any time i draw characters with an ounce of body fat everyones like “oh i bet they give such warm hugs” like what if they fuck sensual style actually
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wyll has so many comments in game about how much he likes astarion’s hair hey man whats up with that
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I will draw a Pokemon of your choosing for proof of e-Sim donation! (any e-Sims bought AFTER Jan 22nd). The higher the donation, the more effort it'll have.
Please refer to the instructions on https://gazaesims.com/ for how to buy and send an e-SIM for Gaza! Take a screenshot confirmation that you've sent the QR code to the correct email (
[email protected]); please include date/time of purchase and amount spent or GB amount!
Then, send that screenshot to
[email protected], along with a Pokemon you want me to draw!
Please do not use my art for hateful agendas, NFTs, AI training, or monetary profit (like selling it). Thanks!
From the river to the sea, Palestine will be free!
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I made a magnolia tea latte so good I'm having a religious experience at my desk
this is a PSA to go steal some magnolia flowers from your neighbor's yard TODAY
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ramadan mubarak 💗 remember that palestinians are also going through ramadan amidst a genocide! if you are able, aim to focus your zakat on organisations like:
care for gaza (and their paypal here)
direct aid for gaza
gazaesims
palestinian children's relief fund
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rediscovered some texture stuff i had in csp :DDD a fun time!
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“They finally made this theme more blatant-" Why does it need to be blatant. What's wrong with subtlety? Concepts can be underused but subtlety is not neglect.
Blaring all your concepts and themes is not good writing. It's so disruptive to a story's flow when the characters look off the screen to be like "See? This is the concept. The idea. The theme."
If you can feel the hand of the author becoming too heavy that's bad.
For example: I see people saying Azula's abuse in ATLA is more blatant in the live action and it's good because "it's being discussed more". It already was discussed at length. The show made it clear she was a victim at every turn, every behavior, every reaction, it came from a place of trauma. It was made clear that she was scared of ending up like Zuko because Zuko was an example of what would happen to her if she failed. When she says she's better than Zuko it wasn't just because she was raised to think hersef superior to him but because Zuko failed and failures get mutilated and exiled, failures are abandoned. In that final Agni Kai the music is morose and somber because this isnt some epic battle its a fucking tragedy, the burning out of "Ozai's brightest light" and Azula finally succumbing to her terror and trauma she was repressing now that her worst fears are realized. How can you see a fourteen year old girl chained to a sewer grate wailing and writhing and breathing fire desperately as unsympathetic? Even Katara and Zuko are horrified as to what has become of her.
The writers weren't looking us in the eye and saying "See? She's a victim too" when they wrote this, they weaved it in. They weaved it into her obsesison with symmetry, her extreme perfectionism, the way she talks about Ozai, the ways she calls herself a monster, her isolation from those with healthy home lives, all the ways she held herself together and ultimately all the cracks and seams that she shattered down when she fell apart. It did not need to be blatant to be clear.
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you've been hit by
edit: im sick of this post read my rant if you care that much
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IX of PENTACLES
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This has been a long time coming, but finally, here is the card I drew for @dsmp-tarot. I couldn't have been more proud to get my hands on Technoblade and despite all the hurdles, I couldn't be prouder of my finished piece. Technoblade never dies.
(+two sillies under the cut 🧡)
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