The Bastard of Winterfell

“…the real enemy is the cold. […] It burns, it does. Nothing burns like the cold. But only for a while. Then it gets inside you and starts to fill you up, and after a while you don't have the strength to fight it.”

Wanted to figure out how chimera’s wrote and ended up starting on their written language proper. MASSIVE info dump below! 

Writing

They write using four fingers of one hand, usually the right, coated in ink. Think like a stamp almost. The three middle fingers draw with the tips of the teeth whilst the thumb will alternate between tip and back. All words are written simultaneously inward. The remaining fingers grip the source of ink, usually a length of hardened pigment only wetted on one side OR those who write often could invest in a pen. A pen for a chimera is a fanning brush saturated with ink that the writing teeth brush through when needing to reink. It allows for much faster wetting of the teeth, but can be messy when learning or refilling. 

Most chimera are right handed but left handed individuals exist, they will simply need to learn to use the two fingers opposite the middle in reverse of how someone who is right handed would! Luckily all fingers can move pretty independently of each other and it is an easy task.  As chimera mostly communicate through direct broadcast most find the written word lacking, so it is a common occupation among Chimera to write for others. It is an impressive skill to eloquently convey ideas/feelings through writing. Though their language set up lends to it MUCH more than others. 

The Nitty Gritty

All subject to change as this is very first drafty. 

Chimeric is a logographic language, there is no set alphabet and all ‘words’ stem from symbols representing things and ideas. Sentences are kind of two sentences atop one another, with one being the literal and the other the reactionary. It is read from out to in and sentences are written in a circle divided into 4 quarters. We’ll start with the top moving counter clockwise. 

Quarter 1 (Red) is the subject area, now subjects function the same as nouns for the most part, people, places, and things. But something important to note is that there must always be an ‘audience’ for the words being spoken. An audience basically means pronouns though they are a lot more encompassing with: I, You, Us, Them, Them excluding me/you, Us excluding you, Everyone, and a bunch of others. These are all acceptable audience subjects to top off your sentence. For instance you wouldn’t say “This pizza tastes good!” you would instead say “I enjoy the taste of this pizza” or “Everyone enjoys the taste of this pizza” the opinion/emotion needs to be applied to a source to make sense grammatically. 

Quarter 2 (Green) is all about emotions and opinions. Chimeric language is an exchange of ideas but also importantly emotions and feelings. Q2 is dedicated to how the sentence is supposed to be interpreted or felt by the reader, as obviously in ‘spoken’ chimeric speaker and listener technically feel the same about what is currently being said. Listener opinion is very distinct from speaker and in writing the speaker takes priority. So for example the statement “Who finished the box but left it in the pantry?” would instead have to be translated into something akin to “I am pissed and questioning who had the audacity to finish the box and did not care enough to remove it from the pantry thus leaving me to find it and become disappointed?” Basically chimeric lends itself to very long translations due to their feelings.  

Quarter 3 (Blue) is the action section of the sentence. The verbs if you will. This is where things are happening and is VERY tied in with Q1. Subjects in Q1 and Q2 will be linked together with lines that follow the same slice through the circle.

When a subject is linked to an action that means that the subject is the one performing the action, whereas subjects closer to the center and unaligned with an action are what is being acted upon. Like with the audience conundrum though an action needs a subject to actually act, whether it is an individual/s or an object or place. This is usually the least word heavy portion of the sentence as it is almost supplemental to Q1, and in contrast to the thin, crisp lines of the other quarters, Q3 will often be smudgey and more messy due to being written mostly with the back of the thumb. 

Quarter 4 (Yellow) is generally not going to have any words written there, as it functions as the anchor point for the hand. The outmost finger rests here on the page to stabilize the hand as it closes during writing. When writing in a ream of papers this is where the hole to hold them all together is punched through. However in modern fanciful writing styles Q4 is also used as a secondary emotional quarter. This style will use Q4 as the reactionary emotion of the reader, more so the expected reaction and emotion from the reader. This is an EXTREMELY class based writing style and it is a GIANT NO NO to write like this for someone of higher status to read. Typically only Clan heads will freely use this writing style, especially towards each other lmao. The writing style of the passive aggressive power struggle. 

All together Quarters are read at once! And I mean that there is no one word the chimera will start with. Every word of the sentence is absorbed at the same time, no following along a line like how I’m currently typing. But what indicates the order of which things are meant to be perceived is how close they are to the outside of the circle. Things closer to the center come later in the sentence and will be understood to be lower in the hierarchy of words. However only subjects and actions are directly linked to each other, emotion/opinion words are to have a more natural seep throughout the entirety of the sentence with only a loose idea of where they are to be felt. In this way while a subjects actions may be concrete, the writers feelings about them are more fluid and organic. 

Chimeric conlang yay! I wanted to make modern Mirum script but decided I needed to start at the roots. So technically two written languages originate from Mirum, but they are extremely similar with one directly branching from the other. Chimeric is the original and Miran is the derivative, they mostly share characters but their sentence structure is different. Chimeric keeps the circular structure whereas Miran is a zigzagging horizontal and completely drops quarters 2 and 4. Leading to modern Miran being a very literal language vs Chimeric’s emotion heavy focus. But if you know one you can pretty much read the other, albeit with some culture shock. 

58/365 days of regina mills

ALL of OUABH MAPS 💔💖❤

I never want to leave this place 🥺

The Basics on the Barred Owl

Strix varia goes by many names: the barred owl, the northern barred owl, the striped owl, the hoot owl, the eight-hooter owl, or the who-cooks-for-you owl. The last few names refer to the owl's distinctive hooting call, which is often followed by what is often described as 'maniacal laughter'. The barred owl is native to the old-growth deciduous and coniferous forests of eastern North America, though in recent decades the species' range has expanded across the Rocky Mountains into the Pacific Northwest.

The striped owl can be hard to spot, due to its white and brown plumage. The back and wings are brown with white barring, while the chest is dull white or gray with brown streaks. The face is surrounded by a gray-white disk and framed with a brown mask. This coloration allows the barred owl to blend in seamlessly with the upper forest canopy where it resides-- although some populations in the southern parts of its range have been known to carry a pink tint due to the amount of shrimp they eat. However, S. varia is not a small birds; adults can be anywhere from 40 to 63 cm (16 to 25 in) in length, with a wingspan of 96 to 125 cm (38 to 49 in), and weigh about 630 g (22.2 oz) on average.

Like most owls, the barred owl is primarily nocturnal, though they can be fairly active during the day. When dormant, they roost in tree hollows or nests abandoned by other birds. At night, adults are active in guarding their territory and hunting for small mammals, birds, reptiles and amphibians, and large arthropods like moths and crayfish. The only natural predator of adult hoot owls is the great horned owl, which will often drive S. varia from their territory. Eggs and nestlings are sometimes prey for raccoons, weasels, and diurnal birds of prey.

S. varia mates for life, and couples are fiercely defensive of their territories and nests. Courtship and territory establishment begins in late winter, and continues from February to April. Males attract mates with their distinctive who-cooks-for-you call, and further entices prospective females with head bobbing and bowing. Together, the pair then establishes a roost and the female lays up to 5 eggs. She alone incubates the clutch for about a month, while the male hunts for her. After hatching, the female continues to care closely for the chicks for another 2-3 weeks, at which time she joins the male in hunting.

Hatchlings quickly become active, and are prone to falling out of the tree, but even at only 4 weeks old they are able to climb back up the trunk. Siblings have been recorded as being tight-knit, often staying close together in the nest and when learning to fly. Fledging begins at about 6 weeks old, and by 10 weeks young are capable of short flights. However, parents continue to provide care to their chicks until they're 6 months old, at which time the young owls leave (or are forced to leave) and establish their own territories. Mortality in barred owls is highest in their first year of life, and once out of this perilous stage individuals may live to be up to 18 years old in the wild.

Conservation status: The barred owl is a common species, and is considered by the IUCN to be Least Concern. The expansion of its range into the Pacific Northwest is considered one of the major causes of the decline of the northern spotted owl.

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Mick Thompson

Hal Thrachtenberg

Mark Musselman

THE INCREDIBLY TRUE ADVENTURE OF TWO GIRLS IN LOVE (1995) dir. Maria Maggenti Randy Dean, a boyish lesbian who works at a gas station, has trouble performing in high school and is treated badly by bigoted locals because of her sexual identity. She begins an unlikely friendship with one of her school's popular girls, the affluent Evie. But when their friendship blossoms into a romance, the two find themselves struggling with the intricacies and pitfalls of discovering love, and having to reveal their relationship to friends and family. (link in title)

MAL & ALINA

Shadow and Bone 2x06 "Ni Weh Sesh"

"The Others made no sound..."

ASOS, Jon I

Val was a stranger to him. She was not hard on the eyes, certainly, and she had been sister to Mance Rayder’s queen, but still . . .

AFFC, Samwell I

King Stannis had plans for Val, he knew; she was the mortar with which he meant to seal the peace between the northmen and the free folk.

“oooooh but nikolai gave his compass to alina because he has feelings for heeeer” meanwhile, nikolai:

I am rethinkin' Mirum's faux mammals and this is a good representative of their basal condition. Not THE common ancestor but a more 'primitive' design. They are what the platypus is to the human, still in the group and has a lot of key features, but weird. More info below the cut as always!

Vulpwhal are a part of the group of cynodonts that inhabit Mirum, which I want to just call "faux-mammals". They are NOT mammals since they do not produce milk, but share enough common traits that they are hard to distinguish to the average person. MAIN difference is that Mirum's faux-mammals have weird ass teeth. Basically they have 6 incisors on top, 5 on the bottom, 1 pair of canines(only on the top jaw), and 2 molars in the back. Their canines are normally tusks, but in the Vulpwhal they are mostly used for feeling food swimming through the murky silt of the water they feed in. They have a big gum filled indent in them that is a stand in for whiskers. Their semi aquatic lifestyle is also a hint as to how they ended up in Mirum, their group was once much more numerous with various ocean going species. But now these fellas are all that remain, with all their other relatives an ocean away. But these guys get along pretty well, filling a niche similar to a seal while spending much more time on land. They inhabit the rivers and estuaries of a more temperate continent where they are a symbol of nobility! They also lay eggs, something that most faux mammals have developed out of. Like Stows for example pop out already walking around, while Histin have a much more altricial phase. These guys come out more ready to walk around, but spend a few months with their mother to grow before they head out on their own. All in all p fun lil dudes, wanted to just get the baseline down for BIG changes. But also wanted to make a modern day beastie. These guys are not exceedingly common, but they aren't endangered by any means. Also bonus rug for markings/proportions.

I feel bad for Starlo. (pt. 7)

Staroba is... not my cup of tea.

Still can't get over the fact Ceroba showed so little empathy for Star. It becomes even worse when you remember she started lecturing him ALL while wanting to take Clover's soul herself and lied to his face just so she could later betray the kid. At least Star tried to fix things. She started digging deeper and deeper into her plan and in the end got forgiven really easily.

I keep thinking Ceroba sees Starlo as a childish little bro or smth and even mentions how the reason she chose Chujin was because he was "mature." Yeah he WAS more serious in terms of personality but everyone's different. Chujin wasn't morally perfect anyway

'Back when I was a naive kid, kinda like you' and 'hey, it's science. your brain is still developing' rub me the wrong way. Basically what I got from this is how she thinks only someone childish and emotionally underdeveloped would consider a relationship with Starlo

Ceroba seems to view Star as a "poor naive manchild" who needs babysitting. She feels so bad for him that she'd sometimes tag along with his antics but won't hide the annoyance most of the time.

She'll also spare him from his feelings getting hurt, which is nice but it's not her honest opinion:

She seems to show little appreciation for what he tried to do for her even though they're supposedly best pals. She says how she's been burying her sorrows in the saloon but not how spending time there even slightly cheered her up.

She envies Star's optimism but imo it sounded more like an adult envying a kid's naivety than one adult admiring the other.

And APPARENTLY the time she spent with Clover in Steamworks cheered her up a little but not what Star's been doing for her for months.

heck she didn't even notice he had been doing it for her. too stuck in her sorrows, probably

I think the reason for this is because the Steamworks reminded her of Chujin and Kanako and the life they used to have. Btw, she loved Chujin waaaay too much (and even though he's gone now she still doesn't think she'll ever be with anyone else except Chujin, she's proud of Chujin for a useless award, she still calls Chujin 'her love,' she keeps talking about Chujin's legacy and how Asgore and everyone else never believed in him), to the point she stubbornly supported him without question, only (maybe) seeing him more realistically at the end of pacifist. I just feel like Ceroba doesn't take Starlo seriously. It's not that she doesn't care about him at all, but… she definitely doesn't get him.

For these reasons, I'm not a fan of staroba.

17/365 days of regina mills

scopOphilic_micromessaging_933 - scopOphilic1997 presents a new micro-messaging series: small, subtle, and often unintentional messages we send and receive verbally and non-verbally.

I've been musing about it for a while, thanks to some posts I've read recently too, and honestly... one of the (many) fascinating aspects of zolu to me is the way they share parallels/connections and or similarities to important figures in OP's world. spoilers for the most recent arcs and reveals ahead!

perhaps the most blatant and one of my personal favorites, are luffy and zoro's similarities to roger and rayleigh. as OP's mc and someone who's on the road to become the pirate king, luffy's own similarities to roger have come up a lot throughout the story and they've been acknowledged or pointed out by other characters like shanks, rayleigh himself and yamato, for example. from the goofy parts of their personalities, to the strength of their wills, and their dreams, luffy and roger's parallels are consistent in OP,

and as seen in rayleigh's brief memory of their first meeting, the straw hat luffy received from shanks was originally worn by roger back when he was young.

albeit the circumstances are a little different - with them stumbling upon each other by chance vs luffy going out of his way to meet zoro after learning of his name and reputation - this first meeting is still reminiscent of zoro and luffy's, with both ray and zoro initially rejecting roger and luffy's invitations to join them in their journey.

as for rayleigh and zoro, there's also a bunch of parallels between the two!

due to his previous time as a bounty hunter in the east blue, zoro made quite a name for himself and as OP progresses, his renown as the pirate hunter and the straw hats' swordsman is only second to luffy's. he was also the 2nd straw hat to get a bounty, and he's usually right behind luffy whenever their bounties go up. similarly, rayleigh was (and still is) considered a legend second to roger himself, strong enough that garp still views him as a powerful foe the marines can't easily defeat and managed to scare blackbeard away from amazon lily without an actual fight, despite the latter's strength.

there's other stuff too: the eye scars, both zoro and ray being greatly skilled swordsmen, their love for booze, being users of all three types of haki and even their epithets! from what I've read from other OP fans in discussion threads and through some internet search, rayleigh's title of "dark king" in jp is actually the name or word for pluto (the god of the underworld, roman mythology's equivalent to hades) in said language. in comparison, "enma", the name of zoro's most recently acquired sword and the "king of hell" title that he claimed after defeating king in wano, are a direct reference to the buddhist deity of the same name in jp mythology, also known as yama - a god of the underworld in charge of judging souls.

from the most recent flashbacks of the god valley incident, too, you can see the physical resemblance between these duos:

(as a bit of a side note, I think it was nice that rayleigh not only took it upon himself to mentor luffy, he was also the one who protected zoro from kizaru in sabaody and after the timeskip, during the straw hats' reunion in the archipelago and as they bid their farewells, zoro went out of his way to thank him for everything too.)

all in all, considering how close roger and rayleigh were (to the point roger called him "partner"), their strength, reputation and their overall journey with the roger pirates crew - the fact that luffy and zoro share more than a few clear similarities/parallels to them is really good imo, and it speaks both of the importance of their relationship and of the kind of figures they're bound to become, or are already becoming, in OP's world and ongoing history.

although it'd be sweet to have zoro and luffy directly refer to each other as partners as well (which kid and killer, another captain/first mate duo, have done too) I'm not sure it'll happen, if only for the sake of keeping the relationships between luffy and the crew balanced, so to say. still, like I said, knowing how close luffy and zoro are and that they share parallels with other captains/first mates, I think that says a lot about them regardless and the importance they hold for each other and the story as a whole.

another interesting resemblance between zolu and characters who are connected to one another involves, of course, shanks and mihawk - both of which are not only acquainted with each other, as rivals and friends of sorts, but also served as luffy and zoro's mentors/guides at different points of their lives and presently stand as their eventual foes to face in order to reach their goals of becoming the pirate king and world's greatest swordsman.

aaand last but not least, because it's yet another favorite of mine: joy boy/nika and shimotsuki ryuma. I sort of talked about it in another post, and I find it pretty cool. nika and ryuma come from different eras and don't exactly have much to do with one another but luffy's DF awakening and defeating kaido led to "joy boy" (since luffy refused to take credit for it directly by name) being hailed as a hero to wano that's comparable and only rivaled by ryuma, who in the past defended the country and was considered a legendary swordsman, whose sword shusui (that zoro wielded for a while) is a national treasure even.

since the hito hito no mi: model nika is a mythical zoan and vegapunk's speculated that devil fruits come into existence as manifestations of hope and wishes (or a potential for human evolution someone's desired), among other things, nika's existence as an actual god is kind of a subject of current debate in the fandom BUT. the fact remains that whether real or myth, he's still mentioned in old texts and his story has been shared among those enslaved by the WG, as a call for hope and freedom. in addition, even though he was human, ryuma also became revered as a savior figure and a sword god by the folks of wano.

so when you have luffy embodying the sun god of joy and liberation,

and it turns out zoro is none other than a descendant of the shimotsuki (frost moon) family, who resembles the former daimyo of ringo and the god of the blade ryuma,

well. those are some crazy parallels luffy and zoro share outside of their equally kinda crazy and meaningful relationship, as individuals and crew.