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#the historical and nice object show
puppyrelp · 1 year
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Stuff i made for @/bottlekinnie's hostvember 2022 prompts !!
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katiekatdragon27 · 6 months
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Being an artist is fun cuz I can draw whatever whenever as long as I have a group of people peerpressuring me /j
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This all started as a joke talking about THANOS Muffin and sorta escalated/derailed into just sorta assigning OSC characters as a whole to the DSMP characters.
My gc and I had no real idea what we were doing, and this is honestly just for shits and giggles, lol. Everyone was assigned on dynamics and vibes instead of being logical. PLEASE DON'T BULLY ME FOR MY SPELLING, IT WAS SUPER LATE AT NIGHT WHEN I DID THIS.
The culprits: @always-just-down-the-street and @friiskuz (the main two), @mambari, and @glitchtypes
(Also keep in mind that I have never watched a full stream of the DSMP, I only watched certain content creators outside of the server. I barely had any say in this so don't blame me if you don't like iiiiitttt.)
Specifics under the cut:
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Firey from BFDI is Tommyinnit. This was decided because of his main characterness, him being one of the most important characters in OSC history, and his mildly chaotic nature.
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Leafy from BFDI is Tubbo. This was decided because of Firey being Tommy. Also, because I find the ship between Tubbo and Ranboo cute and this universe's equivalents really funny to pair up.
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Taco from II is Wilbur Soot. This was decided because of the betrayal stuff, the violence and manipulation, and because we thought it would be fun.
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Top Hat from TNM is Ranboo. This was decided because of vibes, trauma maybe(?), and some other stuff that my friend said. Also, something about hallucinating probably and just being in a general sense of not okayness.
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Muffin from THANOS is BadBoyHalo. This was decided because this is litterally BBH. He is literally based on BBH clips from his videos cropped together to make a character. He started this whole thing.
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"Blood" Diamond (although their built like Aquamarine) from BFDI (ABCDEFG) is Skeppy. This was decided because Skeppy's skin is literally a diamond. They're a "blood diamond" because of the egg arc, and they are probably a brother instead of sister since that short isn't really canon to anything. They're a blank slate, we can do what we want.
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Oodle from AIB is Slimecicle. This was decided because of his omnipotent god powers (immortality) and just being a silly goofy guy in general. We considered Goo for a bit, but Goo's a little too young to have been around since the dawn of the server. Maybe before becoming Oodle he was Goo? Idk.
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X from BFB is GerogeNotFound. This was decided because of who we made Dream XD. That's really it (they might have also had some weird romantic stuff happening in the stream before???).
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Four from BFB is Dream XD. This was decided because of the revival aspect of Four's power and also their scary and overall powerful nature. The rainbows are because of Infinity being a rainbow in canon.
Call me cringe all you want; I can take the heat. If you want to feed into this hellhole, be my guest. Have a great day bros >:)
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highvanivan · 8 months
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a vegan of the gains!
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juanasfanart · 5 months
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this is the best crackship in the entire OSC ever change my mind >:333
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omegaverse-bfdi · 1 year
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Hello, everyone. I know that the beta OSC sexyoff just ended and we're all still reeling from Lollipop's landslide victory, but I am pleased to announce that I have decided the OFFICIAL OSC SEXYOFF will begin this Saturday!
24 objects enter, 1 object leaves. Who will be crowned the reigning champ? That's all up to you!
And now, for the best part.
Today through Friday, YOU, that's right, YOU, reading this post right now, can recommend a character for the smackdown! How? It's easy! Simply recommend your character through my askbox, with their name, a picture, and why you think they deserve to be in the poll.
Of course, I do ask that any characters from Burger Brawl or any other shows in the "Friend Show" category not be entered, as they are based on real people. And let's try not to recommend too many Inanimate Insanity or BFDI characters, we wanna give other object shows a chance.
AS OF NOW, THE ROSTER OF 36 IS:
- Lollipop (Battle for BFDI, winner of the beta OSC sexyoff)
- Ann (The Waiting Room)
- Taco (Inanimate Insanity)
- Tree (Battle for BFDI)
- MePhone4 (Inanimate Insanity)
- Bacon (Animated Inanimate Battle)
- Pitchfork (Animated Inanimate Battle)
- Candle (Inanimate Insanity)
- Airy (HFJOne)
- Journal (Paper Puppets Take 2)
- Liam Plecak (HFJOne)
- Bryce Hansen (HFJOne)
- Safe (Animated Inanimate Battle)
- Two (The Power of Two)
- Flower (Battle for Dream Island)
- Damien (The Waiting Room)
- Knife (Inanimate Insanity)
- Cup (The Waiting Room)
- Micheal (Love of the S*n)
- Steve Cobs (Inanimate Insanity)
- Evil Computer (The Daily Object Show)
- Moonlight (The Daily Object Show)
- Julien Beaumont (HFJOne)
- Four (Battle for BFDI)
(Blank spaces are for characters you recommend via askbox!)
Good luck, and may the best sexy object win..!
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Vegan Gains from The Historical and Nice Object Show drinks vegetable oil!
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sketchpab · 2 years
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I have a question for the osc
Is Vegan gains an algebralien
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cartoonist-in-theory · 5 months
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You’re walking down a long quiet road. It’s winter, snow covers the ground, the sky fades gray. All around you are trees that have long since dropped their leaves, cold and dead, waiting for spring. You stop beneath one, eye caught by a striking sight. Amid the bare branches you see a round bundle of stunning green leaves. Hanging down above you are dozens of beautiful little pearly white berries. The fruit tempts you, but you don’t dare touch. Instead you simply admire them. Life among the dead of winter. Mistletoe.
@slocotion Hi, here is my design for slocotion's patreon dyo doll contest. Her name is Haustoria of the Pale. I was very excited to put this together once it struck me. I thought of all my favorite fruits I could have used but then inspiration hit me as I was considering less common fruits and fungi. Mistletoe is used medicinally by some but the entire plant, including its cute white berries, is toxic. Since this is a longer post, I’ll include more notes on my design under a cut but to point out the most important thing, I’ve combined the nature of the toxic berries with some historical+mythological inspiration that I think echoes it nicely.
In Norse mythology, a well known story is that of the death of Baldr. Baldr was the most loved god of the Aesir, so when a vision of his death reached his parents Odin and Frigga, they did all they could to protect him. Frigga sent her servants all over the world to make every creature and thing vow to never harm a hair on Baldr’s head. All but mistletoe promised, too insignificant or too young to make the vow. After it was done, Bladr seemed invincible. Since nothing was willing to hurt him, the gods would sometimes gather around and throw things at him, watching everything bounce off without injuring him. Loki, jealous of the love and affection that was always paid to Baldr, came up with a plan to get rid of him. He had an arrow made of mistletoe and brought it to Baldr’s blind brother Hodr. He gave it to him to throw at Baldr as all the gods pelted him with objects and weapons. Hodr threw the arrow and, since mistletoe had never promised not to harm him, it pierced his chest, killing him instantly... And so Baldr was delivered to the depths of the land of the dead, looked over by Hel.
specific design notes under the cut thank you for looking!
Mistletoe is a very interesting plant to me. It’s not a tree or vine or bush, but instead its an evergreen parasite. The sticky seeds attach themselves to the branches and grow into it with a haustorium, which is a structure that lets them sap nutrients from the host plant. Haustoria’s name is a reference to this structure. “of the Pale” is a reference to not only the color of the berries but the pale gray and white landscape of winter.
Mistletoe berries are heavily toxic but also exist in winter, when other plants may be barren and “dead.” Because of that and their parasitic nature I see them as a sweet little balance of life and death. In addition to that, I use the split colors of the face/mask of Haustoria to reference the goddess of the land of the dead, Hel, who is described as having a body that is half black as death, split down the middle.
The structure of the outfit is inspired by Scandinavian and specifically Norwegian folk dresses, since I’m borrowing old Norse history for more inspiration, it seemed fitting. I also felt the style would be good to accompany the botanical and berry designs attractively.
The twin peaked hood is to further split the design down the middle, with little charms to show life and death.
I included white beads all over the outfit to represent the mistletoe berries themselves so they could stand out.
The dark side of her face is adorned with thorns and has three mournful black tears leaking down from her eye, as well as a hollow half of the center heart.
The light side is blushed and lively with shiny eyes, leaves shaped like the mistletoe leaves, red petals like the mistletoe blooms, three white dots to be the mistletoe fruit, and the center heart is full.
Her cape is white on the inside to represent the white of the berries and also the white of snow.
To cap it off, I do believe mistletoe is fitting for a plague doctor as they are still used medicinally to this day. :)
Thank you for reading everything and looking at my design! I’m very proud of her and I hope she doesn’t stretch the theme. And definitely more than anything else I hope you enjoy looking at her!
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Apocalyptic squirreling
We're not, like, impaling these quotes like the proverbial shrike or anything, just hoarding them away in a nice stash. A collection of Disco Elysium tidbits about the end of the world compiled by @yekokataa and I, feel free to add!
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...starting with the game's earliest teaser trailer.
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(28 rather than 27 could be its own odd math, there's some miscounting in the text now and then just like there's the occasional typo, or it could follow the fact that the year of canon events was changed at some point. for that matter, the infamous 22 years to the nuke should be 21, like it originally followed that same 28 and wasn't edited - consistently, the variable it flags is ice.andre_hyper_rc_succ_28)
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(this is an example of odd math to me, for the record, as it's 365x27 to the day. It could be it's the EXACT count and also that Elysium doesn't have leap years, but I would've expected a less precise number, personally)
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:)
Ours has actual six thousand years of history: it spans from its own version of the early Bronze Age (Perikarnassian period) to the early Middle Ages (Franconigerian period), to the Renaissance (Dolorian period), right up to a decade we call “The Seventies”. It’s a world like ours, one that has evolved culturally and technologically over widely varied periods of time. No Truce With the Furies takes place in the modernity of this world.
(source)
Q: How tight is the connection between the book and the game? Is it a Witcher-like situation? KURVITZ: Things in this world are connected to each other like things in our world are connected to each other – not like things are connected to each other in Star Wars. The book and the game share themes and historical developments. The book is set in the early seventies and the game is set in the early fifties. They are connected the way two stories set in our world would be. The fault-lines developing in the fifties are more apparent in the seventies. The situation has worsened, the political climate has shifted, but there is no Skywalker saga. The main story in Elysium is history.
(source)
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yes yes we've all seen the nuke convo but let's put it here for completionism's sake
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This connection - saying 22 instead of 27, or 28 as the variable reminds us - could seem strange based on game data alone, but it neatly follows the context of the book, which shows us that the bombing of Revachol is one and the same as the material beginning of the end of the world.
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This one is also a fun book throwback, from apocalyptic Kurvitz self-insert to apocalyptic Kurvitz self-insert
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(being appreciative of that kind of future just nets you a YEEEAGH)
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more personally ominous than globally ominous but ominous nonetheless
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("we become vapour" being, of course, the planned title of the eventual Elysium tabletop setting rulebook. sigh.)
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This one's intriguing, isn't it? With an eye to Le Retour...
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Her echoes of the other dialogue options are similarly ominous, for the record.
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And we don't know if Nilsen had visions of his own (the man sounds well-acquainted with his Half Light, on behalf of the war crimes, so it's not... entirely out of the question) but we do know that his pocket calculator lap cat second-bestie very much did and could've been his source.
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Also a strong book callback, among other things. Remember kids: object permanence!
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Harry, all these quotes like this one sound like they would make sense for the actual guy who goes and blows it all up, not you personal-
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...ah yes. Ambrosius looms... yeah buddy it sure is solemn AND historical, I'm afraid:
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and of course, in closing:
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🥲
...for the remaining 276 pages of Elysium tidbits about the end of the world, of course, over here.
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a-d-nox · 5 months
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wyrd web: what to gift a person based these three numbers
this is just a theory of mine because these bubbles of the matrix should represent earthly desires. this is not to say that you can't enjoy things not listed in your category / under your energetic number. this is simply what i believe people with these numbers would enjoy receiving as a gift.
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1 - the magician
flowers / garden seeds, gear for their passion project(s), business/self-help books, a tarot/astrology/mediumship reading, art supplies, things that are homemade/artisanal, careof for brain support, things for their computer or car, a diary or journal (moleskine), sunglasses or blue-light glasses, joke books (for the dads with 1 placements here), paid classes, rosetta stone subscription, genetic tests (ancestry.com or 23&me), manicure/pedicure voucher, merchandise from their favorite singer / group / tv show / movie, mittens / fingerless gloves, house plant, sewing/knitting/crocheting supplies, stationary, or tickets to a concert
2 - the high priestess
things that support their spiritual practices, things that support feminine health (hum women's probiotics bundle, honey pot oral vaginal care probiotic, etc), bake goods / baking gear, barbecue sauce sampler / grilling gear (for the dads pt 2), bar in a jar (for those of drinking age) or really any beverage tester kit, bath/spa kit, beach vacation, boat, cruise, careof for brain support, truly nice melons boob butter, candles (it doesn't have to be yankee candle either - bent candles, spiced votive candle, etc) or candle making kit, imported cheeses, clothing staples (blue jeans, black turtleneck, etc), juice cleanse or other things that support digestive health, cooking classes or meal kits (hellofresh, homechef, etc), a tarot/astrology/mediumship reading, or outdoor cameras or other home security tools
3 - the empress
pillows, stuffed animals, rose quartz, personal celebrity cameo, clothing, tickets for an art museum tour, ballet tickets or classes, art supplies, makeup pallets and/or brushes, flowers, jewelry, candy/sweets, money, bells / wind chimes, clothing, designer pieces, cosmetics, dolls, a trip to a fancy restaurant, fruit basket / dried fruits, gardening supplies, jewelry, concert/orchestra tickets, poetry book, tickets to a play, a purse, lingerie (if y'all are close like that), trip to a vineyard (for those of drinking age), couples' dancing classes, or a wallet
4 - the emperor
skincare, rock climbing voucher or some other physical activity they enjoy, an adrenaline rush activity (skydiving, bungee jumping, etc), careof for brain support, crafted wooden objects (cutting boards, tables, etc), coffee trials/samplers, sunglasses, blue light glasses, hair care products/supplies, scalp treatments/care, oral health care (thera breath, whitening products, etc), meditation app subscriptions / in person sessions for meditation, or a planner
5 - the hierophant
moss agate (don't question how random that sounds this is some intuitive stuff), artwork, an architectural tour, beauty products/supplies, historically significant objects, pastries or sweets/candies, earrings, sour dough starter kit, jewelry in general, piano/organ lessons, singing lessons, a wallet, or any classes where they can learn something fun and new to them
6 - the lovers
car stuff (seat covers, cup holder coasters, etc), bicycle or bicycle accessories/gear, books (the more educational the better), briefcase / work tote, bus tickets for a day trip, gym membership or soulcycle classes, crystals, a standing desk / cute office supplies (for the work girlies both those who work in office and from home), hand & foot message, manicure voucher, newspaper subscription (i am a fan of new york times, washington post, and the new yorker), language classes or rosetta stone subscription, magazines subscription, merchandise from their favorite singer / group / tv show / movie, train trip, or we're not really strangers card packs
7 - the chariot
gardening supplies, hermit crab, baked goods, bath products / beauty products, boat, cruise, car stuff (seat covers, cup holder coasters, etc), truly nice melons boob butter, juice cleanse, gut health thrive market kit, glassware / blown glass, stuff they need / need for their home (security system, chest freezer, etc), hotel or bed & breakfast stay, kitchenware, lake trip, pearls, real estate / land, restaurant voucher / gift card, silver jewelry, shopping gift cards, a trip, or intention journal
8 - strength
amusement park tickets, supplies for their passion projects, ballroom dancing classes, tea sampler, games (video games or board games), movie theater gift card, personal celebrity cameo, flower garden supplies/seeds, stuff for their pet, or a belt
9 - the hermit
pet related gifts (if they have a pet that is), bookshelves (they probably need one), juice cleanse, gut health thrive market kit, a cat, clothing, oral health products (thera breath, whitening products, etc), stationary, emergency preparedness (ready to eat meals, fire blanket, etc), cook books, dining ware (new plates/bowls, cups / glassware, silverware, etc), food subscriptions (home chef, hello fresh, pickle of the month club, bokksu japanese snack box, etc), careof subscription, gloves, herb garden kit, a one way ticket to anywhere, or a hiking trip
10 - wheel of fortune
incense, cleansing herbs, bow and arrow, sapling, land, dried berries, budget book, gym/exercise membership, religious/spiritual/philosophical books, poker set, cloth (if they like sowing), wool (if they like weaving, crocheting, and/or knitting), wool clothing, a coat, trip to a country or place they have never been, oral health products (thera breath, whitening products, etc), etiquette classes/books (this is great for the traveler because they are often interested in learning customs before going on their trip), figs, fruit basket (like edible arrangements), honey sampler / royal jelly, horseback riding lessons, lottery tickets, merchandise from their favorite singer / group/ tv show / movie, shoes, really any game, any subscription they have not tried, things that support their spiritual practices, or book on positive mindset
11 - justice
personal celebrity cameo, tickets to a ballet or to an art gallery, air purifier, portable heating pad, spa voucher, cosmetics, lingerie (if y'all are close), closet organizational items (space saving hangers, linen bins, accessory hanger, etc), pastries and sweets, diamonds (perhaps propose to your lover), a dress, tickets to a fashion show or exhibit, flowers, a luxury chair, jewelry, concert tickets, poetry books, any quartz pieces, chocolates dipped strawberries, hair extensions, logic puzzles, a voucher for an escape room, or a kitchen/baking scale
12 - the hanged man
bar in a jar (if they are of drinking age), a book on angel numbers, a book on natural medical remedies, ballet classes or tickets to see a ballet, bath bombs and other bath goodies (salt, bath table, candles, sugar scrub, bath teas, etc), beach vacation, tea or coffee sampler, butterfly farm kit with caterpillars, disposable camera or a camera they would like (polaroid, filming, etc), scientific kits (geode kit, grow your own crystals, etc), cigars (for the dads in your life), unsolved mysteries or crime kit, dance classes, smutty/romance/fantasy books, fairy garden, a tarot/astrology/mediumship reading, budget book, makeup palettes or other cosmetic they enjoy, concert tickets, paint, poetry books, clue the board game, a pass to an indoor pool, a book on poppet making, meditation membership or a voucher for in-person sessions, or something to support their curiosity for new spiritual insight
13 - death
hermit crab, a jumping spider, a reptile, homeopathic books for natural cures and remedies, operation the game, butcherbox subscription, a book on how to cook and trim meats, beginners chemistry kit, a colon cleanse, sea monkeys, unsolved mysteries or crime kit, philosophy of death books, books on magic, magic the gathering the card game, period products (portable heating pad, the diva cup, etc), poisonous plants (belladonna, foxglove, lily of the valley, etc), a frog pond, a scorpion, a snake, a burr/boo basket (these people love seasonal stuff), or marie kondo's life changing magic of tidying up
14 - temperance
a hunting trip, bow and arrows, books on religion or philosophy, book of devotions, book on dream meanings (hello, freud haha), a certification course or college class, horseback riding lessons (for the newbie or a younger sibling or your child/niece/nephew), horse drawn carriage ride (for the couples *smirk*), logic puzzles, things that support their goals, or a book of angel number meanings
15 - the devil
a fan or air conditioning unit, if you have the land for it a cow/horse/goat, kinetic tape, arnicare bruise cream (this is a joke... unless...), coal or a diamond (this is also a joke... unless...), a clock or a watch, cuticle trimmer (and other nail care things), room darkening curtains, a happy lamp, lotion/cream, hat/scarf/gloves, hair products (extensions, shampoo subscription, etc), leather fashion-ware, gardening supplies, ice maker, or a juice cleanse
16 - the tower
tiger balm or other pain relieving ointment, acrobatic/gymnastic classes, homeopathic books for natural cures and remedies, first-aid kit, baking kits, barbecue sauce sampler, barbecue sauce sampler / grilling gear (for the dads), gift card for haircut, dollar shave club (for the dads pt 2), metal works (spoon handle rings, metal roses, etc), boxing lessons, boxing match tickets or monster truck tickets, butcherbox subscription, a book on how to cook and trim meats, crafted wooden objects (cutting boards, tables, etc), cactus plant, beginners chemistry kit, cookbook, pocket knife or leatherman/multitool, tool kit, jenga, emergency kit, food, first aid kit, merchandise for their favorite superhero(es), electric lighter, liqour or bar in a jar (if they are of drinking age), rock music (a vinyl or concert tickets), pepper plant, pipe for smoking (if they like to smoke that is - my grandfather had a collection), lego kit, or lincoln logs
17 - the star
friendship bracelets, a fan / ac unit, model airplane, flight lessons, compression stockings/socks, architectural tour, astrology reading, car stuff (seat covers, cup holder coasters, etc), club memberships (golf, racket ball, sam's, etc), electronic devices (a new phone, amazon fire stick, solar portable charger, etc), movie on blue-ray or dvd, movie gift card, a camera (polaroid or another type they have been eyeing), disposable cameras, camera gear, shadow work journal, aesthetically pleasing bluetooth retro radio, streaming service subscription, a book on health or mental health, or a book on positivity
18 - the moon
abstract art, bar in a jar (if they are of legal age), a fish, a fish tank, tickets to an aquarium, cocktail book (if they are of legal age), a fishing trip (for the dads), book of conspiracy theories, the conspiracy theory map, a crystal ball, unsolved mysteries or crime kit, a jellyfish, a tarot/astrology/mediumship reading, a camera (polaroid or another type they have been eyeing), disposable cameras, camera gear, poetry book, hydroponic starter system, games that involve bluffing (clue, poker, herd mentality, etc), shoes, sleeping eye mask, silk pillow cases, new bed sheets, bonnet, socks, a computer keyboard, typewriter, a book on shadow work, a puppy, or a book on dream meanings
19 - the sun
maine coon, autobiographical books, ballroom dancing lessons, poker set, oral health products (thera breath, whitening products, etc), card games, personal celebrity cameo, circus fruit basket, chocolate gold coins, classes that encourage creativity (create it and break it sessions, pottery classes, etc), jewelry or an engagement ring (if it's been more than 2 years y'all should know what you are doing at this point), flowers, indoor herb garden, tickets to race of some sort (cars, horse, sporting events, etc), sporting equipment, ivy plant, a pottery painting voucher / gift certificate, or something for their passion project / hobby
20 - judgment
a reptile, ant farm, a guide on astral projection, operation the game, the chameleon game, clue game, unsolved case files game, grand theft auto video game, assassins creed video game, dungeons and dragons the game, yahtzee, emergency preparedness kit, magician kit, poisonous plants (belladonna, foxglove, lily of the valley, etc), the divine comedy, puzzles, a rodent of some sort, or lingerie (if y'all are close)
21 - the world
gardening supplies, acoustic guitar, air conditioning or fan, architectural tour, teddy bear, snow globe, boots, calendar or planner, supergoop (sun protectant) products, wooden objects (cutting board, chest, box, etc), carpet, clay (air drying or via kiln), a clock or watch, compression stockings/socks, collectible coins, pain patches or kinetic tape, crystals, budget book, lotions for dry skin, dried fruits, gloves/mittens, hair care products, ice machine or ice making trays, ice cream subscription, pottery classes, rain coat, real estate or land, zen sand garden, sculpture, or snake
22 - the fool
flight lessons, model airplane, a flight to anywhere, car stuff (seat covers, cup holder coasters, etc), an astrology reading, bath products, biking gear, movie theatre gift card, clock or watch, club memberships (golf, racket ball, sam's, etc), mood lighting or strip lights, a train ride, fun magnets, motorcycle accessories/training, microphone (maybe they are filming or recording something), patterns for cross stitch / knitting / crocheting, a camera (polaroid or another type they have been eyeing), disposable cameras, camera gear, stuff for the tv (surround sound, sound bar, streaming subscription, etc), or classes for one of their interests
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beronicalongcon · 8 months
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MY TOP 10 RIVERDALE MOMENTS
In honor of the most gorgeous beast of a show to ever air being put in the ground tonight, here are my top 10 Riverdale moments. It was pretty impossible to make this list because I had to leave out so many beautiful things like that time Archie got forged, that time Cheryl was Queen of the Bees, and that time he was looking for the girl next door, but instead he found me.
10. JUGHEAD MEETS THE RAT KING
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Sweaty, unhinged Loser-Jughead hallucinates his literary agent appearing to him as a Dark God of sewer rats. In a bid to save his life, he offers to be the Rat King's personal storyteller, like a Riverdalien Scheherazade. Betty appears to him and guides him out of the underworld and it's revealed that he was in the hospital for RABIES, which is made one billion percent funnier by the fact that rabies is 99% fatal. This made me so happy I was literally riding the high for weeks.
9. Archie boxes Hiram in the secret speakeast while Veronica sings "Daddy Lessons" by Beyonce.
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This is just one of those great Riverdale musical moments - cutting between the blood spatter and bulging muscles of Archie and Hiram's furious machismo coming to fruition and Veronica dressed in gold singing about her terrible and vital love for her insane mob boss Daddykins.
8. PSYCHO KILLER PROM NIGHT
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This whole plotline is great because 1. the auteur making big, clunky comic book caricatures of the main cast and having them relive their traumas through the mode of film with all the edges sanded off is metatastic, 2. Jellybean is the coolest middle schooler ever, and 3. Psycho Killer playing at Prom Night while they all dance around Mr. Honey's corpse is just objectively great television.
7. THE FOOTBALL WAR OF UZBEKISTAN
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"Haha football war" shut up this is one of the most artistically cohesive and interesting sequences in the entire series. It lays bare the twisted knot of dream logic and aestheticism that governs Riverdale's universe. "Why do all the visual cues point to Archie fighting in WWI if Riverdale is set in 2021?" Because WWI was the period where America most successfully fetishized the IMAGE and AESTHETIC of young men going to war as a MASCULINE IDEAL. "Why are they fighting on a football field?" Because football is another heavily fetishized mode of expressing American masculinity and violence as heroic. "Why is Jughead there?" Because Archie loves Jughead.
6. BERONICA KISS IN OUTER SPACE
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I may not like season 7 but my URL is 'beronicalongcon', and the way this episode reminds us how Betty and Veronica are historically positioned as diametrically opposed forces vying over Archie's love before bringing them together and letting them truly see each other is really nice. Also they kiss in space to symbolize that the world of the narrative by definition cannot allow women to connect independent of men, the only way they can truly be together is by inventing a new universe that is able to hold them.
This got long so I am making another one.
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lebedame-wegelagerin · 5 months
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And here, as promised to the dear @vinceaddams come a lot of extant Garments from my recent Visit at the German National Museum in Nuremberg. I am trying to give as much Information about each Picture as I can though unfortunately not all of the Pictures were taken by me and I could take Pictures as extensively (including Info Signs) as I would have wanted, lest I be abandoned in the Clothing Section. Also the whole Section was awfully dim, which made it rather difficult to read some of the Signs. The last three Pictures were taken in a different Section, thus the more pleasant Lighting.
Servant Livery, bavarian Court, mid 19th Century (left); Servant of the Count of Cannotreadhisname, first half 19th Century (right)
Woman's Folkdress, Lötschental/Wallis (Switzerland), Museum dates it 1830/1905 which is an awfully broad Range, but maybe it was altered later; shows wonderfully how late 18th Century Styles were preserved in european Folkdress that came to be in the 19th Century proper
Various Men's Garments throughout the 18th Century, as there are Closeups of each, the respective Detailinformation will be provided further down.
Men's Spencer, c. 1810s-1820s, Linen and Cotton, the Sign didn't say it explicitely but due to it's Placement in the Exhibition and comparable other Pieces I have seen, I think this is more of a common Man's Piece of Clothing.
Three Men's Shirts, various Shoebuckles, a cocked Hat, a Periwig and what I assume to be a Hair Bag. This Display Case had a rather badly illuminated Sign, so sadly I have no further Details about the Pieces.
Justeaucorps, c. 1695, Wool, Silk, Metal Trim.
Waistcoat, c. 1695, Silk, according to the Museum it was worn together with the Justeaucorps, which seems to be a nice Colour-Combination.
Breeches, 1790-1800, Silk. Very pretty Pair, but the bad Lighting doesn't really let it show.
Habit à la francaise, c. 1790, Wool, Silk, Embroidery (What a Material Specification...). I really like the Combination of those subtle dark on dark Stripes and the Embroidery.
Tailcoat, c. 1790/1795, Cotton, Silk, Linen, really peak 1790s Look honestly.
Very wide Court Panniers, with Pocket Hoops and Crinoline in the Background. Alas no Detail Information for this and the next two Pictures.
Frontal View of the Pannier. I suppose I have to get one of those at some Point, if only for how extra they are.
Three Pairs of Stays, two from the Front, one from the Back. Sadly I don't feel confident enough to Date those and I have no Pictures showing the Info Signs well enough.
Lots of pretty Dresses that were exhibited in another Section of the Museum. The right one is a Robe à l'Anglaise, but that's all I can tell.
Another beautiful Anglaise, notable for being preserved in its Entirety with original Ruffles.
More pretty Dresses. Unfortunately due to Time Reasons I have no Pictures of the Suits displayed across the Dresses in the U-shaped Display, though I have to say one of them had a very much not authentic Lacebib hanging from the Neck...
That's all the cool Clothing Pics I have, at some Point I will return and take loooots more Pictures from all the Angles too. Also at some Point I might write to the Museum about the Lighting, there surely is a better Solution when having your Objects barely visible with unreadable Signs while still protecting them from UV-Rays.
Bonus-Pic 1:
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Me, in historical Dress, c. 1750 (minus the Shoes), standing in a historical Kitchen.
Bonus-Pic 2, for the Boat-Crowd:
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Beautifully detailed Modell Sailing Ship, early to mid 17th Century if I remember correctly. Interestingly enough all the little Sailor Figurines on it were very much early 19th Century in Style, so I assume the previous owner had those added at some Point, before the Museum acquired the Model in the late 19th Century. (The Incongruence sadly wasn't addressed on the Info Sign, so I might contact them about this too.)
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highvanivan · 8 months
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beevean · 8 months
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Dracula in Netflixvania: how small changes in lore build up to disaster
Changes in adaptations are bound to happen. Cuts in the lore are bound to happen. But I find incredible how so many tiny changes in the lore of Castlevania brought by NFCV, apparently innocuous or even improvements according to some, actually lead to the narrative completely falling apart both as an adaptation and as its own story.
Let's start with the biggest change:
Lament of Innocence didn't happen.
Everything has been covered in this clear thread. To summarize what this change affects:
Dracula in the games started out as Mathias Cronqvist, a man who, wracked by grief for the loss of his wife Elisabetha, rebelled against God and concocted a plan to turn into a vampire and have Death as his loyal servant. In the show, he's just "the oldest vampire", with no clearer origins. (in the games Dracula wasn't even the oldest vampire, Walter and Joachim already existed, but they don't matter for this list)
Leon Belmont in LoI was a crusader who had to throw away his title to rescue Sara, his fiancée. He was involved in Mathias' selfish plan, that lead to Sara's death, and cursed him to be hunted by his descendants for the rest of time: what makes it more painful is that the two used to be best friends. In the show, Leon was already a vampire hunter while fighting in crusades, and only moved from France to Wallachia to hunt Dracula, whom he had no previous relationship with.
The Vampire Killer in the games is the strongest holy weapon against dark creatures, due to it being infused with Sara's soul. There are other whips in the setting, but none can match the Vampire Killer. In the show, it's just a regular consecrated whip, and Trevor also fights with the Morning Star (turned from a powered up version of the VK to a different object) and Leon's longsword (the Belmonts in the games never use swords).
But these can be forgiven as small changes in adaptation, one could say. Elisabetha was cut because, really, she was a non-entity. Sara was cut because the VK can work just fine without her. Leon doesn't need to be Mathias' bestie, the Belmonts can fight Dracula out of the goodness of their heart.
All valid arguments. But this is just the beginning.
Dracula hunted humans before Lisa showed up.
We don't know in detail what Dracula was up to between LoI and CV3. For all intents and purposes, he focused on honing his new vampire powers, moved to Wallachia, made himself a nice castle, and... chilled there. Perhaps he became the voivode of the land, the historical Vlad Țepeș.
It's heavily implied, though, that he had zero beef with humanity, and in fact he was willing to help certain people as long as they were against God, Dracula's one enemy at the time.
Hector and Isaac are, of course, the proof of this.
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But even without the extra material, they were two humans who were welcomed in his court and served under him, in an extremely important role to boot.
(to be fair, the show gives an alternative and decent explanation for the Forgemasters' presence as humans in Dracula's court: the fact that they're willing to kill their own kind proves to him how trustworthy they are. A detail that was changed but on its own does not break the lore: good job!)
Alucard in GoS gives us these intriguing words:
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which not only emphasize how Lisa brought to light Dracula's better side, but even imply that she briefly reversed the corruption brought by vampirism. It makes more believable why such a pure-hearted woman would fall in love with him.
Instead, the show directly opens with Lisa marching through Dracula's courtyard, infested with impaled skeletons, and flirting with the guy. And if this could be justified if one imagines that those humans attacked Dracula's first, the flashback in Season 2, where he's shown having a grand old time going on a killing spree because some merchants "disrespected" him, proves that no, he was an outright monster when Lisa met him.
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Due to the first season and the finale's rushed nature, it's harder to imagine why would Lisa find a kernel of humanity in this vampire. She doesn't come off too good either.
Why does it matter?: despite his grief having a more prominent role in the story, Dracula is actually less sympathetic in this version. This wouldn't be terrible, as he is meant to be a tragic yet intimidating villain, if it weren't for the fact that the show paints him as utterly pitiable, and it's even known for "giving him depth". Shankar himself sees him as the hero of his own story.
In the show, Carmilla keeps asking why didn't Dracula turn Lisa into a vampire. With game Dracula, one can believe that he valued her humanity so much that he was willing to let her die of old age eventually, as long as she died as herself. The show, instead, never gives us an answer, because the question isn't meant to paint him in a noble light, but as an idiot who doesn't know what he's doing.
Lisa is less compassionate towards humanity.
Lisa's death is very different between Symphony of the Night and show. In the latter she got burned at the stake, while in the former she was crucified and we can assume she bled to death. This affects two factors.
One, in the game, we know that Alucard stayed with his mother until her last breath, allowing her to speak her last words to her son. In the show, Lisa dies alone shouting in the hopes that Dracula hears her. The title sequence of the first episode shows Alucard kneeling in front of Lisa, but this is not shown in the actual story, and there is no further indication that he was actually there: realistically, it's not possible.
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Two, her last words are also different.
SoTN (ENG): "She said "Do not hate humans. If you cannot live with them, then at least do them no harm. For their's is already a hard lot. She also said to tell you that she would love you for all of eternity…" SoTN (JP): "Do not blame humans. She said that those unable to forgive mankind will walk the path of their own destruction. Those who do not belong to that world shouldn't do anything... And Father... she said that she will love you forever." NFCV: "Don't hurt them! They don't understand! I know it's not your fault, but... if you can hear... they don't know what they're doing. Be better than them. Please!"
Lisa in the game holds no ill will towards humans. She urges Alucard not to resent them, and understand that their lives are already difficult. She even attempts to find a compromise for ease of his mind: if he truly can't forgive, may he at least leave them alone. In Japanese, she emphasizes that hating humans will only be detrimental, a somber foreshadowing of Dracula's downfall. And finally, she parts with a last thought to her husband, a soft declaration of love. The tragedy here is that Alucard kept Lisa's words dear to his heart, but he could not tell them to Dracula, who instead used Lisa's memory as a weapon to wage war on mankind. By the time Alucard reveals Lisa's final wish, three hundred years later, it's too late.
Lisa in the show doesn't sound the same. Not only she ignores her son completely, but her focus seems to wanting to appease Dracula, who might or might not be hearing her, it's ambiguous. She quotes Jesus speaking to God, but she sounds more like an abused wife scared of her abusive husband's rage, a sentiment echoed in S2. She also puts emphasis on how "it's not his fault", as if to absolve Dracula of the responsibility of his reaction, and that Dracula should be "better than them", implying that she thinks lowly of them and wants Dracula to be superior. Not exactly compassionate.
Why does it matter? 1: the show had a chance to flesh out Lisa and Alucard's relationship as mother and son, and it squanders it to further emphasize Lisa's already established attachment to Dracula. Not only it cheapens Alucard's attachment to the mother he fights his father for (he, bafflingly, even says "Then find the one who did the deed", which misses the entire point of his character), this becomes much worse by the time of the finale, as I describe below.
Why does it matter? 2: Lisa, once again, loses sympathy points. The inherent hypocrisy of Dracula disrespecting Lisa's memory is never breached in the show, which prefers to focus on his shortsightedness, but Lisa's wish herself is not as purehearted in the show. In fact, as I said, her relationship with Dracula sounds quite unhealthy now, which of course never gets acknowledged.
Dracula hired Hector and Isaac shortly after Lisa was killed.
There are so many changes brought to the lore of the Devil Forgemasters that they deserve their own post. Each change only causes more logical problems in the show's plot, and it makes the villain story in Season 2 fall apart.
In the prequels, both Devil Forgemasters went to knock on Dracula's door on their own volition, to study the dark arts and live in a place that would accept them. In the show, it's the other way around: after Lisa urges him to travel around the world, Dracula accidentally finds both of them, one in Rhodes and the other in the Sahara, and then he looks for them again once he needs them. This is not the most important change, though, as what matters is that Hector and Isaac are loyal to Dracula for being the only person kind to them, and in all fairness the trait is kept. What matters is how this affects Hector.
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This line implies that Hector was left blindsided by Dracula's decision of exterminating mankind. This was not what he signed for! Hector never, ever wanted to harm humans, and he was so disgusted by his Lord's actions that he preferred to leave. In the show, Dracula already presents him with the idea of "stopping" humans: he means genocide, but Hector proposes that they be turned into livestock for vampires, and accepts to help him as long as there's no needless suffering.
Why does it matter? Hector started off with all the building blocks to go through a similar character arc he goes through in the CoD prequels, but he's turned into a less sympathetic character, as he was on board with turning humans into cattle from the get go. An anti-villain who'd enslave his own kind out of a misguided sense of mercy needs a carefully woven narrative to justify, and possibly redeem. We all know what happened to him.
To be fair, the story wasting Hector is not the fault of the lore changes, so there's no point in elaborating here. I will mention, however, that some fans genuinely believe Hector deserved to be enslaved and raped precisely because of his original plan, which makes the narrative even grosser.
Why does it matter? 2: Dracula lying to Hector to gain his help because "he's a child in a man's body" and thus "he's easy to lie to" devalues Hector, his intelligence (most obvious in his scenes with Lenore, where it's clear that he didn't think too deeply about Dracula's plans and she takes advantage of that weakness), and even Dracula himself who apparently doesn't trust the man enough with his real plans, but trusts him enough with the role of a General of his army... even as he's shouting in the war room that he doesn't enjoy paddling in the blood of innocents. It's never made clear why would Dracula even keep Hector around in the show when Isaac is presented as much stronger and smarter overall, while in the prequels, Dracula respected and trusted both (but favored Hector). Even worse, Season 3 confirms that Dracula did not invent the art of Devil Forging, but it's a type of highly advanced magic that nevertheless is fairly well known in certain circles - so then why did Dracula go out of his way to hire someone who didn't even fully agree with his plan, when there are other Forgemasters around who might be just as fanatical as Isaac?
(the reason might be in the stats sheets that came out with Season 2, that implied that Hector and Isaac were meant to be both physically weak, with the former slightly stronger and more powerful in "necromancing" than the latter. Clearly, something was changed during production to make Isaac the hypercompetent one and Hector the ineffectual one, but this part of the plot would have only worked if Hector was deemed absolutely vital to Dracula's plan)
Why does it matter? 3: Hector and Isaac only worked under Dracula for a year, and they're already called Generals. In the prequels, it's implied they spent years studying under him and gaining experience, both in the alchemy lab and in the battlefield, which is why they're called Generals in the first place (unlike the show version, who allegedly aren't even physical fighters). While Dracula explains that he trusts them due to being humans willing to exterminate other humans, it's questionable that Dracula would trust their qualifications so much; this is made even worse by the fact that Hector was "hired" thanks to a lie. When all three of them fall for Carmilla's plan, I struggle to sympathize with them, so I chalk this up to a worldbuilding and storyline failure.
Addendum: the show makes a frequent point, through Carmilla and Lenore and the Captain, that Dracula might have planned to kill Hector and Isaac together with all the humans: Isaac accepted this fate, Hector could be manipulated at the other vampires' leisure. It also paints Hector as even more of an idiot for not wanting a reward for his work, which gives even more leverage to Lenore. The mangas actually give a much more understandable reason for both points, tied with what above. I'm not making this an entire section because the result is the same: by changing the lore, Dracula comes off as more insane and hypocritical than he is, Hector comes off as profoundly stupid, and even Isaac's relationship with Dracula is now contradictory.
Dracula never became the Dark Lord.
When Elisabetha died. Mathias became a vampire through the Crimson Stone. When Lisa died, Dracula made a pact with Chaos/The Evil God to become the Dark Lord, the Avatar of Chaos on Earth. This makes Dracula far more than a vampire, and something closer to Satan, a truly terrifying figure. His penchant for cursing and possessing also proves this. Dracula, through his own actions, became the incarnation of evil.
Needless to say, Chaos isn't even hinted at in the show.
Why does it matter?: despite his posturing, Dracula is nothing special. He is in theory respected by other vampires for being the oldest and most knowledgeable one, but even that is not true, as the first thing Carmilla does is disrespect him in front of his whole court. His abilities also pale compare to what he can do in the games - while he showcases his iconic Hellfire, he doesn't even turn into his monster form!
Death is not Dracula's loyal confidant.
In the games, Death is a creature born from Chaos, and bound to serve the wielder of the Crimson Stone. Mathias was able to get his help to complete his transformation into a vampire, and since then, Death has stuck with the Dark Lord through thick and thin. Not only he's often responsible for Dracula's resurrection through the centuries, but he's pretty much described as the closest thing the vampire has to a confidant and friend.
No Crimson Stone = no Death. The role of confidant is taken by Isaac, strangely enough, with a Dracula being seriously concerned about their friendship (and this only highlights how differently Isaac and Hector are treated).
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Death doesn't appear until Season 4, and he has a completely different role: he's the man behind the scenes who wants to revive Dracula, which so far is canon compliant... but he wants to use Dracula by giving him a fate worse than death, in the hopes of driving him insane and pushing him to kill as many people as possible, again. Dracula is nothing but a tool to Death, who is described as being a different type of vampiric creature.
Why does it matter?: it's yet another way Dracula is weakened and disrespected by the narrative. Constantly presenting new semi-original villains and having them insulting the main antagonist of the franchise or playing them as pawns is just tasteless.
Dracula and Lisa are brought back to life in the finale.
Death does manage to accomplish part of his plan: with St. Germain's help, he calls back Dracula's and Lisa's souls from Hell to be fused into a Rebis. After Trevor destroys Death, the two return to normal. Happy to be once again together, they decide to spend the rest of their lives together travelling around the world like they were set to do, leaving Alucard alone.
Why does it matter?: it completely shatters the whole point of the cycle of death and rebirth Dracula and the Belmonts are stuck under. Dracula in the games is brought back into the human world by mankind's evil and desires, forced by Chaos to be its avatar and a harbinger of evil. It's implied that even he grew tired of it all, which is why being reincarnated into Soma is a chance of a new start for him. By having Lisa to his side again, Dracula has no reason to hate mankind anymore. Since Chaos doesn't exist in the show, Dracula is completely free, and the year he spent planning mass extermination and suicide is quickly brushed off. We are left questioning what exactly Dracula will do now with his new life, and what he will do after Lisa's natural death.
As of Season 1 of Nocturne, he seems to have faded into obscurity: the first of the two times he is mentioned (the second time from Alucard introducing himself), it's from Juste, in a line like this:
"Whatever it is, evil. And it's everywhere. It will always be stronger than us. And you can kill this or that devil. A Lord Ruthven, a Dracula, maybe even an Olrox. But there'll always be more, more and worse."
Put in the middle as if he were a random vampire, implicitly listed as less impressive than Olrox. And to add insult to injury, Annette, who somehow knew all about Forgemasters, has no idea who he is.
In short, Castlevania, the series named after Dracula's own castle and domain, barely has Dracula as its villain, and in the short screentime he had he was blatantly disrespected.
But he's far from being the only one.
The Belmonts are incredibly nerfed.
To recap. The Belmonts are a generic clan of vampire hunters, for which Dracula is just another vampire. The two have no connection. The Vampire Killer is nowhere near as impressive as its game counterpart, regardless of the flashy animation of the fight. During the fight with Dracula, not even the Morning Star could scratch him. Dracula recognizes Trevor as a Belmont because he attempts to punch him in the face, to no avail. It's implied that, before Trevor, his ancestors went to fight Dracula. And failed. Possibly died.
The Belmonts... don't come off as being particularly heroic.
And this leads to the biggest sin: Trevor couldn't kill Dracula.
I repeat: Trevor Belmont was not the one who killed Dracula. And a weaker version to boot. He dies because he has an emotional breakdown at the sight of Alucard's childhood room, realizing too late that he's "killing his boy", and it's "his boy" who stakes him through the heart.
So much for him being the Legendary Belmont in the games, right?
Why does it matter?: The narrative feels somewhat disdainful of the protagonists of the whole franchise, let alone its own.
Alucard being Dracula's effective killer is the result of Season 2 focusing mostly on their strained father/son relationship, which has its place to be sure, but it's as if the writers copypasted the emotional climax of Symphony of the Night in what is supposed to be an adaptation of Dracula's Curse.
Generally speaking, Trevor gets the shaft in his own story. He did kill Death, the final villain of the show, but Death hardly matters in the grand scheme of things compared to Dracula. The narrative's focus was spread through too many plotlines, and clearly favored Alucard and Isaac (and Hector's plotline, but not for him). Trevor and Sypha, stuck to playing hero in random villages in Season 3 and 4, are by far the most wasted protagonists of the bunch.
The writers seem to have grown bored with the main protagonist, because other characters became more popular. It's amateurish, and once again, disrespectful to the source material: yes, not all games have a Belmont as the protagonist and sometimes they use some flimsy excuses to push them to the sides, but at least they accomplish stuff.
And this leads to...
Richter in Nocturne has lost the entire point of himself.
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Richter Belmont is famous for being the turning point in the Belmont clan. While, chronologically, Juste already grappled with his own fate, Richter is the one who completely falls apart because of his legacy. For 300 years, his ancestors were born, raised and died knowing that some of them will have to destroy Dracula. Richter wrapped his identity around being a Belmont, and being tasked with killing Dracula, which he did eagerly... so when he did, he suddenly realized he had nothing to live for. He wanted to keep fighting for eternity, to give a purpose to himself. And that's how Shaft got to him. And Richter was so distraught for the shame he has brought upon the name of his clan, that he gave the VK to the Morris clan, who kept it until 1999.
Nothing of this could be kept in Nocturne, because no Belmont has ever killed Dracula, and there is no reason to even kill him anymore after he stopped hating mankind. Richter is still proud of his heritage, but he describes it as a generic "killing vampires": as of Season 1 of Nocturne, the main source of pain for him is the death of his mother at the hands of Olrox, a very different and IMO much more cliché tragic backstory.
Why does it matter?: between this, Trevor being a glorified prop, and Juste being reduced to a depressed cynical mentor, plus the OC Julia getting killed in an uncerimonious way to fuel Richter's angst, there is a sad pattern of the show almost resenting the Belmont clan as a whole. What is the point of adapting Richter's story, if his story simply cannot happen?
Richter thought Alucard was just a myth.
In SoTN, Richter immediately recognizes Alucard as the one who helped his ancestor Trevor. The implication is that the knowledge of Trevor's feats had been passed down, and survived for 300 years. Apparently, no such thing happened in Nocturne.
Why does it matter?: since Trevor did absolutely nothing of importance in the show, Richter's knowledge of his own clan lore is cheapened. This affects once again his supposed arc, confirmed by Sam Deats, of living up to his family legacy - what legacy?
And still they aren't the only ones affected!
Alucard doesn't hate his vampiric heritage.
In the games, Alucard's biggest internal struggle is about his dual nature. Both a vampire and a human, son of his father who wants to destroy mankind and son of his mother who asked him to cause no harm to them. The turmoil is so great that Alucard chooses to seal himself in a coffin twice over, in 1476 and in 1797: he explicitly does so because he feels tremendous guilt over having killed his father, and to protect the world from his "cursed" blood, as there is the chance that, if he dies, he will become a full-fledged vampire.
Absolutely nothing of this is kept in the show. Alucard reluctantly kills Dracula and is shown weeping about it, but he's fiercely, and weirdly, protective of vampires. This is shown in S2, where the reason he spends the entire time insulting Trevor and his lineage with cruel, callous and frankly xenophobic remarks is that they kept "a museum dedicated to the extermination of my people".
Furthermore, he never goes to sleep. The entirety of his story in S3 is caused by him going insane for the isolation over a month because Trevor and Sypha decided to travel alone, while Alucard guarded the castle and the Belmont Hold; in Nocturne, Alucard mentions that he spent the last 300 years slaying vampires (I suppose he changed his mind in the meantime).
Why does it matter? At its core, this is the show's attempt to make the vampires look more sympathetic, painting them as a noble race who don't deserve to be systematically killed (accidentally drawing unfortunate parallels with real life ethnicities). By default, it paints the Belmonts as morally grey, at best, hunters who kill innocent creatures like "children" and gruesomely display the remains.
Incidentally, while the objective was to make the vampires look more pitiable, the real consequence is that Alucard looks like a grand bastard, hating Trevor for doing his job and siding with bloodsucking monsters for reasons that are not elaborated upon. You'd think this would effect his relationship with Dracula, but it never comes up.
(Nocturne also comes off as even more disconnected to the original series now, as it reverts back to the notion that vampires are nothing more than shallow monsters to be killed without remorse)
Why does it matter? 2: a smaller consequence of Alucard never sealing himself in his coffin is that Trevor and Sypha come off as very insensitive friends for abandoning him right when he needed the most support. In Dracula's Curse, he choose to separate himself from them. This cheapens their supposed friendship even more.
But as for Alucard being awake for 300 years, we don't know enough to say how this has affected him. We'll see in S2.
And there you have it. Richter can't be Richter and Nocturne has to revolve around the French Revolution, because Lament of Innocence didn't happen in the show. And because the writers did not understand the source material and all the decisions that had been taken.
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carionto · 7 months
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What if we just hollowed it out?
Progress on the Dyson Ring was unbearably slow (by Human standards) and Captain Knoslark and some of his crew were busying themselves with a twice-a-week extended D&D session. He was banned from GMing after trying to introduce the Deck of Many Things, so relegated himself to a Wild Sorcerer Drow build. When it was not his turn during combat, he would make sure when his turn did come up, the holographic projections he programmed would show off his descriptions of his magics in the most spectacular fashion. He was irritatingly good at the visuals, and nobody wanted to praise him outright for fear his ego might explode, but it did pass the time well enough.
The construction efforts have become so routine and uneventful that the only people who had anything stimulating to do on the clock were the observation officers. Even then, it was just ships going in and out of the system, sometimes big groups of civilian craft would bunch together in the Oort cloud for a race, other times an alien diplomatic vessel and escort would jump in for a visit or to drop off a person who had "made a mess on a vessel not outfitted to handle Human strength", which typically meant somebody forgot alien doors don't have a manual override and broke it by opening it by hand without much trouble. Most exciting was when a new Dreadnought or other large military ship was constructed and it set out on its first voyage outside the shipyards around Earth.
Of course, their main job was monitoring celestial objects and make sure any wandering meteors or debris weren't on a collision course with anything important, and if there was one, tell the nearest patrol ships and they would go out and redirect or destroy it.
Today, Officer Xiang spotted something a bit bigger. A rogue planet! Trajectory analysis indicates it will pass into the Oort cloud in two years and pass through Sol over the next forty three, only once coming relatively close to Mars, but not enough to influence its orbit. It was, however, big enough that they could complete a significant portion of the Dyson Ring. Big enough that, in theory, it would then be able to output enough power at once to power the planetary Warp Gate for anything up to the size of the Moon.
Unfortunately, deeper scans showed it once had living organisms on it, and was thus protected under intergalactic preservation laws: "The surface of any rogue planet that once housed life shall remain untouched, and the planet shall be marked as a historical landmark and scientific object for study purposes only."
To this, Captain Knoslark inquired: "Hmm... but what about below the surface? It's just cold rock at this point, right? What if we find a natural crevice and just dig a little further? For Science!"
As a junior officer and there being almost no people who are experts on such niche intergalactic laws yet, Xiang and the others couldn't find a reason why this wouldn't work, but it felt... off.
"Just think, it'll be fine - we'll reinforce some of the ore and create a porous interior, preserving the structural integrity of the planet as a whole and keeping the surface as is. AND we get about 85% of a whole planet to further our progress - that's a whole 17 moons worth! And and it would be within our jurisdiction during the time. It's a win-neutral as far as I can see."
That sounded like logic. Maybe? Either way, we would have to talk to the higher ups about this plan. Even if anybody wanted to, hollowing out a planet is not a thing you can do in secret. You need, well, literally a planet's worth of ships, equipment, and crew to do something like that within just over four decades, and we want to get it done in less than one.
No matter our advancements, dedication, willpower, grit, force, or cunning, the two foes Humanity cannot defeat, but must always accept and handle properly - logistics and the accompanying bureaucracy. Still, it would be nice if we didn't have to use up more of our moons so quickly for one project.
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gabichanwrites · 6 months
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As someone who has no strong feelings toward Izzy, I still didn't want him to die and was certain Izzy wasn't going to die because despite all the things I disliked about what they did to certain characters and plots in the second season, I thought it didn't fit the show to have a central character (or basically anyone who isn't a minor character) die. It didn't fit anything it had set for itself in the previous season to kill off one of their main characters even if it WAS for a meaningful reason (which it wasn't). And yet they did it anyway, and like I thought, it was an awful decision.
Yeah, man, exactly that!
I may be quite biased because I literally loved Izzy since I first saw and heard him, all the quips, all the potential of redemption... And, you know, I've got a spot for "pathetic, wet cat" characters. As in I want to give him a towel, feed him something nice and treasure each moment he stops hissing at me.
And even with all the love I hold for Izzy, I don't think I'm not objective when I say it's a shit narrative choice and it's a death that doesn't do anything. It wouldn't serve well any of the characters in the show in fact.
Especially with the way the show handled 1 season, with the softness and historical inaccuracies in how open everyone is to the new stuff - man, people loved it. I loved it. I trusted the writers so fully that not for a moment did I think they would actually kill off anyone, not even for a moment did I believe that Lucius would die. And this was this kind of show about pirates, this was why people liked it so much, at least partially.
And now this finale... Even if we ignore how much Izzy doesn't deserve it, it's just a bad way to go. It's a generic shot in a generic setting, with the character doing absolutely nothing special, not protecting anyone, not running away, just standing there. It's like killing Pete so Lucius will realize that pirating is dangerous and bad and he should stay on land. It's like killing Jim to make Oluwande realize that this isn't safe and... I don't know, go to Zheng. Honestly, I have a hard time coming up with similar nonsense because it just... Doesn't make sense. The writer in me recoils at the sound of so much unnecessary death and cut potential for the sake of... What exactly?
. This kind of death breaks the theme we got used to seeing and it takes away our belief that we can freely enjoy the shenanigans without worrying. A feeling I just got familiar with when the curse and Calypso's birthday happened. This kind of death takes away character in a cruel, pointless way and reduces them back to side characters, there to make way for the main couple. And I like Ed and Stede well enough but COME ON.
So yeah, in short, I fully agree anon. But you probably knew that if you took a look at my Tumblr in the last few hours. I'm gonna stop here though because it's very late for me and I am several hours behind on getting some sleep. Thank you for the ask though, I feel like this finale deeply affected even those who aren't that obssesed with Izzy and, to be honest, it's our first warning sign - writers don't mind pointless killing anymore.
Or maybe it's the saving grace - the bad reception will make them unlikely to do anything equally rush and stupid in the future.
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