#the Zuko-Ozai one though
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From what I remember in your story, even taking Iroh's initial biases into account I thought part of his intense hostility leading up to his report to Ozai was that he was truly convinced that Azula's true nature was either no better or even significantly worse than Ozai's due to the Iroh's suspicions arc. Azula herself told Sokka she was worried that by throwing him of the trail of their relationship that she may have brought the worst out of him. Honestly this was probably my favorite exploration of their conflict, because if they were truly able to trust each other and talk they could have avoided so much pain and trouble, but both of them over the course of the story had developed genuine and/or biased reasons not to trust one another and viewed themselves as doing the right thing despite their actions ultimately resulting in the worst outcome. Azula was trying to prevent a known adversary from having ammunition to ruin their lives and future plans, and Iroh believed that he was essentially hindering the fire nation by turning what he thought were essentially two Evil Ozais with a good relationship with one another into enemies. I can't lie that I'm not slightly disappointed that in the latest chapter that this aspect of their conflict wasn't brought up more explicitly in the conversation with Zuko when Iroh was talking about his biases. Was I personally thinking that the dynamic was more significant than it actually was or is that dynamic being saved for a future conversation Iroh may have with Sokka and Azula?
Uuuuuh, as for the last question... I don't really know if I'll bring it up some more since I do think I've had Iroh acknowledge why and how he fucked up in that respect in the past + exteriorized that if Azula had acted differently he might just have done it too? Am I crazy for thinking so? Did I write that or didn't I? That's a complicated game to play when you're almost at 5 million words of a story... 🤣
Azula and Iroh miiiight have one more conversation in the future and maybe this will come up there, but I haven't written it yet so I won't make any promises on that front. Admittedly, I don't expect their future encounter to be particularly fruitful. Iroh is 100% genuine in what he has understood and learned, though, that can't be denied and I always have hoped to portray him not as a super wicked villain but as a character who thinks he understands far more than he actually does, with motivations that push him into making mistakes he very much comes to regret.
This being said, the Azula-Iroh and Zuko-Ozai parallels in this story are and always have been 100% intentional. Those two tugs-of-war have been going on forever, and the crux of them was very much the fact that Azula and Iroh distrusted and second-guessed and suspected each other soooo much... because they have similar natures, similar thought processes, and they're both intellectual, suspicious, hiding what's REALLY going on underneath the surface, and immediately wary when they recognize all those traits in each other too. Likewise, Zuko and Ozai have some REALLY ugly parallels and one of those parallels, already given away by the chapter you sent this ask over, is going to be the driving force of the conflict between those two, much as a similar thing was the driving force between Iroh and Azula, in its own way: the more they fight to push the other away, the harder they reject the other, the more they end up embodying the flaws they see in that other person, to an extent where they could do absolutely TERRIBLE things just out of wanting to push the other one as far away as possible.
So yeah, the point was never for Iroh to feel like some sadistic mustache-twirling villain who wanted Azula to suffer just for shits and giggles. He had his reasons to do what he did. Doesn't mean he was right. Doesn't mean he should've done it. What it means is it made sense in his head due to his biases, the information he had at hand at the moment, and the particularly awful relationship he had with Azula. Likewise, Azula's rejection of Iroh back in "Iroh's suspicions" caused her uncertainty and anguish because she KNEW she had taken it too far. She was afraid of the consequences. A part of her KNEW that if she acted differently, there was a chance, however slim, that Iroh might not have made the choice he did. And that's why this is such a messed up situation! :')
Ultimately, I want my characters to have motivations that just... add up. That can be traced. That, upon looking at their actions and choices, anyone can go "oh yeah, this is why they did whatever they did". This is good when it comes to establishing ultimate goals, and it's also good when you want to put characters to the test: how far are they willing to go, what are they ready to do to achieve whatever they're trying to achieve? How much are they willing to sacrifice for it? And the answers to those questions can be VERY extreme and painful. Just so, we can find characters who decide to back down and simply surrender over their goals when they realize that there are other things that matter more. But it's a manner of game a writer plays when it comes to gauging and figuring out what a character wants vs. needs, what a character will fight for and what it will take for them to surrender, and so on. Fundamentally, that's how I built up Iroh and Azula's chaotic dynamic. Whatever comes from that in the future, ultimately, their biggest problem may just be that they were just too smart for their own good, tried to outsmart each other a little too much, and never allowed themselves to just... accept each other properly. They came close to it once, yes! But... they failed. And it's depressing as hell, but complicated characters will always be challenging this way...
#anon#gladiator#those two parallels will never stop making my brain go brrrrrrrrrrrrrrrrr#the Zuko-Ozai one though#is just so damn good#I can't wait to get there#because my god you guys#the KEY to breaking the FN royal family cycle of toxicity#is actually in that specific parallel and how I'll deal with it#I never thought it would be until I realized that's where it was#one thing#just the one thing#is going to be a key to giving Zuko a chance to break free from the exact spiral he's falling into#and of course Zuko is a better person than Ozai and of course he hasn't been anywhere near as powerhungry as his father#... but that doesn't change the very dark truths that Ozai and Zuko very much mirror each other#every bit as much and every bit as painfully as Azula and Iroh do#there's not as much of a salvation aspect for those two unfortunately#at least I haven't unraveled it yet#there may be one regard in which they could maybe grow some mutual respect but#I can't see that going too far#so unfortunately zero promises of reconciliations here#Ursa is one thing Iroh is a whole other rodeo#even though Ursa has also done some very fucked up things but...#... fucked up things Azula actually can accept a lot more than the fucked up ones Iroh did so...#it is what it is
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Another post just reminded me of an important PSA
Sokka is a better Ron Weasley and Xander Harris than Ron Weasley and Xander Harris ever were
Katara is a better Hermione Granger and Willow Rosenberg than Hermione Granger and Willow Rosenberg ever were
Zuko is a better Draco Malfoy than Draco Malfoy ever was canonically, but Spike is pretty great, even though yes, okay, we know, Zuko's redemption arc will always be superior
fight me
#harry potter#avatar the last airbender#buffy the vampire slayer#sokka is also superior to han solo#but we can't go around saying katara is better than leia even though she is#and it's also hard to say that zuko is better than darth vader even though he is#like luke skywalker is a very special boy; it's not fair to compare completely different canons why would you do that#sokka is not a better samwise gamgee than samwise; on that they're pretty even#is the katara equivalent in lotr legolas hahaha just the best at everything and severely OP I guess it's true#gollum is a pretty good darth vader!!! but still no zuko#gandalf is obviously the superior dumbledore but has sincere rivalry with iroh#who am i kidding no one beats iroh?#but gandalf and obi wan could have some pretty great tea with giles#who am i missing#oh emperor palpatine voldemort firelord ozai sauron who cares about them. The Mayor probably cares about them. That's who#lan wangji is the new legolas katara hermione leia pass it on
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Sokka: This is getting out of hand, now there are two of them
Kiyi is the only addition from the comics that I'm willing to acknowledge, however, I will happily ignore everything else abt her story. Instead she is Ozai's daughter and protecting her was what kept Ursa in hiding, at least until a year after the war when Zuko and Katara show up for The Southern Raiders pt 2: Electric Boogaloo.
#zuko's redesign stems from my headcanon that after trying to be like his predecessors for a hot minute#he ultimately realises that another Sozin/Azulon/Ozai is not the answer so he kinda de-militarises his royal outfits to represent that#(also all i can think abt when i see comic zuko is him going sideways to get through doorways)#so bye bye big military-style shoulderpads and hello soft flowing robes#also no more bangs because what were they thinking#i have a fic idea where zutara find Ursa and Kiyi with prisoner Azula's help only for a landslide to seperate them right after reuniting#zk and Ursa on one side and Azula and Kiyi on the other#so Azula is faced with a LOT#does she escape? does she take revenge on Ursa by leaving Kiyi defenseless?#she has a whole crisis but ultimately protects Kiyi and returns her to Ursa even though it sacrifices her only chance at freedom#this action doesn't redeem her or spare her the consequences of her past actions but it does start her on that journey#zuko#kiyi#my posts#atla#atla fanart#my art#gonna add zutara cos this does allude to a zutara au i have in mind even though it isn't strictly speaking abt zk themselves#zutara
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Plot idea: zuko was tired of people leaving him even as a prince. It’s why he was against the 41plan. But people keep leaving. Even the Avatar leaves.
This is the plot of the comics
#or at least the one where pacifist Aang promises to kill Zuko if he goes Ozai#and then the Gaang leave him alone with a bunch of assassination attempts#something something colonies#and then Aang is like Whoops guess I have to kill him now#the comics: fanfic someone got paid for#even though the characters seemed a bit OC#(and then I stopped reading them and did my best to blank my mind of their contents)#avatar the last airbender#atla
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Lila: I am also a surviving Airbender!
Chloé *loud, frustrated groan*
Okay so /technically/
I don't think I ever decided on that AU if like. It takes place post-atla/lok or if it happens in its own separate continuity? It's funky because the way I envision it has the tech and such be a mix of the original series, but there's reference to more Canon lore bits.
But either
1.) It /does/ take place in the world, but it's post LoK so Airbenders are properly repopulated
or
2.) It takes place in a 'within the worldbuilding of atla/lok but those plots aren't heavily referenced', in which case the Air Nomad Genocide is just kinda nonexistent to them.
#ml atla au#that said there is one plot point that makes me want to make it that they're in the same world#and they've just circled around to the new water avatar so it's far in the future#and that's the idea of Chloé and Zuko being related lmao#though i may have to shift some things since i usually make it that andre isn't chloé's bio dad but GOD could you imagine fire lord audrey?#i mean ozai exists so it's pretty easy just genderswap and get some hair dye BUT
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Hey, I was thinking how do you see Azula??
A monster just like his father?
Or just a child who had been a victim of his father's cruelty?
And is Zuko and Azula's relationship going to change in book 3(I don't know the title:) or messed up like Canon?
My opinion on Azula?
Idk… I think she is a 14 year old girl who was raised in a toxic and abusive environment & learned to adapt in order to survive. I think she is incredibly independent & competitive and very intelligent… she is probably one of my favorite characters honestly.
The unfortunate thing about Azula is she is insanely loyal to her father & the Fire Nation and it would take a lot to make her betray them both…
I think she has an opportunity at a redemption & to heal but it will be a difficult journey & on her terms.
I won’t say if I’ll even attempt that LIAB (but you never knowwwww)
#but don’t get your hopes up#I love azula#she is so insanely bad ass & wickedly intelligent#but idk what it would take for her to turn her back on Ozai#& her nation#& claim to the throne#because with Zuko ‘dead’ she is crowned princess#& if Zuko pops back up he is a threat to that#or she could break down in tears and hug him and tell him she loves him#I’ll let you decide which one seems more azula#:D#you never know though!!#liab#ria#ask
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The final Agni Kai all over again
#cryptid's thoughts#though honestly Azula has more mommy issues than daddy issues#not that ozai didn’t completely mold her into a tool for his own personal gain but she has way more unpacked trauma from Ursa#though I guess one could say that too is a product of Ozai’s poisonous influence#if the poll ends up that way idk I might just explode lol#I love them both so much and they’re both impacted in equally horrifying but different ways by their shitty dad#I guess we could say Zuko had Iroh while Azula literally had nobody#I’m already pondering and the final poll isn’t even here yet lol
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I’ve loved this song for a long time; the instrumental is one of my favorite pieces of music. It totally gives me healing Fire Fam vibes
#music#idk I really do think Zuko's experience in his self loathing and shame could help him give patience#while helping Azula navigate her new start away from Ozai#all while Iroh sits near Ozai's cell as one of the few people who go to visit him#trying to mend things#but he knows full well nothing was ever between them to mend#all the while Ozai looks at the man that escaped this cell#Ozai snaps at Iroh and tells him how nice it must be to gloat about how he's on the outside now#but Iroh says 'if I wanted to gloat I would not come in here at all'#the lyrics 'though you may disappear - you're not forgotten here - and I will say to you - I will do what I can do'#followed by that violin#godddddd#also yeah this song is what my Iroh visiting Azula in her cell oneshot is named for
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The second wife| Dark! Ozai x Wife! Reader x Platonic Dark! Zuko and Azula
Ozai murdered your husband and your baby to take you as a second wife.
Of course, he has done it secretly so he doesn't appear like the villain in your eyes.
You were the handmaiden and younger sister of his first wife, and the one he wished to marry in the first place.
So, when Ursa runs away, he marries you against your will.
Even though the marriage was forced, right after your husband and child's death, yet you held no ill intention towards your nephew and niece.
Zuko is quick to accept you as you are his aunt whom he trusts.
While Azula didn't know how to act around you, thinking that you viewed her in the same way her mother did, a monster.
But you made sure to include her in everything along with Zuko.
The healthy relationship you had with Ursa is the same one you wish for Zuko and Azula to have, one full of love and respect.
But Azula always tried to push Zuko out of some activities, she claimed 'it is a girl's thing'
"Mother should only brush my hair because I'm a girl"
Meanwhile, Zuko clings to you, telling you everything he knows, or sought knowledge about it.
Meanwhile, you hate Ozai, he is just unlike...your first husband.
Ozai is beyond redemption in your eyes.
And many days, you avoid him.
However, one day, you and Ozai were fighting about political matters and Zuko intervened to defend you.
"Stop yelling at mother, she has done nothing wrong!"
You only placed your hands on Zuko's shoulders, fearing that Ozai might hurt him.
But the glaring competition between the son and the father only ended in Ozai leaving.
Unfortunately, Ozai did not let that slide when Zuko cut in one of the political meetings.
He challenged him to an agni kai.
Something that Azula was excited about.
You tried to plead for Zuko's case.
But that made Ozai more determined.
And on that day of Agni Kai, Zuko was left defeated with a scar as a reminder.
And then banished from the first nation for not wanting to fight his father.
But you kept sending him letters from behind your husband's back.
At first, Zuko swore to capture the avatar so he can be accepted back as an heir and into the arms of his aunt, you.
But after joining the team avatar, he swore to defeat his father and save you.
#tw: toxic relationships#reader insert#Yandere Ozai#Ozai x Reader#Ozai#romantic yandere#platonic yandere#zuko x reader#azula x reader#avater the last airbender#wife reader#Avatar the last airbender
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So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.
So.
It's okay. B, maybe a C+.
That's it.
Now for the spoilers:
The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.
The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.
The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.
Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.
The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.
The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.
Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.
In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.
And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?
Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.
In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"
They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.
It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.
To sum it up: Netflix Avatar is a mile wide, but an inch deep.
#avatar the last airbender#atla#atla spoilers#avatar netflix#netflix avatar#atla live action#netflix atla#zuko#iroh#katara#aang#sokka#zhao#ozai#review
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𖤓⎸⎸ 𝐇𝐢𝐬 𝐋𝐢𝐭𝐭𝐥𝐞 𝐖𝐚𝐭𝐞𝐫𝐛𝐞𝐧𝐝𝐞𝐫 ⎸⎸𖤓
A/N: You all voted on this poll, and this poll, and this poll, and after a LOT of voting, I present you this :) BIG thanks to @that-multi-fandom-hijabi for beta reading this go follow her writing acc rn (@novaaaaaa-writes). Here's my masterlist! Divider made by @cafekitsune
Warning(s): Enemies to lovers trope, mentions of burning, stabbing, blood, bad descriptions of both fire of water (ice, snow ?) bending, Zuko is whipped, just a little confused about it, reader is a baddie, water benders unite (not me tho), reader is GN but written with f!reader in mind, reader looks non-threatening, is underestimated a lot, this takes place at the end of season one, I think that's it
Pairing: Prince Zuko x GN!Reader
“You shouldn’t be here” you glare, your gaze sending shivers down his spine.
But that could just be because of all the snow and ice surrounding the both of you.
The fire prince remains unfazed though, his amber eyes sweeping over your form- assessing the threat you posed.
He could take you down in seconds.
Zuko doesn’t respond to your jab though, because he knew you were wrong. He had to be here, it was the only way he could finally receive his father’s favor- as the heir and as the son of Firelord Ozai. It was his duty, his honor.
And he wasn’t going to let a non-threatening waterbender get in the way of that.
Reaching back, he unsheathes his dual swords, the glint of the waning moonlight reflecting the dangerous glint in his eye.
And yet you didn’t back down.
Pooling some water from your waterskin, you assumed the stance you had trained yourself to take whenever you honed your skills. One with the water, one with the ice.
‘Power should flow, not force itself” Master Pakku had told you once.
People had always underestimated your skills, saying you were better suited for healing. But after showing Master Pakku how you could use your bending to control the falling snow around you, he gave you a chance.
He had told you to let the power settle in your body before releasing, instead of forcing it out immediately. Conceal and then control.
You met Zuko’s fiery gaze with an icy one of your own. You were going to protect your home.
With a yell, you form flurries of snow, whipping around your form as you channel your strength to change the form of your flurry, snow turning to water, water turning to sharp daggers of pure ice.
Zuko scowls, setting his hands ablaze and you run at each other, fire meeting ice.
Time slows down, as the intensity of your elements picks up, until all you could hear was the steady thump – thump – thump – of your heart, and the roar of crystalline knives swirling around you.
Flames lick the side of your leg, wincing as the raw burn of the fire sears through your skin in white-hot pain. Razor sharp icy shards cut into Zuko’s skin, finding chinks in his armor, piercing his flesh and drawing blood.
The snow beneath the both of you was dotted red now, both of you staring at each other, panting heavily.
“You really shouldn’t be here.” you repeat again, but this time, it was barely a whisper, swallowing down tears as the cold wind of the Northern Water Tribe stung your gaping wounds.
Zuko growls, grunting in pain as he pulls a shard of ice out of his skin. “I don’t take orders from a little waterbender” he spat, venom dripping from his words.
You reciprocate with a snide comment of your own. “This ‘little waterbender’ just sunk 5 icicles into your skin.”
Zuko was just about ready to tear your head off, hands igniting with vermillion flames before you collapse, the burns along your thigh and calf were much more severe than either of you realized.
You choke out a sob of pain but keep your control of the water left in your waterskin. You couldn’t die, not today, and not at the hands of the prince of the Fire Nation.
Zuko’s heart throbs unexpectedly, the look on your face too familiar for comfort. The face of someone who worked so desperately hard, only for all that effort to go down the drain. But he didn’t care for you. He couldn’t- couldn’t grow attachment to a non-threatening waterbender. Yet you sat there on the snow, dotted with blood, with that raw look in your eyes. His flames extinguished, without him meaning to.
You flinched as he threw his swords down frustrated, impaling themselves into the nearby snow mound, standing straight up.
He stomps over to you, and you frantically move back, but your leg flares up in pain again, and you yelp, hissing in pain.
“Stop moving, you’ll make it worse.” he says, glaring at you, but not as intensely as he had before.
You want to scream, kick him, punch him, anything, but your body betrays you as he sweeps you up into his arms, carrying you to the nearest place he can find, where he can keep you safe. You feel his strong arms hook under your knees and under your back, holding you securely to his firm chest. Even through his armor, he radiates warmth, a gentle heat, unlike the flames he threw at you merely minutes ago.
He hates this, with every fiber in my being, his voice screaming at him to drop you and burn your frail body to a crisp, vengeance for the blood dripping from his own body, but he keeps moving, step after painstaking step.
You try to stay awake, you really do, yet channeling so much energy from your battle, the numb throb in your lower leg, and the comforting heat radiating off the fire prince who refuses to look at you, you slip into unconsciousness.
Zuko feels a weight press against his chest, and he huffs, honey-colored eyes catching onto the details of your face, the curve of your nose, the apples of your cheeks, the slight pout of your lips as you nuzzle into his armor unintentionally, how pretty you were when you were at peace.
He stops himself there, reprimanding himself for thinking such things. He can’t have feelings for the enemy.
And yet, even as he and his troops head home, battle wearing and dejected from the loss of a major battle, Zuko can’t help but think about his little waterbender.
***
When you wake up, the kind woman tending to you tells you all about the mysterious and handsome man who carried your sleeping form across the entire Northern Water Tribe because he didn’t know where the healing center was.
#zuko x reader#zuko x you#atla zuko#fire lord zuko#prince zuko#zuko#avatar of the last airbender#atla#prince zuko x reader#prince zuko x you#prince zuko x y/n#water bender reader#help 'power should flow not force itself'??#I have mixed thoughts about this#zuko x y/n#avatar the last airbender#zuko avatar#zuko avatar the last airbender
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The Agni Kai between Ozai and Zuko was one of the smartest, best additions to the show. I see people complaining about Zuko "fighting back", as though that's a bad thing or takes away the victimhood of his situation.
Zuko is prepared to fight someone else. Then his dad steps in. There's already a ton of pressure, and now confusion overwhelms, because wth why would he fight his dad and HOW. He doesn't want to fight him. But this Agni Kai's point is for honor, to prove himself to him, and a) he is firstly DEFENDING himself from his dad who is the one who starts fighting him hard. (throwing fire at him?? Hello??? Is he just supposed to take it??) b) don't you think Ozai would think worse of him if he didn't do anything at all? And don't you think Zuko takes that in consideration pretty quickly as his dad attacks him?
It's clear Ozai will fight. Now Zuko looks confused and scared during the fight, rightfully so, and he tries to figure out how far this will go. My wife keeps saying that he is sparring (and that y'all don't know about sparring, lol), and that doesn't mean you have to hurt your opponent, not the way Ozai intends. Zuko engages defensively, and then fights his father, hoping that's enough to show him that's he's good at this, that he's skilled. It doesn't have to go as far as Ozai takes it, it COULD just be sparring. Zuko COULD jusy try to show him what he's learned and hope his dad is pleased enough. Isn't that what he keeps trying to do anyway? Get his approval? Both he and Azula. Unfortunately, we know that's impossible.
The unfolding of this Agni Kai drives home the cruelty of Ozai in an even more intense way to me. Because no matter how well Zuko fights, it's not about skills, it's about how far he's willing to go, that's what Ozai is judging. The mentality behind it. Zuko isn't willing to hurt his father when he could, he holds back! That is his "weakness". And the way Ozai punishes this by doing what Zuko refused to do - burning Zuko where Zuko could've burned Ozai - that is a horrible reminder of this "failure" to go far enough, and the consequences it entails.
Zuko's scar now isn't just random placement, it has meaning behind it beyond the basic cruelty of Ozai hurting his child. It directly references Zuko's "weakness". Ozai showing him how it's done directly on his face, serving as a constant reminder that he couldn't be the strong one, so he got hurt by the one who was willing to be.
The sequence of Zuko holding back and Ozai NOT holding back but purposefully pausing and choosing to punish him this way was mind-blowing. Such a powerful, terrifying moment that makes Ozai feel even crueler than in the OG.
I don't think Zuko not engaging in the OG is bad at all, it virtually gets the same result; but I also don't think it's bad for him to decide to engage. It doesn't take away anything from the point, for me, the way it plays out in the live action takes it further. It examplifies Zuko and Ozai's relationship and Zuko's efforts - never enough - perfectly.
#Natla#atla live action#Live action ATLA#Agni kai#Zuko#HOW DO I CONVINCE YOU THIS SCENE IS INCREDIBLE 😭#It took me by surprise so much i was holding my breath#ozai#avatar the last airbender#avatar live action
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Okay I have an request
So like we are azula and zuko sister and we adored by both but like in the catacombs we choose gaang over azula and zuko of this and please can y/n x sokka and now zuko now wants to join gaang and yeah I am not good with words I hope u understand what I said😁
Y/n can be a firebender or non bender its ur choice anyway
a/n: okay so there’s a lot to tackle in this request which is why i chose to do it as headcanons so i hope you don’t mind !
summary: being the middle child isn’t easy, especially when your siblings are Zuko and Azula
As the only non-bender and middle child of the royal family, you never felt like you mattered
You were the Black Swan of the palace, a disgrace to your father and his image
You kept to yourself, staying in the shadows and out of his way while your siblings took the spotlight
However, just because your father looked down upon you didn’t mean your siblings shared his sentiment
In fact, they adored you
Zuko was an attentive older brother. He let you follow him everywhere, defended you against anyone who dared speak badly about you, and was your shoulder to cry on whenever your father was feeling particularly cruel
He saw you for who you were, and who you were was an intelligent, kind, talented young woman meant to do great things in her lifetime
Azula, while being particularly mean to Zuko at times, never once treated you the way she saw her brother
Despite you being a nonbender, she surprisingly never speaks down to you or makes you feel less than
It could be because she doesn’t see you as competition as she does Zuko, or maybe she truly does just feel genuine sisterly love for you
Maybe it’s because whenever she felt your mother was unfairly favoring your brother over her, you were always there to assure her that she was a wonderful bender and just as important
Maybe it’s because sometimes she wished you could be her mother instead
Whatever her reasoning, Azula sees you as a comforting presence in her life. She seeks your validation constantly almost as much as your father’s, and she’d do anything to protect you and your honor
Things became worse for you when Ursa left. She could no longer intervene when your father felt like tormenting you, and your siblings knew better than to say anything in your defense. Shortly after her banishment, Ozai deems it best to send you away to the academy since he has no other use for you
Your departure is hard for both siblings. Zuko is gutted that he can no longer be there to protect you or look after you. Though she acts as if she couldn’t care less, Azula is devastated at your leaving. Her source of comfort is being ripped away from her, and she has no one to look out for her
At the academy you learn various forms of physical combat and weaponry wielding. You’re especially fond of using tanto swords in battle and they’ve become your weapon of choice when in a fight
Zuko and Azula send you letters during your stay at school behind your father’s back updating you about your home, their lives, and their annoyance of each other. You keep every single one they send, and it eases the ache of your home sickness
It’s also at the school that you learn of the Agni Kai and Zuko’s banishment. Your heart breaks for your older brother, and you’re devastated at the fact that you never got the chance to say goodbye and you may never see him again. He still sends letter for a time, but as the years pass they become less frequent and almost nonexistent. Azula’s letters follow the same path
Years pass and your father deems it time for you to come home. Now that you’ve made a decent fighter out of yourself he finds your worthy of being his daughter again
However, your stay is short lived. Azula recruits you to be part of her little team to capture the Avatar and your brother, and you don’t really have any other choice but to agree
You downplay how skilled you are in fighting so that she doesn’t expect much from you and force you to do too much of the work. You don’t want to go against her, but you also don’t want to have to fight your brother and your uncle
You also don’t exactly feel good about destroying the world’s last hope for peace
And that’s why, when the time comes, you choose the Avatar over your siblings
You’re tired of being pulled back and forth, of always being stuck between your siblings with no real purpose, of not being able to do anything for yourself
Zuko is astonished by your choice and conflicted. Just when he finally had found his way back into the family you chose to leave it. Why were you doing this? Why were you ruining everything?
Azula is furious. Your betrayal hurts worse than mother’s. You’d always taken her side, always comforted her and supported her, you’d always been there, and now you were leaving. How dare you leave her?
“You fool!” She’d cried, angrily sending a blast of blue flames your way knowing you wouldn’t be able to stop it. If not for Iroh, surely her strike would have ended you. The fact that your own sister was willing to hurt you for the cause was enough proof to know you were making the right decision
You help the Avatar escape and join his group, vowing to help them in any way you can to win the war. Your fighting skills and knowledge of the Fire Nation makes you a big help and they appreciate your assistance
It doesn’t take long for you to win their trust and acclimate into their group. You become fast friends with everyone, growing especially close to Sokka who may or may not have a huge crush on you
He definitely becomes your shoulder to lean on when things get tough, because he knows it can’t be easy for you to just leave all you’ve ever known behind. you struggle constantly over having to choose the Avatar over your siblings, but he constantly assures you that you’ve made the right choice
Least to say your departure makes Zuko’s return home even more conflicting and turmoil filled. How can he enjoy being back home when you’re not there to enjoy it with him? How could he be happy knowing his sister was out there risking her life to help the Avatar?
Your decision definitely inspires his own to leave the Fire Nation and aid Aang and his friends
Your abandonment of your siblings also fuels Azula’s descent into madness, fueling her fire to continue her mission to capture the Avatar
It’s a rough position you’ve found yourself in, but it’s not like your whole life hasn’t been you stuck in a terrible spot
Being the middle child is hard, especially when your siblings are Zuko and Azula
#melzula writes#request#zuko#azula#sibling!reader#zuko x reader#zuko imagine#zuko x sibling!reader#azula x reader#azula x sibling!reader#atla#atla x reader#atla imagine#atla headcanons#avatar the last airbender
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ATLA Live Action Series Review:
The Good
Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!
Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.
Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!
Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.
Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.
Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!
Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.
Is the show perfect, no - but I wouldn't mind a season 2.
The Bad
Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?
Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.
Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.
Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.
Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.
Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.
Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.
Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.
Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.
Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.
Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.
The Ugly
Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.
Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!
The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.
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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.
Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.
#atla#avatar the last airbender#avatar the last airbender tv#atla tv#spoilers#natla#i loved it i hated it i mostly sat through it#i would like a season 2 though#aang#katara#sokka#zuko#iroh#uncle iroh#azula#ozai
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I rewatched The Avatar and the Fire Lord a few days ago, and god, what a good episode. Revealing that Zuko is a descendant of both Sozin and Roku was a genius move (and that's not even getting into the Zuko/Aang parallels of it all). But there's something the show doesn't seem to think of, and that I haven't seen anyone in the fandom discuss either — the fact that Zuko isn't the only one descendant from both these men. Azula is, too.
The conclusion of this story that Iroh presents to Zuko at the end of the episode is that he alone — because of his lineage from both men the war was started from — is uniquely capable of cleansing the sins of his family and the fire nation and bringing peace to the world. But, the thing is, there's two sides of this conflict, and therefor two sides to its legacy. The external and the personal. The legacy of the external is the war, but the legacy of the personal is the sibling rivalries that kept repeating through generations of the royal family.
Though Roku and Sozin were not actually related, they were childhood friends as close as siblings and fucking shared a birthday, so the symbolism works. We know very little about Azulon's childhood or if he even had any direct sibling rivalries like this at all, but from what I can find on his wiki page, we know that Sozin favoured him over "other family" (I'm assuming his siblings). What we know very well, however, is what happened in the next generation between Iroh and Ozai. We know Azulon favoured Iroh over Ozai, and that this likely is the initial source of their hatred for each other, which resulted in perhaps the worst sibling rivalry of them all (what with the indirect patricide and throne stealing).
Then we go on to Zuko and Azula, whose upbringing kept going in the same patterns, but the key difference is them being the first ones to both be descendant from the men who started it all. If Zuko having this lineage makes him uniquely capable of ending the cycle of war in his country and restoring balance to the world, shouldn't that mean that both he and Azula having this lineage makes them uniquely capable of ending the cycle of brutal sibling rivalries and restoring balance to their family?
This conclusion I've presented seems to fit perfectly with the lesson Aang draws from the same story as well:
"Roku was just as much Fire Nation as Sozin was, right? If anything, their story proves that anyone's capable of great good and great evil. Everyone, even the Fire Lord and the Fire Nation, have to be treated like they're worth giving a chance."
I know this is supposed to be foreshadowing to Aang refusing to kill Ozai later, but I can't help but think it's even more applicable to fourteen year old Azula. It's really so ironic that the show runners thought Azula deserved what she got when their own show seems to be telling them that Zuko mending his relationship with her is what he ultimately should've done.
But, then again... that does sort of make her the perfect tragedy.
#meta#azula#princess azula#zuko#prince zuko#zuko x azula#avatar the last airbender#atla#avatar meta#avatar the last airbender meta#atla meta#uncle iroh#fire lord ozai#fire lord azulon#fire lord sozin#avatar roku#i LOVE tragic siblings have i mentioned this before?#also can't wait for this either to get 0 notes or invite a bunch of brain dead angry replies#it's pretty much either or for me in this fandom
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it's really interesting to me how you can tell the level of respect azula has for mai, ty lee, and zuko through how she directs them within the confines of the fire nation's expectations of them all.
azula is someone who really values and upholds the fire nation's expectations of conformity, especially in regards to court. she herself plays her part as she's expected to. she plays by the rules her father sets for her, parrots his beliefs, renames omashu "new ozai" for her father, tasks herself with finding the avatar (zuko's fool's errand) and conquering ba sing se (iroh's greatest military failure), and is consequently ultimately hurt and betrayed when her father punishes her despite this by refusing to let her come with him during sozin's comet and giving her a meaningless title to mollify her. to her, playing by the rules that are set out for them within the fire nation, whether spoken or not, is essential, and to not play by them results in punishment. this mindset was already instilled in her before zuko's agni kai, but it was no doubt fully solidified by witnessing her brother pay for his inability to play the role he was assigned as a dutiful son and strong heir.
as a result of this, zuko is the most obvious liability of the fire nation kids in azula's eyes. he has already failed to abide by the rules once and is likely to do so again if she doesn't stop him from doing so. make no mistake, azula does not want zuko to stumble again. she manipulates him into coming home despite his wavering resolve by reminding him of what he could have and what he's always wanted (their father's respect, his honor and birthright restored, the return of a feeling of normalcy/familiarity) because she loves her brother and wants him to play the role he's supposed to successfully. if she didn't love him, she could easily have taken him home as a prisoner like her father wanted her to initially or killed him. i won't even entertain the notion that she brought him home specifically to take the heat if the avatar wasn't really dead; that is a deeply stupid thing for her to do which would result in her judgment and honor being called into serious question as she's the one who vouched that zuko killed the avatar which would be a failure in her role as the dutiful daughter and honorable princess.
so azula appeals to zuko's weaknesses to get him home because she loves him. but she still doesn't respect him because of his prior failings, so she tries to keep him on the straight and narrow within the confines of their roles in the fire nation. she confronts him about visiting their disgraced uncle in prison, tells him his actions could be misconstrued (although she knows exactly how zuko means them; she wants to remind him to play his part or suffer the consequences once more). she shuts him up in war council meetings by speaking over him so that he won't say something that would result in their father punishing him once more. she attempts to prompt him into letting her know if they should be worried about the avatar still, although he doesn't confide in her since he doesn't trust her and instead takes matters into his own hands by hiring combustion man. azula does not threaten to harm zuko herself if he fails in his role; she instead manipulates him with her knowledge of his personality and reminds him of the harm that their father will cause him if he fails.
ty lee is another problem azula thinks she needs to solve. once more, she loves ty lee, but ty lee has shown azula that she is not a reliable person to play her role as she's meant to. azula believes ty lee's failure to be even worse than zuko's, though. zuko said the wrong thing in a war council meeting because he didn't understand the rules; ty lee understood the rules, and she chose to run away anyway. this is not just ty lee being oblivious, but her choosing to intentionally disobey the rules.
so when azula comes to collect ty lee to resume playing her role, azula is initially friendly, perhaps giving ty lee the benefit of the doubt that she might have wised up, but the moment ty lee demonstrates that she is still refusing to play by the rules azula is convinced they all have to play by, azula turns to manipulations and threats of harm to pull ty lee back into line. like with zuko, azula loves ty lee but does not respect her. she knows that ty lee will not play the role society says she must unless azula coerces her into doing so. unlike with zuko, ty lee does not require multiple corrections from azula. the threat of harm once is enough for ty lee to return to her duties. noticeably, ty lee also manipulates azula a lot when she does so, showcasing her awareness of the roles they're all playing and her ability to play with the best of them.
but mai is different from zuko and ty lee. azula both loves and respects mai. yes, azula has to go out of her way to collect mai as well, but mai has moved to omashu with her parents. she never stopped playing her role. azula does not believe mai would ever stop. she respects mai's intelligence in a way she doesn't with zuko and ty lee because mai respects the rules of the game. so azula not only never utilizes threats or manipulation with mai, but she treats mai as almost an equal and allows mai to treat her as an equal. she asks mai to come along with her, and mai agrees. she promotes mai to a position of power above that of her parents, and mai obliges. she says that the trade of bumi for tom-tom is unfair, and mai calls it off. but it's not only when mai plays by the rules of the game that azula respects her and does not threaten or manipulate her to keep her in line. even when mai blatantly disobeys azula's orders, azula allows it. even when mai screams at her during the beach, azula allows it. mai knows that azula will allow it, too. she openly scoffs at the idea of azula lightningbending at her. why? because azula respects mai and her judgment. she sees mai as an equal because mai plays the game as well as azula does, including her moments of rebellion (this is undoubtedly what azula disobeying ozai by bringing zuko home under false pretenses and directly lying to him is, albeit a much higher stake rebellion than mai's refusal to search the sewers).
notably, while azula declares her intent to kill zuko after he commits treason and tells ozai that she lied to him, even when mai and ty lee take the ultimate step out of line with their roles, she doesn't allow them to be executed. i say "allow" here because she's not the fire lord, so it wouldn't be her personal decree to have them executed but rather her father's. they committed high treason. they not only aided and abetted in a prison break and the escape of some of the fire nation's most wanted but physically attacked a member of the royal family and the crown princess at that. this is a crime that's punishable by death, and yet mai and ty lee stay in their cells in boiling rock, seemingly unharmed given mai's unscathed appearance at the end of sozin's comet. ozai would have no reason to not simply execute them, but azula would since she loves them. it's entirely possible, she was on some level holding onto hope that she could coach them back into line again somehow.
but why does she hope to rehabilitate or at least preserve her friends while aiming to kill zuko? it's pretty simple: when zuko failed to play his part he did so in a way that meant azula was punished for having failed in her role as the dutiful daughter and honorable princess because she chose to play a different role that she gained nothing from playing: the role of zuko's sister. so in azula's eyes, zuko went out of his way to not only lapse in his role as the dutiful son and strong heir but to purposefully fail to play the role of her brother in a way he knew would cause her harm. do mai and ty lee also fail to play the roles of her friends while instead revealing their loyalty to someone else entirely when they betray her? yes, but them doing so does not result in ozai's wrath.
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