what the fuck is the Wire Mother book. Sociology has lore now?
oh boy okay
so you remember the Divergent books? the YA boom of the early 2010's? The Wire Mother was one of those series. they turned the Harlow's monkey experiments into dystopia factions.
yeah. i know. bear with me
The first book, The Wire Mother (2010) is pretty standard YA dystopia fare. There's this girl named Leo Groves (the Leo's short for Leonore) who lives in the court of the Cloth Mother, a city where people live in comfort and camaraderie and a general vibe of hold hands around the campfire and sing, except for the people who die at random. This is accepted with unsettling what-can-you-do calm from the main characters. (Eventually, it's revealed that's happening because only a 1/5th of the food served in the city is real, so most of the people are dropping dead of starvation but their bodies are quickly hurried away as to not kill the vibe, so no one worries all that much about it).
Which could have been cool speculative fiction! A handy story about desensitization to violence or complacency or something. Unfortunately, this was 2010 YA, so the concept is quickly kicked under the bed in favor of. yeah. A love triangle. Leo, being a special little narratively significant thing, finds her way to the mysterious other city on the other side of her hometown, the court of the Wire Mother. And when she's there, she meets a boy. Coil 54810.
Coil goddamn 54810.
That brooding son of a bitch. His last name is 54810 because the concept of last names and family doesn't exist in the court of the Wire Mother, only functionality, so 54810 is just the number of Coils there's been in the city. He's not a clone or anything, it's just the amount of people who've had that name. It's like being named Jeremy 54810. Killer of plot pacing. Swoopy of hair. He would have deserved to be named Jeremy.
God, anyway, I'm talking a lot about this. Anyway: The Wire Mother is exactly as good as the average YA dystopia book from the time period. It has some high points (the Cloth and Wire mother are cool ominously looming entities, and the main antagonist Jane-Mary has a level of batshit mad science energy to her that makes her the most fun villain in the series) and some low points (the forced Romeo and Juliet references. the forced romance. It is so clear that Benjamin St. Jobs, the other guy in the love triangle, doesn't stand a chance, but we have to keep who-will-it-be-ing for so long anyway. And Coil's a dick), but it mostly just balances out.
There were three more books in the series. There was supposed to be four, but. Well
Anyway. Book Two, The Wire Mother: Hounds' Toll (2012), actually kind of slapped. It went to more tragic and horror-influenced places than the original book. One thing I'll give Angela Lee (the author) credit for: I don't think this was a sequel for the sake of having a sequel. I think that the series was always supposed to be a pentalogy.
Some of the stuff in this book has still stuck with me to this day- I have to hold myself back from adding ominously ringing church bells in so many of my projects. Also, it really filled out Leo Groves as a protagonist- I could take or leave her in the first book, but I started to genuinely like her by the second. And the stuff they do with Stellarose Ardent, her best friend turned rival... God, I could make a whole post about Stellarose Ardent.
this book series is good, readers thought. surely the third book will be as good if not better
THE THIRD BOOK WAS HELL. The Wire Mother: Ordained Voltage (2013)...I think it did everything wrong. There was a reason that there was a two year break between the first two books, and book three being out only a year after Hounds' Toll really shows.
It's incredibly rushed. Leo barely gets to do anything. Stellarose is killed off in the most unsatisfying way possible. And while it seemed like Book Two had neatly put the love triangle to bed, no! It claws its way out of its grave!! To torment me specifically!
The only good thing we got out of this car wreck is Anesthesia 3, lab rat girl and apocalypse maiden extraordinaire. I adore her. She's got real Fish Inside A Birdcage vibes. Everything else, though? Horrors.
But readers held out hope. At least the characters ended up trapped in an interesting setting at the end of book three. The merciless, multi-layered prison of Tithonus, the central antagonist of the series. It seemed like that was a good set-up for a prison escape storyline. Those have to be entertaining, right?
Somehow, some way, no. Book Four, The Wire Mother: Endless Sentence (2014) is not just bad. I could forgive bad. But it is bad, and it is boring.
so boring that I'm not even going to waste my words on it. It's a school night. I'm not staying up to describe that thing. The only interesting thing about it is how it could manage to be boring while being an homage to the fucking Stanford Prison experiments.
And that was the end of a lot of people's hopes for the Wire Mother series. Only one good book out of four isn't a great track record, you know? A lot of readers were willing to put Hounds' Toll down as a one-off.
Then, in November of 2014, the preview for Book Five, The Wire Mother: Quantum Claws came out. It was three chapters long. And people lost their shit.
First of all, it was good. Maybe as good as Hounds' Toll. Maybe better.
But more than that, it was a break from the relatively grounded, safe, company standard dystopia of the series. Because this bad boy was going to be about time travel. Tithonus, in his evil plans to live forever, had built a time machine and activated it just at the right moment when the plucky heroes were about to kill him once and for all.
Which seems like something that would be a train wreck, right? If this author can't handle the easy-to-please tropes of prison breaks and romance, what business does she have trying to handle a time travel story without completely fucking up the series?
And maybe that would have been true. But the first three chapters were insanely promising. They were refreshing, original- they got time travel. We were able to get characters like Stellarose and Jane-Mary and Turpentine back after the story cast them aside so soon. And it promised to really examine what Leo Groves meant for the book's world. So, hopes rose again.
Unfortunately, we'll never know if it would have been good or bad. The fifth book was never published. We don't know why. It was just promised, for months and months, and then. Poof. The updates stopped. It was gone.
And it haunts me. If you haven't stopped reading by now, you can probably tell that. The fandom was like a fraction of the size of the Divergent fandom, and I don't know anyone IRL who's read these things. I don't even know if I can or should recommend them.
But sometimes something doesn't have to be a literary masterpiece to burrow into your brain and not let go, I guess ASJSJS
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