Soft fluffy Dammon dating drabble? Maybe postgame in Baldur's Gate? - @aurasyn
Yesssss I love me some Dammon. I'm even writing Dammon x Reader for you. Because it's you.
You're standing outside Bloomridge Park, just at the entrance. Wearing your favorite dress, you pinned up your hair in a messy bun – cute, but not too much. After all, you weren't really sure if this was a date, or all in your head.
Dammon had asked you if you wanted to meet him for a stroll through the park two days ago when you visited him in his shop to check on him. He'd looked good, as most of his worries seemed to have fallen off his face after you'd destroyed the Netherbrain. That night you hardly slept, tossing and turning in your bed trying to shut out the questions that were keeping you awake: Had he really asked you out or was that a catchup between friends? But then again, why had he eyed you with such intensity the moment he'd spotted you? Why had his voice cracked when he had asked you if you had time? Had it really? Were you just imagining things?
Well. You'll find out soon enough.
It doesn't take long for Dammon to stroll around the corner of the street, and you almost do a double take as you realize he looks different: He's wearing a dark gray shirt, several of the buttons undone, and you see the ridges across his chest peek out underneath. The pants he's wearing are of a thinner fabric than his usual smith gear, and your heart skips a beat as you wonder what his ass looks like in them. Then, you see it: He's holding a small present in his left hand.
"It's good to see you", his voice pours into your ears and down to your heart, that damned smooth sound you've come to crave.
"You too", you tell him, and there's a moment of awkward tension as you realize you've never seen him outside the smithie. Are you supposed to hug? Shake hands?
Dammon breaks the tension by pulling you in with his hand around your waist, planting a soft kiss on your cheek. When he looks at you again, he breaks into a confident but gentle smile. Oh. Yes. This is a date, alright.
"You look great", he continues as he offers you his arm to hook yours into as you walk through the park. "But then again, you always do."
This time you chuckle. "I've only ever walked into your shop dressed in armor, sweat, and occasionally blood", you protest. "Well, maybe except for Thursday."
He hums as you stroll through the shade of the big, blooming trees. Miraculously, Bloomridge Park did not suffer much destruction during the Netherbrain's attack, making it an even sweeter oasis in the otherwise wounded city. "You're forgetting that I not only see you walk in, I also get to watch you walk out."
The way his tone lowers at the end of his sentence sends a shiver down your spine, and you swallow several times before you even know what to say. From the corner of your eyes you see he's watching you, and oh, fuck, he can definitely tell you're blushing. But when you meet his gaze there is only sincerity.
"By the way", he switches the subject, and you half wish he wouldn't, now that you hadn't even replied. "I got you something." He hands you the little present, a small box unceremoniously decorated with a small bow. "That... you didn't need to", you object, but he shakes his head. "I know. But I wanted to."
When you open it you find an intricate silver key.
"I made it myself", Dammon explains. You take it out to inspect it more closely, and it is of excellent craftsmanship: small flowers, autumn crocuses, adorn the key. A small memory comes rushing in as you recall that you were holding an entire basket full of the flowers when you first met Dammon in the Emerald Grove. The fact that he remembers... your stomach twists.
"It's beautiful", you tell him truthfully. "But what is it for?" You've come to pause on a grassy spot, as secluded as anything can be in the park, and being here with him, alone, sends your heart into a stutter. The tiefling gives you a soft smile before taking your hands.
"I like you", he says, and you feel like you're falling right into those deep blue eyes. "This key... it's for my heart. It's yours. If you want it."
Your mouth falls open as you try to comprehend: he.... likes you. He... wants you.
"Yes." It's all you can bring out, and it's more than enough, as he brings his mouth to yours and kisses you. His lips are warm on yours, tenderly teasing you, as he sucks on your lower lip. When you break apart, you find yourself grinning wider than the whole sky.
Chuckling, Dammon lets out a small sigh of relief. "Good", he says, "that's good. Otherwise that reservation I made for dinner would have been a lonely feast."
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Happy Spookiween! - October Magma Drawings!
WELL WELL WELL I may not have a full art piece, but I DO have...some new sygna suit designs! These were done for @choochooboss 's spooktacular magma! We were tasked to do some sygna suits, and I was HYPED to participate!
Sadly...the prince of pasio will have to wait for his flashy outfit...but as compensation, have Hoopa dressed as Lear! (He absolutely stole the shades.)
Hope you all enjoy these! Check out below for the concept sketches for Ingo and Emmet!
Sygna Suit Ingo & Chandelure! I'm sure many have done the idea...and I wished to do my own interpretation of the concept! Though, I was almost too shy to do it. Thankfully with enough encouragement from friends, I was motivated to bring this idea to life!
Sygna Suit Emmet & Shiny Hisuian Zoroark! Now THIS was something many didn't expect! Inspired by the chats and brainstorming myself and my close friend would have, I ended up doing an initial idea for a simple outfit inspired by the pokemon a few months back! Now, with the magma, I was inspired to take that simple concept and just dial it up to eleven! I was nervous that it wouldn't be just as cool as the design for Ingo, but I'm glad it didn't end up being the case!
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Last night I had a dream someone was interviewing Tintin but every question he just answered “maybe” and I’ve been thinking about it all day
Asdhdhsffshd now I'm picturing it and I can't stop laughing
"Tintin, is it true you hijacked a plane and flew it despite having no experience flying planes?"
"...maybe..."
But fr, Tintin's out here committing crimes and maybe even killing people, I think it's in his best interest to be evasive when he's being interviewed 😂😂
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shannon!!! hi!!!! i’d LOVE a director’s cut of your annie x brady one shot ‘home is an anchor’. that piece is sooooo intimate and emotional and their connection is so palpable. i’m a big annie x brady fan but i think that’s my fav of your writing on them so far. their connection!!! i could shout about it for days. so what stuck out to you about them as characters or their relationship in that one shot? did they say/do/think anything that surprised you? did it influence stuff you wrote for them after in a way you didn’t expect? i’d love to hear any and all thoughts!!! i’m just an annie x brady girlie at heart ❤️
HI ISSIE!!!!!!! thank you so much for the kindness towards that piece!!! 'home is an anchor' was by far one of my favorite pieces that i wrote because i remember i had a section of it written but didn't know where to go with it. and then all the sudden it HIT me where to actually go with it and then my fingers were practically flying over the keyboard to finish writing it. SO!!! thank you SO MUCH!!!! <3 'an annie x brady girlie at heart' - issie my friend it is an HONOR!!! so PLEASE LET ME INDULGE YOU!!! under the cut is my train of thought and dissection of this piece and all the fixings! please enjoy and thank you again seriously! annie x brady have been one of my favorites to write and one of my first to develop and so i'm glad their connection means a ton, so, please enjoy!!! :D
if anyone wishes to get another look into a specific prompt/one-shot, please feel free to send it in! <3
One of the main goals I wanted to pull across with this piece was a deeper look into Annie's background - a sort of explanation as to why 'Annie Bradshaw' is the way she is. Because there's so many factors that make up, at least to me, why someone becomes the person they are - namely, their background and upbringing. Annie's upbringing is one that forces her both to grow up fast and mature, along with lose her youth and childhood at the exact same time. She spent a majority of it caring for her younger siblings. Meanwhile, she was the oldest daughter with an older brother, Roy, who went off to work and make money, along with her father, who was trying to keep the Bradshaw family alive.
At the same time, her mother was drinking daily, not taking care of things at home, and leaving Annie to step up into the role. This is some things I didn't get into right here but: before the Depression hit, the Bradshaw's had a farm that worked fairly efficiently, the family was profitable and happy, but then once 1929 hit, things started really going downhill. Annie wasn't able to go to school much anymore because of the fact she had to care for the farm and her siblings, while her father and brother went to what jobs they could work at. So, at night, she'd usually stay up late, alongside Roy and he'd help her catch up in her studies, which led to her love for math and science. This is incredibly fundamental for her because it led to where she is now. But having this background really cemented her reasons WHY she is here.
Annie mentions that she gets a letter from her father, detailing that her mother's health is failing (because of the drinking/smoking/etc), and how Annie still holds onto guilt because she left her family to do what she could for herself. And THIS is where John Brady comes in as a main player for this storyline - and why he is so important to any in so many different aspects. Because for once, someone is stepping in and caring for her (not like she didn't have her little siblings, her father and Roy), but there's that bare spot where her mother's love should've been. And in a way, Brady fills that for her.
I think it is also an attribute to Annie's strength as both a woman and a pilot for the USAAF. She clearly has been through a lot that has made her stronger because of it and it comes off evidently as she leads as pilot for Silver Bullets. But it also allows her to know that it's okay to have a bit of a breakdown sometimes, to feel those hurt emotions that she's experiencing. It gives her a nice well-rounded balance, and a fun character to write!
SO -- for me, these are the things that mainly stuck out (1) about their characters. You have Annie who is evidently going through a rollercoaster of emotions from her past, this torment of guilt and coming into this era of doing things for herself and Brady, who is stepping in to be her sort of 'safe haven' - an anchor. Hence, why I've tilted it 'Home is an Anchor' because her home is slowly no longer back in Mankato, Minnesota - it's here in Thorpe Abbotts. It's John Brady. I feel this also applies to their relationship - as someone who is a fan of slowburns, I am stretching this out as far as I can, so by this point, I'd say we are near episodes 3/4. Meaning, Annie and Brady have known each other for some time, and are slowly developing these feelings and these emotions towards each other that they're having trouble forgetting. I would highly consider this the 'turning' point in their connection, too, in their time of knowing one another. Sharing an intimate moment that heavily emphasizes their importance towards one another in a somewhat subtle way, too.
(2) I'll be honest, writing Annie and Brady is ALWAYS a surprise for me (enter: Brady and Annie in his A2 jacket...like THAT was a surprise!). But genuinely, writing them is always me just typing away and then this idea/line hits me and I just have to do something with it. SO -- for this, Brady telling Annie that - now that they're up-close in this intimate hold they have on each other - he is now noticing her freckles and that they're cute, was by far the moment in the one shot that made me SCREAMMMM. I really wanted to take into account the fact that they're up-close to really try to bring forward this idea that, they've crossed this threshold and will recognize new things about the other - and one of those things is her freckles. A first step in a new direction!
(3) And with THAT, I would absolutely say it was influential, because then I started writing Annie and Brady in a more intimate way after that specific moment. Because we do have Annie sort of coming to the realization about her feelings - where she mentions the only thing on her mind and then trails off (that thing is in fact a Mr. John Brady, but she won't admit that). And I sort of play into that idea a bit with the entrance of Francis Montez, the co-pilot, into the scene, where she teases Annie a bit for it all (in good-fun of course). But it leaves Annie thinking. And so with that in following one-shots, I really played into that idea of 'everyone knows but them' sort of situation, which is a TREAT i must say haha!
This specific one-shot just really allowed me to explore multiple areas of Annie and Brady that was enjoyable - Annie's background, the importance of Brady to Annie and vice versa, what it means to go pass this 'friendship' (I say friendship in a very light ton lmfao) and into something else. To show that these two people both are important to one another and that they think equally very highly of one another as well - a sense of mutual respect that goes both ways.
And also, as I mentioned, I got to play around with Francis Montez's character as well. She is a pivotal person in the Silver Bullets crew, not only as the co-pilot, but as someone who watched their previous command pilot pass on, that being Captain Faulkner. Francis I will be exploring in an upcoming prompt or two (and another writing piece I have an idea for because co-pilots and their dynamic with the pilot fascinate me so....) and I'll be excited to build her character more!!!
This equally is one of my favorite pieces for these two, and I'm so glad you enjoyed it as well :) Annie x Brady will always mean the world to me, and to write them is a joy. So thank YOU Issie for indulging me!!! <333333 I appreciate it so so much and thank you again for the love and support!! :D
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