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lego-house · 1 year

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#💛#ed sheeran #teddy sheeran #stuart camp #march 1 2023

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jinjuomo · 2 months

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Still working on some art trades, but I think it’d be kinda funny is Dolph’s dad (Stuart) was a complete loser back then.

He fawns over Jesse (Harrison’s dad).. quite a lot.

Very roughh design I had initially for him.. still might change certain things

#jinju’s art #camp camp #campcamp #camp campbell #cc harrison’s dad #cc stuart houston #digital art #artwork #fanart #rkgk #artists on tumblr #illustration #80s aesthetic #1980s #retro aesthetic #vintage #digital artist

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yourtwistedlies · 6 months

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organizing cyrus hale’s downfall party tickets are free since nobody reads freaking spy school

#by bye cyrus #he’s a freaking toad #i don’t know what was happening in ssgn and spy camp #but something was there #he needs help #books #spy school #spy books #stuart gibbs #spy school by Stuart Gibbs #guys I’m begging you #go read the book #we need more tumblr fandom members #the only ao3 spy schoo writer is like zan23 #ZAN IS ALSO SUPPORTING THE CITY SPIES FANDOM #GIVE THIS PERSON AN AWARD #COME HELP US #we’re dying #thanks for listening to my plea for help 😘

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brenna · 2 months

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the vibe for march 26th is rainy morning and chonky mourning doves. it's watermelon, sarcastic lyrics, and the demons of your gayness.

#you can't really tell but usually that view is quite nice #there's a lake over there #and i saw a couple of geese #stuart davis #mourning dove #birds #camp damascus #i will finish this book soon #i just read too much fanfic and forget about my books #hard cider #the vibe for #brenna

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ragsy · 1 year

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MOTW NPC Rach Lombardi, Mark's toxic ex who got ripped to shreds by dogman and then whose revenant ghost latched onto someone else who was on their own dogman revenge quest (player character Tatara)

she's fun.

#ragsycon exclusive #ragsymakes #artists on tumblr #oc art #monster of the week #rach #she's conniving and self-serving and manipulative #which means she's very fun to play in game. love to rp an absolute garbage person #she and mark dated for awhile in their early to mid twenties #it was all around a really terrible relationship but he didn't really know it until well afterwards.#the entire time what he thought was positive attention was really just her using him to get what she wanted #up to and including using him as leverage to get to his brother stuart who she was seeing behind mark's back for a while #and he found out by complete chance. walked in on them after getting home from work early #and to mark's shock and disgust at this betrayal she just said 'eh that's fine. i was done with you anyway' and kicked him out right there #mark had a fairly significant breakdown over it and just. left town. ghosted everybody and got a job at a watchtower deep in the woods #didnt talk to anyone for years. became an unwitting forest cryptid (different can of worms). let all of his baggage fester for way too long #until stuart managed to get a hold of him and invited him on a Brotherly Reconciliation Camping Trip And Rach Is There Too #and rach did what she's good at which was needling mark's insecurities and insisting he's overreacting when he got upset #but at this point mark was possessed by an evil spirit that turned him into a feral dogman when angry (again. different can of worms)#and the dogman came out and attacked and killed her. total carnage. stuart was away getting firewood when it happened.#mark at this point had no memory of any of this dogman transformations so he woke up covered in blood next to rach's corpse and freaked out #as did stuart #so this Brotherly Reconciliation Camping Trip was kinda the last time they've seen each other since #and later on rach's earthbound ghost finds someone who is on a revenge quest for several other deaths at the hands (paws?) of the dogman #and this other person is already being guided by the spirits of her deceased loved ones #and rach. ever the opportunist. latches onto the other person to maybe get vengeance for her own death #sapping away the strength from the other spirits to make herself strong enough to DO anything #to say 'how fucking dare you' when the other person chooses to offer mark mercy instead of outright killing him #to decide she can finally take matters into her own hands and take over the other person's body and do the dirty work herself

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cottageivyplays · 1 year

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stuart family camping trip!

#ts4 #ts4 gameplay #sims 4 #sims 4 gameplay #stuarts #before i started posting and eliza was a teen and james was a toddler #they went on a camping trip with darren and ofc annie and jada #it was awesome and also a disaster bc there was a fire and it was like right after firefighters were added #and so they showed up and just. danced sexily??#still dont nknow what thats about #anyways. yes this trip is a thinly veiled attempt to spend more time with annie and jada before they die

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deadpresidents · 2 years

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Did you read any of those three Carter biographies ("His Very Best: Jimmy Carter, A Life", "President Carter: The White House Years", and "The Outlier: The Life and Presidency of Jimmy Carter") that came out within the last few years? If so, which was your favorite/which do you recommend? I have usually heard Jonathan Atler's is the definitive Carter biography these days.

I still have not gotten around to reading Kai Bird's The Outlier: The Unfinished Presidency of Jimmy Carter (BOOK | KINDLE), but I've been meaning to do so. Kai Bird does great work and his biographies of J. Robert Oppenheimer (American Prometheus -- the basis of Christopher Nolan's next film) about and Robert Ames (The Good Spy) are both must-reads.

I have read the other two books that you mentioned and they are both excellent. I'd agree that Jonathan Alter's book, His Very Best: Jimmy Carter, A Life (BOOK | KINDLE), is the best biography of Carter that I've come across. It's also a true biography that covers Carter's entire life.

Stuart E Eizenstat's President Carter: The White House Years (BOOK | KINDLE) is also very good. While Alter's book might be the definitive biography of Carter's full life, Eizenstat's book is arguably the definitive book on Carter's Presidency. Eizenstat focuses strictly on Carter's 1976 election, single term as President, and unsuccessful bid for reelection in 1980. Eizenstat goes deep inside the Carter White House and spends 1,024 pages covering no more than a five-year period of Carter's political life, so there's a remarkable level of insider knowledge, extensive research and impressive detail in his book.

One other book that I'd suggest checking out if you're interested in Jimmy Carter's time as President is Lawrence Wright's 2014 book, Thirteen Days in September: Carter, Begin, and Sadat at Camp David (BOOK | KINDLE). It's not solely about President Carter, but he's obviously one of the main characters as he hosted Egyptian President Anwar el-Sadat and Israeli Prime Minister Menachem Begin and helped negotiate the historic Camp David Accords. Lawrence Wright is one of my all-time favorite writers and this book is packed with high stakes, tons of drama, and extremely fascinating characters, particularly Sadat. It's also an interesting look at the little-known but highly significant role that First Lady Rosalynn Carter played in helping hold the negotiations together when things got tense between the principals. Like I said, Carter is not the main focus of the book, but it's such an incredible read and it is the story of one of the most important and lasting accomplishments of Carter's Presidency.

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spyschoolquotes · 1 year

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The first explosion detonated in the road directly in front of our bus. There was a blinding flash of light and then a concussion of air that shattered the windshield and knocked me flat. The bus was thrown sideways like a Matchbox car and slammed into the rock face. Dust and debris ballooned through the gap in the window, coating me, Alexander, and everyone in the first three rows. Someone screamed in terror next to me. I thought it was one of the girls in my class, but when I sat up and wiped the dust from my eyes, I found it was Nate Mackey. He was on the floor in the fetal position, white as a sheet. “We’re going to die!” he screamed. “We’re going to die!” I looked to Woodchuck for help. Unfortunately, he was slumped in his seat, unconscious. Perhaps he’d been clocked in the head by a piece of flying debris. Or maybe he’d simply fainted in fear. Whatever the case, he wasn’t going to be any help. A second explosion went off in the road behind the bus. Out the back window, I saw part of the road crumble and plummet into the gorge, cutting off our escape route.

Spy Camp, written by Stuart Gibbs

#spy camp #stuart gibbs #spy school series #spy school quotes #spy school #quotes

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hotvintagepoll · 4 months

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Propaganda

Jeremy Brett (My Fair Lady)—"...he was beautiful. A strange adjective to use in describing a man. I use it not to suggest effeminacy or a kind of male prettiness, but in the same way I would use it to describe a throughbred stallion, Michelangelo's David or Gershwin's Rhapsody in Blue. There was with Jeremy Huggins [Brett's non- stage name] a perfection and sublime symmetry in his features that was beautiful." [quote from "Bending the Willow" by David Stuart Davies]

Gene Kelly (Singin’ in the Rain, An American in Paris, The Pirate)—It’s hard to know where to start with Gene Kelly because he did so, so much, of such a high quality, from the ballet scenes in “An American in Paris” to the classy suave movie star act of “Singin’ in the Rain” to the incredibly camp, sexy “The Pirate”. He just never stopped finding cool ways to do things and he’s just brilliant to watch, especially when he’s dancing, but even when he’s doing drama or being silly! He’s one of those guys who could genuinely do it all and just radiates charisma through the screen, literally an #icon in every sense of the word.

This is round 4 of the bracket. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage man.

[additional propaganda submitted under the cut.]

Jeremy Brett propaganda:

"according to critic Kenneth Tynan a 'too beautiful' Hamlet."

“Please take my humble offering of propaganda for bisexual icon ✨️Jeremy Brett✨️ and his early career!"

"he’s such a himbo sunshine boy in my fair lady"

“not technically propaganda because it won’t let me save the images but just found out my bi king jeremy brett played patroclus https://www.jeremy-brett.fr/crbst_183.html and also apparently dorian gray in the 60s and basil hallward in the 70s?? range.”

"...as a dashing D'Artagnan in The Three Musketeers (1966/67) (Duelling is no problem! XD)”

“dropping to sleep - Jeremy is far too handsome to play d'art and also too tall, lol”

Gene Kelly propaganda:

youtube

"he was genuinely kind and supportive to judy garland when she was going through a rough time. she was having heavy trauma/addiction responses in 'Summer Stock' which led to her being late all the time and being too scared to come on set, and he actually faked twisting his ankle to distract everyone from her and give her some time off! so yeah, maybe he was a hardass, but when his friend needed him he was 100% there for her, and I think that's worth noting."

#gene kelly #jeremy brett #hotvintagepoll #fuck that old man #round 4 #sherlock holmes vs—no i shant say it

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eesirachs · 29 days

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For a school assignment, I'm assembling an anthology around the theme of queer divinity and desire, but I'm having a hard time finding a fitting essay/article (no access to real academic catalogues :/ ), do you know of any essays around this theme?

below are essays, and then books, on queer theory (in which 'queer' has a different connotation than in regular speech) in the hebrew bible/ancient near east. if there is a particular prophet you want more of, or a particular topic (ištar, or penetration, or appetites), or if you want a pdf of anything, please let me know.

essays: Boer, Roland. “Too Many Dicks at the Writing Desk, or How to Organize a Prophetic Sausage-Fest.” TS 16, no. 1 (2010b): 95–108. Boer, Roland. “Yahweh as Top: A Lost Targum.” In Queer Commentary and the Hebrew Bible, edited by Ken Stone, 75–105. JSOTSup 334. Cleveland, OH: Pilgrim, 2001. Boyarin, Daniel. “Are There Any Jews in ‘The History of Sexuality’?” Journal of the History of Sexuality 5, no. 3 (1995): 333–55. Clines, David J. A. “He-Prophets: Masculinity as a Problem for the Hebrew Prophets and Their Interpreters.” In Sense and Sensitivity: Essays on Reading the Bible in Memory of Robert Carroll, edited by Robert P. Carroll, Alastair G. Hunter, and Philip R. Davies, 311–27. JSOTSup 348. Sheffield: Sheffield Academic Press, 2002. Graybill, Rhiannon. “Yahweh as Maternal Vampire in Second Isaiah: Reading from Violence to Fluid Possibility with Luce Irigaray.” Journal of feminist studies in religion 33, no. 1 (2017): 9–25. Haddox, Susan E. “Engaging Images in the Prophets: Feminist Scholarship on the Book of the Twelve.” In Feminist Interpretation of the Hebrew Bible in Retrospect. 1. Biblical Books, edited by Susanne Scholz, 170–91. RRBS 5. Sheffield: Sheffield Phoenix Press, 2013. Koch, Timothy R. “Cruising as Methodology: Homoeroticism and the Scriptures.” In Queer Commentary and the Hebrew Bible, edited by Ken Stone, 169–80. JSOTSup 334. Cleveland, OH: Pilgrim, 2001. Tigay, Jeffrey. “‘ Heavy of Mouth’ and ‘Heavy of Tongue’: On Moses’ Speech Difficulty.” BASOR, no. 231 (October 1978): 57–67.

books: Ahmed, Sara. Queer Phenomenology: Orientations, Objects, Others. Durham, NC: Duke University Press, 2006. Bauer-Levesque, Angela. Gender in the Book of Jeremiah: A Feminist-Literary Reading. SiBL 5. New York: P. Lang, 1999. Black, Fiona C., and Jennifer L. Koosed, eds. Reading with Feeling : Affect Theory and the Bible. Atlanta, GA: SBL Press, 2019. Brenner, Athalya. The Intercourse of Knowledge: On Gendering Desire and “Sexuality” in the Hebrew Bible. BIS 26. Leiden: Brill, 1997. Camp, Claudia V. Wise, Strange, and Holy: The Strange Woman and the Making of the Bible. JSOTSup 320. Gender, Culture, Theory 9. Sheffield: Sheffield Academic Press, 2000. Chapman, Cynthia R. The Gendered Language of Warfare in the Israelite-Assyrian Encounter. HSM 62. Winona Lake, IN: Eisenbrauns, 2004. Creangă, Ovidiu, ed. Men and Masculinity in the Hebrew Bible and Beyond. BMW 33. Sheffield: Sheffield Phoenix Press, 2010. Eilberg-Schwartz, Howard. God’s Phallus: And Other Problems for Men and Monotheism. Boston: Beacon, 1995. Huber, Lynn R., and Rhiannon Graybill, eds. The Bible, Gender, and Sexuality : Critical Readings. London, UK ; T&T Clark, 2021. Guest, Deryn. When Deborah Met Jael: Lesbian Biblical Hermeneutics. London: SCM, 2005. Graybill, Rhiannon, Meredith Minister, and Beatrice J. W. Lawrence, eds. Rape Culture and Religious Studies : Critical and Pedagogical Engagements. Lanham, Maryland: Lexington Books, 2019. Graybill, Rhiannon. Are We Not Men? : Unstable Masculinity in the Hebrew Prophets. New York, NY: Oxford University Press USA, 2016. Halperin, David J. Seeking Ezekiel: Text and Psychology. University Park: Pennsylvania State University Press, 1993. Jennings, Theodore W. Jacob’s Wound: Homoerotic Narrative in the Literature of Ancient Israel. New York: Continuum, 2005. Macwilliam, Stuart. Queer Theory and the Prophetic Marriage Metaphor in the Hebrew Bible. BibleWorld. Sheffield and Oakville, CT: Equinox, 2011. Maier, Christl. Daughter Zion, Mother Zion: Gender, Space, and the Sacred in Ancient Israel. Minneapolis, MN: Fortress, 2008. Mills, Mary E. Alterity, Pain, and Suffering in Isaiah, Jeremiah, and Ezekiel. LHB/OTS 479. New York: T. & T. Clark, 2007. Stökl, Jonathan, and Corrine L. Carvalho. Prophets Male and Female: Gender and Prophecy in the Hebrew Bible, the Eastern Mediterranean, and the Ancient Near East. AIL 15. Atlanta, GA: SBL, 2013. Stone, Ken. Practicing Safer Texts: Food, Sex and Bible in Queer Perspective. Queering Theology Series. London: T & T Clark International, 2004. Weems, Renita J. Battered Love: Marriage, Sex, and Violence in the Hebrew Prophets. OBT. Minneapolis, MN: Fortress, 1995.

#ask

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the-moral-of-the-rose · 2 months

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If anybody wanted to write a crossover between L.M. Montgomery's books, here is a little help with the ages of the characters (@no-where-near-hero maybe it will be a tiny help for your fanfic):

Anne Shirley - born on 5th of March 1865

Gilbert Blythe - born in 1862 or 1863

James Matthew "Jem" Blythe - born in July 1893

Walter Cuthbert Blythe - born in 1894

Anne "Nan" and Diana "Di" Blythe - born in 1896

Shirley Blythe - born in 1888*

Bertha Marilla "Rilla" Blythe - born in 1900*

Gerald "Jerry" Meredith - born 1894

Faith Meredith - born 1895

Una Meredith - born 1896

Thomas Carlyle "Carl" Meredith - born 1897

Jims Anderson - born in August of 1914

Emily Byrd Starr - born on 19th of May 1888

Ilse Burnley - born in 1888 (probably)

Perry Miller - born in 1887

Frederick "Teddy" Kent - 1887 or 1888

Dean Priest - born in 1865

Patricia "Pat" Gardiner - born in 1913

Rachel "Rue" Gardiner - born in 1919

Winnifred "Winnie" Gardiner - born in 1910

Sidney "Sid" Gardiner - born in 1912

Joseph"Joe" Gardiner - born in 1908

Hilary Gordon - born in 1911

Elizabeth "Bets" Wilcox - born in 1913

David Kirk - born around 1893

Jane Stuart - born in May 1918 or 1919

Valancy Stirling* - born 1883**

Barney Snaith - born 1877**

Cecilia "Cissy" - born 1886**

Olive Stirling - born 1884**

Gay Penhallow - born in 1904***

Nan Penhallow - born in 1904***

Roger Dark - born in 1890***

Donna Dark - born between 1894 and 1896***

Virginia Powell - born between 1894 and 1896***

Peter Penhallow - born between 1888 and 1890***

Margaret Penhallow - born 1872***

Brian Dark - born 1916***

Hugh Dark - born in 1887***

Joscelyn Penhallow: born between 1889-1892***

*In both Anne of Ingleside and Rainbow Valley Shirley is two years older than Rilla. But in Rilla of Ingleside, he turns eighteen few months before Rilla... it is pure chaos. Rilla was supposed to be nearly fourteen, according to the RV, in 1914, but she is nearly fifteen in RoI. So I apologize, but I had a lot of trouble here...

**The Blue Castle is the most difficult to place in time. It is set several years before it was published, and in my own opinion: before Tangled Web and Pat of Silver Bush. Why? Because of this reference: "This was before the day of bobs and was regarded as a wild, unheard-of proceeding—unless you had typhoid." (The Blue Castle). Bobs were already "in fashion" at the beginning of Pat of Silver Bush (so, in 1919, when Pat was six years old: it was said that Winnie wanted to have her hair bobbed) and in Tangled Web (which is set in 1922). Yet, the cars, motorboats and movie theaters were a rather common occurence in The Blue Castle's times. But... there might be an explanation. Valancy doesn't live on PEI, which might have been a little "behind" the rest of Canada, as far as modern technology went. It is my own personal opinion, but I think that it might be set just before the war, at the same time as the end Emily's Quest. I know that the clothes seem more "modern" in TBC, but Emily wore "a little sport suit" and dress that was described as followed "there was so little of it". Teddy and Perry both had cars, as sone of Ilse's cousins. I would say that the Blue Castle book might be set around 1912-1913. Still, the timeline is extremely elusive. Please, let me know, dear Blue Castle Book Club's members, what is your opinion? I think I have read some amazing discussion about TBC's timeline a long time ago, but if I remember correctly, everyone was certain that this novel was set post WWI (me included, until this very moment when I tried to place Pat and Tangled Web and remembered the "bob" quote). So I choose 1912 as the beginning of TBC, when Valancy was twenty-nine.

*** the ages of characters in Tangled Web:

"They were first cousins, who were born the same day and married the same day,--Donna to her own second cousin, Barry Dark, and Virginia to Edmond Powell--two weeks before they had left for Valcartier. Edmond Powell had died of pneumonia in the training camp, but Barry Dark had his crowded hour of glorious life somewhere in France." (Tangled Web).

"Virginia Powell, whose husband had been dead eight years and who was young and tolerably beautiful" (Tangled Web).

"Valcartier, Quebec was the primary training base for the First Canadian Contingent in 1914."

- from: https://www.warmuseum.ca/firstworldwar/history/going-to-war/canada-enters-the-war/training-at-valcartier/

So, from this I assumed that Virginia's husband died in 1914 (so Tangled Web is set in 1922-23). Gay is 18 at the beginning, so she would be born in 1904. If Donna and Virginia were 18-20 when they got married, they would be 26-28 (so still "young"). at the beginning. Peter was 14 when Donna was 8, so he'd be 32-34 at the beginning of the book (same age or a bit older than Roger). Hugh was 35 at the beginning. I guess Joscelyn was a bit younger- most of LMM's heroines are at least two years younger than their love interest. I'd say she might have been 20-23 when she got married, so she'd be around 30-33 at the beginning of the book. I would say Brian is about six years old - he doesn't seem to attend school yet, but is big enough to be sent to the harbour. Margaret Penhallow was about fifty at the beginning of the book.

So sorry that this post was rather long, but it was a great fun to write (even if it took me A LOT of time). Thank you for reading. Please, let me know if you agree. Any feedback will be very welcome!

#lm montgomery #emily of new moon #anne of green gables #tangled web book club #tangled web #aogg #blue castle book club #the blue castle #Pat of silver bush #Rilla of ingleside #Rainbow Valley #I know I haven't included marigold or kilmeny #But I don't know how to place Kilmeny tbh #And I need to reread marigold before i will be able to include her here #I think I will reblog or add them later on

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gotham-ruaidh · 10 months

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now i lay me down to sleep - a 7x05 and 7x06 story

I had thought it would be easy to sleep in the tent that night – after a few uncomfortable days on the road, preceded by my brief yet searing stint back at Ticonderoga worrying for my patients and for Jamie, not to mention the stress we’d both felt before the fort was abandoned as our well-reasoned advice fell on deaf ears.

I’d mastered the art of sleeping in a tent, with the low noises of men camped all around me, during the war. My war, to be precise – on the blood-soaked fields of France. Too quickly I’d had to put that habit to use in the months we’d spent camping with Charles Stuart, and then again not too long ago, in those terrible days of the fruitless skirmishes with the Regulators.

So I’d thought that the murmured campfire conversations, and occasional snorting of horses, and all other manner of noises would lull me to sleep this night.

Yet I lay awake. Too tired to sleep.

Mind racing.

Walter’s last breath.

Ian looking at Rachel, as she helped Denny and I bandage a man who had discharged his musket into his foot.

The shape of William’s nose and chin.

Brianna smiling.

I sat up in the bedroll, and swung out my legs from under the blankets.

Jamie’s hand found the small of my back.

Peace.

“When Bree was small and she couldn’t sleep, sometimes she’d get frustrated. So I told her to rest her eyes instead.”

“Hmm. Did that work?”

“Well, it soothed her. I convinced her that laying still with her eyes closed was more restful than not doing so.”

I heard him sit up behind me. Felt his arms wrap around my middle, and his head settle into the curve of my shoulder.

“And if she didnae like what she saw when she closed her eyes?”

I found his hands and squeezed. “I would ask her to think about something she did like.”

He smiled into my neck. “Well then. I just need to keep looking at you, Sassenach. Cannae think of a better way to fall asleep.”

I flushed with pleasure, and turned to kiss him. It was hard to see in the dark, and we fumbled a bit, laughing, and he tasted of happiness.

We broke apart at a whoop from somewhere not too far from the tent.

“Christ,” Jamie whispered. “I’ll need to have a word wi’ Morgan in the morning. Cannae have the men making such a stramash. It will just cause confusion that the Mohawk or others are attacking, and we dinna need that just now.”

“I’m sure he’ll enjoy talking to you about it.”

He didn’t say anything, and let the moment stretch. Still we held each other’s hands, not fully awake, not willing yet to sleep.

“Do you see something you don’t like, when you close your eyes?”

It was always easy to talk in the dark – even with Jamie, who knew me better than anyone had or would.

“Ye ken weel about my nightmares. But before you ask more about it – no, they’re no’ back, or at least any more than they have always come and go.” His thumb traced my silver wedding ring. “I – only – hmm. I need to ask ye something, and as I turn it over in my mind it feels verra foolish to even say out loud.”

I smiled. “Surely you don’t think I’d laugh?”

“Ye have laughed, and ye will keep laughing at me, since the first day we wed, Sassenach. That’s no’ what I keep seeing.” He paused, and I knew there would be lines forming in his brow as he thought what to say.

I gave him as long as he needed.

“Do you think any less of me, Claire, that I couldnae save you myself?”

“What on earth?” My hand found his shoulder. “What’s this?”

I felt his eyes on me. “I came for you at Fort William wi’ nothing but an empty pistol. I found you after that time wi’ the crazy priest who married Fergus and Marsali. I found you in the forest after the Browns had taken you.”

“Yes,” I said patiently. “I remember.”

“So – at Ticonderoga I relied on Ian to find you. And when you were held prisoner by the governor, on that ship in Wilmington harbor – I relied on Tom Christie.”

“Yes.”

His words came all in a rush. “I couldnae save you those times, Claire. I had to ask other men to do it for me.”

My hand shifted to cup his cheek. “Because you were being pragmatic. You’re older than you were at Fort William. You have a lot more to lose.”

“If I lose you, Claire, I lose everything. Do you no’ ken that?”

“And if in so doing you lose yourself – where does that leave me? I’d rather have a dozen men help me get back to you, than you risking yourself to do it.”

He sighed. “I felt I betrayed my vow to you.”

“Nonsense. You kept it, by enlisting others to help me. Were they not happy to do it?”

“They were.”

“Then don’t tell me that’s beside the point. I’m here, with you, because you asked for help. That’s no small thing.”

A beat.

“And don’t you go doubting yourself. Not now. You need to have a steady mind. To shoot your rifle straight.”

He turned his head, and kissed my palm. “I’m daft.”

“You are. But you knew that already, and I knew that already.”

“And yet somehow, you still love me for it.”

“Despite it.”

I leaned in for a kiss. He drew us back down into the bedroll.

“Rest wi’ me, then, until the dawn. Maybe I’ll dream of the lass and her bairns.”

I settled closer against him. “I’ll dream of you and me, back on the Ridge, in a fine new house.”

He kissed my forehead.

#outlander #outlander fanfic #jamie and claire #outlander 07x05 #outlander 07x06

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leliosinking · 4 months

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Okay folks. Hear me out. I know the popular vision on this site is for amc Lestat’s rockstar era to be like.. leather pants and mesh shirts ala Maneskin (and Stuart Townsend tbh) but I just don’t see it for this interpretation of the character.

(I can’t shake the vibe that Damiano is a liiittle too close to what we’ve already seen, I’ll explain shortly)

But also.. we’ve already gotten a canon taste of this Lestat’s stage presence in s01e07. Look at this guy. He’s a flamboyant, piano playing dandy.. like a flamingly gay theatre faguette. This man was crowned king of Mardi Gras and chose to dress up like a queen..

No. No I don’t see mesh shirts and leather pants in this man’s future (at least not with a 2022 sensibility). But I do see a potential vision. Ride this thought train with me for a sec.

So for this theory to work I should first quickly explain where I think we are in the timeline:

We know that the original interview occurred in the 1970s, and that Daniel doesn’t remember much of that era.. (perhaps he was much closer to the action than he remembers) but I (and several other long term fans) think that the events in Dubai 2022 are likely a fusion of Prince Lestat and Merrick. But more importantly, I think that the events of TVL and QotD have already happened, and mostly likely in close proximity to the original interview.. it’s a lot to explain but trust me it works.

Lestat’s rockstar era occurring in the ‘80s (or even late ‘70s) would of course be book accurate, but it also would allow the show to distance itself from what has already been done in the films. So much like moving the events of IwtV from the 1780s to the 1910s for aesthetic variation, we would be moving the modern events of TVL and QotD from the early 2000s of the film back to their original placement in the timeline. And boy oh boy are the fashion options exciting.. but I have something in mind a little left of field.

So like.. I’m imagining a gothic Liberace, clad in 18th century waistcoats and dramatic capes. Think sequins and candelabras. It’s all very late ‘70s early ‘80s. I know the books are more of a guideline than a bible for this series but the TVC vampires are drawn to the fashion of their era. I can 100% see interpreting his wolf killer coat into an extravagant sequined cape. Imagine “Come to Me” rearranged as a Neil Diamond piano rock ballad.. like are you following my train of thought? Like this Lestat is so so SO gay. And the visual references amc has been pulling from understand that.

(of course this is all very silly looking, but again, refer to Lestat at the Mardi Gras parade.. that’s him!)

Or think Elton John but like.. by way of Ozzy Osborne. Dramatic wigs and piano ballads, but also stage blood and prosthetics.

This Lestat understands high camp and theatricality, and I see him deliberately toeing the line between these two seemingly conflicting aesthetics because that’s who he is. Frankly it’s who he has always been as a character. Lestat “eating” the king cake baby? It’s just Ozzy biting the head off a bat. And I think more of that is what we’re in for.

(I can’t not mention the absolutely perfect adaptation by innovation comics. This look is a great jumping off point for what we might see.. but I think the costume department will take it many many steps further)

At their root the Vampire Chronicles are period drama, and Rolin and co. are already leaning into that (like there are what? Three active timelines in season one? I would expect even more as the series progresses tbh) and I think a season set largely in the 1980s is going to be more enticing to this team than one set in our present decade. And that’s okay! There’s not only a ton of fashion potential in that era, but also storytelling tools that could not only maintain the current framing device, but also expand on it.

Imagine season 2 ending not with Lestat arriving at the door, but with Armand handing Daniel yet another stack of documents to read and research. Only this time it’s Rolling Stone interviews, vinyl records, music videos and mtv appearances on tape.. all of this ephemera could be used similarly to Claudia’s diary in s01e04 to develop a richer storytelling device. But also it would help to keep Louis the primary narrator, while still providing voice and agency to Lestat (who I suspect is recovering from his post-MTD coma, but that’s a theory for another day).

Of course this is all theory and I’m sure many of you are more informed on bts spoilers than I, but this is one topic I’ve been wanting to talk about since season 1 concluded, and knowing season 2 will be treading into TVL territory opens up a ton of possibilities. But yeah! Even if the show goes in a totally different direction I hope if nothing else this might inspire some fan artists to play around with an alternative era for Les!

#interview with the vampire #iwtv #anne rice #lestat #amc iwtv #vampire chronicles #amc interview with the vampire #the vampire chronicles #tvc #queen of the damned #the vampire lestat

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mybeingthere · 18 days

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Elmer Crowell: Sculptor, Painter, Decoy Maker

A. Elmer Crowell (1862-1952) of East Harwich, Massachusetts, is known as one of the greatest decoy makers and bird carvers of all time. The lifelike quality of his three-dimensional portrayals of American wildfowl is unsurpassed. He acquired his intimate understanding of avian anatomy and plumage patterns over the course of a lifetime spent observing and hunting Cape Cod’s abundant indigenous and migratory bird populations.

Before establishing his carving studio in 1912, he worked as a hunting guide, camp manager, market gunner, cranberry farmer, and exterminator. Crowell was inspired to start his studio by the passage of the latest in a series of federal and state hunting laws aimed at bird conservation. He decided to focus fulltime on making decoys and decorative bird “models” for sale. Although Crowell had carved decoys for his own use since he was a teenager, and later for a “who’s who” of well-to-do patrons, he found a new market for his decoys and ornamental bird carvings in collectors and tourists who appreciated them as exquisite works of art.

The ten works showcased in this online exhibition have been selected from Shelburne Museum’s collection of more than 150 carvings, paintings, and drawings by Crowell. Most works were given to the Museum in 1966, by Mrs. Stuart M. Crocker in memory of her late husband, who was a lifelong friend of Crowell and a major collector of his ornamental birds. Each object was chosen because it either demonstrates his talents as a sculptor and painter or is a milestone in his artistic career.

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mariacallous · 4 months

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(New York Jewish Week) – When Michael Witkes arrived at his bar mitzvah party, he knew he couldn’t enter to a musical theater song, his preferred genre, because he was already being bullied for being too effeminate and flamboyant. So, he simply told the DJ to just pick any song that matched the vibe of a bar mitzvah entrance.

The DJ picked “I’m Coming Out” by Diana Ross.

“This day that is supposed to be completely celebratory became this kind of tragic, camp event, where I had to wrestle with getting bullied because of this,” Witkes said. “I was just trying to become a man, a Jewish adult, and then I was suddenly getting outed at my bar mitzvah.”

Eighteen years later, Witkes, 31, is a professional drag queen in New York City, performing as “Pink Pancake.” This week, he will revisit that troubling coming-of-age moment in his first ever one-woman drag show, “Today You Are a Man!” at The Tank NYC.

“I take that moment of tragedy and I flip it on its head and I turn it into this play about self discovery and coming into your authenticity as a queer person and as a Jew,” Witkes told the New York Jewish Week.

Witkes first began developing the show, which runs for 50 minutes, two years ago as a four-minute lip sync for a “Hanukkah in July” drag performance. Since then, he’s partnered with director and queer Jewish art and events curator Stuart B Meyers to flesh out a full-length performance.

“The show gives an earnest portrayal of the horror of that experience, how awful it was, and is, to be bullied for being gay and femme, yet also lifts and celebrates the story of who Michael has become through drag,” Meyers told the New York Jewish Week. “So what’s really interesting is that the piece is about his bar mitzvah of the past, but in a big way, it’s also a bar mitzvah in and of itself, because it’s a celebration of his own very Jewish process of coming into this next chapter as Pink Pancake.”

Ahead of the show, the New York Jewish Week caught up with Witkes about what it was like to make the show and revisit his bar mitzvah experience.

This interview has been lightly edited for length and clarity.

What would you tell your 13-year-old self about how far you’ve come?

It’s funny because I think if I told my 13-year-old self, “Hey, you’re now a drag queen in New York, and you’re making a living pursuing this queer art form,” I think that my 13-year-old self would be horrified. This might be my biggest fear at the time, realized.

First, I would give my 13-year-old self a giant hug. I think I would say, “You are wonderful as you are and just let your inner star shine. At the time, I did everything I could to make myself smaller and to try to hide the fact that I was gay, even though I was just naturally more feminine and flamboyant growing up. I did everything I could to hide that, with my clothes, with the way I walked around. Everything was a performance. I would just say, “Hey, baby, breathe, let it all out. It’s gonna be okay. Own who you are.”

What does it mean to you to have your first full-length one-woman show center on a Jewish narrative?

I grew up in a pretty Jewish suburb of Philadelphia, on the Main Line. I feel like growing up, I kind of took my Judaism for granted. In seventh grade, there was a bar or bat mitzvah every single weekend. Judaism was so prevalent that it wasn’t a huge part of my identity.

But now we’re in a time where there is this rise in antisemitism and you can feel it. In my other gigs, I have made some self-deprecating jokes in the mic about being Jewish — as Jews do with Jewish humor. Before it was just a part of my act, but now I have this inner voice in the back of my head saying “Is it safe to say this? Is it safe to make these jokes? Is it safe to be openly Jewish?” Since coming out and embracing myself fully, I’ve been really proud to be queer. Now I feel like the show is helping me be more proudly Jewish. It’s been wonderful working with Stuart Meyers, who has done a lot of queer Jewish work and queer Jewish art, because he’s kind of pushed me to embrace my Judaism even more and pull things out in the show in relation to my Jewish identity even more, so it’s been really exciting. We have to continue to be visible and proud and continue to advocate for ourselves and everyone that is marginalized in the global majority.

Do you feel like making this show has helped you process the trauma from your bar mitzvah party and given you a second chance at celebrating?

That is the structure of the show in a way, where I have the chance to do it all over again. It’s a queering of this Jewish rite of passage. The whole show, in a way, is like a redo of my own bar mitzvah, but now I’m in drag as a woman — but I’m not a woman, and I’m also very gender-queer. It’s a beautiful way to explore what it means to be a man and to explore your gender identity and sexuality.

This has definitely helped me process my bar mitzvah and re-own this moment that was kind of tragic. In general, my bar mitzvah was a wonderful event — this moment just clouded it. I think that wounds can continue to heal and come back and they can surprise you like, “Oh, I thought I got over that.” So revisiting this moment has definitely brought some things up to the surface that I’m able to now heal from.

I rewatched the video of my service many, many times while putting the show together. I had a wonderful support system in my parents, but I don’t think I fully realized that at the time because I felt so alone and othered in school. So it’s really healing to be able to look back and listen to the speeches that my parents made at my bar mitzvah. Watching myself in the video, I look awkward and I don’t like that my parents are saying nice things about me and I’m probably not fully paying attention and kind of dissociating because it’s uncomfortable. But to look back now — my parents are so sweet. My dad said that he appreciated how sensitive I was and how gentle I was. These are things that I was bullied for, because they’re not “masculine.” But at my bar mitzvah, he was saying you’re a man because of all of these things. That’s just so beautiful.

I’m excited to bring it to an audience. I’m sure that healing will happen even more when it’s in front of a live audience and I’m hoping that the same thing will happen for them as well. I hope bringing the specificity of this event to my show will allow people to bring the specificity of their own moments growing up Jewish or growing up queer and find healing and celebration.

What else can people expect at the show?

There are going to be too many costumes in a short amount of time. I’m really excited for all of these wacky costumes I’m bringing. It’s going to be heartfelt, it’s going to be drag. It’s a full production and I’m so excited to finally bring this to life after sitting on it for all this time. It combines drag lip sync with multimedia — video projections of my bar mitzvah and lots of other very fun, funny things. Of course, I have two backup dancers — it’s a one-woman show, but it’s a one-woman drag show, so that means that you need to have two backup dancers. It’s a fully realized show with a plot and a beginning, middle and end.

“Today You Are a Man!,” is playing at The Tank NYC (312 W. 36th St.) Jan 18-20 at 9:30 p.m. and Jan. 21 at 7 p.m. Tickets start at $15.

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ghoul-slime · 7 months

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Ghouls & Their Favorite Horror Movies (1980s edition)

In honor of Halloween being just a few days away (!!!) have some thoughts about the ghouls and their favorite horror movies. Narrowed down to the 1980s because that's probably my favorite decade for horror (shoutout to the 70s though).

Dew: City of the Living Dead, The Evil Dead, Pieces, Cannibal Holocaust

Resident horror snob and ultimate gorehound. The bloodier, sleazier, and more fucked up the better. Huge fan of the Italian horror directors, especially “Godfather of Gore” and king of onscreen eyeball trauma Lucio Fulci. City of the Living Dead (aka The Gates of Hell) is his favorite, it’s gory, blasphemous, and just obscure enough for him to feel smug when nobody else has heard of it. The biggest horror fan of the group, he’s seen it all and is always on the hunt for something weird and new that he hasn’t seen yet (a difficult task). Introduced pretty much all of the other ghouls to their favorite horror movies.

Aether: Return of the Living Dead, Re-Animator, Night of the Creeps, Killer Klowns from Outer Space

Lover of all the best 80s horror comedies. Silly and fun without being too intense or mean-spirited. The more over the top the better. Aether movie nights are always the most fun. Loves Return of the Living Dead because of the awesome punk rock soundtrack and 80s punk aesthetic. Secretly loves horror comedies the best because he gets to see Dew laughing the whole time. He and Dew are the most annoying about quoting movies back and forth to each other nonstop.

Mountain: The Thing, They Live, Aliens, From Beyond

Loves his horror with a side of sci-fi. Major John Carpenter and Stuart Gordon fan (who isn’t). Also a huge fan of sci-fi horror with amazing practical effects and The Thing is the king of them all (he loves the original too, for the plant-man monster of course).

Swiss: Hellraiser, Videodrome, Society, Street Trash

Body horror enthusiast. If it's slimy, horny, and taboo then he’s all about it. Unsurprisingly the biggest Cronenberg fan of the bunch. Huge fan of the Hellraiser series, what with all the leather and the chains and the flesh. Will also sit you down and force you to watch Society if you’ve never seen it (you will thank him later).

Phantom: The Monster Squad, Fright Night, The Lost Boys, Near Dark

Of course it’s gotta be The Monster Squad. Phantom loves the classic Universal Monsters and Monster Squad has them all, wrapped up in a super fun 80s horror comedy with great writing and memorable characters. Will undoubtedly yell WOLFMAN’S GOT NARDS at the most inopportune times. Loves vampire movies the most and secretly thinks of his pack a little bit like the group of vampires in Near Dark.

Aurora: Night of the Comet, Slumber Party Massacre, Phenomena, Sleepaway Camp 2

GIRLS GIRLS GIRLS. Loves seeing pretty women absolutely kick ass onscreen. And any horror movie with a female villain will almost always become a favorite. Loves Night of the Comet because why shouldn’t a couple of valley girl cheerleaders get to enjoy a mall shopping spree while also mowing down hordes of comet zombies with machine guns?

Cirrus: Possession, Altered States, The Shining, the Ninth Configuration

Queen of psychological horror. Her picks usually toe the line between horror and other genres. Cirrus movie nights almost always have to come with a “palate cleanser” movie right after (usually a Cumulus or Aether pick). Dew secretly thinks she has the coolest taste of the bunch.

Cumulus: Hollywood Chainsaw Hookers, Sorority Babes in the Slimeball Bowl-O-Rama, Blood Diner, TerrorVision

80s horror comedies (horny version). Like Aether, Cumulus loves horror comedies. But for her, the sexier and more ridiculous the better. Always thinks a movie would do better with more boobs and full-frontal. Vocal advocate for more male nudity in movies. Linnea Quigley is her horror idol.

Sunshine: Slumber Party Massacre 2, Black Roses, Trick or Treat, Slaughterhouse Rock

Number one champion of the rock & roll horror subgenre. Horror and rock music were both public enemy number one during the Satanic Panic of the 80s, and Sunny loves movies that lean into it. Slumber Party Massacre 2 is the most fun with the leather-clad rockabilly slasher facing off against members of an all-girl rock group with his massive (unmistakably phallic) electric guitar-drill.

Rain: Jaws 3, Humanoids from the Deep, The Fog, The Abyss

Absolutely nobody is shocked to discover Rain is a fan of underwater/nautical horror. He doesn’t even care if a movie is “good” as long as it’s wet and full of weird monsters or creatures. Avid defender of Jaws 3 (it has dolphins, hello). His taste is all over the place quality-wise, from b-movie creature features like Humanoids, to the cozy coastal ambiance of the Fog. As the only ghoul who can breathe underwater, he loves to watch others squirm during the breathing fluid scene in the Abyss.

#nameless ghouls #dewdrop ghoul #aether ghoul #rain ghoul #swiss army ghoul #swiss ghoul #phantom ghoul #mountain ghoul #aurora ghoulette #cirrus ghoulette #cumulus ghoulette #sunshine ghoulette #tag yourself i'm all of them but mostly dew and aether #ghoul-slime headcanons #halloween ghouls

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