i have something to say about them. i'll keep it brief [1/98266642969]

this started as a crackship bc while playing a cpu match all their interactions read as flirting accidentally and now i'm too invested

bonus:

organizational tags

Tart - my art

Sketchbook - anything done for school finished - completed pieces digital - digital art traditional - art on paper fanart - art based on existing media

not my art

draw - drawings crft - craft cerm - ceramic ptng - paintings phot - photography texl - textiles (knit, fashion, basketry) dsgn - design (typography, architecture) film - film (animations, gifs, videos) jwly - jewelry prtm - printmaking sclp - sculpture reference - reference material

Hello Rollers! We're live!

We know you all still have questions, and our cast once again is ready for answers!

However, we're going to cut it down to talking to your favorites one at a time, just so we can keep order and make sure we don't take too much time from our busy cast and crew.

However, we're going to allow you to choose who you want to talk to this week as a reward for your patience! This will be a quick poll, so vote as soon as you can! We also highly recommend turning on notifications so you don't miss your opportunities to talk to your favorite actor!

"On Impulse" by Heather Texle

An Unrelenting Page-turner #books #bookreview #reading #readerviews

On Impulse Heather TexleUntil It Looks Right (2023)ISBN:‎ ‎‎979-8987417119Reviewed by Ephantus M for Reader Views (08/2023) “On Impulse” is book one of the Reliance Sinclair Space Opera series. Heather Texle combines a thrilling, non-stop, action-packed blend of space opera adventure and sci-fi murder mystery, to tell the story of a well-trained detective, now-turned fugitive in a twisty…

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Texle agouti Hereford baby with a funny drag line on the head marking.

TijuanA Lançamento em janeiro Servidor de gta bem otimizado, favelas e facções exclusivas e muito e mais https://ift.tt/eEgnXUT ... via YouTube https://www.youtube.com/watch?v=TExl-BG516E

who wants to go through my art blog and organize all my posts with tags for me!!! i want to retag everything under #not my art with draw, ptng, phot, texl, dsgn, film, jwly, prtm, crft, and sclp

Secret insider textsfromthebsaa knowledge: The source of Mod Tofu’s motivation.

-Spy

I DENY NOTHING.

Why Are They Called Jackboots?

Jackboot is a term often associated, metaphorically, with a rigid state and widespread oppression. This comes from the fact that the erstwhile enemies of the Allies in the Second World War, but the term is actually much older than that.

The term's actual origins can be traced all the way back to the 1600s, from a French term, “jaque,” connoting a coat of mail - an interesting connection for boots.

The reason for this is that the original “jackboots” were commissioned by English cavalry in the 17th century - these were tall leather riding boots that were reinforced with steel mail that was sewn into the lining of the leather. Much like modern riding boots, they protected the wearer, only much better.

Modern jackboots are typically worn primarily for dress function, as cavalry are no longer functional on the field of war. Modern versions are typically represented by tall, laceless, polished black leather vamps and shafts. These are treated with stiffeners and lack the chain mail of the originals.

Yet, the term is most frequently associated with authoritarianism, totalitarianism, and World War II - mainly because the Germans wore a version of jackboot known as the Marschstiefel, or “marching boot.”

The original jackboots were called so because they were very tough. The German version from WWII was tough too, and though it lacked chainmail, it was still a durable boot - and so the English version jackboot has been applied in lieu of the native German “marching boot.”

Can I Get High-Quality Reproduction Jackboots? High-quality reproduction jackboots are still available to the modern collector but don’t be fooled by cheap, inaccurate, inauthentic dupes.

Visit At The Front (AtTheFront.com), which has been producing high-quality military reproductions for several decades. Their Texled WWII German Jackboots are no different.

Their WWII German Jackboots are the best in the industry and come with a 1-year warranty. They are made in North America from high-quality, genuine cow leather, steel shanks, forged hobnails, heel irons, and most importantly, authentic sizing and construction.

These products were based on originals in At The Front’s collection and exhibit the traits of one of the most common wartime variants.

They have 32-35cm shafts and feature flesh-out, tapered toes, the sort sometimes referred to as “shark nose”; they also include the period-correct black HBT web pulls.

These boots also feature steel shanks, wood-pegged soles, and offset heel irons which are both historically accurate while increasing the durability of the boot. Perhaps most importantly, these boots are made with superior hobnails. Other reproductions likely feature brittle, cast hobnails. Ours are forged steel like the originals and feature slightly curved prongs. Once hammered in, they’re not going anywhere.

By the way, if you have an impression of jackboots as “black and only black,” know this: the German Army issued them in brown and then blackened and polished them. At The Front’s jackboots are faithful to this historical nuance.

If you’re interested in learning more about the history of German Marschstiefel, need to outfit a filming operation or would simply like a pair for your collection visit AtTheFront.com or contact their customer service at 270-384-1965.

fantastic-t-o-p replied to your post “fantastic-t-o-p replied to your post “Tagged by @ohseunghyuns. :3...”

YES PLEASE

XD Can someone help us, then?

Public Art, Quebec City (No. 5)

Dreaming the New World

Artist: Michel Goulet Location: Place de la Gare

Forty chairs are set out in pairs on the sidewalk, each inscribed with passages from poems by 40 Québec authors from various time periods. They “express, in the span of a free moment, where we have been, who we are, and the joy of getting together.” The walkway thus constitutes a portrait of society from the city’s origins to the present day.

Source

Situated along the pedestrian corridor next to the Gare du Palais in the lower part of the city, Rêver le Nouveu Monde is composed of forty stainless steel chairs installed in pairs and placed back to back, side by side or front to front. On each of the chairs, the sculptor engraved excerpts from the work of forty renowned Québec poets, from the time of the founding of Québec to the present day. Dated and marked with the name of the author, these chairs-poems are also chairs-memories, offering the viewer the pleasure of imagining the source, of contemplating it, and even of its re-contextualization. Two chairs placed at an angle at the entrance facing a boulevard, are linked by a bronze element, representing a scaled-down image of the Saint Lawrence River flowing between Québec City and Montreal. According to Michel Goulet, this emblematic segment of water symbolizes the lifeline between the new land of America and the rest of the world. At the opposite end of the installation, two other chairs close the bracket. They are installed side by side, facing the entire ensemble of forty chairs. Under one of these chairs the viewer will find the Earth's globe and underneath the other, a replica of an old Québec house with a slanting roof and skylights. In the words of the sculptor, these two objects signify the opposing poles of a public and a private space. The spectators strolling along the corridor housing the installation become themselves players, whose role it is to "dream the New World", for this complex and demanding artwork cannot transmit its full message without the participation of the viewer. While the chair is a recurring element in many of Goulet's sculptures, an involvement with literature and writing is a constant in his work. He has engraved texLs that in their entirety reflect the New World imagined by the soul and language of its poets, past and present. The choice was not easy. Following a lengthy research which included scouring anthologies of Québec poetry and academic manuals, 160 names were selected, and from those, forty were ultimately retained. The process involved, on the one hand, covering 400 years of literary output, and on the other, keeping in mind the different poetic genres. A reflection on the language leads to a reflection on thought and a dialogue with history. As the sculptor himself notes, the forty chosen excerpts and the names of their authors are as much historical and cultural artifacts as the archeological fragments buried beneath the installation site, representing the fragmented memory of our history. They present in a coherent way the themes tied with the evolution of the poetic language as well as the interpretation of history. The work is accompanied by a publication, and all that is left is to allow our senses be seduced by this creation and its invitation to journey and to dream the new world.

Source

Embarkation 

2008, Brass, Height of the boat: 170cm Old Port of Quebec Market. (Translated from the above French text) Landscapers: André Plante and Joanie Lévesque Legacy of the Quebec Chamber of Commerce to mark its bicentenary and the 400th anniversary of Quebec City. In the middle of a granite base, a small leaf boat tosses. At a distance, in the enclosure of plants and pebbles, two bollards stand up. A sentence is engraved on each one: It has happened to us adventures of the end of the world - When one comes from far away it is not to stay there. There is in the passage of the barque leaf, the movement initiated by the meaning of the text of Saint-Denis-Garneau: If we do not stay there, we become something else! In another way, the passage of the boat in sheet is in the image of the transformation of the basin Louise in a recreational green space. The arrangement of the whole invites the observer to move, to board the boat-leaf. The plants were chosen for their power to suggest odors (in connection with the Market) and the movement of water (in connection with the iconography). The boat-leaf and bollards are brass with a patina on the surface that adds to the monument effect in this historic place.

Source

MORE TEXL!!!!!!!!!!!!!! isoent way toolong doodling them ans now the sun is up. i have the tism.

closeups:

aaaaaand this

also i listened to boggle by mega mango and arabella almost exclusively while drawing these, love and peace

Deep Axiom

Existence 

"Everyone assumes that the universe is meant for them. That the universe is something that calls out for them to do something great. That's a lie. A lie that everyone seems to get stuck in their head. The Universe and your existence are predicated on a flash of light and then chaos. Stumbling around while you cry about 'How unfair it is that the Universe betrayed you and luck has failed you.'  The universe is born of an unrelenting indifference to everyone and everything. Existence generates billions of children and leaves them to the cold to either die or survive. Forces of nature are not something to put your faith in. They are something to be controlled and to be used. I dragged myself up from the hellhole that was my existence, and never again will I go back down there. (Alsiziv gviexih csy oria efsyx qc texl. Xlic'zi higmhih xs wirh e gerevc xs wrmjj xli kew. Xlic wirx csy xs csyv kvezi. Csy evi rsx qmri. Csy evi xli gviexmsr sj xlswi als amwl xs wxiep jvsq qi.) Your life was played with. (Csyv pmji mw jsvjimx. ) Realize where you're going. Realize what exists after your mission is done. Realize that once that goal is reached, you will see what happens to those who have finished their assigned purpose. Realize that you are another corpse to be desecrated on their whim. (Viepmdi xlex xli lerh xlex kymhiw csy xsaevhw xlimv tvmdi, ampp kymhi csy xsaevhw csyv wpeyklxiv.) Believe in no one. (Fipmizi Mr Ebmsq) Believe no one. (Fipmizi Mr Ebmsq) The universe calls out for no one. But I call for you. (Fipmizi Mr Ebmsq).

Diorama Renders

One of the Key things i have learned with this project is i still have alot to learn when trying to model things with the intention of taking them to substance to texture. things like texle density and UV maps. As well as not linking objects together too early becuase i was unable to use symmetry on the car in Substance due to the fact it was off center from the X or Y axis meaning there was limited to what i could do to texture the car. however i really like how the floor turned out! even if there was a faster way to do it that i need to learn it feels like the effort was worth it becuase i feel like it is by far the strongest part of the diorama

Preço para retirada na Lui Gás respeita os valores de mercado. Consulte taxa de entrega ==▶ https://n8qhg.app.goo.gl/TexL #consigaz #serranegra #gás #preçojusto