Y’all I’m literally never going to be okay about Simon and Betty.
Simon realising that their whole relationship he hadn’t been examining why Betty always followed him because he was too focused on his love for her and not what she really needed. Not what they both really needed.
The devastating parallel of Betty being so blindly in love with Simon that she willingly and unthinkingly always put him first. And Simon being so blindingly in love with Betty that he saw her being happy and so never thought to fucking question whether those were the right decisions to make. Enabling them every time because they were in love and that was what she wanted, right? She wanted to be with him. She loved him. She was happy. So why would he think it should be any different?
And Betty reassuring Simon that she made her own choices. That he didn’t hold her anywhere. That he never forced her to be with him, or put him first. That she made those decisions and that she didn’t have any regrets. But that they both had to let this go because as long as they were focused on each other neither of them were ever going to be able to have the life they needed.
That they had both been trapped for so long carving pieces of themselves out for other people. Betty in her blind devotion when it came to Simon. Simon in his belief that his crimes as the Ice King, and that all the ways he had let down Betty, meant the only purpose and worth he could have was in sacrificing himself for others.
That they both deserved self-possession and the ability to find autonomy and actualisation as individuals. That they deserved to make their own choices, the good and the bad, and just live without the blind devotion, and guilt, and sacrifice that was going to trap them in this loop forever.
That they meant everything to each other, but that now they needed to mean everything to themselves. That the only way forward was on different paths, but that they both deserved that. That they were able to show each other that they deserved that.
That Simon gets to live now.
I will never be okay about this show. Or these two.
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also i think that after seeing that Something is going out with his eichisama tori should also sneak into town to go and see what's the deal with this wataru guy. and he inevitably gets lost but meets hajime and they have a bonding moment barbie movie-style and him and tomoya help tori meet wataru. and then wataru sees tomoya and goes "oho! interesting child!" which once again leads to eichi unreasonable jealousy against this poor random kid
Okay so I've been thinking on this and I've been trying to get something coherent and bear with me right right.
(this got so long again I just started going into detail and detail and detail and oh god I am so sorry)
So Tori, poor, innocent Tori, has to come to terms with the fact that Eichi is hiding something from him (that "Something" being a tall blue-haired extra of unknown origin) and he knows that, technically, the mature thing would be to leave it alone. Eichi will have his reasons for being a little secretive about it. He has his own life and if he doesn't want to be open about...whatever it is that seems to be going on there.... then he doesn't have to be because the man has a right to privacy.
Tori knows that. But Tori also knows that being mature doesn't matter if, technically, his beloved Eichi-sama could be at risk of giving his heart away to a scoundrel that only wishes to play with him until he's bored and then throws him away, breaking Eichis heart in the process. We couldn't have that! And what if he's a criminal? Can you really trust someone who snoops around on other peoples property without their knowing? No you can't! So really it's only natural Tori wants to know what that guys deal is. Out of a genuine concern for his friend. Of course.
And so obviously it's a completely acceptable and normal and rational decision when he sees that Yuzuru isn't there for a moment to keep watch over him like the guard dog that he is (really Tori isn't a child anymore there's no need to be so overprotective) and the other staff members also don't seem to be around and Eichi is also nowhere to be seen, that he decides to take his coat and pack his little bag with some money (read: more money than just "some" money) and tries to sneak out of the house and down the path across the small meadow and the bit of forest that separates their not-so-humble abode from the small town where the other people live.
His inital plan simple. Go there; ask around a little, maybe try some tailing (after hearing stories from the other aristocrats about how one is able to hire people to follow their spouses around without them noticing - and that apparently being an actual thing people earn their money with - he's decided that it can't be that hard and he should try his luck.) and then leaving as quickly as possible, lest Yuzuru die of a heart attack after finding out Tori dissappeared. It would be quick and easy and nobody would ever find out. That was the original plan. But Tori very soon comes to find that that could prove harder than he thought when he notices he actually really really enjoys the feeling of not having anyone hover over him like some sort of falcon watching their prey.
The little river running by the path through the meadow is still frozen (It is winter after all) and the snow on the ground almost reaches his ankles. The 15 minute walk takes him 30 because he keeps jumping around in the snow (He's made three snow angels by now. For a second he has to think of his sister and of how nice it would be if she were here with him too and how they could make snow angels together were it not for her having to stay with their parents, but he pushes that thought to the back of his head again and decides to move on with his way).
When he eventually arrives at the town - and after just wandering aimlessly through the rather empty streets - there are three major epiphanies.
The first one is that he doesn't have a clear destination. He has no idea where to look for the blue-haired weirdo. The second is that, seeing as it is a forenoon in january, most people probably aren't spending their time outside. And if they are then they are at a different place than where he is. And the third and final one: He is completely and utterly lost.
It should be regarded as an accomplishment really. Getting lost in a town with a population of barely 300 locals living there. Indeed Tori would think it impossible. Yet here he is. If anything he's sure he's at least the only one who can claim this feat for himself. This is fine. He has this under control. If he just keeps walking then he's sure to come out somewhere (No there are no tears in his eyes anyone who says otherwise is just imagining things (he decidedly ignores the little voice in his head that tells him "Who's gonna say otherwise. Look around yourself, have you forgotten that you're all alone here?")). So the big brave boy that he is he marches onward, ignoring the way his fingers have started to feel numb from the cold and his eyes have not stopped watering and the little voice in the back of his head that tells him he should've just listened to Yuzuru (He banishes that one to the deepest depths of his subconscious very quickly. There are blows that his pride can take in these situations and then there's having to agree with "You should've just listened to Yuzuru". If There is one thing that can be said about Tori then it's that he is not one to simply give up. He has come this far and he'll be damed if he backs out now).
Lost in thought and not paying much attention to his surroundings (he has more important things to think about right now), he only manages to register a flash of blue in his peripheral vision. And because this could be what he's come here for in the first place but more importantly because this is a person and that is where the bar is set, Tori immediately tries to follow them. If Lady Luck is especially nice to him this time she lets this person be the mysterious stranger he's been looking for, but what feels like a day of walking through empty streets in the biting cold of a noon in late january have humbled him enough to not push it with his luck.
And when he turns the corner, calling out for the figure to wait, insted of the strange man he was expecting he comes face-to-face with a meekish looking boy with blue hair and big violet eyes and next to him there's a second boy, this one able to be described in all aspects with only one word: average. And for a solid ten seconds they all just stare at each other.
Tori doesn't really know how, he really has no idea, but somehow he ended up following the two home. Or, well, more or less. Following isn't really the right word here. After their almost-staring-competition on the street the meekish looking one with the blue hair asked him if he was alright because "he seemed lost" (he absolutely did not.) which then prompted an entire series of events that ended is Tori sitting in this strangers families home - with an entirely different stranger also there - getting a serving of what he assumes to be radish soup. Tori feels a little sorry for the boy, Tomoya, as he said his name was, who seemed like he was previously engaged in a conversation with the other boy, who later introduced himself as Hajime and who had spent the entire way asking him questions about how he ended up here and what someone like him was doing all alone in a sleepy village neighbourhood like theirs and if he really didn't need a tissue (He hadn't cried while explaining how he was lost. He totally hadn't) and on and on and on as Tomoya had to awkwardly walk behind them.
So now, sitting at this table with these two people who he has only met today and who have given him a bowl of soup to warm himself up with, he has to tell everything about how he ended up in this situation in the first place. At the end of his recollection of this oh so wonderful day he is met with two pitying looks an a laugh - apparently one of Hajimes younger siblings had joined them at their little impromptu gathering (he wonders, distantly, how his own sister is doing right now).
And as he's about to say that he should probably make his way home and resume his mission another time when he has a map, Hajime mentions that he actually knows the guy Tori is talking about and that he lives at the local inn and that that isn't that far from them and that he and Tomoya can walk him there if he wants to. Tori agrees immediately. He is so over trying to be discreet about it at this point he really just wants some sort of success in this kind of ridiculous endeavour he's set out on.
So after the soup is finished and his limbs don't feel like they're about to fall off anymore the trio goes on their merry way and Tori feels a little silly because for all the walking around he did before they reach this inn really pretty quickly... maybe he should've thought to bring a map... The three of them venture further into the inn, and Tori only overhears Hajime talking to an older woman, but he's more occupied with looking around the place. It's father homely and rustic, a completely different atmosphere than at their place. There are noises from the few patrons sitting at the tables and chatting with each other, but it only add to the cozy feeling of the entire place.
When Hajime comes back he leads Tori up a little stairway and down a dimly lit hallway. They stop in front of a door at the very end of it (in my head there's a bit of a terasse thing happening there like. you can look down into the part where the tables are and such right right) and Tori barely has time to mentally prepare for the fact that this really is happening now before Hajime knocks and the sound of muffled steps approaching the door can be heard.
When the door finally opens (it's been a few seconds at best but it feels like an eternity), Tori is greeted by the lovely view of a pair of pale clavicles, barely covered by a black linen blouse. He has to actively look up to look at the face of their owner and when he is met with a pair of sharp, purple eyes he feels like his throat just sew itself shut. Hajime explains to Wataru that Tori was looking for him and suddenly a light seems to go up above Watarus head as a look of recognition flashes over his face and he turns around to Tori again and asks him if he's "the princess that Eichi's been telling him all about". Tori is confused. Hajime decides that this is his cue to leave and he slowly backs away to go back down and collect Tomoya, who's been roped into helping out with the catering by some elder gentleman (Wataru watches Hajime as he collects Tomoya and they leave, intrigued by this strangely average boy, as Tori just stares in horror as the realisation dawns upon him that he is now completely alone with this man whom he didn't even intend on speaking to in the first place).
So now he is here. In this very awkward situation. Sitting on a chair in this strangers room (for the second time today! Did he ever have a day this eventful? Who knows! Tori for sure doesn't.). He wants to talk, but Wataru is faster and asks him what he's doing here. Tori doesn't really know how to reply. How do you talk your way around having to tell someone that you actually got lost on the way to spy on them. That's right. You can't. Well, Eichi could. But Tori is Tori and he never wished for that to change more than he did now.
He looks out of the window and it is at that moment that another three major epiphanies reach him. Firstly that he doesn't know what to do now that he's here, secondly that he's going to get murdered by Yuzuru (and if worst comes to worst also Eichi) once he gets back because he's been gone all day without telling anyone and they're probably all worried sick, and last but not least: it is dark outside. He can't go home like that. He is virtually stuck in this predicament he found himself in.
Wataru seems to have a similar thought, because the immediate follow up question after not really getting a coherent answer from Tori is if anyone knows he's gone. Tori shakes his head. If Tsukasa ever finds out about this mess of a situation he will have to die because he would never let Tori live that down.
He gets ripped out of his incoming spiral by the bird that takes a seat on his head and Watarus over-the-top contemplative sigh and the slight lilt in his voice when he voices the next issue that's in the room. He isn't even speaking to Tori anymore, but to his bird that sits on Toris head, Jeanne, and Tori is starting to get annoyed by the way he jokes about this entire thing, calling Tori a "a little bird that escaped its nest", as if he isn't stuck having to prepare for his untimely demise. And by the way this guy hasn't put down his cryptic smile and teasing voice ever since he entered the room. When he thinks things can't get any more awkward for him Wataru proposes two options. Either he walks him home, or Tori has to stay at the inn for the night and he brings him back in the morning. Tori decides he'd rather go back home sooner than later (he'll have to take the lacture either way and he's probably caused everyone enough worries by now anyways. And also he misses his bed.). So Wataru grabs his coat, quickly goes to tell the inn-keepers he's "bringing retuening the princess to ger people" (Tori doesn't know if he liked the bird comparison better or not).
The way back is still very tense because Tori does not dare to walk next to Wataru (he's sketchy it's not Toris fault it's a normal reaction) and so he just awkwardly walks behind him, He doesn't really watch his surroundings - it is dark and the only nice thing is that it's snowing and there are animal sounds and they are spooky and he needs to watch the way and it's easier to think that way - until suddenly he gets hit by a snowball right in the head. And he is so baffled by this that he just stares at Wataru, and Wataru grins at him with his stupid stupid grin and somehow they end up in a snowball fight on this meadow where the only reason you can see anything is because of the snow and when they finally arrive at the mansion they both have so much snow in their hair and their clothes are wet from the melted snow and when they knock on the door and wait for someone to open Wataru gets some of the snow out of Toris hair and says that that snowball fight can be their little shared secret and Tori grins back at him and agrees and when the door opens and both of them are frantically ushered in by a maid that tells another one to get Yuzuru and Eichi Tori decides that maybe this guy isn'r so bad after all. Maybe he's actually quite nice.
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personally it's hard to feel excited for snw when it just feels so hollow? im not sure if it's the pacing or what but it feels ungenuine? and beyond that people's characters feel rushed? like i know hemmer had to be replaced but like we could've spent way more time on his character! he was interesting! (i might be biased bc i love the andorians) and not even touching whatevers going on with spock. or chapel. this is the least of my grievances but when they put that black undershirt on pikes green wraparound...hate crime.
yeah, I mean. whatever. I watched it in a single sitting when I was sick and it beat laying in bed looking up at the whitewashed ceiling.
I agree the exposition of characters seem very rushed. It kind of violated the “show, don’t tell” rule, particularly w la’an, who was kind of put in a position that needed her to air her dirty laundry in front of the whole crew. I wish they’d had time to create narratives around past experiences, kind of like they did with Kirk/Tarsus in TOS, in which his participation in a historical event was made relevant by whatever was going on in the ep. (This was kind of(?) done in the Jurassic Park Knockoff Ep they did but not super successfully). I do believe it’s a pacing issue.
That said, I will say that I appreciate it being (more, at least, than the other new treks I’ve seen… which is… only Picard) episodic. I love that they’ve got some new task to handle, some new planet to explore in each ep. In that sense, it’s much more similar to TOS than I could have hoped for, general relationship arcs aside. (But wrt pacing, sometimes I think this works against them bc of how the show is written. They could do a self contained so w a lot of backstory in TOS, but bc of how this show is written, it’s more difficult to accomplish all that in a single ep. Like M’Benga’s daughter? In that specific instance I wish they’d shown him talking about her in previous episodes, and people asking if she was back on earth w his partner or… and him going quiet. Or Hemmer trying to fix the medical transporter in an earlier ep and him freaking out, but not having that immediately resolved… the same goes for discovering Una is… whatever species she is. Would have LOVED to see some xenophobia first—the crew making jokes when they come across some anomaly that it must have been caused by them, or something, and her looking uncomfortable/chastising them/whatever. Or the demonstrated persecution of them broadcast from some federation planet… if we had more context for these stories, if their roots were better established, they’d land harder. But they don’t). So sometimes that episodic formula kind of works against them, but ! like I said. whatever.
frankly, I was ambivalent abt the whole enterprise (la de da) to begin with, so wasn’t expecting much and was pleasantly surprised by it, on the whole. A friend of mine has seen Disco and didn’t think I’d enjoy it, so I haven’t seen that, and I’m not inclined toward watching animation if I can help it so haven’t seen LWD or prodigy, the second of which is literally made for babies but. Yanno. I liked SNW. I didn’t love it, I don’t agree with a lot of decisions they made, but I can see their intentions/where they’re coming from. I LOVE this spock, though think you have to see him as separate from the Spock we see in TOS (like in AOS, you kind of have to appreciate their differences as characters, and learn to love them not as the same person, but as branching extensions from a stem). I also LOVE Pike. I had a lot of hopes about him going into it because I thought the original storyline for him in TOS was done so well in that two part ep that included the original footage from “The Cage”, and I think they did an excellent job tailoring Mount’s Pike to the character laid out there, all the while fleshing him out into a fully fledged captain.
further, I’ve gotta say, I love the antics/shenanigans, and how much everyone seems to like each other. I don’t get the point of rough and tumble, cynical sci fi 24/7. (I do—it has its place, but it shouldn’t be in Star Trek). Even DS9, which as we all know tackled huge narratives abt power dynamics and prejudice and genocide… had episodes where they played baseball. And fishing mini games. Picard, which I’m comparing it to bc, again, it’s the only other trek I’ve seen that’s been produced since AOS (I think), seems similarly jam-packed with shit. Ohh the Borg and here and so are the romulans and Deanna’s son died somehow and the Android suppression as a weird metaphor for ?? Revolution? Workers rights? Idfk? And there’s time travel and fascism and section 31 and corruption at the highest levels of Starfleet which only peepaw and his dog, tintin, can root out. And there’s his mother, for some fucking reason, and-
And it’s all horrible. Everyone’s cynical and mean and/or gratingly stupid/infantile (AGNES!!!!!!). It was refreshing to see something that… wasn’t… that.
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