Answers and events I hope for in C3E96; spoilers for C3E95 below the cut, obviously, and also because it got really long:

For everyone left in the room to talk about what Orym experienced in the fight. I think it’s hard to judge where people will ultimately fall on the intra-party conflict based only on what we saw in that last hour of the previous episode when, A) they woke up in the middle of a situation and may have missed some of the context, and B) were so shocked in the moment that some of them seemed unsure of how to act or what to feel. Talking about it would be helpful to everyone, including the audience. I’m particularly interested in the Ashton-Orym-Fearne of it all. Ashton tried to de-escalate and get Laudna to apologize, but was not as demonstrably supportive of Orym having the sword as Dorian and Chet were. Previously Ashton and Orym have been among each others' biggest supporters, so how does Orym feel about that reaction? Personally, I don't think this will open a rift between the tanks, but it would be bad if it did. Also, Fearne was reluctant to take sides between her two friends. How does Orym feel about that?

For Imogen to return to BH’s room and immediately blurt out that Laudna is knowingly feeding Delilah. Do I think this will happen? No*. If she did do it, might Laudna see it as a betrayal? Probably. Might it ultimately help Laudna? I think it could help to have everyone know what she's dealing with and why she's acting out of character. Plus, while the reemergence of Delilah is a recent event in-story, I am personally ready for the narrative to move on from her being the unaddressed elephant in the room. And BH definitely needs to come up with a plan before Delilah either seizes control of Laudna or Percy sees her form of dread and takes the choice out of their hands.

How is Laudna going to act towards the rest of BH after her absorption of Otohan’s dagger? In her conversation with Imogen at the end of the last episode Laudna said she "didn't mean to...," but that seemed to me to have more to do with Laudna’s fear that she’d damaged their relationship, not any actual regrets about her actions. Will she be immediately apologetic with the rest of the Hells? Will she deflect and try to act like nothing has changed? As in her conversation with Imogen, her reaction may depend on how they act toward her and whether they insist on consequences.

Some push-back or boundary setting from BH toward Delilah and Laudna’s recent actions. Again, I’m not convinced this will happen based on prior experiences and I know they’re about to head into something difficult, but ignoring what’s happening with Laudna has the potential of making that difficult situation even more dangerous. When Ashton tried to absorb the shard, he had about two-and-half to three episodes-worth of consequences and mea culpas. You can debate whether that was warranted, and I know there are strong feelings on all sides there. You can argue that the situations are different, which is certainly true. But Ashton didn’t attack anyone in the party and, intentionally or unintentionally, Laudna did. There's got to be some kind of reckoning with her doing that. It’s not about whose actions were worse, again they are different situations. And it's not about making Laudna suffer because Ashton did, but the whole point of the trust-building exercises was to build a stronger group. This is a setback in that effort and I don’t think it’s just we fans who will draw connections between the two events.

Also, as an aside, I find it funny (in an "Oh look, narrative connections!" not "Ha-ha" kind of way) that both Ashton and Laudna's respective power grabs could have/may have destructive consequences for Whitestone. One up close and the other (currently) at a distance.

For Fearne to question Orym about his pact with Nana Morri. There’s been a lot of fandom speculation around what everyone’s reactions to that will be, so I can’t wait to see how it plays out in-game. I suspect there will be some surprises.

How will the Fearne/Ashton and Orym/Dorian relationships develop? Will the potential for romantic partnerships there change the EXU trio’s friendships with each other?

Let’s go to Aeor everyone! As a C3 fan, it’ll be my first time there but I’ve seen a lot of hints and discussion from C2 fans and I adored EXU: Calamity’s depiction of the Age of Arcanum, so I’m excited about BH exploring the ruins of another city from that time period.

Essek’s reaction to BH’s…everything. To the fight and the tension in the group, yes, but also to just them as individuals. I always enjoy outside characters' impressions of the Hells.

New outfits and character art! Maybe? Hopefully?

Where are the other members of the Cerberus Assembly and where do they stand on Ludinus and his plans?

*I will be very surprised if Imogen tells everyone, but I will not be surprised if she tells at least one person about it telepathically. In the past that person would have been Orym, so it'll be telling if she chooses to confide in him this time. Given the situation, she might go to Ashton, Chet, or Fearne instead and all of them would react to that information in very different ways.

Poor, Unfortunate Soul(s)

🖤 Pairing: Yandere! Self-aware! Twisted Wonderland x Female! Reader

💛 Word Count: 1,3k+

❤ Warnings: -

[Edited]

Do not re-upload my writing to another website or use it without my permission. Also, don’t ask for a sequel unless I like the story enough to write one. Please reblog so other people can see my stories!

***

Just a lil scenario about MC who ‘dismisses’ their existences aka me lmao.

“They’re just a bunch of game characters, anyway. Why should I care so much about them?”

You laughed, unaware of the hearts that you broke within the screen. The thin yet sturdy piece of glass that separated you from the people who thought of you as their world. Their everything. Your friend chuckled, adding salt to the injury. Had she didn’t ask you why you hadn’t logged into the game for days, weeks even, maybe they wouldn’t be so humiliated and disappointed.

But did that mean they wouldn’t know your true opinion on them otherwise?

Maybe ignorance was bliss, because, then, they would’ve kept holding onto the hope for you to come back. To still want them the same way they wanted you. In this world of codes and numbers, you were the one real thing in their lives. You were human. Warm, fleshy, and expressive. And yet, you dismissed their existences so easily just because you both lived in two different worlds.

Did they really mean nothing for you? Were all of your reactions towards them merely a façade? Or a memory so insignificant you forgot about it in the next day?

“Maybe I should just delete the app. It feels like a chore to open it nowadays.”

The sky darkened, the ground trembled, and the thunder rumbled as the result of a certain dragon fae. Was this your true self? Then again, NRC was a school of villains. They shouldn’t be surprised if you, the Player, turned out to be the biggest villain of all. Not even Malleus Draconia could hold a candle to you. Your words alone had the ability to mold and break their spirits. Your touch alone could move them somewhere else and show them how beautiful Twisted Wonderland was with you by their side. And your presence alone gave them a reason to live.

If you were to disappear, wouldn’t that be comparable to death? A slow, painful death where everyone lost themselves in depression and rage, and ultimately, destroyed themselves. In a moment of morbid curiosity, they wondered if that was what you wanted all along. You toyed with their hearts, and when you got bored, you moved onto their lives.

“We… we can’t just let her leave!” A boyish voice, thick with desperation and an even desperate attempt to recompose, shattered the mournful silence. Everyone recognized him as Ace Trappola, one of Yuu’s enviable first friends and troublemakers from Heartslabyul. “We need to stop her! Come on, guys. Are we really going to stop now, after everything we’ve done to reach her?”

“But how?” Leona asked, sounding even more listless somehow. Despite his pride and consent, you’d taken a peek into his past and remained amicable with him. It didn’t matter that it was for the sake of the plot, your vessel, Yuu, still approached him and asked for his help during Octavinelle’s story. Didn’t that mean something for you? For him? “Just because we’ve managed to hack into her phone doesn’t mean we can drag her here. There’s only so much we can do to make her stay.”

Ace flinched, unprepared for the reality to slap him twice.

“I-I don’t know.” He turned to face the Diasomnia gang who, with the exception of the sniffling Sebek, looked as somber as a funeral guest. “Malleus-senpai, Lilia-senpai, you guys gotta know something about bringing someone from another world, right? You guys are the strongest of the strongest. I don’t care if it’s forbidden. There… there has to be a way!”

For a moment, they were silent as though reluctant to admit their lack of knowledge. Ace wilted, his buckling knees threatening to collapse once the severity of the situation settled in.

That is, until Lilia opened his mouth.

“… There is, actually.” he murmured. “But for every soul that moves here, another has to replace them.”

Some of the characters lit up, but the others remained skeptical.

“And I assume it’s for the sake of balance?” Vil mused, crossing his arms.

Lilia’s glance confirmed his suspicion.

“T-then, what are we waiting for?” In a burst of hope, Azul momentarily stopped sobbing. “Let’s sacrifice that person.”

“But who’s gonna be that person?” Jamil retorted.

Everyone fell quiet again, unwilling to be the lamb in the altar of your capricious existence.

“The NPCs ‘live’ when the story is moving.” Idia mumbled through the floating device. His shyness and reluctance for a face-to-face interaction was customary, but nobody could truly see the underworld his sanity was falling at a rapid pace. Still, it didn’t change the fact that he still wanted to see you living among them. Literally. “That means she has to play again if we want to sacrifice one of them.”

“I, for one, would be more than willing to help ‘convincing’ her, if that’s what it takes.” Jade simpered with his eyes closed and a hand over his chest.

“Oui! It’d be a splendid day to see her sublime face gracing us again. The sun would shine warmly, the flowers would grow tastefully, and the birds would chirp merrily!” Rook enthused, jabbing at Malleus’s inadvertent use of magic.

Riddle wiped his teary eyes with the sleeve of his uniform and straightened up.

“Seeing that our Player has slackened in her responsibility to watch over us, it is our duty to set her right.” he declared. “Heartslabyul students, I order you to find this person and bring him here!”

“I-I agree…!” Sebek piped up, still loud as always despite his trembling voice and runny nose. “I shall seize him and send him to that world at once!”

Ever the dutiful one, Silver gripped his baton and nodded. As long as it wasn’t murder without a cause, he’d gladly perform any task like a true knight would.

“Well, if Riddle ordered us like this, who are we to disobey him?” Cater laughed, trying to hide the shakiness of his voice.

Trey pushed his glasses, foggy from the upcoming tears.

“Indeed. But I won’t lie, this is something that I’m looking forward to carry out.”

“For once, you did something right, Ace!” Deuce beamed proudly.

“Oi!”

Jamil glanced at Kalim, who reluctantly nodded. He hated to see people throwing away their lives carelessly, after all the assassination attempts that he suffered through the story. But if it was for the sake of seeing you with them, who was he to stop them?

Floyd grinned happily, but the anger of being abandoned by you darkened his eyes.

“Once she gets here, I’ll be sure to give her a nice, long squeeze as a welcome~”

“Well, Leona-san?” Ruggie asked, crossing his hands behind his head. “Are we gonna boost their morale or something?”

Leona sighed, lacking the irritated exhaustion he usually had. Even he wasn’t immune to the hope that Lilia brought to them, no matter how annoying it was to trust him.

“You better not be disappointing us, Lilia.” he growled. “And you, too, Radish Sprout.”

“I don’t like this.” Jack murmured. “But if this is what it takes to make the Player fulfill her role again, then I’ll do my best to live up to the expectations!”

“I… I will join as well!” Epel stated, clenching his fists resolutely.

“Look, Brother!” Ortho chirped. “You managed to bring them all together. That’s so cool!”

Idia muttered something, but the younger boy was too engrossed in their touching cooperation to notice.

Sunlight finally dispersed the dark clouds, mirroring their spirit. Malleus took a step forward with his chin raised in determination.

“Then, I shall assist Lilia with the magic.”

You said you didn’t care about them?

Well, they would make you care.

I believe this is the tiktok op is talking about. For those who don't feel like opening the link, here's what it says:

This is yet another case of Alicent stans being pissy when confronted with the truth of her character and taking it out on Rhaenyra. The poster of the tiktok is simply pointing out Alicent's hypocrisy and how readily she sacrificed her daughter for her ambition.

Apparently op believes Rhaenyra stans are making up actual facts of the story? I know they didn't read the book, but did they even watch the actual show? The main reason why Rhaenyra is seen as a better mother than Alicent is because we actually see how they treat their children.

Alicent takes every opportunity she has to instill treason into her sons. She teaches Aemond that Rhaenyra's sons are below him and constantly yells at Aegon that he's the "true heir". She actively allows Aegon to bully Aemond, as long as he does is in private. She full on physically assaults him when she thinks he's being too disgraceful in public.

With Helaena, it doesn't really matter how nicely Alicent treated her. Ultimately, Helaena is treated by her mother as a method to support Aegon's claim and give him "true Targaryen" heirs.

In the show, this is made even more disgusting because Alicent herself was forced to marry at a young age and have children she didn't want. She forced her only daughter to marry Aegon, who bullied and demeaned her, at fucking thirteen, this likely being when Helaena started menstruating. That's not being just a "flawed mother", that's a woman sacrificing her daughter in the name of blind ambition and treason.

I'm sure Alicent did love her children, in her own demented way. But she didn't love them enough to spare them from her and her father's ambitions. Alicent sacrificed each of her children for the throne and lived to see them all die for it.

Rhaenyra loved her children more than anything, part of the reason she fought so hard was for them. She knew Alicent's psychopathic sons would kill them if she surrendered. Every scene of Rhaenyra and her children, we see how much she cares about them and how tenderly she treats them. No, Rhaenyra isn't a perfect mother, but her sons never doubt for a moment that she loves them.

Not to mention that Rhaenyra actually respects their opinions, she included Jace, Luke, and even Baela and Rhaena in her war councils, and takes their opinions seriously. Alicent doesn't listen to her daughter or treat her like an adult. Aegon she drags around like a reluctant chess piece, one she beats because she can't deal with the the fact that she raised a rapist, but doesn't actually care enough to not make him the most powerful man in the realm. Aemond she treats as her emotional support, which is interesting given how completely unstable the guy is.

Op is another example of how Alicent stans don't actually like Alicent as a character, they like her aesthetic and victimhood. They hate how Alicent actually is written and lash out at anyone who points out who she really is.

First Half of Miraculous Season 2 Done. Here's my thoughts:

The Collector: A pretty good start! They made the teens smart while still being dumb teens!

Despair Bear: Chloe needs a therapist, arguably moreso than a redemption arc and especially a downward villainous spiral. Also Dangit Grandpa

Prime Queen: Wow, this was a lot more chill than expected. Even Cat Noir was left aghast at what Nadja was doing, Nadja seemed to be pressuring Ladybug and Cat Noir more for views than anything else, and I'm not entirely sure Akuma personalities can be trusted.

Befana: Fun fact: This was the episode that got me into Miraculous in the first place because of how shocking it was. And then I discovered even more. In hindsight from watching the other episodes, it was relatively darker, but mostly because it's Marinette's friends and family that are getting G-rated killed instead of random civilians like every other episode.

Riposte: Kagami is here! I don't see too much chemistry with her and Adrien yet, but she's cool and I like her and feel like I could be friends in real life. Also this feels like a relatively uncommon trope, but I wish "X is blatantly a woman but no one notices" was spedran through by someone with brains.

Robustus: Pretty good, all things considered. From what I've heard about Miraculous lore, creating sapient or at the very least semi-sapient AI isn't that uncommon for weirdness hotspots, and I'm putting Max in the list of characters I think should have figured out Ladybug and Cat Noir's identity. (There's four now!)

Gigantitan: It turns out my favorite parts of Miraculous are the slice-of-life bits instead of the superhero bits the show is about! We got to see more of Marinette's friends! Alix! Mylene! Julie! The Eeby Deeby herself! Also it was really sweet to see Adrien's bodyguard calm down just by looking at the kid. Adrien's true daddy.

Dark Owl: No wonder these two aren't allowed to know eachothers' identities, considering how much of a loose tongue Marinette has!

Glaciator: Alright, it's finally time to talk about the sins of Marinette and Cat Noir, considering the fan content I osmosed before watching the series was heavy salt stuff, and I wanna see how much it holds up. So far Cat Noir has acted as if he's already dating Ladybug previously, and in this episode he got mad at Ladybug for not showing up at a date when she herself said she might not come due to having other plans. Isn't he supposed to be used to not-showing-up disappointment as Adrien due to his dad? Is it different because he's Cat Noir? Is this a breaking point? No matter, he eventually calms down and is ultimately the less bad member of the relationship. Marinette, meanwhile, doesn't have as many misdemeanors to her name but they're a lot worse. She stole Adrien's phone to get rid of an embarrassing message and got away with it too, what the hell, and also owns the schedule. Although I don't believe she stalked Adrien and made it herself due to how busy she is as both Marinette and Ladybug, that's just weird and wrong. I'm reluctant to call her a stalker, but her actions are still wrong. Ultimately, this relationship is going to need a lot of therapy and counseling to not crash and burn. What were we talking about again? Oh yeah. The ice cream episode. I think the ice cream guy can be wrong and he doesn't understand that.

Sapotis: Silly little fun episode, also it introduces the first new Miraculous holder! I'm honestly fine with it so far if it means more screentime for side characters. I honestly really like seeing Marinette's classmates. They're neat. Also I was this close to putting Alya on the list but she proves time and time again that she doesn't actually know Ladybug's identity.

Gorizilla: In this episode we are introduced to Adrien's deranged parasocial fanbase. I'm starting to understand some of his father's decisions at this point. This is what I was talking about with the schedule, by the way. These obsessive stalker creeps make Marinette look reasonable, and I wouldn't be surprised if the one guy who I'm pretty sure becomes Party Crasher discreetly stalked Adrien to get his schedule. Restraining orders need to be filed.

Captain Hardrock: One of the funniest episodes, up there with Dark Cupid. Also Luka is here! And he already has great chemistry with Marinette! And more Rosie and Julie content even if it's crumbs!

Morpheus’s known lovers

SPOILERS FOR PLOT POINTS OF THE SANDMAN COMICS!

Killala of the Glow: Before Earth sustained life Morpheus was lovers with an alien woman named Killala.  Killala was one of the founding members of what would become The Green Lantern Corp.  She had the power to manipulate and shape green light into tactile forms, which her people called The Glow.

Morpheus asks her to accompany him to a sort of convention where The Endless and several stars (in anthropomorphic form) gather for a meeting. Morpheus neglected to tell Killala that he is the living embodiment of dreams. She thought he was just an alien with the power to manipulate dreams.

When she learns his true power and identity she is frightened.  And thanks to Desire’s machinations she falls in love with the star / sun of her own world.            At this very same meeting we see Glory of the First Circle (probably an aspect of The Presence AKA God) talking about the creation of Faerie.  Despair is also talking to Rao (The sun / God of the planet Krypton) as Rao is reluctant to sustain life. Despair tells him how “beautiful” it would be if the unstable planet eventually died and one survivor was left to grieve.  She did not know it yet but she accidentally set into motion the creation of Superman, DC’s ultimate symbol of Hope.  Destruction always had a theory that each Endless was really a thing and its opposite.  Death is also present at births and her sigil is the Egyptian symbol of life. 

When Morpheus sees Killala in the arms of her new would-be lover he is very hurt.  He goes to confront Desire who taunts him that by saying that by now they have done a lot more than just kiss and that he (the star) now probably knows every crevasse of her body.  This causes the first falling out with Morpheus and Desire as ironically, at the start of this story, Morpheus was very happy and praised Desire for bringing him love.

Source: The Sandman: Endless Nights.

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Alainora:

Thousands of years ago some Lovecraftian old Gods invaded The Dreaming. Morpheus was captured and chained up in his own dungeon.   He tried to scratch his siblings sigils into the wall to call to them for help. One by one they refused as they were much prouder and meaner back then.  He was reluctant to call on Desire so he tried Delight first only to find out she is in the middle of “changing.” (Becoming Delirium).  Morpheus reluctantly calls to Desire who sends him a lover.  This is a being of light that Morpheus calls Alianora (She had no name). Alianora rescues Morpheus from the dungeon and helps him fight the invading entities.  She gets a scar on her cheek from the battle.  From the bones of these entities (Lovecraftian style Old Ones) Morpheus made his helm and the gates of horn and ivory.  In the new Sandman TV show you can see the Alianora story from The Sandman: Overture carved into the gates.  For a while Morpheus and Alianora were happy but eventually Morpheus started to neglect her because he was distracted with his work. She decided to leave him but her previous life was long over. She could not return to where she came from.  So Morpheus gave her a skerry (a fairly large island) in The Dreaming that would later be called “The Land.” And he gave her a dreamstone made of rose quartz, enabling her the power to govern the island as her own.  Like her own mini-Dreaming within The Dreaming.  This dreamstone is what Barbie calls The Porpentine. In The Sandman A Game of You the Rose quartz Dreamstone is finally destroyed and Morpheus re-absorbs all of The Land and its characters back into himself.  He meets up with Alainora’s ghost and he tells her that long after she left The Land became the creative domain of many young women.  This indicates that The Land was also Oz, Alice’s Wonderland, perhaps even The Labyrinth from Jim Henson’s The Labyrinth, etc.  She bows to him and then leaves in peace.  Alianora’s ghost again appears during The Sandman The Wake to speak at Morpheus’s Wake.

Source: The Sandman: A Game of you, The Sandman: Overture, and The Sandman: The Wake.  _____________________________  

Nada:

It's not a very good story.   That is to say, it's not a kind story.  The show didn't establish very well that Morpheus's form changes based on if a person has a different cultural view on their Dream deity.  In Nada's culture Morpheus was Kai'ckul.   It has roughly the same meaning as Morpheus.  Nada was the Queen of an ancient African people 10,000 years ago and she had never seen a white man so that is the form he took for her.   The Endless have no true forms. They just take human-like form for us mortals. Nada had seen Kai'ckul (Morpheus) looking up at her one night and "fell in love with him."  She went on a quest to find him like out of a fairy tale.  She even runs into Cain killing Abel, who also appear as black men to her.  And she eventually made her way to Morpheus. All seems Happily Ever After until she realizes he's an Endless and her people believe it is forbidden for a mortal to be with an Endless.  She flees from him and (This part's gross) uses a rock to de-virgin herself, thinking it would ruin his attraction to her.  When he finds her he tells her that her physical body does not matter to him.  He heals her and they end up making love.   At first they are very happy but then disaster strikes.  A meteorite apparently hits her kingdom, destroying it.   She believes this is punishment because a mortal is not supposed to love an Endless.  Weirdly though we never see anything like this happen to any of Morpheus's other lovers (He's had six lovers that we know of).So she tries to flee him, deciding they cannot be together.  He doesn't take no for an answer.  He wants her as his queen.  She throws herself off a cliff but dying does not stop him.  He's hurt and angry that she would kill herself rather than be with him and he tells her ghost that he will ask her three times to be his queen and if she refuses the third time he could condemn her soul to eternal torment.   She begs him not to do that, because she believes she has to say no. That's the back story.  This is perhaps the worst thing Morpheus has ever done.  In The Sandman Season of Mists Death makes him realize he was in the wrong and he goes on a quest to rescue Nada and apologize to her.   I think the show is delaying on revealing the details of this story so the audience doesn't hate him out right.   Until his "Time Out bubble" Morpheus used to be something of an asshole.  The majority of The Sandman is watching him grow and become more and more human, compassionate, and setting right the wrongs of his past. Nada's story is the issue called "Tales in the Sand."  Morpheus making amends is in The Sandman: Season of Mists.   I hope the show still lets her accept his apology.  Modern audiences might not go for her forgiving him after what he did but her forgiving him is necessary because it teaches him to accept being forgiven.  And leads to him apologizing for other wrong-doings. In the audio drama her story is in The Sandman: Act 1.  In the trade paperbacks it is The Sandman: Volume 1, Preludes and Nocturnes.  It used to be in Volume 2 back in the early 90s but has been in Volume 1 for over twenty years now. Later when Morpheus learns he was wrong he goes to try to rescue Nada but Lucifer is shutting down Hell and leaves Morpheus the key to Hell just to mess with him.  Morpheus ultimately gives the key to two angels, Duma and Ramiel. Azazel had Nada and Morpheus rescues her and Choronzon (despite previously challenging him) from Azazel.  Morpheus apologizes to Nada for how he treated her (after a well deserved slap from her) and he helps her to reincarnate into a Chinese baby boy.

Source: The Sandman: Tales in the Sand, The Sandman: Season of Mists, The Sandman: The Wake.  

_______________________  

Calliope:

Calliope is one of the Greek muses who inspire creativity.  Morpheus loved her enough to marry her and they had a son, Orpheus.  

Orpheus is the musician who went down into The Underworld to rescue his wife from the afterlife. Hades said he could take her but only if he did not look back at her until after he was back in the land of the living.  Orpheus got nervous and worried that he was tricked so when he neared the exit of The Underworld he looked back and his wife was pulled back from him for his lack of faith in Hades’ word and distrust.

Later Orpheus was ripped apart by worshipers of Dionysus.  Immortal and just a severed head, Morpheus sent some priests to look after Orpheus.  Morpheus would not directly contact his son because after Orpheus’s wife died he had lashed out his father for not helping bring her back and Morpheus (being an asshole at the time) pride was wounded.   Morpheus would not reconcile with his son until The Sandman: Brief lives where he would help euthanize Orpheus who has wanted to die for several thousand years now.

Morpheus and Calliope’s falling out was over how he treated Orpheus during the entire saga of Orpheus trying to get his wife back.  Thousands of years later, much like Morpheus, Calliope was captured by mortals.  Morpheus, fresh from his own captivity, actually came to her rescue and tormented her captor with a curse of obsessive creativity until he let her go. The man was so obsessive in his writing that he ruined his own hands.  Once the man freed Calliope Morpheus removed all of the man’s creativity, leaving him ruined.

Source: The Sandman: Calliope, The Sandman: Song of Orpheus, The Sandman: The Wake.   

_____________________________

Titania:       

Titania is the queen of the faeries and married to Auberon (Oberon).  Apparently she and Morpheus had an affair.  

___________________________ 

Thessaly:

Thessaly is a two-thousand-year-old (or so) ancient Greek witch.  She looks like a roughly college age young woman but is actually quite ancient.   She was one of the famous Thessalian witches.

Thessaly accompanied Barbie and her friends on the adventure that lead to the destruction of the rose quartz dreamstone.  Thessaly is kind of cold hearted and may represent who Morpheus was before his captivity.  She’s powerful and selfish. She even dumps Morpheus and tells him that he cares too much about people.  Morpheus was so upset about this relationship that he caused it to rain for weeks in The Dreaming when she left him. But he was being over dramatic and having a bit of a tantrum. 

Later Thessaly betrays him to The Kindly Ones for some of her own sins to be overlooked and to extend her already very long life.

____________________________

Lucifer:

Maybe?!??!?

He knew him when he was still an angel.

Lucifer is the now-former ruler of Hell

__________________________  Bast: Crushed on Morpheus but they were never lovers.   She is an Egyptian Cat Goddess. 

 __________________________ 

Nuala: Crushed on Morpheus but they were never lovers.  Nuala is a faery who was given to Morpheus as a present. Though Morpheus is opposed to slavery he had no choice but to accept the “gift” lest he offend the fae court.  Eventually he paid her with a boon. 

re: Story of Kunning Palace. If we get into Themes of the Novel...

I can see why Xei Wei is positioned as her ultimate romance.

The story seems to be a character journey for FL. Part of this jouney is coming to terms with herself and not just being "redeemed" but FEELING redeemed. Look at her conversation in jail w Yan Li. I'm bad, she says. It's something she still believes.

JX enters the story thinking of herself as unworthy of ZZ and in her mind, getting to be accepted & loved by him would be a barometer of goodness. But that's not what she NEEDS. She doesn't need a gold star blessing from a paragon of justice. She needs to accept the ugliness of her past and her imperfections and be able to live with it, to no longer be ashamed. As trite as it sounds, she needs to learn to love herself.

Look at this MTL passage from the novel, on the barrier between her & Xei Wei in her 1st life....

No one knew that the reason why she didn't want to learn the qin after entering Beijing was because of Xie Wei.

Four years ago on the way to Beijing, Xie Wei was holding a qin. She thought this man was really a distant relative of the Jiang family, he was dressed in white clothes, he had nothing but a qin, and he looked sick. Although he was in the same vehicle as her, he didn't like to talk to others, and closed his eyes most of the time to rest his mind. Only when he stopped occasionally in the middle of the journey, he would touch the qin.

Jiang Xuening didn't understand, and she didn't like him either.

Only then had she learned her true background, and knew that there was a "sister" who was praised by everyone in the family. She was afraid that she would be looked down upon by the maid who came to pick her up in Beijing along the way. One has to put on the posture of a young lady, for that humble and pitiful "self-esteem".

Young ladies are all condescending and domineering. Therefore, she was also superior to others and bosses them around - and "others" included Xie Wei.

She grew up in the countryside and didn't learn any rules, but this person had rules when walking, sitting and lying down; whether it's the posture of holding chopsticks when eating together, or when leaning in the carriage for a nap, he was always in order. It hurt her to see it. At that time, she felt that this man was shabby but still carried himself well.

It was only after a long time that she was willing to admit that the reason why she felt uncomfortable was because even if she didn't understand, she could still feel the difference between cloud and mud. And this difference is exactly the difference between her who grew up in the countryside at that time and the bustling capital she was about to arrive in.

But people are always reluctant to admit such truths.

Even after she became a queen, she didn't want to see Xie Wei, and Xie Wei's name was always associated with the qin, and she didn't want to see one.

When she was most terrified and miserable in her life, she was seen by this person. As long as she saw this person, she would think of that past.

And this was what she tabooed the most in her previous life.

Who knows what Xie Wei thought of her at that time? Today's empress was just a country girl who wore a dragon robe and didn't have the look of royalty.

As long as she thought about it, she felt embarrassed, so Jiang Xuening always just told herself that this past does not exist.

The insightful Xie Wei probably knew what she was thinking. Even though he had a high status in the ruling and opposition parties, and frequently goes in and out of the court, he rarely appeared in front of her, and never mentioned it.

As for the scar on her wrist, she asked the imperial doctor to prescribe a prescription, and carefully applied the medicine for two years, and it disappeared completely.

// What i can't stop thinking about is Xei Wei telling her in the drama that he liked the miss ning'er that met during that journey. The girl she was so ashamed of in her first life (before she realized there are worst things to be). He thought she was unpolished jade and was upset to see her sink into the habits of a cold hearted noble in the capital.

She misunderstood him but more importantly she misunderstood herself. She repressed the parts of her that didn't fit the lifestyle she was trying to gain. But in her 2nd life she no longer feels the need to fit in with the other capital nobles, to take back from her sister, to climb the imperial harem. Letting all sides of herself free and meeting Xei Wei head-on is thematically important.

Group H, Round 5

Propaganda under the cut

Medea

Her husband divorced her so to get back at him she burned his new bride alive, murdered her own children and casually escaped justice in a chariot pulled by dragons and *made from the sun.* She is iconic and I love her.

propaganda from @apollosgiftofprophecy

Princess with Phenomenal Cosmic Powers, granddaughter of the Titan of the Sun, Helios, and Priestess of Hecate, the literal Goddess of MagicStarts out a classic fairy tale (with a few murders in the mix for flavor)Jason (the man/husband she sacrificed EVERYTHING for) thought it would be totally alright to cheat on his sorceress wife with some princess and - double whammy - he planned to keep Medea as his mistress after he married this random princess!When she confronts him, he shows his true colors as a world-class bastard and she reminds him that he's only still alive, and only completed his quest for the Golden Fleece, because of her. (WHICH IS TRUE)To get back at him, Medea orchestrates the death of said princess (and indirectly the king's too, whoopsies :) ) by sending a beautiful dress for her that was laced with poison that caused the princess to catch on fire, and also killed whoever touched her (the king)She then murders her and Jason's two kids (after some emotional dilemma because she actually cares about them while Jason Does Not) and exits the kingdom In Style - how? Like this:Rises into the air on a golden chariot pulled by dragons given to her by Helios When Jason says the gods with avenge him, she tells him "lol, good luck with that oathbreaker!" and flies off into the night Like A Bossa little more context here: Jason's godly patron was Hera, the literal goddess of family and marriage. And he was going to abandon his children and break his vows to Medea.Also, she never is punished for any of this stuff, meaning her actions have the (reluctant :) always good to be morally gray) approval of the gods. She's one of the only nuanced female characters in Greek Mythology, and by god is she interestingThis, my friends, is why Medea is the ultimate Gaslight, Gatekeep, Girlboss.

Ianthe Tridentarius

She is trying so hard to be the main character by lying and manipulating her sister, her cavalier, her mentor, her ?love interests? (Spoiler???) And also god. Not sure how it's working out for her but she does love to lie and manipulate

Worstie Ianthe is the DEFINITION of gaslight, gatekeep, girlboss. She is one of a set of necromancer twins that are the heirs to their houses rule. Except wait, only she is a necromancer and she has spent their entire lives doing necromancy for the both of them. She is constantly mean to their cavalier, Naberius, who she occasionally nibbles on like a chew toy, before eventually killing and eating him to ascend to sainthood. She goes to gods spaceship with another woman who ascended to sainthood who she has a crush on, this other woman is like…. Both incredibly mentally unwell and also haunted by at least 211 ghosts. Ianthes method of flirting with her? Gaslighting her about the corpse that keeps moving around and hiding under her bed. For no real reason tbh. She is clearly plotting to overthrow god, and at the moment that consists of her manipulating him while he’s too sad about his long term partners betraying him and subsequently exploding to really care. She dresses in terrible outfits and makes soup by burning onions to the bottom of a pot, putting meat in and some vegetables and then it doesn’t taste like anything so she puts in a few teaspoons of salt so it tastes like a few teaspoons of salt. She had her crush amputate her arm and regrow her a new one out of bone and it’s one of the horniest things I’ve read in my life.

"Gaslight = told her lobotomized (she helped), schizophrenic girlobsession that there was no corpse under their bed, even tho there totally was. Gatekeep = girl did NOT share the secret to god-like ascension. She kept that shit to herself until it was time to eat her boytoy, and by then everyone knew already. Girlboss = she has a non-necromancer twin sister, and literally Everyone thinks they r both necromancers because Ianthe is so good at it. She reverse engineered ascending to the aforementioned ascension without even completing any of the supplementary tasks. She held her own in a fight against a 10k year old lyctor. She becomes the figurehead of her entire empire. "

She uses a man as a chewtoy in the first book, literally gaslights the protagonist of the second book about a corpse, and elder-abuses God when he gets depressed in the third book. Nobody is doing it like her.

Dives headfirst with no regrets while basically laughing and covered in blood into murdering her cavalier once she realizes what the gothic locked room mystery/competition leads to while everyone else is questioning it, helps perform lobotomy on harrow so she doesn't remember the person she loves, manipulates everyone to get to the top

idk just everything about her

her relationship with her sister is incredibly Bad, she fosters codependency and views Corona(the sister) as an extension of herself. This does not stop her from keeping up the con that Corona actually has magic (She doesn't, it was always just Ianthe) for 22ish years and every single person who interacts with them falls for it. She killed a man against his will (most dying for this purpose specifically go willingly) and she consumed him and she will be burning his soul for eternity. She's completely repulsive and still somehow incredibly hot.

she takes advantage of the fact that the main character is prone to hallucinations. at one point she gaslights the mc into believing that the corpse under her bed isn't real just because she can. she reverse engineered a set of very complex trials on her own without anyone realizing she had the skills to complete them normally. she's also babysat god through his drunk and pathetic era.

Artist: @marceline2174 (instagram)

December 2023 Reading and Reviews by Maia Kobabe

I post my reviews throughout the month on Storygraph and Goodreads, and do roundups here and on patreon. Reviews below the cut.

The Priory of the Orange Tree by Samantha Shannon 

Despite how much promise there is in the premise of this novel I was ultimately fairly disappointed by it. I'll start with the positives: it's set in a diverse and creative fantasy world with multiple different countries and cultures. It has several queer characters, including one of the four POV characters. It has dragons, even though I think they were severely under-utilized. It is also far too long, and astonishingly, nearly every scene in the book felt rushed. I think it actually had too much plot; if I had been editing this book I would have suggested the author cut one of the POV characters and use the freed-up space to flesh out the queer love story, which was the emotional heart of the book. This book is marketed as adult fantasy, yet whenever a character is in serious danger they are nearly always rescued by a talking animal with super-speed abilities. Choices like this book made the book read younger than I expected. It also suffered, perhaps unfairly, due to the fact I read a book with a much smarter and more interesting use of dragons, human/dragon cultural tensions, and dragon politics earlier this year: Seraphina by Rachel Hartman, which I would recommend over Priory any day of the week.

Red Paint: The Ancestral Autobiography of a Coast Salish Punk by Sasha taqʷšəblu LaPointe

Sasha taqwšəblu LaPointe is a Coast Salish poet and punk who digs deep into the lineage of women in her family searching for connection, strength, and healing. While writing a Master's thesis, LaPointe opened the door to memories of a childhood sexual assault, precarious runaway teen years, and the intergenerational trauma that affected all of her family after the colonization of the Pacific Northwest. The memories that surfaced shattered her life. The path to picking up the pieces was slow, and involved traditional healing ceremonies, friendship, writing, music, and multiple journeys to places where her female ancestors once lived. I found this book very quick and easy to read despite the often heavy subject matter (it also includes a divorce and a miscarriage). Some passages are quite beautiful, but the author was an emotional mess for most of the time period she recounts and behaved in some questionable ways towards many of those around her. It ends on a hopeful note, and I would recommend it, especially to people with connections to the PNW area, while keeping the content warnings in mind.

Golden Fool by Robin Hobb read by Nick Taylor 

I hardly even know how to talk about this book because I loved it so much. It's a rich, nuanced, painfully human follow up to the earlier Farseer trilogy. I am amazed at how deftly Hobb wove the narratives of her characters across three decades of their lives and counting. There's Fitz, the royal bastard and reluctant assassin, who we first met at age six. Now in his mid-thirties, he is finally exploring his magical talents, teaching, learning, and taking more and more misfit young people under his wing. There's Chade, who we first met at a mysterious and wise teacher- now he's a royal advisor, and his hunger for power and influence might yet take him down a very dark path. There's Kettricken, who as a teenage princess was engaged to a stranger, now grown into a powerful queen bent on changing her kingdom for the better. There's the Fool, whose multiple identities are threatening to collapse as more and more of his prophesies come true. And Burrich, Fitz's adopted father figure, who in his anger and grief disowns a son who reminds him too much of his past. All of these characters feel so deeply rooted in their own histories, traumas, choices; I care so deeply about their lives and see so clearly how the twists of fate led them to where they are now. This is seriously one of the best fantasy series I have ever read, and I highly recommend anyone who loves long form fantasy to go back and pick up book one, Assassin's Apprentice.

The Well by Jacob Wyatt and Choo

Lizzy lives with her grandfather on one of many small islands in an world plagued by mist and monsters. Her mother, father, and grandmother all died fighting against the leviathan that used to threaten the seas between the islands; Lizzy has heard the stories, but never knew any of them. Her daily concerns are with goats, the market where she sells their cheese and milk, and her crush on a girl who works the island ferry. Magic doesn't regularly touch her life, except when she foolishly steals three coins from a wishing well, and is then tasked with completing the three wishes that are bound to them. This story has much the feel of a fairy tale with it's orphaned protagonist, three wishes, three tasks, and characters who are often more archetype than fleshed out people. But it manages a sweetly emotional ending and simple but lively and effective illustrations.

The Secret Lives of Country Gentlemen by KJ Charles read by Martyn Swain

Set in England during the reign of King George the third, this historical romance delivered a satisfying amount of plot along with the spice. Gareth is the son of a Baronet, but grew up with none of the privilege of that position having been send away from home after the death of his mother during his childhood. He works as a law clerk in London with few connections, no friends, and nothing much to recommend him. He seeks companionship at a tavern that turns a blind eye on the illicit sexual activities of men in the upper rooms. There he meets Kent, a working class man from Romney Marsh, with whom Gareth sparks an intense and intimate connection. Then it falls apart. Gareth is sacked from his job. He fights with Kent. His father dies unexpectedly, and Gareth is summoned to a manor house he hasn't seen in years to take on the responsibilities of a title, including the care of a teenage half-sister and his father's mistress. And by chance, the house Gareth inherits is in Romney Marsh, home of many waterways, pastures, smugglers, and also Kent, his former lover. I enjoyed the dynamic between the two romantic leads, and the crime plot which entangled both of them. If you are interested in R-rated M/M romance with action adventure and danger, I'd definitely recommend this series and also KJ Charles' Will Darling series.

Subtle Blood by KJ Charles read by read by Cornell Collins

A very satisfying installment in the Will Darling adventures! If this is the final book, I am happy with where it's left the characters, but it does also leave the door open for more. If you enjoy spicy M/M romance with a hefty side of action/adventure, this is a great series. It kept me company through a week of holiday cleaning, cooking, and baking, and I think it's my favorite yet from the series.

Death Strikes: The Emperor of Atlantis by Dave Maass & Patrick Lay

This comic is grim, funny, gory, and darkly poetic. It's impossible to read it without an awareness of the history of the script, which is based on a suppressed opera written in 1943 two prisoners at the Terezín concentration camp in Czechoslovakia. The authors did not live to see their play performed. Maass and Lay have done an impressive job transferring a story meant for the stage into a comic. The stars of the show are the characters of Life and Death who narrative and frame the story of a paranoid dictator in the fictional nation of Atlantis and his reign of terror against his own citizens.

The Cliff by Manon Debaye

This was beautifully illustrated but too sad and violent for me to enjoy reading. It's the story of a dysfunctional middle school friendship between two unhappy girls who make a suicide pact. This story will really hit for some readers but it wasn't for me.

Walkaway by Cory Doctorow 

I really enjoyed this book, even thought I think it's more interesting as a collection of ideas than as a novel. The characters in the first third felt somewhat flat, and the dialog is often delivered in hefty paragraphs with minimal dialog tags. But the story picks up in the second half and by the end I was reading it daily in big chunks. The concepts this book explores are what really shine, especially the idea of walking away from capitalist society and living in self-sustaining communities without formal governments or laws. This novel contains some future technology which we don't currently have today including 3D printers which can print food, clothing, and building pieces for vehicles and housing and also internet interfaces implanted into people's bodies which allow them global network access from anywhere almost all the time. The nation state of Canada also seems to have fallen before the start of this novel, as most of the characters end up walking away from the US into northern Canada to find these alternate communities. I liked seeing Doctorow play out the clash between on faction wanting to run a group house as a meritocracy versus another group committed to allowing all members to work as much or little as they want to or can, for example. The book does not shy away from showing the violent crack down of the existing governments on these alternate communities. There are major character deaths. But the other big theme of the book is exploring the digital scanning and uploading of human consciousnesses to the web allowed people to walk away from death.

Evangelion: 3.0+1.0 Thrice Upon a Time Ending: Shinji's Happy Ending?

It's great to hear that the ending of "Evangelion: 3.0+1.0 Thrice Upon a Time" provides fans with a long-awaited sense of closure and happiness. The resolution, with Shinji creating a new world, free from the conflicts of Angels and EVAs, and finding stability and happiness with Mari, represents a significant departure from the darker and more complex themes of the series. Though it seems completely out of left field that Shinji would end up with Mari, it actually works out.

Shinji and Rei

Though Rei is good to Shinji and is affectionate toward him, this is mixed in with her being created from his mother's DNA and her lack of autonomy. The genetic connection between Rei and Yui brings an inherent familial bond. If romantic feelings were to develop between Shinji and Rei, it could be interpreted as having incestuous undertones, as Rei essentially shares genetic material with Shinji's mother.

Opting for a platonic or sibling-like relationship helps navigate the potential uncomfortable implications of the genetic connection, contributing to a more emotionally stable and healthier friendship between them in the context.

Shinji and Asuka

As Neon Genesis Evangelion is meant as a deconstruction of anime tropes, so is Asuka and Shinji's relationship a darker take on tsundere romance stories.

Asuka's blunt and abrasive demeanor serves as a defense mechanism, masking her own insecurities and traumas. This can make it challenging for Shinji or anyone else to easily discern her true feelings, creating a barrier to establishing a healthy relationship.

Asuka's pride serves as a defense mechanism, shielding her from potential emotional pain. By projecting confidence and superiority, she attempts to avoid vulnerability and rejection. This can be seen in her reluctance to open up to others and her tendency to mask her true feelings.

Shinji is totally unable to give Asuka affection on the terms she wants ("You won't even hold me!") and only goes to her to assuage his own pain. Likewise, Asuka is only ever able to give Shinji tough love (Shinji: "Doesn't everyone hate me?" Asuka: "You idiot, you've just gotten that in your head by yourself!").

Shinji and Kaworu

Kaworu, though wanting to make Shinji happy, does so at the cost of his own happiness. Their relationship becomes a focal point, as Kaworu becomes the first person to genuinely understand and accept Shinji without judgment. However, the complexity arises due to Kaworu's true nature as an Angel and his ultimate mission conflicting with Shinji's role as an EVA pilot.

Though it's admirable that he's willing to help Shinji through his problems and even teach him how to play a piano, his self-sacrificing nature and his Shinji-centric matyrdom would make any relationship beyond the platonic self-destructive in the long run. A romantic relationship with Shinji would be overshadowed by the knowledge of Kaworu's eventual sacrifice, introducing an inevitable and heartbreaking element.

Why Mari Would Be The Best Choice For Shinji's Future?

Rei's true nature means she and Shinji can't be together. Shinji and Asuka confess their feelings but decide they've hurt each other too much and grown too far apart for a relationship. Kaworu realizes he threw himself so far into trying to help Shinji, he forgot himself along the way. In contrast, Mari represents hope for a new life in a new world, as her relationship with Shinji will be unburdened by the past.

This choice in the narrative may reflect the film's theme of moving forward and finding happiness, as Mari is portrayed as a character with less emotional baggage from the series' past. Her energetic and eccentric personality contrasts with Shinji's introverted nature. Their dynamic could bring a positive and lively influence into Shinji's life, potentially helping him break free from his emotional struggles.

Ultimately, the choice of Mari as Shinji's future companion reflects the film's thematic emphasis on moving forward and finding happiness. While interpretations may vary, Hideaki Anno's decision to set Shinji with Mari offers a unique perspective on how characters can evolve and find solace in new relationships.

Can we know more about Eden's trauma? I'm so into their story

Good question, anon :] tbh I've been pretty reluctant to go into too much detail about Eden's past on here, since even though he's a fictional character, the stuff that happened to him is more along the lines of "realistic fiction" - meaning that the mentioned events *can* occur in real life - and therefore could trigger real people who might've experienced anything similar.

BUT I think it should be fine, so long as I add a trigger warning. // TW for talk of: physical abuse, domestic violence, verbal abuse, death while in labor, murder, alcoholism, & a brief mention of hypothetical miscarriage. If any of the things listed trigger you, maybe don't read this one to be safe, ight? The short & sweet version is that Eden's father and stepmother are some stank bitches. and Eden's sister, Forrest's mother, & Eden's adoptive grandma are queens.

If you stuck around, here we go. (This is SUPER long, so I'm sorry ab that) Eden Ash Harmon's birth - February 5th, 2000 - was a long, painful, & ultimately fatal one for his mother, Lauren May Harmon. various complications occurred, and she ended up not even surviving long enough to get to see him draw his first breath. His father, Troy Harmon, was devastated over his wife's passing, and overwhelmed by the prospect of not only becoming a new parent, but now becoming a single parent. He had to grieve, whilst trying to raise Eden. which was even harder, because he was born prematurely and of course, smaller and weaker than normal, so he required a lot of extra care. This took a serious toll on him, and Troy began to unfortunately rely on alcohol - a reliance which only got worse over time, and developed into just alcoholism. By the time Eden was just three years old, his father had grown to resent him, and blame him for all of the struggles he faced. and by the time Eden was 4, he'd unfortunately begun expressing his resentment aloud. He'd say really nasty things like how he wished Lauren had just miscarried instead of giving her life to birth Eden, because he'd rather have his wife back than have Eden. To Eden's face. Both drunk, and sober. Making sure Eden knew exactly how much of a "burden" he was. Which, of course, was really harmful. Troy was also physically abusive toward him, doing things such as putting out cigarettes on his skin - the burn scars of which Eden still has to this day, though they're now more faint. Then, one day Troy brought home a woman called Sharon, and introduced the two to each other. It wasn't uncommon for Troy to bring women home for one-night-stands, but come to find out, Troy and Sharon had actually been dating for around three months before this introduction. Eden, at first, was honestly excited. He thought this meant his father would be happy again, and he may get a mother.

The first part seemed true for a while. Troy was much calmer than he'd previously been, but that didn't last. because Sharon soon got pregnant. Now Sharon was originally indifferent towards kids for the most part, and because of this, didn't become too close with Eden at the time, but she found herself wanting to keep the baby. The news of the pregnancy triggered Troy, and sent him into a panic. all of the memories of the day Eden was born and he lost his first wife, came flooding back. He didn't know how to handle this properly, and started to behave aggressive towards Sharon too, as he had with Eden. He hadn't physically hurt her, but he was getting close to it (think, punching walls or throwing things - aggressive hand gestures, etc.) and it soon dawned on Sharon that the home was not safe anymore.

So, she planned to leave without telling him. Eden himself still isn't sure why, but she opted to take him with her. maybe it was pity, maybe it was newfound maternal instinct due to having her own baby on the way, who knows? well, not long after her baby - & Eden's younger half sister - Beatrice Harmon, was born, while Troy was out one evening, Sharon packed what she could of their belongings - only the important things & clothing - that she could fit in her purse, & made for her mother's house, maybe 2 hours away.

Sharon's mother, Susan, was - for lack of a better term - an angel. Though they weren't blood-related, she immediately welcomed Eden as her grandson, with open arms. She stayed with them every day while Sharon was at work, and actively engaged with and played with them. Eden even had his first birthday celebration there when he turned five. This was by far the best year of his entire life at the time.

Well, of course, that also didn't last. (Here's where things take an even darker turn, so if you need to, refer back to the tw.)

Troy found them. Susan was behind the corner, fixing lunch for Eden and Bea, when he showed up, and broke in. In broad daylight. Eden completely froze at first, unable to even believe that this was happening. Troy destroyed things, and stomped all throughout the small home, calling Sharon's name. But Sharon, ironically, wasn't even home - she was at work. Susan yelled for him to leave, and grabbed a kitchen knife in order to protect the kids, then dialed 9-1-1.

Troy flew into a rage, and injured her, very badly. She was only in her mid-sixties, but she was still an older woman. She kept screaming for Eden to take his sister and run to the neighbors, since the front door was still ajar, but Eden couldn't yet hear anything. His ears were ringing, and his body was completely paralyzed with fear. Troy injured one of her legs badly enough that she couldn't get up off of the ground, and then ended up knocking her unconscious.

when Eden could finally make his body move, all he could think was not to stop Troy. Stop him from hurting Susan any further, and not to let him lay a finger on his baby sister. So, he grabbed the kitchen knife and did what he had to. The end result wasn't immediate however, and - still pumped full of adrenaline - Troy ended up injuring Eden quiet badly as well. Then, he realized how badly injured he *himself* was, panicked, and promptly took off on foot.

Eden was unable to move due to his injuries, but still semi-conscious. Susan was gravely injured, and he wasn't sure whether or not she was even still alive. Bea ended up being completely physically unharmed. Neighbors came outside, found them, and dialed 9-1-1, successfully hitting 'call' this time. All three were rushed to the hospital to be examined & treated. The hospital also contacted Sharon, and she got there as fast as she could.

At first, Sharon was just so relieved that her mother and Eden were alive, and that Bea wasn't injured. But after a day & a half, authorities found Troy. Not alive. He'd failed to get medical attention for his own injuries, obviously for fear of going to prison. When Sharon found that out, she was - surprisingly - devastated. apparently at one point, she'd gotten it in her head that they could reconcile someday in the near future, and had - stupidly - given him strong hints as to where they were all staying.

and of course, now that he was dead, all those plans went up in smoke. So, who does she blame? If you said Eden, you win! :,]

Eden, still being a kid - and a severely traumatized one, at that - of course did the same thing he did the last time he was blamed for someone's death, and believed that it really was his fault. So now, in his mind, he'd killed *both* his parents (which of course was not the case - it was not his fault at all.)

Sharon took custody of he and Beatrice, as she was pretty much all they had left. And like last time, she let her resentment fester, and turn into physical and verbal abuse. Only toward Eden though. Bea grew up witnessing this, and since her older brother was literally nothing but nice to her - and practically raised her due to Sharon's neglect of both kids - she fortunately stood up for him whenever she got the opportunity.

Susan held on as long as she could - until Eden was eleven - but eventually succumbed to her internal injuries. Infections played a role. Eden was forbidden from attending her memorial service, by Sharon, because - in her words - "She wasn't even really your grandma." She forced Bea to attend with her, and left Eden home alone that day.

Fast forward, and Eden's sixteen. Sharon demands that he start paying rent, or else she'll kick him out. Eden's not stupid, so he at first refuses, stating the obvious - that she couldn't kick out a sixteen-year-old. but she does anyway. she kicks him out, then calls the cops, and reports him as a runaway. Making him out to be an unruly teenager, who just wears her out all the time, and runs away when asked to do simple house chores such as cleaning his room (lies, lies, lies.)

She did this multiple times, and every time, the cops believed her. Eden got sick of it, and finally agreed to get a job so that he could pay rent. He went to work at a shitty local coffee shop, as a barista. There, he met Forrest! :] Yes, we finally get to some GOOD news.

At first, they didn't talk much, but after a while, Forrest noticed Eden struggling with certain things, and that whenever he asked for help, he was either ignored or insulted for "not knowing how to do his job." So, he offered to help him, since he knew his way around the place by then. That's how their interactions started. Coworkers to friends to lovers, basically.

Eden began spending every lunch with Forrest, listening to him infodump. everyone else thought Forrest's constant yapping was "annoying," but Eden was just glad to have someone who wanted to talk to him. Especially someone his age, and especially someone friendly.

By the time Eden was 17, he'd already filled Forrest in briefly about his home life, and Forrest and his mother Margaret, had made it clear to Eden that if it came down to it, he was welcome to stay with them. Sharon was constantly ranting about how she couldn't wait for the day when she was no longer legally responsible for him anymore, so Eden prepared. He made sure Bea still had a way to keep in touch with him whenever she needed, and he packed one bag of essentials, and kept it hidden until his 18th birthday.

On his 18th, he was immediately kicked out. I'm talking 2 o'clock in the morning, woken up, and told to get out and never come back. So, he did. He went to stay with Forrest & Margaret, and stayed there for 3 years. During which he remained working with Forrest at the coffee shop, and offered to pay Margaret rent, to which she laughed and told him to save his money, and he didn't need to do that.

Margaret too is an angel, fr. Anyways, at 21, he and Forrest were dating and decided to move in together. And ofc, Beatrice later ended up moving out right away at 18 because she couldn't stand her mother. And the rest is history. :]

I always say, the silliest goose has the most fucked up backstory

some fun facts about Spider-Man 2099:

He’s probably older as a character than you might think; he was first published in August 1992, and was created by Peter David (who is likely most well known among Marvel fans for, alongside Greg Pak, being the biggest contributor to some of the Hulk’s best stories)

He’s not a standalone character. Miguel O’hara is part of the Marvel 2099 sub-continuity, which can be best described as a cyberpunk dystopia spinning off after a bad future for the rest of the Marvel universe as a whole. It is very much in the model of a standard cyberpunk setting with corporations running the world into the ground and oppressing people in the name of profit. In this era, there have been no superheroes and most of them are remembered only as vague stories that people desperately want to believe in, or iconic folklore that people really behind.

In this regard, it may also be possible to view O’hara as a contrast to Spider-Punk, who also comes from a dystopia oppressed by corporations, though they ultimately have broadly opposite reactions to it.

Miguel is notable for having a great deal of differences from the ‘average’ Spider-Man incarnation, with a great deal of purely physical alterations that are otherwise not very typical in spider powers.

His best friend is an AI, whom was seen glimpsed at the end of Into The Spiderverse

He arguably has a very important role in Spider-Man history; while Miles Morales has definitely eclipsed his fame and become a part of the main Marvel universe, Miguel was significantly more popular than the other 2099 stories and remained fairly well known across comics at the time, which also ties into his cameo in Into The Spiderverse; he arguably had the most amount of importance as a Spider-Man legacy character before Miles, and was the most prominent non-Parker incarnation, even moreso than Mayday Parker.

There was a short-lived animated series called Spider-Man Unlimited that I always interpreted as an attempt to adapt aspects of Miguel O’Hara, though the most it has in common is that the suit Spider-Man wears in it looks an awful lot like Miguel’s look; its otherwise not very much like 2099 at all, besides a cyberpunk angle, and features a displaced Peter Parker.

There is likely some interesting angles in comparing and contrasting the respective settings of Miles’ original world (the Ultimate universe) and Miguel’s. Miguel is, as noted, fundamentally a cyberpunk character, and was technically one of the more positive characters in it, a true hero in a world of bleak despair amid corporate control; while there were other heroes, there weren’t enough, and things were bad enough that Doctor Doom popping up to take over the world made him seem like an anti-hero at worst. In contrast, Miles was one of the few purely positive figures in the Ultimate setting, which in its attempts to imitate the likes of the Authority often depicted classic Marvel heroes in horrific ways; the Hulk was often implied to be a sexually violent cannibal, Wolverine tried to sleep with an underage girl, Carol Danvers gets downright enthusiastic at the prospect of torturing an alien who had been her friend.. even Miles’ dad was an anti-mutant bigot. Miles himself, though, was a whole and genuine hero (if a reluctant one) who was one of the few truly noble people in the setting, so there’s an element in their conflict here.

Laughing Through Color: Alice Wu's Saving Face (2004)

Saving Face is a vastly underrated 2004 lesbian rom-com about Wilhelmina (AKA Wil), a young closeted Chinese-American surgeon whose mother Hwei-Lan, played by the inimitable Joan Chen of Twin Peaks fame, continues to try to set her up with Chinese men at community events, one of which leads her to the magnetic Vivian Shing, a dancer whose father happens to be Wil's boss. An unmarried 48-year-old widow, Hwei-Lan unexpectedly gets pregnant, is subsequently shunned by her community, and moves in with Wil all while refusing to divulge the identity of her child's father to anyone, including Wil. She hides herself from Wil, who hides herself in return as Vivian forces her to grapple with queerness in public vs. private. The mother and daughter both struggle with the ways their sexualities are on display, for Wil on the axis of queerness and for Hwei-Lan as a pregnant unmarried person and are afraid of how the cultural norms they transgress infiltrate their relationship with each other and the world around them, a fact that ultimately helps them relate to each other more.

It was the feature debut for Alice Wu, a Taiwanese-American lesbian director, and one of the most interesting things about it for me is how it explores Wil's queerness as a parallel to her mother's journey and the ways the two work against gendered and cultured expectations alongside each other. This movie is smart, sexy, funny, and thoughtful and demonstrates a possibility for the rom-com genre to traverse nuanced depths of love and relationships and how culture imbues them with questions that prove so difficult to answer. It doesn't rush to answer these questions or present them as simple dilemmas constructed as mechanisms to thicken the plot but positions them as part of the architecture of love. Saving Face is invested in how many things can be true at once. What if queerness could be relatable beyond its variable boundaries and could help articulate the disillusion of being marginalized by your own community? Hwei-Lan's journey with her daughter's sexuality prods at this, wades around in its fullness--she is at once in and out of her culture, held by its comforts and shunned by its rigidity, but when confronted with this complication in Wil she sees so much familiarity reflected back at her.

Wil's relationship with her mother starts to affect her budding romance with Vivian who, unlike Wil, is openly gay. Vivian is pursuing contemporary dance against the wishes of her father, who wants for her to continue in traditional ballet--at the nexus of this story is the conflict between individual desire and tradition, and the added layer of queerness implicates this conflict and creates in the characters differently complicated relationships with authenticity. Vivian transcends her ethnic origins in her espousal of American values, especially concerning individual freedoms, and Wil's reluctance to detach from these origins (and subsequently alienate her mother) starts to impact their relationship. Wil is afraid to kiss Vivian in public but loves her freely in private; Saving Face understands the ability to move through public spaces as yourself as a culturally specific phenomenon and presents the stories of people who never had to think about it so much as they do at this moment, who try to make it matter less but when it comes crashing down on them, discover how badly it is they wish to be seen.

Alice Wu sought specifically to make a movie by and for Asian-American queer people, repeatedly rejecting studio's pleas to cast a major white actress in one or both of the leading roles and the film having an entirely Asian-American cast is an significant diversion from the typical trajectory of Hollywood rom-coms--Kaklamanidou's “Romantic Comedy and the ‘Other’: Race, Ethnicity, and the Transcendental Star" points out that many people of color in the rom-com genre, Will Smith in Hitch being one achieve stardom and success through the ways they shore up comfortable, easily digestible and markedly neutral characters who happen to be people of color without isolating white audiences, wherein box office success is entrusted. Saving Face, however, demonstrates a lack of interest in mainstream success and is interestingly also somewhat lacking from the queer canon; it occupies a noticeably niche space in the realm of queer movies insofar that its mainstream success was limited but, unlike other "before-its-time" movies ascribed with queer cult status such as Jennifer's Body, didn't necessarily circle back around to audiences today. The lack of whiteness in this film is no doubt a salient causal factor in this lack of rebirth--while being funny, it also demonstrates a commitment to telling arguably a serious story, and the film doesn't necessitate a "campy" read as much as other retroactively added to the queer canon.

@theuncannyprofessoro

Chapter 122 spoilers (again)

Yeah so this is all coming from a single line Mikuni spoke this chapter lol

This line here is Mikuni being his usual self and referencing a portion of the bible, more specifically, he's talking about John the Baptist, who was beheaded, but it goes... Deeper than that.

Rather than Mikuni, this post is going to focus on Lily, and how this line relates to him and the role he's playing in this particular scene.

Okay so the down and dirty of it is that Johnny boy was imprisoned by King Antipas after criticizing his marriage to the widow of his halfbrother. Mikuni is clearly John here, openly criticizing his father's affair and all that good stuff.

The thing is, Herodias, Antipas's new wife, had a daughter, and while her new husband was reluctant to execute John because he "knew him to be a good and just man," he backed himself into a corner after promising anything his new daughter desired after she danced in front of him. Her mother, seeing an opportunity, convinced her daughter to ask for the head of John on a silver platter. Reluctant but not one to back down on his word, Antipas acquiesced and John was executed.

Now how this fits in with Lily.

The most commonly accepted idea is that Herodias's daughter was named Salome, and through numerous media interpretations, she's become synonymous with the face of female lust and obsessive love, partially thanks to the writings of Oscar Wilde, who created a play using the name that had become accepted for her and popularized the idea that her dance was one of sexual nature, using the name "Dance of the Seven Veils".

It's a westernized belly dance basically lol. Anyway, I say accepted because in the end... We don't actually know her name. You see, while the historian Josephus lists the stepdaughter of Antipas as "salome," no connection is ever made between this Salome and John, nor is it ever mentioned that she dances. It's just... The one thing was have to go off of? So it's kind of the default.

Enter Salome: the opera, by Richard Strauss. This is truly where the connection to Lily becomes the most obvious, in a very roundabout way (as is Strike's nature).

You see, in the play, Salome is a target of lust for numerous characters, not least notable of all her own father. However, upon seeing John, she instantly, madly, falls in love with him, but thrice has her advances rejected. John then goes on the proclaim salvation through the messiah.

Personally I think this sort of mirrors Lily's situation with Mikuni, where Mikuni was originally meant to be his Eve and, while not rejecting Lily, he ultimately left with a different Servamp, one who dresses as a holy man.

Skipping ahead a fair bit in the play, after Antipas accepts her request and brings forth John's head on a silver platter, Salome once again proclaims her love for John, and the play ends with her passionately making out with a severed head while Antipas, in horror, shouts for his guards to kill her.

And in the current chapter, we've seen Lily's obsessive love rise to the surface, where everything he does is for the sake of Misono's happiness, according to himself.

The perversion of love is a STRONG theme throughout the Alicein and I am so here for it--

To wrap this up, what I'm getting at is that Lily and Salome, through the machinations of others, now parallel each other.

Avatars of Lust through no fault of their own, they're moved about as game pieces in the schemes of others, and ultimately their true selves are forgotten in favor of molding them into what the public want of them, corrupting them into something ugly, obsessive, but fiercely desired by those very same who revile them for their existence.

And yet we can't even be sure of who they really were in the beginning.

The King’s Champion

A SatBK AU where Shadow is the one sent to Camelot and Sonic is the doppelgänger- the one and only King Arthur!

Part: 3/4

Summary: Arthur the Hedgehog pulled the legendary sword Caliburn from the stone, and he became King Arthur, the ruler of Camelot. Shadow the Hedgehog appears in a flash of magic in the middle of his banquet hall, and he becomes Arthur’s problem. As the sun rises over the kingdom, a pre-dawn conversation between both hedgehogs also helps them reach... well, not quite a mutual understanding, but progress is progress!

(Shadow doesn’t know where he is, what’s going on, or why he’s there- but it doesn’t matter. He’s Shadow the Hedgehog, the world’s ultimate life form, and he’s going to play this weird game by his rules.)

Contains: Pre-relationship/platonic Arthadow (Arthur the Hedgehog x Shadow the Hedgehog)!

Rating: G

Word count:   1,820

Note: I figured out the issue! The new post editor. C,: Back at legacy and no word limit- but I’m going to split the last part into another post so I can make another lil chapter header image ahaha.

Also, other characters introduced this part:

Sir Gawain is Knuckles the Echidna! Sir Lamorak is Jet the Hawk! Sir Kay is Scourge the Hedgehog! Sir Gareth is Mighty the Armadillo!

“Sire!” Well, more like broken open, as Gawain’s armored fist tears through the solid wood easily. (Arthur makes a mental note to get the tower and the door repaired.) The knight of the sun runs up to him, a worried frown darkening his face, “Are you well, my lord?!”

“I'm great!” Arthur tries to keep his composure, but he’s still energized from the unexpected adventure. Lamorak, his newest knight, is the first to follow after Gawain, followed by more of his knights. Kay is the very last one through the door, looking bored and unconcerned as he picks at his sharp teeth. Typical. His brother didn’t care about things outside of his area of responsibility, and he knew Arthur could take care of himself. 

Arthur gives his knights a reassuring smile, gesturing at them to lower their weapons, which most do with varying levels of reluctance. Lamorak, notably, does not, but the hawk is too hungry to make a name for himself to ever take a passive role. Most of his other knights seem content to let Gawain take the lead, “Shadow just showed me the most marvelous trick with the wind, ‘Wain! It was like a dream-”

“Is that so?” Gawain glances at Arthur, scanning him quickly for visible injuries, before turning his attention to Shadow. He puts himself between the hedgehogs, standing in front of his king as he eyes Shadow warily, “Where is your cape? Did this churl take it?”

Arthur sighs deeply as Gawain doesn't see him. His knight noticed his symbol of authority was missing, but Gawain didn’t notice the brightness in Arthur’s eyes or the genuine smile on his face. A true warrior and protector, so focused on the potential threat to the crown that he doesn’t realize the crown is fine. Actually, the crown is better than he has been in a long time.

“I’m a hedgehog,” Shadow answers Gawain defiantly with a chilly glower of his own. 

“And what do I want with a rag?” Shadow crosses his arms over his chest, a sign of dismissive self-assurance that has Gawain bristling. Only someone very brave or very foolish would dare face Gawain when the sun is so high in the sky, and Arthur isn’t sure which one Shadow is as he keeps antagonizing the knight of the sun, “Your king is simply careless.”

“How dare you!” Gawain takes an aggressive step forward, slicing the air with his hand in his outrage. Some of his other knights react poorly to the comment, too, making sounds of disagreement as their hands rest on their weapons threateningly. (It’s a pity Guin isn’t there. She’s mastered the art of laughing in her eyes while keeping her expression prim and proper, and she would have undoubtedly agreed with Shadow’s assessment. At least Lamorak, still so new to knighthood and not yet versed in the ways of the court, guffaws as his beak widens in an amused smile that makes Arthur feel like he’s more than just a king.)

“Do not speak to him so familiarly, imposter!” Gawain demands angrily, circling Shadow warily.  In his haste, the knight of the sun did not bring Galatine with him, but his armored fists and legendary strength are formidable enough on their own.

“Imposter?!” Shadow echoes back, offended, baring his teeth in a snarl. He matches Gawain step for step, quills bristling up angrily, “Me?!”

“You may look like Lancelot, but you cannot fool me!” Gawain cracks his knuckles, and stretches his shoulder, telltale signs he’s getting ready to fight, “I will not allow you to try and steal Lancelot’s place! Just like you took the king’s cape, no doubt! You are undoubtedly seeking to replace him as the Queen’s champion!”

“Gawain…” Arthur calls out wearily, knowing that now that he’s worked up, the echidna won’t listen to anyone- not even the king, “He didn’t take my cape, the wind did.”

Gawain, predictably, ignores him since his attention is glued on Shadow.

“You have Lancelot’s face, but nothing else!” Gawain reaches back and lunges forward, fist first. Shadow jumps out of the way, but the force of the wind nearly knocks Kay off of his feet, “You don’t have his skill!”

“Kay-” Arthur starts to call out to his foster brother, but the green hedgehog waves him off irritably as he dusts off the front of his robe.

“His grace!” Gawain roars, throwing another punch Shadow skillfully avoids, although the stone floor isn’t so lucky. Debris flies into the air as several cobblestones burst with the force of the impact.

Shadow doesn’t dodge the next punch so much as he disappears from where it was aimed. “And none of his honor- Huh?!”

Gawain only has a few moments to look confused before Shadow appears behind him in a flash of energy. The hedgehog’s eyebrows are drawn together tightly in a ferocious scowl, and in the blink of an eye, Shadow kicks the knight in the back of the head. 

Gawain’s helmet takes the brunt of the impact, metal meeting metal with a hollow clunk, but the force of it still sends the echidna flying face-first into the ground. It’s deathly silent as everyone seems to hold their breath, surprised and not sure how to react.

Shadow kicked Gawain in the back of the head.

Gawain shakes his head, looking at Shadow over his shoulder with a bewildered expression. The serious hedgehog glowers back at him, half-crouched down like he’s ready to continue the fight. Time has come to a standstill in this long, quiet moment.

It’s not funny that Shadow kicked Sir Gawain of Orkney, knight of the sun and a proud son of Camelot, in the head.

Gawain’s temper and hostility make sense- he’s worried about Lancelot. He sees a stranger with his best friend’s face and immediately assumes it’s Shadow’s doing. Quite a reasonable assumption, given Lancelot’s mixed experiences with magic. Even worse, Shadow is with Camelot’s king now, and is too dangerous an unknown to leave unchallenged. Gawain was simply getting carried away while trying to protect those he loved.

Shadow, for all his stoic indifference, is disoriented and frustrated. He doesn’t understand his new social environment, or realize how his words and actions are seen as provocative and insulting. Well, initially anyway. When Gawain unfavorably compared him to Lancelot, the echidna pushed on the still tender wound of his self doubt. Naturally, Shadow lashed out to protect himself and assert himself as powerful and capable by his own merits.

It’s not funny at all, in fact, it’s serious- Arthur only has moments to think of a suitable solution that keeps Gawain from being embarrassed, mollifies his knights, and somehow protects and restrains Shadow all at the same time. And yet laughter bubbles in his chest because Shadow kicked Gawain in the back of the head for calling him something other than ‘hedgehog.’ Just like he promised he would.

“Arthur?” Kay asks from his side in a moment, although he doesn’t look particularly concerned. His brother has a habit of sniffing out trouble and getting in the midst of it, no matter the collateral damage. Kay’s sharp teeth are pulled into a smile, blue eyes glinting with mean delight, which means he found this just as amusing as Arthur did, “Are you laughing?”

Of course his brother would use this opportunity to try and drag him into this, and make Arthur the object of ridicule instead! Kay’s sense of humor is as sharp and deadly as his green quills, and always pops up at the most inconvenient time.

“Of course not!” Arthur regains his composure quickly, laying a hand against Kay’s shoulder with a strained smile and a subtle glare to convey his annoyance, “I was choking in surprise!”

Kay, as expected, doesn’t look the least bit regretful, shrugging his brother’s hand off with a flippant wave. With a low sigh, Arthur makes his way to where Shadow is standing and Gawain is getting to his feet. He slips back into his royal persona like a glove, “Splendid! I asked you to impress me, Shadow the Hedgehog, and you have not disappointed!”

Arthur claps his hand on Gawain’s back, giving his knight a friendly shake, “Rare are those who can catch Sir Gawain by surprise, and rarer still those who can land a single blow! Particularly when the sun is casting her full blessing on him! You have proven yourself, and I will grant your boon!”

“A test.” Gawain brushes some dust from his pauldron, moving his arm in such a way that his rippling muscles are in full display. The echidna eyes Shadow with distaste, forgetting himself and demanding an answer from Arthur rather than asking, “Boon? What boon?”

Arthur lets it slide with great relief, elated that Gawain readily accepts the explanation without further questioning, “The boon of being given the opportunity to prove his worth in skill of arms, noble deeds, and succor to those in need.”

It’s not an uncommon request, in fact, many of Arthur’s current knights have asked for this same boon. Gareth the Armadillo seems to be particularly moved by this request, likely remembering his own path to knighthood. He exchanges a glance with Gawain, pointedly relaxing his posture as if proving to his older brother that there was no need for hostility. Several other knights follow Gareth’s lead, willing to give Shadow an opportunity to prove himself after his impressive demonstration against Gawain. 

Arthur feels his shoulders begin to relax-

“Strange,” Kay comments airily from the side, buffing his claws against his vest. His eyes are calculating and cold, scrutinizing Shadow in a way that leaves Arthur increasingly nervous. His brother’s voice is cloyingly sweet as he asks, “My King usually extends this boon to every hopeful, young squire who stumbles through the doorway… Not getting stingy, are you, Wart?”

“Sir Kay,” Gareth gives the green hedgehog a disapproving frown, voice cool but calm, “You would do well to remember your place and to hold that sharp tongue of yours.”

His ears twitch as the armadillo smiles in Shadow’s direction, “This fellow does not strike me as patient and forgiving as our king.”

“Hear, hear!” Someone calls from the left, setting off a volley of snickering that has Kay’s quills bristling in annoyance. Arthur does wish his brother would speak a little less loudly and boldly so the target on his back wouldn’t be quite so big. 

“Tch,” Kay sucks air between his teeth dismissively, biting his thumb in Gareth’s direction with a scoff, “Perhaps this Shadow’s request was just as pathetic as yours, Beaumains-”

“Kay!” Gawain comes in defense of his brother, looking over his shoulder at Kay in obvious warning. Much to the armadillo’s chagrin, who felt his ‘big brother’ weighing in on his disputes discredited Gareth’s own deeds and reputation. Gawain would answer back hotly, and this is would devolve into unnecessary family spat- 

“The King’s Champion.”

Group H, Round 3, Poll 2:

Propaganda under the cut

Medea

Her husband divorced her so to get back at him she burned his new bride alive, murdered her own children and casually escaped justice in a chariot pulled by dragons and *made from the sun.* She is iconic and I love her.

propaganda from @apollosgiftofprophecy

Princess with Phenomenal Cosmic Powers, granddaughter of the Titan of the Sun, Helios, and Priestess of Hecate, the literal Goddess of MagicStarts out a classic fairy tale (with a few murders in the mix for flavor)Jason (the man/husband she sacrificed EVERYTHING for) thought it would be totally alright to cheat on his sorceress wife with some princess and - double whammy - he planned to keep Medea as his mistress after he married this random princess!When she confronts him, he shows his true colors as a world-class bastard and she reminds him that he's only still alive, and only completed his quest for the Golden Fleece, because of her. (WHICH IS TRUE)To get back at him, Medea orchestrates the death of said princess (and indirectly the king's too, whoopsies :) ) by sending a beautiful dress for her that was laced with poison that caused the princess to catch on fire, and also killed whoever touched her (the king)She then murders her and Jason's two kids (after some emotional dilemma because she actually cares about them while Jason Does Not) and exits the kingdom In Style - how? Like this:Rises into the air on a golden chariot pulled by dragons given to her by Helios When Jason says the gods with avenge him, she tells him "lol, good luck with that oathbreaker!" and flies off into the night Like A Bossa little more context here: Jason's godly patron was Hera, the literal goddess of family and marriage. And he was going to abandon his children and break his vows to Medea.Also, she never is punished for any of this stuff, meaning her actions have the (reluctant :) always good to be morally gray) approval of the gods. She's one of the only nuanced female characters in Greek Mythology, and by god is she interestingThis, my friends, is why Medea is the ultimate Gaslight, Gatekeep, Girlboss.

Hannibal Lecter

the og of gaslight gatekeep girlboss! he manipulates will graham and the fbi from the start, leads will to believe he has committed a large amount of gruesome murders by taking advantage of his encephalitis leading to him getting arrested, turning the people he trusts against him. he goes out to crime scenes HE CAUSED with the fbi to profile the killers and always stays one step ahead! absolute king

"Hannibal gaslights Will so hard that the latter thinks he (a) hallucinated a killer that was legitimately in the room and (b) that he blacked out and murdered their surrogate daughter. (Also manipulated at least one of his psychiatric patients into becoming a murderer in a prehistoric furry costume) He gatekeeps the FBI for fucking years, only showing what he wants to. Really messes with their minds by leaving DNA and voice recordings of a supposedly dead girl. (Then gaslights *her* so she believes someone completely different held her captive) Even when he was arrested, it was only because he chose to surrender — only so his One True Murder Husband-to-be would know where he was. Hannibal is also determined to succeed in whatever he does. In fact, failure is not his vocabulary. He confidently commits all his murders, makes puns literally every episode about his cannibalism, and always seems to have control over his situation. Even in prison, he plays and wins all the mental games he chooses to dabble in. Hannibal is a gaslight, gatekeep, girlboss bastard and I love him. Pls vote for him"

literally gaslighted will graham throughout season one. also induced seizures, committed major medical malpractice, allowed brain fever to occur, then promptly framed him for murder and attempted to convince him that he had done it. 10/10 insane gay behaviour. gatekeeps the serial killing community by repeatedly murdering other serial killers (tobias budge, that weird racist eye guy, probably other people). also gatekeeps the dante community, also with murder. girlboss in everything he does. the cannibal puns, shattering the fourth wall by looking at the camera, the camp gayness……… the list goes on.

The entire plot is him gaslighting will and gatekeeping various things from various characters and he girlbosses his way through murder and cannibalism

Please don't make me answer this.

Literally a cannibal who is a psychologist who manipulates will graham a lot

More hateration holleration. No poster art; I didn't like any of these movies and don't feel like looking at their posters again.

ABOUT HIM & HER (2023): Experimental romantic drama, set in 1989 and "based on a true memory," about an unnamed man (Callan McAuliffe) and an unnamed woman (Cristina Spruell) who are accidentally connected by a phone company mishap. Over a series of subsequent long-distance conversations, they become emotionally entangled and eventually agree to meet, but they're both so afraid that finally seeing each other face-to-face will shatter their delicate intimacy that they spend the entire second half of the film trying to avoid looking at one another, even though they both desperately want to. The characters' interactions are carefully staged throughout (at first, they're just voices, and we don't get a look at either of their faces until they're both in the hotel room), but this initially touching conceit eventually becomes SO contrived that the story's genuine poignancy is undercut by a growing resentment at being jerked around in such a heavy-handed way. This is perhaps the ultimate romantic idiot plot: Despite their insecurity, the characters are both skinny, conventionally attractive, straight white cisgender adults of similar age and class; the only thing keeping them apart is their reluctance to (literally) just open their eyes, and there's no reason to assume that even a failure of nerve on that front would be irreconcilable save for the filmmakers' stubborn commitment to the melancholy bit. (The end credits claim that the lead actors never saw each other or even learned each other's name until the film's premiere.)

I.S.S. (2023): Upsettingly grim apocalyptic drama — not really a thriller, though billed as one —about six astronauts aboard the International Space Station, three Americans (Ariana DeBose, Chris Messina, and John Gallagher Jr.) and three Russians (Masha Mashkova, Costa Ronin, and Pilou Asbæk), whose respective governments order them to turn on each other as nuclear war breaks out on Earth. Well-acted and generally well-made, but there's little real suspense because an unbearably bleak outcome is always a certainty, making the fates of the individual characters a more or less moot point; the only leavening factor the script can offer is a contrived subplot involving an experimental treatment for radiation poisoning, which is clearly too little, too late in the face of the global nuclear holocaust the characters see unfolding on the surface below. A stressful downer that makes Lars von Trier's nightmarish 2011 end-of-the-world movie MELANCHOLIA seem like a screwball comedy by comparison.

PARALLEL (2024): Unconvincing sci-fi drama, cowritten by stars Aldis and Edwin Hodge (and based on a 2019 Chinese film) about unhappy spouses Vanessa (Danielle Deadwyler) and Alex (Aldis Hodge), who are staying in a remote lake house with Alex's brother Martel (Edwin Hodge) as they struggle to come to grips with the recent death of their young son. The woods surrounding the house are also a nexus of parallel timelines, where alternate versions of the characters seek to supplant one another in what they hope will be better versions of their previous lives. It's nice to see this kind of sci-fi allegory with an all-Black cast, but it doesn't really work dramatically, marred by an over-reliance on exposition and some rather arbitrary rules (which the characters accept far more readily than it seems like they should under the circumstances) that make the plot's rapidly escalating violence hard to swallow. Aldis Hodge comes across well as always, but Deadwyler's part doesn't allow for much emotional nuance, and Edwin Hodge is stuck in an awkward third-wheel role.

PASSAGES (2023): Glum, dishearteningly biphobic French drama about a married man called Tomas (Franz Rogowski) who spurns his husband Martin (Ben Whishaw) for a younger woman called Agathe (Adèle Exarchopoulos) and then attempts to retreat to Martin after Agathe becomes pregnant, eventually managing to alienate them both. Why either was ever interested in him in the first place is never very clear, as Tomas is unattractive, solipsistic, and thoroughly unsympathetic (though Martin is no prize himself, leaving Agathe as the most tolerable character basically by default). All of the characters are thinly drawn, and some interesting directorial choices can't make up for the film's conspicuous lack of warmth or its aggravating determination to equate Tomas's bisexuality (a word the script studiously avoids) with his consuming selfishness and inability to commit emotionally.