SCREAMS CRIES THROWS UP ETC

An Interview with Dot.

(non-sexual nudity) accumulated doodle page with charlie and her gf i never talk abt that she's so in love with. both she/her

i wanted to draw falin again after yesterday's ep 😭

anyone else get really pissed off when astarion looks at the camera with the biggest wettest eyes known to creation. like GIRL we see them!!!

(inspired by this post:)

Espeon and Umbreon ko-fi doodle for Yama!

I’m accepting pokemon ko-fi doodle requests here! ✨

sometimes when the enemy is at like 1 hp, i like to hit them with some good ol vicious mockery because nothing is funnier to me than actually obliterating someone into the next life with a yo mama joke

Aragorn

more Kuina lived AU with some slight changes

it feels like every time i draw her she gets bigger. i still want zoro to have wado as a symbol of their promise so i gave kuina the nidai to go with zoro's sandai :))

Is that a knife in your pocket or y-

(it was a knife)

dream wip

Barbie The Movie | Do NOT repost or use without permission.  

more stardew valley baseball cap sketches, this time sebastian and alex

sam and elliott versions 🧢

Sweet Beetle Dreams

Inspired by @pangur-and-grim new grub and @dimespin comment on this post!

Skitty ko-fi doodle for @beskarmermaid!

I’m accepting pokemon ko-fi doodle requests here! ✨

One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".

The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.

He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.

So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.

Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.

It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.

How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.