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atopvisenyashill · 3 months

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connections between naerys and sansa?

There’s plenty! She’s very much in a Naerys/Aegon scenario in ASOS & ACOK, where she has no ability to leave the capital, no one doing anything meaningful to protect her, and a King that is obsessed with sexually humiliating her. There’s a lot of romanticism and chivalry surrounding her character and how other people react to her character, the same as Naerys.

But also, Sansa makes the comparisons to Naerys herself, and she does it before she realizes what kind of person Joffrey is! In fact, it starts with her very first chapter where she compares Joffrey interrupting Ilyn Payne & Sandor Clegane to Aemon demanding a trial by combat against Ser Morgil:

A whole day with her prince! She gazed at Joffrey worshipfully. He was so gallant, she thought. The way he had rescued her from Ser Ilyn and the Hound, why, it was almost like the songs, like the time Serwyn of the Mirror Shield saved the Princess Daeryssa from the giants, or Prince Aemon the Dragonknight championing Queen Naerys's honor against evil Ser Morgil's slanders.

She will compare Joffrey to Aemon and herself to Naerys again later, to Ned:

"Father, I only just now remembered, I can't go away, I'm to marry Prince Joffrey." She tried to smile bravely for him. "I love him, Father, I truly truly do, I love him as much as Queen Naerys loved Prince Aemon the Dragonknight, as much as Jonquil loved Ser Florian. I want to be his queen and have his babies."

(lowkey she’s so fucking funny for that “i only just now remembered” comment, idk how ned kept a straight face for it)

She then uses Aemon (and the Cargyll twins) to make Tommen feel better and dunk on Joffrey:

Prince Tommen sobbed. "You mew like a suckling babe," his brother hissed at him. "Princes aren't supposed to cry." "Prince Aemon the Dragonknight cried the day Princess Naerys wed his brother Aegon," Sansa Stark said, "and the twins Ser Arryk and Ser Erryk died with tears on their cheeks after each had given the other a mortal wound." "Be quiet, or I'll have Ser Meryn give you a mortal wound," Joffrey told his betrothed.

Again, there’s a focus on Aemon’s romantic relationship with Naerys because that's what appeals to Sansa. But when people say "Sansa sees the world through stories" it's not just about how she romanticizes or idolizes knighthood, nobility, and chivalry - she thinks through information by comparing it with similar historical events or stories and analyzing it. She clearly sees the problem with Loras protecting Margaery from Joffrey by comparing him to the Toynes instead of Aemon, and Joffrey (once again) to Aegon the Unworthy:

She is so brave, Sansa thought, galloping after her . . . and yet, her doubts still gnawed at her. Ser Loras was a great knight, all agreed. But Joffrey had other Kingsguard, and gold cloaks and red cloaks besides, and when he was older he would command armies of his own. Aegon the Unworthy had never harmed Queen Naerys, perhaps for fear of their brother the Dragonknight . . . but when another of his Kingsguard fell in love with one of his mistresses, the king had taken both their heads. Ser Loras is a Tyrell, Sansa reminded herself. That other knight was only a Toyne. His brothers had no armies, no way to avenge him but with swords. Yet the more she thought about it all, the more she wondered. Joff might restrain himself for a few turns, perhaps as long as a year, but soon or late he will show his claws, and when he does . . . The realm might have a second Kingslayer, and there would be war inside the city, as the men of the lion and the men of the rose made the gutters run red.

She’s also not wrong in her assessment here because the Tyrells (my guess is Garlan and Olenna) are so worried about this outcome they just murder Joffrey and install Tommen; like Bethany Bracken, Margaery is groomed (with all the implications that are included in such a loaded term) to be sexually available to the King because her father wants power and doesn't care if his daughter is sexually abused to get it. Like Terrance Toyne, Loras is considered attractive, skilled, and has several brothers more than willing to start a war to avenge his death. I think it's incredibly intuitive that Sansa ultimately comes to the same conclusion as two seasoned political players like (presumably) Olenna and Garlan come to, and she makes this judgement call very quickly!

And Sansa also hits on a lot of (correct) similarities when she makes these comparisons between Joffrey's court and Aegon the Unworthy's court; Aegon and Joffrey both have wild, violent temperaments while being notoriously difficult to control. It’s not just Naerys that attempts to get Aegon to stop marital raping her; Aemon’s useless tears aside, Viserys does do the bare minimum here in sending Aegon away so Naerys can heal from her miscarriages, Daeron got shitty with the Brackens about being tacky over Naerys' marital rape and ill health, Baelor fasts himself to death over Naerys’ miscarriages, etc etc. All of the “authority figures” around Aegon think his behavior is wrong but Aegon proves stubbornly difficult to control or kill. Joffrey falls along these same lines - Cersei, Robert, Tyrion, Tywin, and even Varys all struggle to get some control over Joffrey but like Aegon, he knows once he’s of age and has that crown he doesn’t have to answer for SHIT and stubbornly resists every attempt to curb his behavior. Joffrey is a hell scenario waiting to happen because like Aegon, he’s petty and petulant enough to pull the stunts Aegon pulls like pitting his true born kids against his bastard born ones and causing another violent succession crisis. I say this as like, the ultimate Joffrey Apologist here, lmaooo, he has reasons for being a nasty piece of shit but the Tyrells are right to look at him and go “oh that’s trouble” because he is a ticking time bomb. And the crazy thing is, it’s not just Sansa who compares Joffrey to Aegon the Unworthy:

"A king can have other women. Whores. My father did. One of the Aegons did too. The third one, or the fourth. He had lots of whores and lots of bastards." As they whirled to the music, Joff gave her a moist kiss. "My uncle will bring you to my bed whenever I command it." Sansa shook her head. "He won't." "He will, or I'll have his head. That King Aegon, he had any woman he wanted, whether they were married or no."

Joffrey makes the comparison himself. He's a piece of work just like his hero and he is directly threatening to rape Sansa the same way Aegon raped Naerys and poor Bethany Bracken. He is directly admitting he is "unworthy" and practically daring all of KL to overthrow him for it because he thinks they'll blink before he does (and he is unfortunately deadly wrong in this assumption).

And when you extrapolate out from there, you can see other, similar patterns between Naerys' life and Sansa's, beyond the Joffrey-Aegon, Margaery-Bethany, Loras-Terrance, and Sansa-Naerys parallels. Tyrion himself aspires to be a sort of Viserys II type player (see: "It should have been called the Lives of Five Kings" rant he gives to Oberyn); a power behind the throne directing his crazy family to do what's right or smart or proper. There's an interesting echo in Viserys taking direct action in sending Aegon away from Naerys and Tyrion stopping Joffrey in his assault of Sansa - like Viserys, he can see the monster in the king he is raising, makes an attempt to stop it, but fails because he underestimates just how dangerous and erratic his little king has become. Like Viserys, Tyrion is suspected of poisoning his own nephew in an attempt to get closer to power and the throne (and Viserys, like Tyrion, is probably innocent - the sort of fasting that Baelor was doing regularly is hard on the body!).

I don't think any of this is coincidental or accidental either, because of that haunting scene where Joffrey destroys the gift Tyrion got him. Here's the scene, excuse the wall of text, but it's important:

He plays the gracious king today. Joffrey could be gallant when it suited him, Sansa knew, but it seemed to suit him less and less. Indeed, all his courtesy vanished at once when Tyrion presented him with their own gift: a huge old book called Lives of Four Kings, bound in leather and gorgeously illuminated. The king leafed through it with no interest. "And what is this, Uncle?" A book. Sansa wondered if Joffrey moved those fat wormy lips of his when he read. "Grand Maester Kaeth's history of the reigns of Daeron the Young Dragon, Baelor the Blessed, Aegon the Unworthy, and Daeron the Good," her small husband answered. "A book every king should read, Your Grace," said Ser Kevan. “My father had no time for books.” Joffrey shoved the tome across the table. “If you read less, Uncle Imp, perhaps Lady Sansa would have a baby in her belly by now.” He laughed … and when the king laughs, the court laughs with him. “Don’t be sad, Sansa, once I’ve gotten Queen Margaery with child I’ll visit your bedchamber and show my little uncle how it’s done.” Sansa reddened. She glanced nervously at Tyrion, afraid of what he might say. This could turn as nasty as the bedding had at their own feast. But for once the dwarf filled his mouth with wine instead of words... [Joffrey gets a Valyrian sword and figures out a name for it, Widow's Wail, it's a few pages, it's not relevant here] Joffrey brought Widow’s Wail down in a savage two-handed slice, onto the book that Tyrion had given him. The heavy leather cover parted at a stroke. “Sharp! I told you, I am no stranger to Valyrian steel.” It took him half a dozen further cuts to hack the thick tome apart, and the boy was breathless by the time he was done. Sansa could feel her husband struggling with his fury as Ser Osmund Kettleblack shouted, “I pray you never turn that wicked edge on me, sire.” “See that you never give me cause, ser.” Joffrey flicked a chunk of Lives of Four Kings off the table at swordpoint, then slid Widow’s Wail back into its scabbard. “Your Grace,” Ser Garlan Tyrell said. “Perhaps you did not know. In all of Westeros there were but four copies of that book illuminated in Kaeth’s own hand.” “Now there are three.” Joffrey undid his old swordbelt to don his new one. “You and Lady Sansa owe me a better present, Uncle Imp. This one is all chopped to pieces.”

God I love that passage so much. There's a lot there but what's relevant is a) both Oberyn and Garlan are trying to get a measure of who Joffrey is, and have some child murdering plans potentially in the works during this scene. Watching Joffrey destroy a priceless tome of history given as a well thought, well meant, incredibly generous (and pointed) gift from his uncle is more than enough proof for either man to decide Joffrey is not worth the headache, and please note Garlan is the only person to call Joffrey out to his face, and Oberyn is a few pages later the only person to acknowledge this was a fantastic and kind gift from Tyrion that Joffrey reacted absolutely deranged towards for no reason. and b) Tyrion is almost literally saying to Joffrey "I can be your Viserys, I can make it so you're remembered as a great king the way Daeron II or Baelor are, or a great warrior like Daeron I, but you have to understand the reason why I'm worried about your behavior" and Joffrey does the most destructive, unworthy thing he can possibly do - he quite literally destroys priceless, useful historical knowledge and wisdom with his bare hands, in favor of senseless, petulant violence. As Catelyn would say, Joffrey's real bride is not Margaery, but the war he's fighting and the crown on his head.

All of this to say - there's a lot of parallels between Sansa's situation in KL and Naery's life and these parallels are drawn not only by Sansa herself, but also by several people around her. However, I hope for better things for Sansa than what poor Naerys got - I hope for an Aemon the Dragonknight that will do more than just cry while she's raped, but actually step into that room and defend her, or else give her the power to defend herself. Despite the long wait for The Winds of Winter, I also think it's likely we will get some sort of Dragonknight, devoted sworn sword for Sansa and this person will help protect her, and Sansa will have agency that Naerys could only ever dream of.

#valyrianscrolls #sansa stark #naerys targaryen #aemon the dragonknight #aegon the unworthy #joffrey baratheon #tyrion lannister #margaery tyrell #loras tyrell #olenna tyrell #garlan tyrell #terrence toyne #bethany bracken #i'm not knocking tyrion for not quite seeing how dangerous joffrey is. *no one* sees it bc Systemic Patriarchy and Feudal Violence.#whether its brienne arya jon bronze yohn fucking podrick i do believe we will get a knight for sansa tho!!!#once again sorry this took so long. i had a lot more to say than i expected.#also. thank you so much for this ask this was sooooooooo much fun to write out. we are analyzing themes babeeeeee #getting on my soap box #knighthood and chivalry #true knights #fuck i think that's all my tags #i had another section about how the show really styles her to look pale and sickly during season 3 and 4 but i had trouble phrasing it #so i just cut it. but that scene where margaery gives her the red and yellow rose and sansa looks like death? naerys vibes fr!!!

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21stcenturygworl · 1 year

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A Blank Dance Card

Arthur Morgan x (female) Reader, Regency AU 💕

For the Valentine Gift Exchange by @rdrevents! Written for @starlight-starwrites. Thank you for the great prompts, Star! I hope I did them justice.

This is so extremely campy, but I had great fun writing it. I hope y'all have great fun reading it too!

.✧.

One of the joys of being a debutante on the marriage market is finally, finally being able to indulge in the gossip firsthand. Previous seasons, you had to wring every last drop of information out of your friends, who one by one were swooped off their feet by gentlemen looking to win their hearts. Now, you can huddle together with the other girls, whispering and giggling amongst yourselves as you steal glances at the eligible bachelors at Lady Coulston's ball.

You’re quite some years older than most debutantes of this season. It was your mother’s decision, mostly (your father had just told her, “Yes, dear. As you wish, dear. Anything you want, dear.”). She didn’t want you to be married off too young, instead wanting you to become a well-rounded young lady first through travel and further education. You had protested initially, terrified of ending up a spinster, but your mother had promised that she wouldn’t make you wait that long.

You still feel like a spinster between all the younger girls, though.

The ball hosted by Lady Coulston is a grand affair, with the walls adorned with intricate tapestries and richly painted scenes. The floors are marble (Italian marble, she had pointed out to your mother), polished to a glossy sheen, and the ceiling is painted with beautiful frescoes. Walking across the marble floor already has your heels click with a satisfying sound, and you can only imagine what it would be like to walk through this ballroom by yourself.

Chandeliers hang from the ceiling, adding a touch of opulence to the room. Music fills the air, with the strains of a string quartet and a harpsichord playing romantic melodies. Many guests have taken to the dance floor. They twirl across the marble to the melody of the music, the dancers becoming a blur of colours, beautiful fabrics catching the light of the chandeliers above.

Unlike them, however, you have nobody to dance with.

Not a single eligible bachelor has approached you all night. Occasionally one would approach your little group of debutantes, but always to ask one of the other girls to dance, or to make a turn around the room together.

The paper of your dance card is a plain, stark white. Blank.

It’s mortifying, almost. But at least Lady Coulston’s pastry chefs make your attendance worth it. You take solace in the delectable cannolis that nobody else seems to have noticed. Lady Coulston must really like Italy.

.✧.

Arthur doesn’t want to be here.

He hadn’t even wanted to travel across the pond in the first place, and neither did John. But Dutch had insisted that for the adoption process to be finalised, they had to come with him to London. “We’ll head back immediately after,” his now-father promised them.

Apparently in England, “immediately after” means a month or two later.

So here he is, standing in Lady Coulston's ballroom, trying to blend in with the crowd. Arthur had heard stories about the balls, and he’s received countless instructions for how to behave, but he still feels terribly out of place. The grandeur of the room is intimidating and almost suffocating to a young man like Arthur, who spent years sleeping under the stars on windswept prairies.

It’s almost inconceivable to watch Dutch, the same man who had once told Arthur that he was done with the upper class, working his charm on the guests at the ball. It's almost unfathomable that this is the same man who had spent so much of his time in America swindling the wealthy, and yet here he is, a Baron of all things. Arthur is silently hoping that Dutch will turn and give him a sly wink and tell him “It was all just a scheme!”, but it never happens.

Dutch had deemed John too young to attend a ball, meaning Arthur is now stuck by Dutch’s side as he speaks to a Lord and Lady Gardner, who are both hanging onto every word he says as he tells them about his exploits in the American West.

“I will say, I was tempted to stay there,” Dutch says, gesturing vaguely as he speaks. “It’s a very different land from here. A land full of opportunities. The people here in England do not have the spine to take risks the way those in America do.” He pauses, as if reminiscing. “And all the unspoiled nature… By God, Lord and Lady Gardner, it was unlike anything I have ever seen before. Beyond beautiful.”

“My, I can hardly imagine it!” Lady Gardner says, wearing a giddy smile. “It all seems so far away. Perhaps we should visit too someday, dear? It would be so nice to travel a little again, just like we used to when we were younger…”

“Perhaps,” Lord Gardner says, smiling a little uncomfortably. “But perhaps we should first make sure our daughter is married before we do.”

Lady Gardner puts a reassuring hand on her husband’s arm. “Of course, dear.” Turning to Dutch and Arthur, she asks, “Have you met our daughter yet? It’s her first season on the marriage market this year. Very exciting.”

Dutch smiles, corners of his eyes crinkling. “Very exciting indeed. I do not believe we’ve had the pleasure of making her acquaintance yet.”

“Let me see, where is she…” Lady Gardner peers across the ballroom, then lets out a little “Oh!” before she begins calling to her daughter.

.✧.

You whip around from where you stand next to one of the many refreshments tables, halfway stuffing a cannoli in your mouth.

“Dearest!” your mother calls out to you, waving you over with an excited smile. Oh, this is mortifying. You try to swallow the cannoli quickly before other people notice, but it’s already too late. At least you didn’t get any crumbs or cream on your dress this time.

Quickly you compose yourself before striding over to the little gathering, weaving through the crowd. When you reach them, you realise that the men your parents are speaking to are the Baron of Whitchurch, and one of his recently-adopted sons.

Now here is where the gossip comes into play. You had heard many a scandalous story of how Lord Van der Linde (whose family weren’t even English aristocrats to begin with!) had run off to America for nearly a decade. When he finally returned, he brought back two orphans with him who he had adopted and made the heirs to his titles and estates. The legality of it was dubious at best, and immediately a new scandal was born. The future Baron of Whitchurch would be a man with not a single drop of aristocratic blood.

Nobody had told you that the future Baron of Whitchurch was also incredibly handsome.

Your mother is your saving grace, because only when she speaks to introduce you, do you realise that you’ve been staring. You quickly avert your gaze and curtsy with your head inclined. “It’s a pleasure to meet both of you.” Straightening out, you remember your manners and ask, “Are you enjoying tonight’s festivities?”

“We certainly are, thank you kindly for asking,” Lord Van der Linde says. “This is my son, Arthur.”

Arthur. You like that name. It suits him perfectly, highlighting the impressive stature of his broad shoulders and tall frame. Yet, despite the impressive physicality, there is something gentle about him, something that you can't quite put your finger on. After a moment's thought, you realise it’s his eyes; the way they seem to reflect an inner kindness, a beautiful shade of blue.

“This is the first time Arthur is attending a ball,” your mother tells you with a low voice, as if it’s a secret. (It’s really not.) “Why don’t you take him for a turn around the room? I’m sure there’s lots you two can talk about.”

You and Arthur unintentionally share a look, and you seem to reach the same conclusion as him: We have nothing to talk about.

You muster up an almost-convincing smile as you take a step forward. "Shall we take a turn around the room, Mr Van der Linde?" you ask, feeling a bit strange at the formal words coming out of your mouth. Arthur nods, then seems to remember himself and offers you his arm.

.✧.

The two of you walk in silence for a few moments, strolling along the perimeter of the impossibly large ballroom, until Arthur finally speaks. "Erm… Apologies for my lack of conversation skills, Miss Gardner," he says, his voice a bit awkward. He’s suddenly terribly aware of how different his accent is from yours, and the realisation only serves to make him speak quieter. "I… I ain’t used to being at a ball like this, and I'm not sure what to say."

You tilt your head slightly, looking up at him through your lashes. Arthur feels his chest tighten. “It’s alright,” you say, your gloved hand giving his arm a reassuring squeeze. “I can only imagine how strange all of this must be for you, Mr Van der Linde.”

A nervous chuckle escapes him. “Strange is an understatement.” He pauses, considering his words, and then carefully says, “I… I prefer Mr Morgan, actually. Dutch— I mean, Lord Van der Linde only really became a father figure to me when I was already a young man.”

You nod, seeming to understand his reluctance. Or at least pretend to. "I'm sure that's true for many adopted children," you say, voice gentle and sympathetic. You smile at him in an attempt to offer some levity. "How are you enjoying your time in England so far? It must be very different from what you’re used to. Especially the weather, I would guess.”

Arthur returns the smile as his nerves slip away. You’re trying your best to be warm and welcoming to him. Though it is at the behest of your mother, it’s still more than he can say about the other people at the ball — who have mostly stared at him while whispering amongst themselves. "It is," he says, "The weather too, I s’pose. But mostly the people, and the, uh… way of life.” He looks around the room, taking in the elegant décor and the finely-dressed people. "It's all certainly an experience. I ain’t ever seen anythin’ like this before. I wasn’t… raised in high society."

“Well,” you begin as you mull over his words for a moment. You then flash him a wide smile. “You’re going to have lots to learn and catch up on before you become the Baron of Whitchurch.”

Arthur feels his heart skip a beat, and he swallows thickly. “I’m afraid so,” he says.

“I’m sure you’re up for the task, Mr Morgan. I believe in you.”

Despite the rather disappointing start of the evening, Arthur now suddenly doesn't want it to end anymore. He finds himself liking the way you hold onto his arm, speaking with him and making him feel like he's the most important person in the world right now. You're so, so beautiful, too. Half of your hair is pinned up, the loose sections cascading down your back like a waterfall of silk. The bodice of your dress fits snugly around your chest, the skirts flowing gracefully with every step you take. You feel like someone so far out of reach for him, yet you’re right here next to him.

He blinks when he realises he’s been staring at you. He’s grateful when he sees that you’ve been looking elsewhere — but your expression is wistful. You’re watching the people on the dance floor twirl about and laugh giddily amongst themselves.

“I hope I’m not takin’ up too much of your time, Miss Gardner,” Arthur says, and you look back at him. “I’m sure there’s another gentleman waitin’ for your attention.”

You shake your head, a sad smile gracing your features. “I’m afraid not, Mr Morgan. Nobody’s asked me to dance, tonight.” You show your dance card with your free hand, and Arthur sees that it’s empty. “I fear I may not be as tempting as the younger ladies,” you say with a hollow chuckle. “But it’s alright. I’m enjoying myself here with you.”

Arthur's heart twinges at your words and he finds himself wanting to say something comforting, but he's not sure what. All these fools wouldn’t want to ask a beauty like you to dance with them? Anger bubbles in his chest, but he quickly pushes it down. It’s a completely stupid and hopeless task, but he knows what he has to do. Mustering up every ounce of courage in his body, he clears his throat and then asks, “Miss Gardner, would you do me the honour of dancin’ with me?”

You look up at him, almost as if you can't believe your ears. Your eyes light up and you smile, a brilliant and genuine smile that makes Arthur's heart flutter. "It would be my pleasure, Mr Morgan," you say, before curtsying gracefully.

He takes your hand in his and leads you to the dance floor as the music changes, and the musicians begin to play a waltz. Arthur holds you — as he learned during his lessons — and though his steps are a little awkward and stiff, you’re most certainly dancing together. As you start twirling around the room, Arthur finds himself mesmerised by you. He had thought you beautiful before, but now, as he watches you spin around and laugh with him, he's certain that you are the most beautiful thing he's ever seen.

How tempted he is to lean forward and kiss you.

It’s not the right way to do things, though. Not here, not now. Not with a woman of your standing. So he spends the rest of the night with you. Dancing, talking, and even laughing together. And when the evening draws to a close, and your parents have called you to tell you that it’s time to take the carriage home, Arthur takes your hand and presses a kiss to your gloved fingers.

“Miss Gardner, before you go,” he begins. He straightens out, still holding your hand. “May I… may I call on you tomorrow afternoon?” he asks, stumbling over his words a little.

You look at him adoringly, cheeks dusted with a light shade of pink as you smile and nod. “Yes. Yes, you may.” You bite your lip, trying to suppress a giddy smile. “I look forward to seeing you tomorrow, Mr Morgan. Good night.”

#RDRValentineExchange #writing #arthur morgan x reader #rdr2 #regency au #this was sooooooooo fun and i kind of want to write more for this

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