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#they're gonna come back
pastiel · 2 years
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Real Clown Requests!
opening up requests for smaller, 300-500 word fics!
Feel free to request something, and the one’s I choose to write will be posted in a small ao3 compilation of works!
Please keep in mind I reserve the right to reject any idea presented to me based on what I will and will not write.
Thank you, and happy requesting!
Underneath the keep reading are my terms for writing, so please give it a read before requesting.
WHAT I WON’T WRITE: - nsfw / any suggestive content, and anything related. - P*doph*lia, Inc*st, and anything related. - Racism, Homophobia, and anything related. - Hate-Speech, and anything related.
I have the right to refuse a request at any time if it violates the above, or what I deem as falling under the above in any form. 
WHAT I WILL WRITE:
- angst / angst w/comfort content
- romantic / platonic relationships
- character studies / themed work
- mystery / suspense
- what it boils down to: if I like what you suggest, I will write about it.
HOW TO SUBMIT A REQUEST:
Please do not DM me. Send it through my ask box. It’s always open. If you submit a request, I may DM you personally asking for more details, of which I will ask you, the requester, to be very specific! Please don’t be alarmed if I do this, as it is to make sure I have the request exactly the way you want it!
Please try and refrain from suggesting OC content, unless you are ready for me to question you about everything I need to know, or ask for a document with information on them! I want to write about your lovely OCs, but I require quite a bit of information to do it properly! I want to make sure I portray your OC through writing in a way that matches your character, you know? So, if you have intentions on asking for OC content, please provide me a document of their information including images for me to go off of!
Also, OC x Canon content is 100% allowed.
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stevebabey · 1 year
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you thought it would be all sweetness??? nooo u got to have a little miscommunication angst before anyone gets any hickies. but they will. in time >:) part one. part two. this is a part three :)
Steve blames it all on the clock.
That stupid cuckoo clock on the wall of the Munson trailer. It's an absolute horror of interior design that would make Steve’s mom shiver if she ever laid eyes on it. It’s probably why Eddie loves it — and the god-awful cuckoo! noise it makes when it goes off.
Because the moment Eddie utters that delightful question, asking for a hickie, the nerve of him, Steve loves it — and Steve is more than ready to oblige him — the stupid clock goes off.
It gives them both a fright, Steve more than Eddie. He gives a whole-body twitch that shifts them both, his head snapping to the wall, a breath forced out of his lungs at the sight of the mustard-coloured bird. Shit. Stupid fuckin’ clock, Steve thinks.
But it seems to break the trance over the room. The sweet tension of their shared closeness is sucked out of the room in an instant. Steve is suddenly aware of the time the popping out bird is announcing. It’s late. Far later than Steve intended to stay over, especially considering work tomorrow.
Without meaning to, the prickle under Steve’s skin rolls through his body. It steals away the comfort that he usually feels with Eddie, tenseness filling his body. Steve hates it — hates how he can’t stop himself from tensing up beneath Eddie.
Eddie notices. He's quick to to retract himself from Steve, pushing up and back, giving Steve his space. He sits beside Steve on the couch, still close. Not close enough to touch.
It helps. The rigidness of Steve's body relaxes just a bit but Steve doesn’t want that. He wants Eddie back on him. Wants his hands gripping Steve’s side. His breath fanning over Steve’s face, cheeks cherry red and pupils blown wide. Steve doesn’t say any of that and he sure is shit isn't brave enough to ask for it.
Instead, he croaks, “It’s late.”
Steve reluctantly pushes himself up from his slumped position, eyes already searching for his scattered shoes. He misses the way Eddie’s face falls, the way he tries to tug his hair in front of his face to hide the hurt. It takes another second to school his expression.
Steve hears a cough and then Eddie agrees with a murmur. “Yeah, sure.”
The words ache. No part of Steve is relieved to have Eddie agree with him. He’s not sure what he wanted; for Eddie to egg him to stay just a little while longer? To prove that their kisses hadn’t been a heat of the moment impulsivity? There's nothing to prove they weren't.
No, it was Steve who said he had to go. It is late. But then again maybe, Eddie wanted him to leave. But, no— Eddie just asked for a hickie, he wouldn’t—
“Don’t you have work early tomorrow?” Steve’s spiral cuts short at Eddie’s voice, tinged with… irritation?
O-kay. Now Steve’s not sure what to think. What had been the source of immense joy because Steve had asked for a kiss and Eddie said yes is suddenly… tilted.
The beginnings of embarrassment begin to cling to Steve like a thick fog. He’s done it again. Been overly eager. Asked for too much, too soon— fuck, that had been Eddie’s first kiss too.
“Yeah,” Steve replies, standing and shoving his foot into the one shoe he can find. He spies the other one under the table and wiggles it out with his toe. He can’t find in it to look at Eddie, not just yet. “Yeah, uh, I should get going.”
It’s all wrong. Steve shouldn’t be leaving — not on these terms. Not when he can’t look at Eddie for fear of what he’ll find. Regret? Steve’s not sure if he could face Eddie again, not if there’s even a trace of it on his face. It would feel like Halloween all over again, a bludgeon on Steve’s too-soft heart. It’ll crumble, he just knows it.
Steve wants to stay. He really wants to. He wants to ask for another kiss, ask for a dozen more kisses. Wants to give the hickie Eddie asked so nicely for and receive one back; matching love bites, like a gentler version of their matching twisted scars adorning their sides.
But he’s always asking for more. Steve always needs more. It’s greedy. It’s embarrassing how much he wants it, how he’s already gotten patient touches from Eddie but it’s not enough. Eddie had sounded a pinch annoyed — even aggravated at Steve.
It doesn't cross his mind that it might be for any other reason. Really, Steve thinks he’s doing Eddie a favour.
“Um,” Steve clears his throat, takes the wobble out of his words. Nods to himself and chances a glimpse at Eddie. The older is staring down at his lap, locks of hair trapped between twitchy fingers. They should talk about it. Steve’s not brave enough to risk his heart tonight.
“Well, g’night.” He says quietly, letting himself out the trailer door. He closes it behind him gently, shoes tapping against the stairs on the way down. It feels wrong, it feels wrong — but it would be selfish to turn back.
He repeats the sentiment over and over, raspy whispers beneath his breath as he climbs into his car. It would be selfish. The engine turns over and he hesitates for just a moment, hoping to catch a silhouette in the kitchen window. It’s empty. Of course, it’s empty.
Of course, Eddie is not chancing for a glance at him on his way out because Steve just asked for more and more and more, and he took Eddie’s first kiss and then— He whispers it to himself again. It would be selfish to turn back.
When he thinks about it on the drive home, Steve’s sure it all comes back to that stupid fucking clock.
-
Eddie stares in the mirror.
He’s not sure why he was so convinced there would be some radical change in him upon popping his make-out cherry but… well, here he was. Staring in the mirror like he had this morning. Except 10 hours earlier, he had been unkissed.
Tonight, the difference shows. His lips are rosier than usual, a swell to them given by hasty sweet kisses. It’s the only evidence of his spit-sharing moment of passion with Steve on the couch. The rosy colour is already beginning to fade.
Eddie sinks his teeth in. He doesn’t want the only physical proof that he even got to kiss Steve to be gone so soon. Even if that fact seems terribly bitter now.
“What the shit did you do, Munson?” He murmurs to himself in the tiny bathroom mirror.
It’s got toothpaste specks splayed across it. Eddie stares past them. Stares into his own face, reading every change in his features as emotions inside him churn. It’s heading for a distraught expression, the upturn of his brows and quiver in his lips giving him away. He always was a crier. Eddie really wishes he wasn’t.
“Idiot!” He pairs the word with a bang on the wall beside the mirror, frustration leaking out. The toothbrush on the sink shudders in its cup with a clink.
Eddie hates the welling in his eyes. He hates that he ruined the first fuckin’ good thing to happen to him in this town. Loathes that he drives away the first person who actually knows him and still wants to kiss him.
Well, wanted to kiss him.
Eddie’s pretty sure Steve scampering out of the trailer is more than a big enough sign. It’s a blazingly bright neon sign — light up words that say ‘This was a mistake!’
Except, it hadn’t felt at all like a mistake to Eddie. It had felt wonderful, better than anything he had thought, the soft curve of Steve’s lips, the grip on his hands on Eddie’s face, the heat in his face, the— Eddie growls, wiping his hand down his face to shake the thoughts. Too good to be true was what it was.
It’s because of what he said. Of what he asked for. It had to be that. But— but Steve had looked eager and almost excited and then the stupid clock had gone off, scaring the shit out of them both. Maybe it was then that Eddie’s words had sunk in and Steve realised what he’d gotten into— and who he’d gotten into it with.
“You had to ask for more, huh?” Eddie scolds himself angrily, wiping his cheeks harshly when a tear streaks free. Another follows, just as fast. Eddie wipes roughly at his face to clear them. Doesn’t care about the streaks of red he leaves on his cheeks. Another trembling reprimand comes out. “You just had to push it, huh? You fuckin’ idiot.”
Eddie can’t stand his reflection anymore. He tears his gaze away as he spins and heads straight for his room.
The button on his stereo is sticky and it takes a few forceful clicks to turn it on, but when he does, he cranks it. It’s loud enough he’ll surely wake some neighbours. Eddie can’t find it in him to care, not even when the neighbours dog starts off with its incessant barking. Anything to stop hearing himself cry.
-
“Something’s up with Eddie.” is the first thing Robin says when she comes in the front door.
Steve’s mid-yawn when she does, a result of a night of tossing and turning, and he somehow manages a strange choke at her words. In a haste to shut his mouth, he chomps on his fingers covering his mouth — then hisses, pulling it away from his face. He ignores Robin’s perplexed expression, shoving the hand deep in his pocket. His ears feel a tad hotter.
“What? Why? What makes you think that?” Steve asks the questions in rapid succession. Very chill, he chides himself. At this rate, Robin would have him all figured out 10 minutes into their shift.
And it’s not like— well, Robin’s advice is usually great. A bit cut-throat, sure. She doesn’t have a problem trodding on his feelings on her way to tell him the hard truth. Usually, it’s fine. Steve could probably do with a bit of ego-bruising.
Today, he’s… It’s different. That’s what Steve tells himself. This thing with Eddie, he wants to fix it himself. And with too much meddling from Robin’s advice, even if it was with the best intentions, might mix things up too much. It’s hard enough keeping his half-baked apology that’s been brewing since last night in proper order in his mind.
Thankfully, Robin doesn’t comment on his odd demeanor. She just bustles into the back room — there are a couple sounds of her dumping her stuff. When she comes back out the front, she’s fixing her Family Video vest. It looks perfectly straight to Steve.
He checks his own — it’s sitting askew, part of the collar flipped over. He hastily fixes it, running his hands down the front to smooth it a bit.
“Just,” Robin starts, talking as she sits in front of the computer, beginning to take a crack at the admin she managed. She likes doing things as she talks, Steve knows. Helps keep her from letting words run away from her.
Steve’s thankful for it now because she isn’t looking at him when she says, “I think he might have had a bad nightmare last night, or something of that sort. I don’t know. Maybe I’m way off — you know how I am with trying to read people, Steve. I’m not good at it! But when I saw him, he just seemed…”
Robin seems to take an extra moment to deliberate her word choice. Steve’s really glad she’s still facing the computer so she can’t see the myriad of emotions that show on his face.
“…Off.” is the word she decides on.
Which means bad. Steve feels like he’s swallowed a stone. It sinks deep into his stomach. It burns, sour and scorned, twisting up his gut. It means Eddie is bad — it means disappointment, means he regretted it. That Steve had been right; that he’d been too eager, too soon. Too much.
Right. Of course, this happens again. Really, Steve had brought it on himself by asking for so much. It had been one thing to ask for a hug — who actually has to do that? — and then to expect he might get Eddie to kiss him too? What a overstep. Christ, he's an idiot.
“That’s not…” He hears himself say, still lost in his thoughts. It's only when Robin turns on the stool, brows raised, that Steve realises he hasn’t finished his sentence. “Good. That’s not good. To hear.”
Steve turns and starts shuffling around the films on the returns cart, picking them up at random. He stares at a copy of ‘The Princess Bride’ in his hands, a new release, and forces out a causal question.
“What made you think that?” He asks, shoving the film into an empty slot, like he was arranging them. He’s relieved when Robin’s clicking on the keyboard resumes, along with a dramatic sigh.
“I don’t know. I don’t know if I can be trusted to read anyone’s emotions correctly at any given time, honestly. Remember that old lady? I thought she was being sweet that whole time and then you told me she was being rude! And I couldn’t even tell…”
Robin’s ramble is comforting and helpful to Steve in a way he didn’t know they could be. He presses the cart out, finally getting a move on with it, but delivers a quick nod to Robin when she’s looking to let her know he’s still tuned in. He listens to her get distracted by another topic and leaves Eddie’s name in the dust. It’s a silent relief.
It’s a task to multi-task, listening and devising a plan, but Steve has all shift to find the balance. It’s sometime between finishing re-stocking the action section and starting the romance that Steve decides he should apologise. He should go over today and apologise.
Eddie’s a big boy but Steve’s fairly certain now, if he regretted it, Eddie had probably felt obliged to kiss him back. Probably hadn’t minded the first kiss but- but— Something sticks in his brain; it was Eddie’s first kiss.
It makes Steve feel worse. It doesn’t matter, really, Steve should say sorry for all of it. God, he’s such an idiot.
By the time he’s clocked out, it’s all set in place. He’s got a dozen different apologies running in a loop in his head, reciting the words in time with his anxious tapping on the steering wheel. It’s not a long drive out to Forest Hills Trailer Park. The drive is well-known now. Steve tries hard not to wallow in what he might be losing today. What he lost because he’d been too greedy with want.
The sight of a brown van parked roadside yanks him from his thoughts. Eddie’s van. Steve’s stomach turns, nerves gnawing faster. He slows, trying to catch eye of the other boy as he rolls to a stop behind the van. The sun is beginning to dip closer to the horizon, the temperature going with it.
At the same time, they see each other; Eddie’s head popping around the raised hood to see who had stopped, right as Steve pops his door. Eddie retreats in an instant. Steve's chest grows a bit tighter.
Gravel crunches underfoot as Steve takes a few wary steps closer. It doesn’t take more than a couple before Eddie calls out. He doesn’t bother poking his head out again.
“Go away, Steve.”
Steve swallows thickly. Yeah, okay, he deserves that. He deserves probably worse than that. But more importantly than that, Eddie deserves to hear this. And Steve... needs to not lose Eddie.
“Can I… can we talk?” Steve asks, taking a couple steps closer. A car whizzes by on the road, hidden from Steve's view behind the van. He still keeps his distance, hovering. His hands clench nervously at his sides. Steve shoves them deep in his jean pockets, wiping the sweat off them as he goes.
“What part of ‘Go away’ isn’t clear enough for you?” Eddie snarks back. He still doesn't stick his head out, still won’t look at Steve. It stings.
“I know, I’m sorry,” Steve starts, another instinctive step forward taken. “I-I just, I shouldn’t have left like I did last night. I wanted to apologise.”
There’s a clattering from behind the hood like Eddie’s dropped a tool. He swears. Steve wants to take another step, wants to see Eddie — wants to read every emotion and apologise for causing any of the ugly ones.
“Well, apology accepted,” Eddie responds. There’s a bite in his words. His next words are grumblier, quieter. “And message fuckin’ received.”
What? “What’s that supposed to mean?”
“That—” Finally, Eddie steps away from the van, rounding the hood to march up to Steve. His arms cross over his chest, a wrinkle set between his brows that pull his face into a glare. Robin was right; he is off. This isn’t normal Eddie. Fuck, Steve had fucked up bad.
“That means message received, Steve.” Eddie seethes. He uncrosses his arms to gesture wildly. Steve misses the wobble in his bottom lip. “Message received loud and clear! I get it!”
And all Steve wants to ask is: get what? He doesn’t ask that. He should know what. That would be an idiotic question, would make Eddie more irritated. Lord knows, Steve has been enough of a fool in the last day. So, he doesn’t ask.
“Look, I just…” Steve starts, words a bit weak. They die in his throat as he tries to recall a single apology he had practiced all day and comes up empty. “I’m just- I just wanted—look, I’m sorry I took your first kiss!”
It’s not exactly what he means to say, but Steve certainly is sorry for it. Eddie’s expression wavers, some anger slipping away. Confusion takes its place.
“What?” Eddie says with a tone of bafflement. “What are you talking about?”
“And I’m sorry I kept… kept asking for more.” Steve continues on, pulling on the thread inside him, connected to the terrible stone he swallowed earlier. He tugs it. Hopes pulling it will unravel the guilt sitting heavy in his stomach.
Steve scrunches his eyes shut and rubs the bridge of his nose. “I know, okay? I know that I can be a lot.” He sighs and drops his hands.
“But I didn’t mean to… shit,” He wrenches his eyes open. Eddie’s a bit wide-eyed now, brown eyes watching him intently. Steve doesn’t know what expression he’s wearing, can’t tell if it’s good or worse. He continues, soft words scraping out his throat.
“I didn’t mean to be like that with you.”
Eddie searches Steve’s face, eyes darting and wild. He licks his lips. His hands are in motion, fingers twisting rings, quick and fast. It’s a nervous action.
“What do you mean by ‘like that?’” Eddie asks, voice gentler. It's lost its snarl from before.
Steve blinks, a scrape of teeth worrying his bottom lip. He murmurs his admittance lowly, just one word, “Selfish.”
Eddie doesn’t try to hide his surprise; it ripples across his face in a wave. Confusion melts away into something closer to, Steve hopes desperately, relief. Steve can feel his own heart thudding hard inside his chest — can feel the beat it skips when Eddie steps closer.
“Steve?” Eddie says, sounding unlike himself. Steve’s never heard his voice that small. He nods, wordlessly. Eddie searches his face once more — wide brown eyes scanning and devouring. Steve can’t help but do the same.
He drinks in the details of Eddie’s face; the soft scruff along his top lip, the darkness of his lashes and the way they kiss in the corner that Steve adores. The pink of his lips. The familiar ache to kiss Eddie surges up within him, still as violent and strong as it had been the night before.
Steve should really stop looking at Eddie’s lips. He’s supposed to be apologising. He drags his eyes up and meets Eddie’s gaze full-on, prepared for whatever he might say. Except, he’s not expecting him at all to say;
“Can I... try this again?” It comes out a ragged breath, Eddie's scared eyes conveying the weight behind his words.
And this time Steve doesn't even need to ask what because he knows. Because Eddie's hands are reaching up and holding either side of Steve's face so gently. Steve can't recall a time he's ever been held so softly. His own hands come up slowly, draping around Eddie's wrists to hold them, to keep them there.
Eddie's thumb traces. It draws a sweet line of that familiar fire beneath Steve's skin along til it's settled on Steve's bottom lip, resting. The blood under Eddie's thumb thrums, gloriously warm, aching with want. Yes. Steve thinks. Yes, yes, yes.
"Yes, please." Steve breathes, so sincere the words comes out as a kiss against Eddie's thumb.
So, Eddie kisses him.
now with a part four !
tags below! sry if i tagged u and u didn't want it just tagging everyone who replied <3 @they-reap-what-we-sow @impeachy @anaibis @resident-gay-bitch @ediewentmissing @newtstabber @original-cypher @invisibleflame812 @hunterbow04 @leather-and-freckles @dracoswifeandlokispet @foolofentirelytoomanyfandoms @lfaewrites @sundead @call-me-big-eyes @the-redthread @goblinmanifesto @etaka @bishopextractions @ketterfuck @persephone13 @beckkthewreck @maya-custodios-dionach @autumnal-dawn @yourstrulyjoko @gleefully-macabre @princess-eddie @savory-babby
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meyerlansky · 21 days
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guess who can hit their target at night!
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expelliarmus · 9 months
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pommegrantaire · 9 months
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Tell me, tell me you'll meet me Tell me, tell me you'll keep me
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aquickstart · 5 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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applestruda · 6 months
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scar said he's working on his last hc s9 ep
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ultfreakme · 1 year
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Look you can’t dismiss Zukka as a crackship when they, overall, had more positive interactions with each other than many other fanon Zuko or Sokka ships that are taken more seriously because they’re het.
Like okay, you’ve got
the episode 1 armor parallel
 Sokka saying “if there’s one thing I know about Zuko, it’s that he never gives up”
Zuko’s time at Western Air Temple where Sokka’s the only one who’s helping him to his room and even smiling at him.
Then we get TWO WHOLE EPISODES(TWO) of Zuko and Sokka working together extremely well and the narrative itself showing how they complement and support each other positively.
Need I talk about the tent scene, yes its funny but also Sokka felt comfortable enough with Zuko at that point that he talked about his mom with Zuko.
The SWORDBENDING KAI
the fact that Zuko, Sokka and Suki become a little sub-trio during Ember Islands
the Search comic where they’re the only ones awake and they’re talking about family.
every zukka shipper knows this one, *ahem* “The prince and the fool, is that all you were, or were to one another?”
If we’re talking on Zutara terms, Zukka is equally as valid. Like yeah it’s funny as a dynamic but also, it’s not like this is completely out of nowhere. There’s stuff in there that backs up the ship rather well.
I think overall, Sokka saw Zuko as more of a person? The crystal caves thing put Zuko on Katara’s shit list, rightfully so, but it’s because Katara’s an idealist and sees the best in people. Unfortunately it goes the other way, she’s a lot more black and white about people than Sokka. Like if it were Sokka in the crystal caves and Zuko had pulled the mom story, Sokka would empathize but he’s not going to trust Zuko in any capacity or see him too differently unless he showed results.
Like he knows to some extent Zuko’s capable of good and even says that just being capable of good isn’t enough. He needs to show it. Zuko betraying them in the Ba Sing Se definitely would’ve pissed him off but like, to some extent, he’d have seen it coming. Sokka’s always been more nuanced on the morality thing than Katara and Aang. Which is why I think he more quickly was willing to give Zuko a chance at the Western Air Temple. Zuko was acting on his ability for good. Sokka being a skeptic actually helped them a lot(oh, Jet my boy).
Anyways Zukka rights
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voxasks · 2 months
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*gets down on one knee*
Voxy my beloved will you be my world and my handsome husband?
—  vox  bows  down.  he  tilts  your  chin  up  with  his  index  finger. "i  like  the  way  you  lavish  me,  dear.  i'm  afraid  i'm  gonna  need  you  to  speak  up  for  me.  what  was  that  sweetheart?"
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nephriteknight · 4 months
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still thinking about how from ashton's perspective, fearne says "i'll probably make my rounds through everybody", spends months will-they-won't-they-ing with chetney, finally hooks up with him, and then suddenly starts flirting with ashton instead. i'm not surprised ashton doesn't think she really wants him.
"that's the one you get."
maybe i'm reading too far into it, but maybe ashton doesn't want to be part of fearne just making the rounds. (and maybe he wants something longer lasting, but they sure as hell arent gonna ask for it.)
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natjennie · 1 month
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once you die the only choice being coming back full of rage or not coming back at all..... like.... maybe jace WAS a genuinely good dude, he chaperoned the rat grinders to the mountains of chaos because they weren't strong enough. and then when faced with the choice between dying himself, leaving them there all half-dead where no one might find them vs coming back wrong but being able to get them back to safety. like maybe he just knew it was his only way to protect them. maybe maybe maybe.
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tomurakii · 4 months
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Look Kristen is a kid so its understandable and Ally is great and I'm sure has a plan for this. But Kristen should not be a cleric lol. I hope that after the wizard synogue incident Cassandra takes the Archfey deal to keep herself safe and Kristen loses her powers because honestly based on her RP that girl has NO wisdom. She has NEGATIVE wisdom. If you don't like the gods currently on offer but can't take responsibility for keeping a new one alive (because you're a kid) then you should just respec. Pick a charisma-based spellcaster class that doesn't require a bunch of work like the Int classes or responsibility like the Wis classes. Give up your soul to Fig (or just give it back to newly-Archfey Cassandra) for Warlock spells idk.
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yourlocalcorviddad · 5 months
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Saw a post about Danny calling Dani his little Comet, this one, and then I had an idea to and mix it with a favourite Hozier song, Work Song. Feel free to add or whatever if it strikes you!
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"Ah, shh, shh little Comet, it's ok, I've got you."
The attempt at keeping his voice steady didn't really work, but he was sure he was keeping a good hold on his emotions at least, since Ellie was calming down in his hold. It didn't mean he wasn't panicking inside at the situation but he was managing. He only had to make it a few more weeks before the others could come, then everything would be safe.
He got her settled in his bed, sleeping and calm now. He had a crib for her, and Jordan too eventually, but he couldn't really stand the thought of them to far. So bed it was.
Both clone and future self had been deaged due to the damage taken, done at Frostbite's direction to heal and better stabilise both. Jordan's injuries had come in defence of both him and Ellie, and, like a weird mirror, Ellie's from defending him and the injured Jordan when he was to weakened from injuries to fight. Ellie had just been deaged from it Dan, who he decided was going to be called Jordan too give himself some separateness, was reverted to his core. In an effort to protect and give him time to heal, he has him inside himself, next to his own core. He'd been warned it meant that Dan would likely take on more of being like his child than his future self, but he just wanted him alive, not like he didn't have the risk of it anyway, at least this time it was under his control.
There was no hope of returning to his dimension, it had been clear at that point, but they had been trying to free all the ghosts they could and get all liminal people and their family rounded up to safety before the GIW got to them. Danny, as the heir prince-until he was of age for the throne at 100-was sent ahead to bridge trust with another dimension, this one in fact, to see it they could bring their people, his people, there.
Clockwork and the Ancients and Observants worked with his parents and the others from town, and other liminality touched people, to get everyone into the ghost zone, which he had leaned also got called the Infinite Realms, safely and cut off that dimension from it.
Apparently that's what most magical creatures had done to that one anyway, long ago. He'd even met the descendents of the witches that had been hunted by, and thus placed the curse on, his family back when Amity was a village.
They'd lifted the, severely weakened by then but still present, curse after apologies were made and explanations done. It was a relief, even though it is likely what had even held him tethered to life enough to become a halfa at all, but he felt more at ease now without it.
All in all, it led him to where he was now though. A new world, a new set of rules, similar but still so different, and two kids that were essentially his.
The sudden crash outside his window on the alley side had him rushing over, ready to defend as best he could, still healing from the injuries in the last fight with the GIW, in case it was a villain attacking.
Only to pause at the sight of the, now likely unconscious, blue and black clad vigilante in the dumpster below.
"Fuck... Well can't leave him, who knows who'd find him there."
It took a bit of work, and mild use of his weak but still present powers, but he got him up stairs and into his apartment onto the, comfortable if he said so himself, couch.
Once there, he checked him over for injuries, careful not to take the domino off and keeping him as clothed as possible, but tending to his wounds as best possible. Doing so, he realised the other was probably only about 20-21, close to his age at least. It made him wonder how long the other had been a hero, and made a thought to ask later.
For now he settled in to make some food -that hopefully wouldn't accidentally come alive again-and keep an eye on his daughter and the hero.
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spaciebabie · 1 year
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"Now I know what you're thinking, 'Matpat why would we possibly need to know the whereabouts of Springtrap's jolly baby maker?' Well let me assure you, this one piece of seemingly irrelevant FNAF trivia may prove to be the catalyst for all the things that happen in the game, and the key to solving the FNAF lore altogether. So strap in friends, because we've got a lot of things we need to cover."
a la tumblr being a bastard and not allowing me ta add audio onta this post (its very funny trust bro go read it)
OH I ALMOST FORGOR @skeletoninthemelonland
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god-tier-bastard · 2 months
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PLEASE tell me someone else realizes that the push for kristen specifically to take the Last Standard is so scary because if she dies (which is pretty likely given that they all went ham on the first turn and it's an endurance test that no one's ever seen the end of) the LAST LIVING PERSON THAT BELIEVES IN CASSANDRA AS SHE TRULY IS DIES.
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catboydan · 4 hours
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june is looking pretty bright huh
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