times you were adamant on being present because the kids deserved someone there, especially when he couldn’t be.

Megumi sighs, resigned, as he pushes up his sleeves, trudging over to the sink. He turns on the tap, soaping his hands until it suds, “You should have asked Itadori.”

“Yuuji wouldn’t know how it’s supposed to taste though.”

“Sensei’s recipes?”

Gojo nods, fanning out pieces of paper from the recipe folder you keep in your kitchen drawer, “Your favorites.”

Megumi scrunches his nose, embarrassed as pink tints the tips of his ears.

His relationship with Megumi has always been a bit weird, a not-quite-parent-maybe-kind-of-distant-guardian-and-good-but-annoying-mentor-slash-benefactor kind of weird. And he’s sure that the boy isn’t too fond of the idea that he knows small, seemingly trivial things about him like his favorite food, but if there’s anything they can settle on, it’s definitely love for you.

“Do you have another one?” Megumi turns to Gojo, pointing to the hair band pushing back his hair.

There’s a different kind of care in cooking that he’s now realizing, coming face-to-face with the pot of dashi he’s just started boiling—a patience that comes with waiting and an efficiency meant for multi-tasking.

During the 30 minutes of soaking the kombu, they split tasks: Gojo takes duty rolling the Temaki on his own, while Megumi seasons the Wagyu and prepares the Sunomono. It’s not long before Megumi is directed to setting up the table as Gojo focuses on the Miso Soup.

There’s a reference photo, some picture he pulled online. The gray plates and silverware on his dining table match the iron-hued backsplash and steel surfaces of his kitchen, sleek but softened by the vase of red and white camellias from the florist you frequent.

Megumi doesn’t say anything, frankly because he’s gotten used to walking in on Gojo searching up these things: a youtube video of trail dates and articles of ‘the top 10 best farms for fruit picking’. There was also that time he found Gojo’s browser open on a catalog of lingerie.

(Megumi’s been trying really hard to forget that).

These aren’t things Gojo’s done before, much less thought of—romance and all.

But he admits, it’s hard work, wiping off the sweat on his brow caused by the heat from the stove.

“Why,” Megumi sighs, “Why are you cooking anyway?” He mumbles, adjusting the silverware on the table, “Couldn’t you just reserve some place?”

Most of the cook has been silent, with Gojo too focused and Megumi barely saying a word. So while adding the katsuobushi after the kombu boils, the older male answers.

“I would have, but she said she wanted to stay home,” he turns away from the pot, leaving the katsuobushi to soak as he shrugs.

Megumi snorts, straightening out the black tablecloth, “Don’t you have anywhere you want to go?”

It’s a simple question. Innocent.

But it hits him then, how what you say follows; how ‘anywhere he wants to go’ is wherever you are, how he’s choosing to cook this meal for you instead of just ordering in—-how he’s now considering you, in everything.

This isn’t his strong suit, far from it, really, but because he’s thinking of what you want—suddenly he’s domesticated, cooking for you in hopes of romancing you (even though he already has you).

You come first now, and he finds that he doesn’t mind.

He turns back to the stove, straining the soup through a fine-mesh sieve before adding miso paste, dissolving it into the dashi.

“I guess not.”

The thought stays with him, even as he drops in the tofu, dried wakame seaweed, and green onion. Even as he waits for it to finish cooking, moving the pot atop a different burner while grabbing a spoon to dip in it.

“Megumi, come taste,” he calls behind him.

And when the boy sidles up next to him, he feels nervous, fingers trembling as he hands over the spoonful of Miso Soup. He stares at Megumi, eyes wide open, anticipating.

The boy arches an eyebrow as he takes the spoon, blowing on it gently. He takes a small sip.

“I added less salt because—” Gojo speaks up, a bit panicked, fingers scratching at his nail beds.

“She’ll like anything you make, even if it tastes bad.”

Gojo’s brows furrow, “Are you saying it’s bad?”

“Or bland.” Megumi adds, smacking his lips.

“So it’s bland?”

The horror on Gojo’s face is laughable, but Megumi continues, deadpan.

“No, it’s okay.”

Gojo sighs in relief, then pouts, “Don’t mess with me like that.”

“I don’t.” Megumi sets the spoon down, walking back to the dining table to finish setting up.

The 18:03 on his digital clock flickers, and the rest of the cook continues: he heats up the skillet for the Wagyu—Matsusaka Beef, grade A-5, heavily marbled, meant to be tender and sweet. Some oil is drizzled onto the pan before cloves of chopped garlic are thrown in, followed by the beef, cut into bite-sized pieces. He adds a bit of soy sauce and red wine, to draw out the sweetness (or so he’s read), then finishes it up by plating it.

And, there really is a different kind of care in cooking, he’s now realizing; how, when he stares at what he’s cooked in the past hour, he’s thought of you through it all—your preferences, the way you make things. How big meals aren’t his forte, but for you, he tries anyway.

“Do you need me to do anything else?” Megumi asks, adjusting the camellias in the vase one last time. He takes off his hair band and ruffles his hair, hands tucking inside his pockets immediately after.

Gojo looks up from the spread of food on the kitchen counter, motioning for the boy to come closer, “Taste test everything with me.”

Lined up are a plate of Temaki, a wooden board of Wagyu, a plate of Sunomono, and a bowl of Miso Soup. For every bite he takes, Megumi follows. And honestly? He thinks everything tastes… okay.

The Temaki bursts with the sweet umaminess of buttery salmon dotted with ikura, the yellow daikon pickles adding a tart balance that complements the salmon well by simultaneously being sweet and salty. The avocado adds extra creaminess, while the cucumber and corn provide a freshness that lifts everything else. For some added decoration, he uses radish sprouts to mimic leaves on the filler plants of bouquets—the main reason he chose to make this: it looks like the bundles of flower arrangements you keep on your desk. What ties everything together though, is the crunchy, crispy texture of the nori, giving contrast to the creaminess it holds inside.

There’s a reason why Wagyu is so expensive, and it’s being told in the way it melts into his mouth right now, sweet and tender. He paid a pretty penny for this, but it’s worth it because he can’t wait for your reaction.

The Sunomono is meant to be a palate cleanser—with sesame seeds sprinkled on it, mild and sweet, while wakame seaweed and cucumbers serve as the base ingredients. The sauce is meant to be light, just a mixture of rice vinegar and soy sauce, seasoned to taste—and maybe his is a little lackluster compared to yours, but he swears you have some form of magic when it comes to cooking.

After each bite, Gojo looks at Megumi for his reaction—but the boy gives nothing away, face blank and devoid of any emotion. None of them are as good as yours, definitely, but for his first shot at this, they aren’t too bad. He’d pat himself on the back for it.

“They don’t go together.” Megumi regards the entire spread with his chopsticks.

All his hard work? Shattered.

Gojo is dumbfounded.

It’s too late to change everything now.

Should he just scrap everything and order takeout?

“But they’re not bad.” Megumi continues, washing his chopsticks by the sink before heading for the bathroom to change out of the house clothes he’d borrowed in lieu of an apron.

When he emerges, long sleeves and joggers, he asks one last time if that’s all he needs to do, taking Gojo’s nods as a sign to take his leave. The older male remains rooted behind his kitchen counter, frozen from the crisis he’s facing.

You arrive a little later (thankfully), giving Gojo enough time to figure out this whole debacle. He’s ultimately decided to feel around for how the night goes, then he’ll act accordingly—if you show any sign that you aren’t happy, he has the delivery app ready.

He dresses in simple slacks and a white button down, fiddling with how he’s rolled it up; the thought of you finally seeing everything he’s prepared for tonight makes him nervous—the table set-up, the ambiance, the food.

(He’s even cleaned up his bedroom).

Then he senses it, faint traces of your cursed energy by the door, and he holds his breath. The beeps on his lock count down the seconds to your entrance; and when he sees you come in, surprised and so amazed at the entire thing, the tightness in his chest eases up immensely.

All he told you was to wear something nice.

And, by god you did.

You walk up to him, pretty and smiling in the simple dress you’d opted for tonight—a midi slip-on with a cardigan thrown on top. Black has always looked good on you, uniform or not, ever since up to now.

But in white, you’re radiant. Glowing.

He reaches for you.

The grin on his face is lovesick as he grabs a hold of your waist. You instantly tiptoe up to kiss him, hands on his shoulders as you land a soft peck that transfers a light sheen of lip gloss onto his lips. The view behind him shows the table set-up, a pop of white and red amidst all the food he’s prepared for tonight.

Your eyes widen, gasping, “Did you make all of that?”

He nods, pulling away from you as he grins cockingly, “Call me chef.”

But he immediately bites his lips, restless as he shifts his weight. He hopes you don’t notice how nervous he is—if you weren’t able to tell from his heartbeat, pressed against his chest.

“You didn’t have to,” you pout at him, eyes watery as you swipe your thumb across his lips, wiping off the residue of your lipgloss.

“Guess I’ll just undo everything then.” he chuckles, hands sliding to rest on your lower back, fingers tapping against silk.

You roll your eyes, and before his hands get the chance to grab you lower, you’re whisking him away, holding his hand as you lead him to the dining table.

He pulls out your chair and you sit, the rare gesture making you giggle. As he settles in the seat across you, there’s a disconnect between the expression on his face and his body language—eyebrows wiggling and lips smirking, meant to be lighthearted and teasing, but he won’t stop fidgeting, shifting as he readjusts his seating.

As you reach for the Temaki, he sucks in a breath, entirely hyper aware of every move you’re making. When you bite into it, he’s waiting. Anticipating.

Your eyes fall shut as you chew, humming, then you grin. But when you open them and they catch his, it’s like you can tell—what he’s feeling. The furrow on your brows deepens as you look at him, concerned, “Hey, what’re you thinking?”

How he hopes he hasn’t fucked this up, this dinner. What if the Miso Soup is too bland? Isn’t at all to your liking? What if the Wagyu’s dried out? Isn’t cooked properly?

If he can’t get this right, this seemingly simple thing, how can he do everything else? Consider you the same way you’ve always considered him?

He’s so sure of you his heart could burst at it, but what if he can’t ever come to terms with himself? With what he’s able to—

Then he feels it, your hand on his as you reach for him across the table, rubbing the back of it, soothing.

He doesn’t even realize how much he’s worrying.

“Megumi said it doesn’t go together,” he stares into your eyes, breathing slowly, grounding. It’s been a while since he’s given you a non-answer, but you accept it, patiently.

“Megumi was here?” you ask gently, brow arched curiously.

He nods, “Asked him to help a bit.”

You hum, looking back at the food on the table before taking his other hand, soothing, “Well, that’s Megumi’s preference. Mine will be different.”

The smile you give him is warm, like the Miso Soup you’re reaching for right now. He watches you take a sip.

“S’good, better than mine.” You hum and he knows you’re lying but it’s still comforting, the fact that you’d do this for him.

So if this is your effort for him, he isn’t going to waste it.

The rest of the dinner has you making the most exaggerated sounds, your ‘mmm’s and ‘ooo’s emphasizing how good the food is if he still doesn’t believe it. Your reactions are over-the-top and definitely overplayed, but it makes him laugh—has him grinning in his seat the more he relaxes.

You help clean up, even though he insists that you shouldn’t.

“It’s our anniversary, Satoru.” you bump his hip, shooing him away from the table as you stack up the dirty plates.

When he finishes washing the dishes and turns to find you, sitting atop his kitchen counter, nibbling on a piece of strawberry from the special Daifuku he put out for dessert, he approaches you.

“Don’t be greedy now,” he rests his hand on your knee, coming to stand in between your legs. You hike your dress up a little bit, just to give him some space.

You chuckle, cupping your hand under his chin as you feed him; he eats the entire thing, half-bitten by you already. And as the tips of your fingers touch his lips, sticky and syrupy from the strawberry coating, he takes them in his mouth, sucking lightly.

He holds your gaze.

“Thanks for doing all this,” you blink twice as he releases your fingers, interlacing them with his, “s’not everyday you have an entire dinner cooked by the love of your life.”

You say it again—how you call him that so casually.

What do you mean it’s not everyday you have an entire dinner cooked by the love of your life?

You do it for him all the time.

He hums, moving closer. His other hand rises higher, kneading the flesh of your thighs through the smooth silk of your midi dress.

“Thought you were going to spit it out for a second there,” he swallows his nerves.

“Stop,” you frown, grabbing him by his belt loops before pressing your lips against his forehead, landing a loud ‘smack’, “go away silly thoughts.”

He chuckles when you blow a raspberry on it, laughter easing up as you drag your lips down to the center of his brows, tense from all the worrying earlier.

You always seem to get it right, he thinks, this whole relationship thing—always knowing what to say.

He tilts his head up, leaning closer to kiss you on the lips, fully. The breath he lets out mingles with yours, sweet with hints of strawberry, and when he catches your bottom lip you lean back, hands coming to rest on his cheeks.

You nip on his upper lip, playful but lightly, and he groans, hand reaching up to slot itself by your neck.

It’s there, underneath his fingertips, the pounding of your heartbeat.

As you squirm on the kitchen counter, you pull away for a moment, restless from the growing heat. The action is subtle but dangerous as your cardigan slips off your shoulder, revealing the strap and lace of your lingerie.

Blue eyes land on familiar pink, one he’s certain he’s caught you in before, but seeing it now, under white, it does something to his brain—blood rushing, ears ringing.

He leans closer, grabbing you by the waist as he runs his lips against along your neck, nipping on sensitive skin.

“‘Toru,” you gasp, breathy as you grip his shirt.

“Tell me what else you want,” he murmurs against your skin, muffled. He sneaks one glance at you, pupils blown, before hovering over your temple, lips barely touching, tickling as he whispers, “anything.”

Your fingers trail lower, pinching at his shirt before you tug, untucking it from his slacks. You turn to him, finding his lips, sliding them over his as you match his rhythm. It’s careful and slow, the way you unbutton his shirt, but it’s like he said—

This is your way; he’ll follow anything you say.

5 — WHEN ALL I SEE IS ME AND YOU

Gojo never thought he’d make this decision all because of your joint streaming subscription.

It’s a normal weekend, regular in every way possible—just a night in for the both of you. He usually stays over at the end of the week, but it’s been bleeding into the weekdays too, lately.

The sound of splashing water against tile echoes along the hallway; you normally play songs when you shower, but he guesses today isn’t that kind of day.

He plops on the couch, pointing the remote to the TV as he selects the streaming app. Normal weekends consist of movie nights, half actually paying attention to the screen, and half paying attention to other things—either way, it ends in falling asleep.

When the homepage lights up on the screen, he spots two accounts: yours and his. And it’s joint, under one household—your home.

And he doesn’t know if it’s because he’s been thinking about this more lately: how the past months have been a slow realization coming to terms with himself, and where he sees this relationship going, but the visual in front of him sparks an influx of things he’s been noticing.

The pajama pants he’s wearing now exist as a pair to a matching set he has with you, but tonight, he’s opted for a white t-shirt because his pajama top is tucked somewhere in the drawers of your bedroom.

(You keep it with you because you like how it fits more, you say, but he thinks it’s because it smells like him, and you sleep with it when he’s away).

There’s another pair of chopsticks you always wash now, too, plain bamboo with a ring around the handle, light blue. You’d bought it from a market down the street a year ago, and told him it reminded you of him—how it’s his from now on, in the container of utensils by your kitchen sink.

He’s always known how intertwined your lives are, a decade and more of learning one another is bound to entangle you somehow. But the past few years have caused knots, impossible to unravel—a thought that doesn’t scare him as much as it used to; a thought he now thinks doesn’t sound so bad as long as it’s with you.

As long as it’s with you.

The creaking of the bathroom door snaps him back, the soft pads of your footsteps growing louder as it reaches the living room.

“Oh, you haven’t picked a movie yet?” you ask, ruffling your hair with your towel.

He puts on a smile, facing you as he hands over the remote, “You pick tonight.”

You barely pay attention to the movie, snuggled up against his chest, constantly looking up to kiss his neck. He’s the same, distracted, but not for the same reasons you are.

It’s a lot to resist, the way your hands creep under his shirt, warm against his stomach, but the sinking feeling in his gut makes it impossible to focus anywhere else.

“Not the time?” you tap his cheek, and he tilts his chin down, acknowledging you. The look on your face is anything but disappointed, and it tugs at him, makes him feel guilty that he’s making you worry. That he can’t give you what you’re looking for right now.

“Maybe later,” he takes your hand, lips grazing your fingertips, “I’ll get ready for bed.”

You nod, sitting up as he taps your hip. He knows you can tell something’s bothering him—it’s impossible to hide anything from you at this point, but this realization feels like a long time coming, like it’s been brewing, now spilling.

He gets up, kissing the top of your head before walking to the bathroom.

When he steps in, it still smells like you—the shampoo and bodywash you use. (Technically, it smells like him too—he’s started using yours because it feels like keeping you with him, everywhere he goes).

As he finishes brushing his teeth, reaching for his towel hooked beside yours, he remembers how none of this existed when it was just you. You only ever had one hook for one towel, how he used to share it with you only to realize that it would never dry in time for the next use.

Then he found it, some time last year, when he walked in to take a shower and saw a hook installed right beside yours, presumably his.

The lights are adjusted for him too; fluorescent white too bright, a pain for his Six Eyes. You noticed when you caught him washing his face in the dark, so you changed the bulbs to soft white, tinged a bit yellow, warm.

And the thing is, he never asked you to do any of this.

You just… did.

Because that’s you.

And it’s making him realize even more how he wants to keep it this way, how he wouldn’t mind if this was the rest of his life, everyday.

The mood shifts when you both get in bed, and if you notice it, you don’t tell him. Whatever was bothering him before has settled, his head clear, more focused to reciprocate your earlier advances.

He’s gentle when he touches you, taking the time to love you. Your clothes come off one by one with no haste at all, slowly, almost painfully.

But he kisses you all over, leaves marks on places only he can see—by your hip, at the center of your chest, and another one, visible, on your neck below your ear. This is more than what he usually does, but he feels determined tonight.

“Off,” you whisper, as you tug at his shirt, pulling it off before throwing it to the side of your bed.

He holds his breath when your fingers land on his chest, dragging across his collarbones before you tap thrice. This is a spot you’ve loved so intently, he’s become sensitive to it every time you come close. You leave kisses along it, some wet, others dry pecks, but it makes him shudder all the same, every time.

As he hovers above you, arm bent by your head, his fingers trace your lower lip, tugging only to let it bounce back; he kisses you, noses bumping, softly at first before it turns hungry—lips overlapping, biting. His tongue runs over your lips, smooth and warm.

There are more touches, more gazes; lips brushing and breaths mixing. The heat between you is shared, intermingling, and when he’s in you—

—it’s too much, how he feels looking at you right now, like you’re everything, the only thing seared into his memory.

There’s a life he wants to give you, and though he knows there are others who might be more able to—he can’t let go of you, refuses to. He can’t bear the thought of anyone else being this close, doesn’t even want to think about someone else waking up next to you—the bed hair he always looks forward to, the lazy smile against squished cheeks, the hands that always reach for him, first thing.

These traces of you have made him want the whole of you, and if this is him being selfish, then so be it.

His arms wrap around your back, hoisting you up as your legs wrap around him, and you’re both moving, timing in sync, and he’s crying.

He tucks his face into your neck, and he’s sure you feel everything—wet tears, shuddery breaths, but you don’t say anything. You hold him tighter, fingers scratching his undercut as he gets closer and closer.

Gojo Satoru is a man of impossibilities.

And this life he thinks you deserve—he wants to be the one to give that to you.

+1 — WITH MY KNEES ON THE FLOOR, WHEN I ASK FOR MORE

He shouldn’t even be feeling this way, because what’s the worst thing you can say?

It’s just you.

It’s just you—

And… maybe it’s because it’s you, that the .01% possibility of you even saying no—

—it makes him feel sick.

He looks back at the clock: 16:30. The walk from the conference room to his office will take an extra 3? 5? minutes.

The room feels tighter, smaller, floorboards practically worn down from how much he’s paced around it.

He’s rehearsed what he wants to say, how he’ll grab your hand and look you straight in the eyes as he does it. Fear and excitement churn in his belly, how he’s imagining the look on your face.

If you were here, you’d tell him to breathe—to follow you with every inhale and exhale.

If you were here, you’d smile at him, lips curled up softly, gently, the one he loves.

If you were here—

—the door opens, and you step into the room.

Now that you’re here, he doesn’t know what to say.

You stand before him in your uniform, smiling, just as he imagined you’d be. Your eyes crinkle at the corners, sparkling, the way he’s noticed they have since you were 17.

He must be doing a terrible job hiding how he feels because your demeanor instantly shifts, face contorting into worry, brows furrowed and frown forming. You drop your bag as you walk to him, hands reaching to cup his face.

“What’s wrong?” you ask, voice hushed and delicate, “Did something happen?”

Your fingers are warm on his cheeks (or is he too cold?), tilting his head lower so you can look him in the eyes. He can’t breathe, can’t hear you properly; you’re drowned out by the thumping of his heartbeat.

“Need to tell you something,” he manages to mutter.

Your eyes widen before you nod, lowering your hands as you speak slowly, “Okay, do you want to sit first? I have water—”

He shakes his head, hand reaching for your wrist, “I think… you should sit.”

The pause alarms you, your body turning rigid. He has no idea what’s going through your mind, and you give nothing away as you mumble an ‘okay’ while walking to the couch.

He stays beside you, not too far but still placing a bigger distance than he normally would—for the 0.01% probability that this isn’t what you want, that he isn’t too close, forcing you into an answer you might not want to say.

The words float in his mind, but none of them string together to form the sentences he wants to tell you. Does he take it from the start? How this whole thing has always terrified him? How he never thought this was meant for him, but here he is, still learning but loving every second of it?

There are things he’s never had to consider before that he cares so much more about now—all because of you, how it’s for you, how he wants to do better by you.

You call him the love of your life and he hasn’t told you, but you’re that and more for him, too.

He practiced this, damn it.

Why can’t he remember a single thing?

The silence between you is tense, tainted by overthinking on both ends. You look like you’re waiting for bad news, and Gojo’s too stuck in his head, turning over the right words to say instead of reassuring you.

“I’ve been thinking lately,” he starts, fiddling with his fingers. His feet won’t stop bouncing, knee fidgeting. He’s biting his lips, a tell-tale sign that there’s a lot he isn’t saying.

You place your hand on his knee to calm him down, and he stops bouncing it, looking at you as you muster up a small smile—far from being genuine, but it’s the fact that you’ve mustered it, as if to say: ‘it’s okay, you can tell me; i’ll always want to hear all of it.’

He swallows, “This arrangement isn’t working.”

Your face drops, brows furrowing, “What arrangement?”

His heart is pounding.

“I stay over at yours too much.”

Too much, that mine doesn’t feel like I belong there anymore, he fails to add.

“I think we need more space.”

Your hand slides off his knee as you tuck it between your thighs. There’s a frown on your face he can’t seem to figure out, and the fact that you’re giving nothing away, whatever you’re thinking—he’s turning even more nervous right now.

“Okay,” you finally say, tone flat, “when do you want me to return all your things?”

He tilts his head at you, confused, “What—”

“Actually, can I…” you shift around, tucking loose strands of hair behind your ears before clearing your throat, “can I ask if it’s something I did?”

And his heart drops, straight into his stomach.

It’s not like that at all.

He’s hit with déjà vu; this conversation feels so familiar, so similar to one he’s had with you before—on the sofa chair across this couch, laying himself bare the same way he is now.

The couch dips as he scoots closer to you, reaching for your hands.

“It’s not—”

You scoff sadly, “Please don’t give me the ‘it’s not you it’s me’ thing,” then your tone drops, blinking away your tears, “if you’re going to break up with me, Satoru, just tell me why. Honestly.”

He blinks.

There’s a secret Gojo keeps, one he once told himself he’ll never tell you.

But now seems like it’s fitting—the right time to say it.

“You remember when I was unsealed?” he moves to the floor, getting down on his knees in front of you. You nod as he rubs circles over your knuckles, “When I first saw you, it was pretty scary.”

He brings one hand to your cheek, catching a tear with his thumb. You pout, the crease between your brows growing deeper.

“You ran yourself dry because of me.”

When he thinks about it now, he still feels guilty.

He believes that people are accountable for their own actions, and he still believes that with you, definitely—but he knows your reasons, why you acted that way, desperate for hope everyday. And for that, he takes responsibility.

“I didn’t want that for you, still don’t.”

Your frown deepens, tears welling up even more.

Do you still think he wants to do this without you?

He can’t take this, seeing you cry; he promised himself he wouldn’t be the reason behind this anymore.

“I’m not breaking up with you.” he tells you firmly, surely.

You blink.

Then your shoulders drop as you breathe out—what he hopes is relief. When your eyes meet, a little less sad, he sees the stars in them, glinting like they do when you look at him.

This should be his answer already, how much you brighten at the thought of staying with him. But—

“I still think you deserve more,” he brings your hands to his lips, brushing them against it, and as you’re about to interject, he chuckles, “but I’m also too selfish to leave that up to someone else, you know?”

“Soooo,” his hand reaches for his pocket, fishing around until he feels for what he’s looking for. He takes out his phone, swiping and scrolling until he finally stops, placing it on your lap for the both of you to see, “I’ve been thinking lately…”

He looks up at you, the two skies you’ve always been drawn to, waiting. The unease in his stomach returns, churning.

It’s a compilation of properties: houses, apartments, plots of land—all scattered around Tokyo, some central and some further on the outskirts.

Your eyes widen, tilting your head to the side as you attempt to read what’s on his screen. You turn to him immediately, eyes still watery; the expression on your face is unreadable, a mixture of surprise and confusion, like you don’t exactly know what he means.

“We don’t have to choose from these, it’s just a few brokers I talked to recently. We can look for others if you want, in quieter areas too—”

Then you smile, beaming, tears falling from your eyes, “Satoru,” and you breathe out his name but it sounds like I love you.

There’s a quiet life he can’t give you, but he likes this one with you much better too. He takes your hands, placing one on his chest, over his heart, and the other on his cheek. Then, he leans into it, kissing the insides of your wrist before staring back at you sincerely.

His heart is beating wildly, he’s sure, but if he can continue to make you this happy—

“Make a home with me?”

a/n: food descriptions—temaki is easy hand-rolled sushi, sunomono is japanese cucumber salad.

thank you notes: @stellamancer the actual birthday gift for u :') + @em1e for listening to me talk abt the entire plot and even reading the first few scenes!! + @mididoodles @kissxcore @itadorey @twentyfivemiceinatrenchcoat for always being so supportive when am sharing my progress posts ilu + @crysugu @soumies @augustinewrites @ufo-ikawa no reason other than i just love u ᰔ i reply so slow when am writing smth...

comments, tags, and reblogs are greatly appreciated ♡

#gojo satoru x reader #gojo x reader #satoru x reader #jjk x reader #gojo fluff #satoru gojo x reader #jujutsu kaisen x reader #jjk #satoru #gojo x you #gojo x yn #gojo x y/n #jjk x you #jjk x yn #jjk x y/n #rated #shotorus.writes #col

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asgardian--angels · 7 months

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Izzy Discourse Masterpost

Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.

Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.

Izzy's death served no narrative purpose.

Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.

Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.

From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.

Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.

As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.

If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.

Izzy's growth & healing arc was rendered pointless by his death.

As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.

Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"

I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).

It was bad and irresponsible to have a suicidal character die

Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.

Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.

As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.

Killing off Izzy was ableist/bad for disability rep.

I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.

OFMD was my comfort show/safe space show, now it's ruined for me

I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.

We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.

You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.

Izzy should have become captain of the Revenge.

Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.

Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.

Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.

More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.

Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.

Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!

Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.

Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew

#our flag means death #ofmd #ofmd s2 #ofmd s2 spoilers #and after this i will speak of it no more ok #now once we're all calmed down i am really looking forward to meta about izzy's role in the narrative #i truly think izzy's one of the most well written characters on not just this show but on tv lately in general #suicide mention tw #I tried to put a read more under the first bullet point but tumblr's formatting basically deleted it #by automatically overriding it with an Expand #so sorry about the length and such

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