Freddy: has Gregory

Roxy: has Cassie

Chica and Monty:

‘fuk them kids’ squad

Taylor Dayne, 1988

Strangers

Characters: Reader, Dean Winchester, Benny Lafitte

Pairing: Dean Winchester x Reader

Summary: They were just two strangers, dancing in the middle of a club.

Warnings: pre-smut

Word count: 486

A/N: Hi! I wrote this little thing for @princessmisery666's "Daily Mixes Challenge". I got "Tell It to My Heart" by Hozier, MEDUSA. While listening to the song I could imagine so well to be in the middle of a dance floor, so I let the melody guide me and here we are. I hope you guys are gonna like it. Feedback is gold. ❤ All errors are mine.

Dean noticed her the moment she stepped into the room. She walked down the stairs and into the dancing crowd, following her friends. He watched her move, glancing around herself while trying to keep down the short skirt she was wearing and that it kept rising with her every step. He kept following her with his eyes, ignoring Benny's rambling, too busy watching her. He was at his third beer when her friends managed to drag her to the dance floor. Unlike her friends, she slowly moved from one foot to the other quite shyly. Dean watched her move her hips in time with the song playing until the beat faded. He drank what was left of his beer, patting Benny’s shoulder before walking towards the dancing floor. His friend watched him walk away with a smirk before ordering himself a new drink. Dean moved through the sweaty crowd, following the beating sound of the song, stopping only when he was a few feet away from her. He started to sway from one side to the other, matching her movements. She noticed him right away, glancing at him through the crowd. She kept shuffling before, with a half spin, she gave him her back. Dean moved a few steps closer then, making her bite down her lower lip while trying to repress the smile that was trying to escape her. They both kept following the beat of the song, with her glancing back at him and with him reaching for her hips to keep her a bit closer. Dean boldly sneaked one of his arms around her middle ever so slowly. Y/N was now pressed against his chest while their hips languidly swayed back and forth. Dean moved a strand of her hair to one side, exposing her neck and leaving a trail of goosebumps along her skin while his perfume invaded her nostrils. So, Y/N turned around, lacing her arms around his neck while Dean’s arm was firmly around her middle. She welcomed one of his legs between hers without missing a beat. His jeans were the only barrier between them. He could feel her nails scrapping at the base of his neck, making him shiver. Y/N smiled at the feeling of the goosebumps under her fingertips, and before she could do anything else, Dean’s lips were on hers. All it took for her to disclose her mouth was a second to register the warmth of his mouth against her painted lips and welcome him. And just like that, they suddenly stopped moving in the middle of a crowded dance floor, too busy to taste each other. Dean didn’t waste any time, kissing her a bit harder while his tongue went searching for hers. The moment their tongues touched, a moan escaped both. The loud music was the only reason they didn’t hear it. Nobody could. The heart, instead… well, that was a different story.

there you go my dearest wasteland baby fanatics <3

I rlly appreciate Hozier for stepping into the club in that one song because I can’t be in the swamp all the time I’m a city gorl please Andrew I can’t live like this

what was the first song by hozier that opened your third eye? please lmk in reblogs or comments or asks however you prefer.

Taylor Dayne, 1989

All Things End, Hozier (2023) 🩺🧑‍⚕️🫀 If there was anyone to ever get through this life With their heart still intact, they didn’t do it right The last time I felt your weight on my chest you said 'We didn't get it right but love we did our best' Should not change our plans when we begin again We begin again

zach sang hozier interview musings

ngl I was worried at the start with Zach pronouncing Andrew’s name wrong and then the question about nature, like it all started off vaguely awkwardly and I was wondering if he actually knew much about Hozier/listened to much, which obviously doesn’t matter in most interviews but I feel like it’s awkward as hell if it’s an hour long interview. But it so picked up around the middle - while watching I had sped it up a bit while there were very short and general questions and answers, but then started watching it in normal speed again when they started having the really interesting back-and-forth about how different it is to have a song between two people, and then have the audience change to thousands, like having such an intimate form of communication between two people suddenly be open to so many. Especially with the context of Francesca, of adding an extra layer to a song not just to make it more meaningful, but to create a sense of distance between yourself and the song so it’s not a direct glimpse into your life, being able to hold the song at an arm’s distance by saying it’s about a myth or historical character. That was just so fascinating.

And then that conversation leading into one about social and political issues. The mention of BS jobs by David Graeber was such a jumpscare because I remember watching a Philosophytube video essay on it, I love crossovers like that. I also think that the way they talked about Take Me to Church was more insightful than in (maybe the more short-form) interviews you most often see, the insight that it blew up on Reddit, how the creation actually worked, stuff like that. I also liked his acknowledgement or maybe realisation that the way that it blew up was truly so out of nowhere - seeing songwriters in LA working nine to five and having this work ethic that maybe Hozier never had to learn or develop, because the first song he EVER RELEASED blew up like that. It kind of gives more insight into his work process, you are not going to be putting out albums every two minutes if that’s not what you were ever used to, if you didn’t necessarily need to throw things at a wall and see if they stick, if you never needed to prioritise quantity over quality (obviously this isn’t brushing away all the work that DOES go into his music).

I like the comment about working with MEDUZA being him ‘lending his voice’. When Andrew mentioned preferring just using his voice when producing, because he isn’t necessarily the best at instruments (I’d disagree but I’m not a musician idk what he’s on) but then the layered vocals end up staying in finished versions of the track, which explains a lot of the choral stuff going on in his songs. I also appreciate Zach for pointing out that ‘you might be the only person who CAN do that..’ just casually replacing instruments with his voice because he doesn’t have an instrument on him.

- Shoutout to that weird image of Beelzebub chewing on Judas.

- Mentions of and an explanation of future song ‘To Someone From a Warm Climate’??

- Hozier saying he’s not as scared of collaborating with people anymore!!

- WTF UNKNOWN IS OUT TOMORROW?? OH MY GOD. OH.... MY GOD

Why were you digging?

What did you bury

Before those hands pulled me from the earth.

- hozier , like real people do

Strangers

Summary: They were just two strangers, dancing in the middle of a club.

Pairing: Dean Winchester x Reader

Warnings: pre-smut

⸭ You can find my Masterlist in the bio ⸭

MEDUZA & Hozier- Tell It to My Heart

come on,make it easy…

say i never mattered