Clark is taking Kon and Jon out for a classic, super-style bonding flight. Just a quick jaunt around the US and back!
They don’t get far. Somewhere in Illinois airpace, they run across another family.
The three (a hulking man, a snarky teenage boy, and a cackling youngest girl, each a grayscale blur in the blue, blue sky) throw neon-lit beams of energy at one another, quips and insults flying almost as fast as they do. It looks like training. It looks like fun!
The boy of them looks like a younger version of the man. Exactly like, even. Clark is familiar with clones.
The youngest, a girl, looks like both of them, but not quite. Perhaps she will, age sharpening her childish features, but it’s hard to say. More likely, she’s the man’s daughter.
Interested, Clark introduces himself to Dan. He seems to be a hero in his own right, even if Superman’s yet to see him in action. And it’s not often Clark sees a family so like his own!
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In my neverending quest to keep Pampérigouste from achieving her dreams, I have launched a formal investigation into her last escape, which I had no explanations for at the time.
I figured it out! At the far far end of her pasture, near the road, a few fence posts have become more or less horizontal (the ground is quite wet / muddy there so they've never been very stable, especially with Pirlouit using them to scratch his forehead)—so instead of a high jump + long jump combo to get to the road, Pampe just had to clear the long jump over the ditch. Which is still impressive.
I also suspect that she chose to escape from this place near the road on a snowy morning as a deliberate strategy, knowing the snow plough would erase any traces of her jump, thus preventing me from discovering where the weak spot in the fence was. Well done.
You need 2 people to fix these fence posts so in the meantime I decided to kill two birds with one stone: cut all the broom and thorny bushes in this corner of the pasture and use them to form a discouraging barrier. I set to work earlier this week, and here's the same place as above, mid-process:
When I texted my mum to tell her about my new thorn-based anti-Pampe plan of action, she said "Like the Maasai who make fences with thorny acacia branches to keep out lions!" and it made me feel even more confident. I mean, I have neither acacia nor Maasai fencing techniques but my thorny shrubs are pretty aggressive, they pricked my fingers even through my thick work gloves—which felt satisfying in an anticipatory way. Excellent! prick Pampe's nose exactly like this. How could a llama not be deterred by a fence material that deters apex predators?
Vexingly enough, she seemed quite supportive of my efforts. At one point she breathed some warm air against my shoulder in a gentle, patronising way.
We were engaged in psychological warfare all afternoon—every time I stepped away from my vegetal fence, feeling like it was now good enough, Pampe would immediately come to inspect it, cheerful and impatient, which sapped my confidence so I would go and add a few more shrubs. (Note that I sort of plaited the first / biggest shrubs with the pre-existing fence so they don't go flying on the road, and so Pampe can't just push them aside.)
On the right: Poldine, looking for little fresh leaves to eat amidst the chaos.
On the left: Pampérigouste, thinking.
(At this point the barrier was only 20% thorns, and 80% broom—the fact that she waded through it without a care and didn't prick her belly made me go and add more thorny shrubs, and pack them more densely)
It's kind of fun watching Pampe think, honestly. Can I jump over this? Do I have enough visibility? Can I eat my way to freedom (again)? But these shrubs are disgusting. Am I above exploiting my daughter's lack of culinary discernment to achieve my goals? Maybe I should go back to my calculations re: probability of wild boar destruction.
I may have pincushions for hands after handling prickly bushes for two hours but I'm helping stimulate my llama's intellect and creativity and that's so important.
I tried to alternate broom and thorny branches so that the non-thorny broom became tangled up with thorns and brambles to form an impenetrable and incomprehensible wall. I will call it this method the salmagundi-fence.
Poldine is in awe of my vegetal installation.
Can I just say, compared to Pampérigouste who constantly has a devilish glint in her eye, Pampelune's face exudes wholesome politeness and moral goodness. It's still hard to believe they're mother and daughter.
I went home once my fence started looking like Maleficent's forest of thorns and Pampe had long stopped trying to wade through it, but I still felt antsy and ended up coming back one hour later to have my apéritif with the llamas so I could keep an eye on Pampe until nightfall.
... where is Pampe?
Oh. Here. No worries!
Still staring at the road. Still thinking.
...
With all that said, please admire my beautifully delirious Forest of Thorns-fence and let me know what you think.
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If you've been boycotting Eurovision, you may have missed out on how bad it truly was, so here are a few events in no particular order:
The opening act of the semi-finals was Eric Saade, a swedish-palestinian singer who participated in Eurovision 2011. He wore a keffiyeh, a palestinian headdress, around his arm like a wristband.
Despite not making any political statements or drawing attention to his accessory, he was reprimanded by the EBU for "compromising the non-political nature of the event".
During their semi-final performance, the Irish contestant had the word "ceasefire" in old irish runes painted on their face. They were ordered to change it for the final, as it was deemed too political.
The contestant from Israel was not allowed to mingle with the other contestants, due to supposed security risks.
During an Interview, she was asked if she felt any concerns over her participation potentially endangering the event and the people present. The host told her she did not have to answer this question. Dutch contestant 'Joost' asked "why not?"
Joost, while not openly antagonizing the Israeli contestant, has made covert critical remarks about the EBUs decision to allow Israel to participate.
On Friday, the day before the Finale, Joost was investigated by the swedish police for a supposed incident where he threatened an EBU crew member. Thursday, a female camera operator had followed him off-stage to continue filming, even though there was an agreement not to film him off-stage. After she ignored his requests to stop, he threatened her with some sort of gesture.
Joost was disqualified mere hours before the finale. He was slotted to perform just before Israel and considered a favorite and potential winner.
The show itself did not address his disqualification. The dutch entry was simply skipped with no further comment.
Israeli broadcaster KAN was confirmed to have broken EBU rules during their coverage of the Irish act in the Semifinal. The commentator spoke negatively about their act, condemning the very scary goth aesthetic, and noting their willingness to criticize Israel's actions.
Despite Irish contestant Bambie Thug lodging a complaint with the EBU, there was no penalty or other repercussion.
If you were hoping that the event itself would turn into some sort of protest, I have to disappoint you:
Despite rumors of other contestants dropping out over Joost's disqualification, all of them performed.
There was audible booing every time Israel was on-screen, including their performance, announcement of points, and every time they received points. There was equally audible cheering.
No contestant or spokesperson directly addressed the ""controversy"" (read: ongoing genocide being artwashed), although very few made covert remarks about peace, love, dignity, and equality.
The most explicit it got was the Austrian spokesperson, saying something along the lines of "It's hard to find only positive words in a time where heartlessness prevails. But we hope everyone can unite through music and show that everyone deserves to be treated equally"
No one stormed on stage or held up a palestinian flag or anything, if you were hoping for that. I certainly was.
Israel gave its 12 points (both Jury and public) to Luxembourg. The singer is half-israeli and born in Jerusalem.
Jury votes mostly ignored Israel, netting them a total of 52 points through jury votes, which put them somewhere in the middle of the scoreboard. Norway, Cyprus, and Germany awarded them 8 points each, making them the main contributors.
In contrast, Israel received 323 points from the public voting. They were second only to Croatia with 337. 15 public votings, including "rest of the world" awarded Israel their 12 points, more than any other country would receive. The only countries not to award any points to Israel in the public vote were Croatia and Ukraine.
Israel thereby placed 5th out of 25.
But hey, at least the winner (Switzerland) was nonbinary, diversity win amirite.
Notably, they had to smuggle in their pride flag, since EBU guidelines only allow flags of participating countries and the rainbow flag. (This is also why palestinian flags were not allowed. It's not a new rule, but they certainly weren't going to start bending it now.)
If there's one thing to take away from this: Do not ever think the rest of the world is on your side, just because your social media is. The rest of the world has shown their allegiance, and it lies with Israel and Genocide.
Do not stop fighting for what is right.
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