Random Sole x Hancock Headcanon - Emails.
Sole figures out how to get some sort of online connection up and running again purely so they can send emails to Hancock's terminal from their Pip-Boy whenever they're apart. Love sick idiots.
Cue Hancock blushing and kicking his feet whilst reading the emails. He invents the ;) emote. Sole, in turn, makes the ^-^ and :3 emotes.
They both invent selfies. Hancock's the first to send one when he realises he can send pictures. It's a fucking process but he barters for old parts here and there and gets help from Kent. Eventually he has a working camera for his terminal. The first selfie was him stood on his couch, high af and surrounded by an assortment of baked goods (Edibles) he made. The email said 'Look what I can do ;D'.
He regularly sends pictures of what he's baking or random selfies when he's high.
Sole then made a similar upgrade to their Pip-Boy the minute they could. They send him random pictures of cats and other creatures they see in their travels. Cool views or old, historic buildings and art they think he'd enjoy. A collection of Dogmeat being cute. They sent one of Danse falling over. They send him pictures of books they'll think he like. Usually literature, history, or STEM stuff. Sole also takes pictures with their shared friends and lets them email him too from their arm for a quick update.
They also show off their new builds and inventions. Gun mods, armour, ect.
They also share a 'Spotting Deacon In The Wild' collection. They have a running joke that every new disguise they spot is a 'Deacon Variant' or new Deacon 'Synth'. They add names for each 'character' and the email will say '[Insert Character Name] Deacon Unlocked!' Like, Butcher Deacon, or Diamond City Guard Deacon, etc.
On that note, they invent memes. Usually from pictures of other companions or each other.
Like when Nick was 'sleeping' one time (Wide eyed stare Synth style) and Sole sent a picture of him, captioned 'Me after the horrors'.
Or when Preston was stood looking out at the Sanctuary River after a long night. Coffee in his hand. His hat and one shoe missing. Expressionless as he stared at the sunrise.
Hancock replied 'Me fucking too, brother'.
Sole will update him on their whereabouts regularly so he stays sane.
Hancock will tell them about how Goodneighbour is doing. From Mayoral plans to general gossip. How Daisy is doing, how the local kids are, etc.
Sometimes Hancock sends the most cryptic chain spam looking things when he is stoned.
Sole can email him whenever they're nearby and plan on visiting.
Hancock sometimes requests items if he knows they’re on their way, but only if they happen to come across it or already have whatever it is.
Will email them questions that he doesn't actually mean for them to answer. Just questions to the void, really. He just uses them as an outlet for his thoughts a lot.
Or for help on a crossword puzzle.
Sole will email him when they can't sleep just in case he's also awake. Nights feel really lonely when everyone you knew died 200 years ago.
Sometimes they ask him for knowledge. Like 'Do you know if this plant is poisonous?' or things that most Commonwealthers know for survival, but Sole is still figuring out.
They ask him for leadership advise. Especially during big decisions.
They both tell each other things they've seen/heard through the grapevine that they think the other should know. 'I heard that guy you were looking for was seen in Bunker Hill' 'Some Gens 2s were spotted patrolling Medford Hospital' 'Hi :) Sorry for the late response, I was running for my life :( Tell your traders to stay away from the East Bridge- Gunners'
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hi! i always love your MDZS/CQL takes; can i ask what are the questions you think CQL is asking, as compared to MDZS?
I haven't actually revisited either canon in ages, which is making me nervous. what questions the novel is interested in can be pretty contentious all on its own! @mikkeneko has an excellent answer in the notes here which I reccomend to everyone. My own thoughts are honestly pretty scattered- I keep on deleting things and going hm, that's not quite right.
So, for the obvious-to-me example, people reasonably zero in on the creation of innocent doctors/radish farmers who Wen Ruohan is holding hostage. In CQL it's easy to infer that Wen Qing and Wen Ning are maybe the only cultivators and almost certainly the only combatants among the Wen remnants, and their status is much more ambiguous in the novel, which I personally think is asking, essentially, "and so what? were they wrong to run, when they had a chance? Do they deserve what Jin Guangshan will do to them if they go back? Aren't they just people, actually?" Whereas the question that CQL is asking is more to the effect of "What does Wen Qing owe these people, when she is their only defence? What is she entitled to do to save them, at other people's expense? If she fucks up that moral calculus, what then? Does it matter if she's personally fond of some of the outsiders who are going to get hurt? If one of them saved her brother? Later, this question will flip to what Wei Wuxian and Jiang Cheng, and the parallel to Jiang Cheng's situation in particular is, I think, genuinely pretty fun. You're giving up the Wen as soldiers who've laid down their arms in exchange for Wen Qing also grappling with leadership and the question of how many horrors she can stand to look the other way on to protect her own people. one reason I keep deleting so much is that a lot cql's changes were motivated at least in part by censorship, which I think we mostly share a general and justified distaste for! but I also think that within the bounds of that censorship the creative team put a lot of work into actually doing something interesting with those changes. Or, for another example- nieyao! There's a much greater emphasis on the nmj-jgy relationship, it's unambiguously very close and they are clearly extremely important to one another, and I think that's because the cql team has a lot to say about love, trust, power, and the ways those things interact, and that reflects back on all of the other relationships in play, including Wangxian. Almost every time, when CQL chooses change a relationship they make the characters in question closer- that's true for Jiang Cheng and Lan Wangji, for Wen Qing and the Yunmeng contingent, for Zixuan and Mianmian, and Huaisang and Meng Yao. It's even true for Lan Wangji and Wei Wuxian, who have a close and trusting relationship in first life! CQL puts a much greater emphasis on "all right, so you care, what next?" How do you choose someone and then choose to be good to them? What if there's a massive power disparity between you? What if you seriously disagree about your priorities and morals? How do you trust someone who's betrayed you? When is it a stupid choice to trust at all? How do you have faith that you know someone well enough for that trust to be meaningful?
for legal reasons i would like to specify that it's not that mdzs isn't interested in these problems. i do remember wangxian's literal trust fall. cql is asking these questions all the time about everyone. also for legal purposes i'm not suggesting that cql lwj and jc love each other. but! they establish a three month wartime partnership looking for wwx and then jc immediately drops him on wwx's say-so despite apparently having a positive enough opinion of him to tell wwx he thinks they should make up twice. lan wangji will later tell wwx he thinks he should loop jc in on the second flautist! these are people trying to navigate some kind of relationship/shared interest/community, as opposed to a hateful void. cql wants to say hey, how do you go about this? while I'm here and rambling cql also puts a lot of emphasis on wwx's connection to yunmeng and changes things up so instead of feeling alienated right before he leaves our last glimpse of him there is happily picking lotuses and playing with a kid! in both stories the narrative is asking who do you protect? who do you leave behind? can you ever get it back? but the angles are very different.
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