yeah babey (ver2 of my utaus, both of them sound a lot cleaner than before)
tuning by HaruVampire
utaus by me
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"do you remember what happened the last time i invited you to a party?"
(I AM LORD BARGLEBROTH, COME FOR YOUR SOULS! ALL WILL KNEEL BEFORE MY STYLE!)
..........
"no, not really.."
"that figures!"
extra crap under the cut!!!!
im normal about him grins :-]
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Yk how Dazai contributed to half of the PM’s profits during his time in the mafia? Imagine if Chuuya had been responsible for the other half. So like everyone else in the ENTIRE PM only contributed like 0.0001% in total lmao💀
And so Mori would like on the reg call meetings calling (read: scold like a high school teacher) everyone except SKK (he does NOT need to increase their ego anymore than it already is lmao) while massaging his temples like
Mori: Can you please explain how two immature CHILDREN have managed to contribute more to this organization than every single TRAINED ADULT in this room???
Ace: (because he is 100% enough of a snivelling weasel to insult two children out of pure pettiness) It’s not our fault Sir. We’re all only human after all, but those things-they’re INHUMAN!!! Demons like them obviously don’t need to take any breaks; hence the cause of the work discrepancy. If it wasn’t for this minor detail, then I can assure you Sir, that we would all prove to be FAR more competent than those freaks.
Mori: (already feeling a headache coming on) Ace, how many times do we have to go through this? They’re not actually…
Meanwhile SKK are right outside the door eavesdropping and snickering to themselves (after having just come back from playing competing in the arcade for like 7+ hours lol) Yes their egos are in fact inflating to a horrifically unhealthy degree.
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been paying more attention to my r sounds in french lately and while i do default to the voiced uvular fricative /ʁ/ most of the time, in intervocalic contexts i'm doing what i'm pretty sure is a voiced uvular approximant /ʁ̞/ maybe half the time? i wasn't sure if it was a tap/flap or an approximant, but it does sound a lot like the audio clip for the approximant, and apparently the approximant is often an allophone for the fricative, while the tap/flap is an allophone for the trill (which makes sense since a tap/flap is basically an abbreviated trill), and i don't really do uvular trills in speech.
the fricative has always been difficult for me and at this point i doubt it will get much easier than it is now. it makes sense that as i learned to speak faster i would end up producing the approximant in at least some contexts, and i suppose that it makes sense that the main context in which that happens is intervocalic, since approximants are kind of like if you took a fricative halfway to being a vowel.
the reason i've been thinking about this lately is i've been listening to a lot of stromae and his r sounds keep jumping out at me. i mentioned in some tags the other day his r sounds in bonne journée (skip to 1:24):
Si l'bonheur [tap/flap?] des autres [elided] te rend [trill] malheureux [trill]
C'est qu't'es un rageux [tap/flap?]
Si l'malheur [trill?] des autres [elided] te rend [trill] heureux [approximant??]
C'est qu't'es un rageux [tap/flap?]
that sound in heureux in the third line is really interesting because he pronounces that exact word (within the word malheureux) two lines before, but there he's clearly trilling the r, and here he is not, and it doesn't sound like a tap or flap to me either! it sounds like an approximant!
he does do the uvular fricative as well...specifically in consonant clusters (also in variation with trills) (skip to 1:37):
Tu profites [fricative] jamais vraiment [trill?] de ce moment présent [fricative]
En fait t'es juste dépressif [fricative]
elsewhere in the song he seems to trill a lot of consonant cluster rs, so i think it may also be a function of syllables/second - in these two lines he's going really fast, and possibly fricatives are faster to pronounce than trills? they certainly are for me, but i'm not sure if that's because i'm not a native speaker or because of some fundamental property of trilling.
between a vowel and a consonant he's sometimes doing a trill and sometimes something else, i think an approximant but it might be a fricative. hell, maybe it's a tap/flap. (rs in this context are fairly difficult for me to distinguish with any accuracy if they're not trills or really emphasized fricatives, so fuck if i know.)
ultimately i think he (at least in song) trills every r possible and resorts to (not consciously, obviously) one of the other options when necessary. i am nowhere near that proficient at uvular trills and can pretty much only do them on extended notes (because they take extra time for me to pronounce) and on higher pitches for some reason. i'd love to learn the uvular tap/flap, and it's probably the fastest of all the options (citation needed but it feels right lol), so maybe a year from now, when my speaking speed has increased another incremental amount, i'll notice that i've started spontaneously producing those as well. i live in hope.
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king gathering personal priv info on borros and goldie, learning both their routines, getting goldies car towed so she wouldnt be there when he broke into their apartment to clear them of weapons and intimidate borros: hiiii can i join ur secret club :3
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