I’m a little obsessed with hsr’s mc so far cause she literally only has two modes:
1) imma smack you with this cone thing I just found
And
2) Literal wet dog. Dead in the eyes. Just done with everybody else’s shit from minute 0. Got dumped in the middle of a spaceship with no memories, no past or explanation, and now everyone’s trying to kill her at every turn. Just straight up not having a good a time.
+ she has a girlfriend
(She’s actually really funny too, and snarky, but I’m too lazy to find those screenshots)
Edit: I FORGOT TO MENTION THAT SHE HAS LIKE A BOMB IN HER CHEST. So. Like, the whole thing makes sense if you think about it.
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pov: you're my friend and you have to deal with me rambling about robots getting infected and turning into psychotic killing machines who worships a deceased iterator until the virus eventually shuts their system down or aka critical system failure/disarray au at 12 am
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I don't even have the vocabulary to say how much Zouey pisses me off. He's just so damn self-righteous.
Because yeah his friends DO suck and Nont IS obsessed with Nant's death (no shit, that's his fucking twin???), that's all true, but he should just stop hanging out with them if they're that terrible. But he won't because he clearly likes feeling better than them which is why we keep getting all these "Zouey righteously preaching at everyone cause he's just so much better than them" moments.
Notice how none of the dudes who actually were violated due to Nont's shitty plan and planning said a damn thing against him. Aob even told him they should be on the same side after that. And even though Teena only speaks like two times an episode now, he still didn't use one of those times to say anything about Nont. But here came Zouey riding in with his righteous indignation!
Him telling Nont that Nant would be disappointed in him was straight up foul. It was also super rich for Zouey to say ANYTHING about what Nant would be feeling when he didn't even know what was actually going on in Nant's life while they're were roommates. At least Nont had the excuse of not knowing because he was an entire ocean away. Zouey was in the damn house with Nant and had no idea, but he's still gotta let it be known that he's better than everyone in every way, even when it's not true.
I'm over him. I've been over him for a while but now I'm done.
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Power move: Rei keeping that as their name. Attempt to gaslight everyone into thinking they were always a guy.
Honestly Rei's keeping his name he's lived this long with it it'd be weird to change it to something else. (also easier for me, the writer, as I don't have to pick a new name that'll confuse new readers on who the fuck I'm talking about).
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Woo hello 🎬!! I kept all of your ask here -- I put it like this for my own easy scrolling, but no way am I cutting any of this, it's so perfect AH
Oughhhhgh Haruka getting more confident from hanging out with everyone and getting such positive feedback… I’d imagine the back to back innocent verdict and night of compliments would do wonders for his psyche ;-; And same for Muu and Amane! Minus the inno verdict, but the sudden influx of explicit compliments and acknowledgement of “hey, that was fucked up what they did to you, okay?” I wonder if there’s any awkwardness since After Pain directly follows Bring it On, but I like to imagine Fuuta and Muu have a deeper talk about things in private (and maybe Muu hesitantly mentions her involvement with Rei in preparation for INMF…)
Damn, who’s going to give the sex talk to the kids after Yuno’s vide-- Shidou. Sidou does. Without hesitation. They have to stop him because no one wants to hear it and everyone there already understands the basics.I love the idea of she, Mahiru, Muu, and designer Mikoto chatting about everyone’s fashion sense (I can imagine them poking fun at Fuuta’s tracksuit and Shidou’s patterned shirts.) And planning shopping trips that include everyone!!! Amane and Kotoko are given no choice in the matter, and a lot of the guys are genuinely interested in coming along.
Awww, I love the thought of Haruka getting into a “boy” interest with Fuuta and Mikoto -- he never knew what it was like to have brothers but he’s really enjoying it <3 (Also I’m cracking up over Fuuta trying desperately to convince them “it’s not cringe!!!”)
ASDFSDF Mappi just straight up sobbing and Mikoto handing her tissues 😂 But yes, she also gets choked up during Magic and Amane can’t figure out why. This begins the adults’ efforts to get her out of whatever situation she’s currently in (which Jackalope was already half-working on, but is definitely spurred on by several angry almost-murderers demanding he get it done now.)
I do like that idea of Red more comfortable with showing skin than Blue. (I know people are very emotional about the stalker theory, but I personally never took it in a harmful way. I always enjoyed how it was a symbol of stripping away everything else until you’re left with your true, whole self.) So I like to think that Blue feels too exposed, but Red/Green are the ones who pitched it in a symbolic sense!
I’m losing my mind at Kotoko/Kazui/Red talking about sparring. Everyone else is like “hell yeah, let’s see it!” and Shidou just sitting there like “you all are going to be the death of me. You are NOT fighting.” Because I really want to think about it happening, I’ll say they manage to sneak away at least once and nearly break a prop in the process, to which even Jackalope shuts them down.
I think they all manage to get pretty serious again by the time T2 rolls around, but the hiatus is filled with a lot of sweet moments and healing conversations between everyone. Also, making so many plans for the future helps keep them sane when some of the project immersion gets a bit too real. Whenever they start realizing they might be condemned for their actions and worried that they’re too broken/they’re life is ruined, they come back to those plans and relax a bit.
Absolutely no pressure, but I would love to hear your T2 thoughts! 👀👀👀 I’m so incredibly grateful you’ve taken the time to share your ideas -- from the very beginning this au has been a big collaboration, so it’s super fun bouncing ideas around :D
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not to sound like hannibal lecter over here but having your own Outrage, lovingly handcrafting it over months, and not being able to use it beat the crap out of annoying people? I bet that just eats you up doesn't it. sorry this came off sounding really mean. truly though it breaks my heart because you deserve to beat up people that bother you with a flaming magic sword. -🐇
Oh, don't worry, it is VERY sturdy. I could definitely swing this thing at someone if I wanted. The handle segment might pop off again, but the rest of it? Impressively durable. There are two approximately half inch thick all-thread metal rods inside it bound with washers, epoxy, super glue, and heat that melted the plastic together; then a thick layer of Bondo on the outside with more super glue, epoxy, and green stuff (a type of epoxy putty). Its only weaknesses are temperatures over ~160f/71c and running it over with a car haha
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Thinkin abt The Long Halloween film, (& spoilers for it), and remembered someone once complaining they made Gilda’s character bad in the film adaptation of The Long Halloween and a whole ‘she’s just evil because she can’t have kids anymore’ trope and like??? I have to kick in a door and say HUH??? What movie did you see?? Like the character is hella different from the comic yes, but 1, not necessarily in a bad way, a 2, that’s not her motive??? At all?? Like she’s not happy about that, but she’s not ever a ‘im inhuman now I can’t bear kids…’ The woman wants revenge because she experienced an insane trauma, and a betrayal, and the justice system is so broken that even as a lawyer herself, doing everything right, it left her empty and broken and abandoned too.
If anything, she’s just a strong foil for Harvey. She is never like ‘I can’t bear kids so now I must kill’— she’s like ‘I was in love and engaged to the man of my dreams and pregnant with our child, starting my career and family and unbelievably happy, and then his mafia father said ‘no’ to the union and child, and he just…abandoned me. For the family. I fought it, and he didn’t. He didn’t stay, he didn’t protect me, he didn’t love me. He didn’t even try. He let them cut my child out and kill it in front of me while I went kicking and screaming and fighting under the blade 8 months pregnant in a gang nonconsensual abortion, and left me literally hollowed out and alone to ‘recover’ from that, and nothing changed for anyone but me. I died that day, and no one faced ANY consequence. Not even guilt. I lost my ability to do my job, I lost my future, my hope, my ambition, my kid, my plans, my personality, my desire, my emotions, my being. I walked around as a shell. And when the justice system failed me, I found a lawyer who cared and was gunning for that mafia family, and married him, gave him more reason, but even he and Batman and the whole police force weren’t enough to stop them, so I decided to do it myself. I killed them, one holiday at a time, until everyone I wanted dead was fucking dead, and I got my justice.”
That’s an incredibly understandable, well done motive. What she did to Harvey specifically is fucked as hell, but she’s not a badly written lady. I love her comment about Harvey at the end that “We were so similar. Just. What was inside him hadn’t been ripped out yet.” Because she knows (and literally says) how broken and hollow what happened to her made her, and she can tell that what’s happened to him by the end of the story has done the same thing. She’s an incredibly cold and brutal character, but the bitch is well written.
Like, she’s an excellent tragic film noir parallel for Harvey in the film. They go through almost the same trajectory. She is a hopeful young lawyer who believes in Justice who is betrayed and broken by the Roman’s people, and turns to extreme violence outside the system to get her justice when the ‘right way’ fails her. Harvey is literally the exact same thing, and scarred the exact same way, and changes to violence because of it. They both even say the very iconic ‘It had to be done’ close to the end of the film, in their last major scenes. Not echoing each other—neither hears the other. They just felt the same. The deep tragedy of the narrative is that in her search for justice, Gilda did to Harvey what was done to her—an utter betrayal and abandonment by beloved spouse. And he does not do to her what Alberto did. He takes the fall for her, even after the things she’s done, to him, because he loves her. The narrative repeats, the cycle of pain repeats, with the Roman at the heart of it, but with slight aberration because of the people involved this time. And if that ain’t film noir.
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